beck the information full album download free Beck – Discography (1993 – 2014) Beck – Discography (1993 – 2014) EAC Rip | 41xCD | FLAC Tracks & Image + Cue + Log | Full Scans Included Total Size: 11.9 GB | 3% RAR Recovery STUDIO ALBUMS | SINGLES & EPs Label: Various | Genre: Alternative Rock. Initially pegged as the voice of a generation when “Loser” turned into a smash crossover success, Beck wound up crystallizing much of the postmodern ruckus inherent in the ’90s alternative explosion, but in unexpected ways. Based in the underground anti-folk and noise-rock worlds, Beck encompassed all manner of modern music, drawing in hip-hop, blues, trash rock, pop, soul, lounge music — pretty much any found sound or vinyl dug up from a dusty crate — blurring boundaries and encapsulating how ’90s hipsters looked toward the future by foraging through the past. In another time, Beck may have stayed in the province of the underground, but he surfaced just as alternative rock turned mainstream, with his 1994 debut Mellow Gold launching “Loser,” a hit that crossed over with the velocity of a novelty, a notion Beck quickly punctured with a succession of indie LPs delivered in the wake of Mellow Gold, including the lo-fi folk of One Foot in the Grave, delivered on the K imprint. But the album that truly cemented Beck’s place in the pantheon was 1996’s Odelay, a co-production with the Dust Brothers that touched upon all of his obsessions, providing a cultural keystone for the decade while telegraphing all his future moves, from the soul prankster of Midnite Vultures to the melancholy troubadour of Sea Change. ― Allmusic. 1. STUDIO: 1993. Golden Feelings (1999, Sony Enemy, SE 002, USA) 1994. Mellow Gold (2012, Universal, UICY-25176, Japan, SHM-CD) 1994. One Foot in the Grave (1994, K, KLP 28, USA) 1994. Stereopathetic Soulmanure (1994, Flipside, FLIP60, USA) 1996. Odelay (2012, Universal, UICY-25177, Japan, SHM-CD) 1998. Mutations (1998, DGC, DGCD-25309, USA) 1998. Mutations (2012, Universal, UICY-25178, Japan, SHM-CD) 1999. Midnite Vultures (1999, DGC, 0694904852, USA) 1999. Midnite Vultures (2012, Universal, UICY-25179, Japan, SHM-CD) 2002. Sea Change (2012, Universal, UICY-25180, Japan, SHM-CD) 2005. Guero (2012, Universal, UICY-25181, Japan, SHM-CD) 2006. The Information (2006, Interscope Records, B0007601-00, USA, CD+DVD) 2008. Modern Guilt (2008, DGC Records, B001150702, Canada) 2014. Morning Phase (2014, Capitol, B001983802, USA) 2. SINGLES & EPs: 1994. Beercan (1994, DGC, DGCDM-22000, USA) 1994. Loser (1994, DGC, DGCDM-21930, USA) 1994. Loser (1994, Geffen, GFSTD 67, UK) 1996. Devil’s Haircut (1996, Geffen, GFSXD 22183, UK) 1996. Where It’s At (1996, Geffen, GFSTD22156, UK) 1996. Where It’s At (1996, MCA Victor, MVCG-15001, Japan) 1997. Deadweight (1997, Geffen, GFSTD 22293, UK) 1997. Jack-Ass (1997, Geffen, GFSTD 22276, UK) 1997. Sissyneck (1997, Geffen, GFSTD 22253, UK) 1997. The New Pollution CD1 (1997, Geffen, GFSTD22205, UK) 1997. The New Pollution CD2 (1997, Geffen, GFSXD 22205, UK) 1998. Cold Brains (1998, Geffen, INTDM-97093, Australia) 1998. The Mutations Conversations (1998, DGC, PRO-CD-1235, USA, Promo) 1998. Tropicalia (1998, Geffen, GED 22365, UK) 1999. Mixed Bizness CD1 (2000, Geffen, 497 300-2, EU, Enhanced CD) 1999. Mixed Bizness CD2 (2000, Geffen, 497 301-2, EU, Enhanced CD) 1999. Nobody’s Fault But My Own (1999, Universal Victor, MVCF-12015, Japan) 1999. Sexx Laws CD1 (1999, Geffen, 497 181-2, UK) 1999. Sexx Laws CD2 (1999, Geffen, 497 182-2, UK) 2000. Nicotine & Gravy (2000, Geffen, 497 389-2, EU, Enhanced CD) 2005. E-Pro (2005, Interscope Records, 00602498800522, EU) If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. The Information [Deluxe Edition] Beck began work on 2006's The Information after Sea Change but before he reunited with the Dust Brothers for 2005's Guero, eventually finishing the album after Guero was generally acclaimed as a return to Odelay form. So, it shouldn't come as a great surprise that The Information falls somewhere between those two records, at least on sonic terms. Musically, it's certainly a kindred spirit to Guero, meaning that it hearkens back to the collage of loose-limbed, quirky white-boy funk-rock and rap that brought Beck fame at the peak of the alt-rock revolution, with hints of the psychedelia of Mutations and the folk-rock that was the basis for Sea Change. Since this is a Nigel Godrich production, it's meticulous and precise even when it wants to give the illusion of spontaneity, which isn't necessarily a bad thing, since it also pulls the album into focus, something that the generally fine Guero could have used. Guero had many strengths, but its biggest weakness was the general sense that it was unfinished, a suspicion fostered by its endless issues in deluxe editions and remixes. Beck embraced these changes, most extravagantly on the cover of Wired, where he was hailing the future of the album, which would now no longer be seen as finished: it would be a project that covered a certain amount of time, the artist would package it one way, then listeners would offer their own spin. That is precisely what Guero turned out to be, so it would have made sense that The Information would run further down that field, particularly because it has a design-your-own-art for its cover and is supplemented by a DVD filled with quick-n-dirty videos for each of its songs. But Beck isn't so easily pigeonholed: as it turns out, The Information is far more of a proper album than Guero, coming fully equipped with recurring themes and motifs, feeling every bit the concept album Sea Change was. Credit might go partially to his collaboration with Godrich -- who is nothing if not a taskmaster, helping to sharpen and focus erratic talents like Paul McCartney and Stephen Malkmus (for good in the former, not as good in the latter) -- but this also feels like the work of a refocused Beck, who shook off the cobwebs by reuniting with the Dust Brothers, thereby getting his "return to Odelay form" notices out of the way, and then getting down to the real work here on The Information, as he tackles the hyper-saturated info-world of the new millennium here. If it initially seems like surprises are in short supply on The Information -- even when the tracks take a left turn, it doesn't feel like Beck and Godrich are wandering off the map -- the craft is strong and assured, and closer listens reveal the depth of the detail within the album, whether it's in the construction of the production or how those productions illuminate Beck's themes. Ever the obscurist, Beck's meanings aren't always crystal clear, which is no doubt deliberate, but his overall intent is easier to ascertain, especially when "Cellphone's Dead" juts up against "Nausea." There's a greater sense of craft here, and while craft isn't necessarily the first thing that comes to mind when thinking about Beck, it's what happens when an eccentric sticks around for over a decade: he turns pro. He's done his exploring and now he's learning how to apply what he's discovered. While this may have the inevitable side effect of making his music a little less bracing and exciting, at least on first listen -- and that's especially true when he's in his pop chameleon mode as he is here, since it often seemed like his collages were quickly thrown together instead of immaculately assembled as they are here -- it nevertheless makes for a well-constructed, intriguing, and satisfying album, which The Information assuredly is. Upon first listen, it might seem to slide by a little bit on texture and sound instead of song, but that doesn't necessarily mean it feels even as groove- oriented and hip-hop-driven as Guero (let alone Midnite Vultures), despite the fact that many of the best tracks are built on muscular, intricate rhythms, like the dense, paranoid "Nausea" or the opening fanfare of "Elevator Music." But those further listens -- something that a neo-concept album like this demands anyway -- reveal the complexity within the productions, and how Beck is bridging the two sides of his personality, finding a common ground between his folk roots and art rock sides. All those little details give each cut a dramatic flow, and as the cuts pile up, they all add up to something. Like a picture where you have to stare intently to find the hidden item buried in a seas of colored dots, it can be far too easy on The Information to look at the individual dots and not see the big picture -- but at least here the dots are interesting in and of themselves. And if you give it time, The Information eventually reveals itself as Beck's tightest, most purposeful album yet. [The 2007 Deluxe Edition includes bonus tracks.] Beck the information full album download free. "Best Buy" music stores special edition. Includes download card for a bonus track, "This Girl That I Know." Recorded at Ocean Way Studios, Conway Studios, Sound Isadore & Beck's Garage (Los Angeles, CA), winter 03 to spring 06. Mastered at Gateway Mastering (Portland, ME). 'Stickers inside' (includes one of 4 different sets available). DVD consists of videos for each track. Tracks 3 and 12 feature alternate angles to select while watching. New Beck Album The Information : First Listen. The Information album will be coming with stickers so that fans can make their own cover.