Schmetterlinge in Zürich

Total Page:16

File Type:pdf, Size:1020Kb

Schmetterlinge in Zürich MMusicusic & SSoundsounds WORLDMUSIC Schmetterlinge in Zürich Von Luca D’Alessandro Bild: Die verliebte Bebel Gilberto / Foto: Philippe Kliot Sie ist bis über beide Ohren Interessante Begegnungen Be- verliebt und will heiraten. bel Gilbertos Leben ist geprägt Doch vorher geht sie noch von Erfahrungen und Begegnun- einmal auf Tournee. Am 1. gen: In ihrer New Yorker Woh- November steht Bebel Gil- nung befi ndet sich ein eigenes Studio, das sie rege nutzt, um mit berto auf der Bühne des Zür- David Byrne, Arto Lindsay und der cher X-Tra Club. Im Gepäck Thievery Corporation zusammen- führt sie ihr brandneues Al- zuarbeiten. Sie schätzt die Arbeit bum «All In One». in den eigenen vier Wänden, «die Aufnahmen wirken sofort persön- ie ist die Tochter des legen- licher», sagt sie. S dären brasilianischen Gitar- Einziges Konzert in der Schweiz risten, Sängers und Komponisten Am 1. November wird Bebel Gil- João Gilberto, der neben Antônio berto anlässlich ihres einzigen Carlos Jobim als Urvater des Bossa Schweizer Konzerts im X-Tra Club Nova gilt. Gitarrenspieler Chico in Zürich einen Blick in ihre Welt Buarque ist ihr Onkel, Sängerin gewähren. Im Vordergrund steht Heloísa Buarque de Holanda, alias das aktuelle Album. Zweifelsohne Miúcha, ihre Mutter. Wer in einem wird sie auch jene Werke perfor- solchen Zuhause aufwächst, bleibt men, die sie zu dem gemacht ha- von der Musik nicht unbehelligt. ben, was sie heute ist. Eine Sän- Bebel Gilberto trägt das Erbe ih- gerin, die sich wiederholt gegen rer Vorfahren in sich, sie lebt und das Klischee behaupten musste, kostet es in all seinen Facetten, eine Kopie ihres Vaters zu sein. so auch in ihrer Diskografi e, die Ein unberechtigter Vorwurf: Zwar inzwischen eine stattliche Liste besinnt sich Bebel Gilberto auf die füllt. Tradition ihrer Heimat, doch lässt Die Hochzeitsglocken klingen sie auch moderne Einfl üsse zu. Sie Seit Ende September ist Bebel mit setzt den Bossa Nova in ein neues «All In One» um ein Album reicher. Licht. Und die Erfolgszahlen geben Im Vergleich zu den Vorgängern ihr Recht: Die seit 2000 erschie- kommt sie im neuen Werk selbst- nenen Alben verkauften sich milli- bewusster daher, ohne sich von onenfach. Mit ihren Songs landete ihrem eigenen Stil zu entfremden. sie in den Billboards World Music Die Texte handeln – wie von Be- Charts in den Top 5. «All In One» bel nicht anders zu erwarten – von wird dazu beitragen, dass diese Liebe und Leidenschaft, von Musse und Sonne. zeln, es dominieren die sinnlichen Rhythmen Erfolgsgeschichte weitergeht. Sie sind liebevoll gesungen und akkurat ar- ihres Vaterlands Brasilien, die Songs, die von rangiert, die Melodien sphärisch-elektronisch Carlinhos Brown, Didi Gutman (Brazilian Girls), Bebel Gilberto in der Schweiz unterlegt. Es ist offensichtlich, dass es ihr Mario Caldato Jr. (Beastie Boys), Mark Ronson, Sonntag, 1. November, 19:30h, X-Tra Club Zü- gut geht. «Ich werde heiraten», lässt sich die Daniel Jobim, John King (Dust Brothers) und rich in New York geborene Brasilianerin auf ihrer Tom Brenneck produziert wurden. Sie nimmt Homepage zitieren. Ihr Ehemann in spe ist der Klassiker auf wie «Bim Bom», ein Lied aus der Diskografi e Toningenieur und leitende Produzent des aktu- Feder ihres Vaters. Ihren Tribut zollt sie der 2000: Tanto Tempo ellen Albums. «Ich glaube, dass es einen beim in den Fünfzigern verstorbenen Sängerin und 2001: Tanto Tempo Remixes Musikmachen befl ügelt, wenn man verliebt ist, Schauspielerin Carmen Miranda: Der Hit «Chica 2004: Bebel Gilberto vor allem dann, wenn die geliebte Person wäh- Chica Boom Chic» kommt in einer gewitzten 2007: Momento rend der Aufnahmen daneben steht.» Neuinterpretation daher. Ein weiterer Cover- 2009: All In One Von Carlinhos Brown bis Bob Marley Leckerbissen ist der Bob-Marley-Klassiker In «All In One» besinnt sie sich auf ihre Wur- «The Sun Is Shining». Info: www.bebelgilberto.com 32.
Recommended publications
  • Mh Cd Hrsnqhd Qh Rˇ
    Citi]i-ne online la www.polirom.ro/supliment.html DUMNEZEU SE UIT| LA NOI CU BINOCLUL: „Rabelais m\-ncurajeaz\“ de Emil Brumaru, pag. 6 TELENOVELA NOVA: Al IX-lea episod al telenovelei „Un mire f\r\ c\p\t`i“ 1.50 lei de {erban Foar]\, pag. 7 Nr. 61 • 28 ianuarie – 3 februarie 2006 • S|PT|M~NAL REALIZAT DE EDITURA POLIROM {I „ZIARUL DE IA{I“ • APARE S~MB|TA • E-MMAIL: [email protected] Radu Pavel Gheo: „Arca ruseasc\“: Mi s-a pus Despre 300 de pata pe MISA ani de istorie „Rom=nii e de[tep]i“ `n PAGINA 3 Cronic\ de film de Iulia Blaga `n PAGINA 14 „~ngrozite“ de rezultatele Barometrului de Consum La români nu exist\ Cultural, autorit\]ile propun un nici super-ratare,super-ratare nici super---succes Interviu cu scriitorul Mito[ Micleu[anu, component al grupului Barometru de Planeta Moldova „Cred c\ `n literatur\ lucrurile s`nt ca legumele puse la murat. Devin bune dac\ g\se[ti re]eta potrivit\ [i e nevoie de timp ca s\ capete gustul perfect. Exist\ o perioad\ `n care un consum statuar scriitor se coace. Un scriitor devenit cunoscut peste noapte risc\ s\ fie uitat peste noapte.“ Un interviu de Oana Stoica `n PAGINILE 8-9 ~ntoarcerea Juliei Kristeva `n Bizan]ul/ Bulgaria natal\ Destinul Juliei Kristeva fascineaz\. Este un model de reu[it\ care nu are cum s\ nu b`ntuie, p`n\ la urm\, `ntr-un fel sau altul, fie c\ o recunoa[tem, fie c\ nu, imagina]ia oric\rei intelectuale estice.
    [Show full text]
  • 1994.06.18-NME.Pdf
    INDIE 45s US 45s PICTURE: PENNIE SMITH PENNIE PICTURE: 1 I SWEAR........................ ................. AII-4-One (Blitzz) 2 I’LL REMEMBER............................. Madonna (Maverick) 3 ANYTIME, ANYPLACE...................... Janet Jackson (Virgin) 4 REGULATE....................... Warren G & Nate Dogg (Outburst) 5 THE SIGN.......... Ace Of Base (Arista) 6 DON’TTURN AROUND......................... Ace Of Base (Arista) 7 BABY I LOVE YOUR WAY....................... Big Mountain (RCA) 8 THE MOST BEAUTIFUL GIRL IN THE WORLD......... Prince(NPG) 9 YOUMEANTHEWORLDTOME.............. Toni Braxton (UFace) NETWORK UK TOP SO 4Ss 10 BACK AND FORTH......................... Aaliyah (Jive) 11 RETURN TO INNOCENCE.......................... Enigma (Virgin) 1 1 LOVE IS ALL AROUND......... ...Wet Wet Wet (Precious) 37 (—) JAILBIRD............................. Primal Scream (Creation) 12 IFYOUGO ............... ....................... JonSecada(SBK) 38 38 PATIENCE OF ANGELS. Eddi Reader (Blanco Y Negro) 13 YOUR BODY’S CALLING. R Kelly (Jive) 2 5 BABYI LOVE YOUR WAY. Big Mountain (RCA) 14 I’M READY. Tevin Campbell (Qwest) 3 11 YOU DON’T LOVE ME (NO, NO, NO).... Dawn Penn (Atlantic) 39 23 JUST A STEP FROM HEAVEN .. Eternal (EMI) 15 BUMP’N’ GRIND......................................R Kelly (Jive) 4 4 GET-A-WAY. Maxx(Pulse8) 40 31 MMMMMMMMMMMM....... Crash Test Dummies (RCA) 5 7 NO GOOD (STARTTHE DANCE)........... The Prodigy (XL) 41 37 DIE LAUGHING........ ................. Therapy? (A&M) 6 6 ABSOLUTELY FABULOUS.. Absolutely Fabulous (Spaghetti) 42 26 TAKE IT BACK ............................ Pink Floyd (EMI) 7 ( - ) ANYTIME YOU NEED A FRIEND... Mariah Carey (Columbia) 43 ( - ) HARMONICAMAN....................... Bravado (Peach) USLPs 8 3 AROUNDTHEWORLD............... East 17 (London) 44 ( - ) EASETHEPRESSURE................... 2woThird3(Epic) 9 2 COME ON YOU REDS 45 30 THEREAL THING.............. Tony Di Bart (Cleveland City) 3 THESIGN.,. Ace Of Base (Arista) 46 33 THE MOST BEAUTIFUL GIRL IN THE WORLD.
    [Show full text]
  • Beck Lets the Purple Rain Fall JOHN ZEISS Reviews Editor Beck Contrary to Midnite Vultures Advance Hype (And It's Been a Bad Year for L.A
    Natalie Merchant delivers a must-own MEREDITH VONDRA staff writer Buy this CD! Buy this CD! Buy this CD! Some "best of" CDs are noth- ing more than a desper- ate cry for money. Oth- ers are a true exploration on the versatility of the songs. Natalie Mer- chant's Live In Concert is the latter. Merchant's new CD is a recording of her show on June 13 at the Neil ferent view of Merchant. Too Simon Broadway Theater. often, live versions differ very Although she is singing to a little from an artist's original large audience, intimacy recording. Merchant puts her oozes from the songs. The entire self into her live music. songs are a mix of Merchant's The result is an amazing hits, new songs and several album quite different than one covers. The best track is the produced in a studio. Live In cover of David Bowie's Concert cannot even be com- "Space Oddity." The lone gui- pared to Merchant's previous tar and Merchant's soulful work. Her true talent as an .' vocals create a haunting artist shines, and her voice is effect. For once, a cover is bet- astounding. Buy this CD! ter than the original. Live In Concert offers a dif- Na.talie Merchant wraps up and gets cozy. Her new live album feels cozy and 1nt1mate as well. Beck lets the purple rain fall JOHN ZEISS reviews editor Beck Contrary to Midnite Vultures advance hype (and It's been a bad year for L.A. First, DGC/Interscope the title and bulk the Chili Peppers berated its broken of this review), dreams on Califomication.
    [Show full text]
  • Music Sampling and Copyright Law
    CACPS UNDERGRADUATE THESIS #1, SPRING 1999 MUSIC SAMPLING AND COPYRIGHT LAW by John Lindenbaum April 8, 1999 A Senior Thesis presented to the Faculty of the Woodrow Wilson School of Public and International Affairs in partial fulfillment of the requirements for the degree of Bachelor of Arts. ACKNOWLEDGMENTS My parents and grandparents for their support. My advisor Stan Katz for all the help. My research team: Tyler Doggett, Andy Goldman, Tom Pilla, Arthur Purvis, Abe Crystal, Max Abrams, Saran Chari, Will Jeffrion, Mike Wendschuh, Will DeVries, Mike Akins, Carole Lee, Chuck Monroe, Tommy Carr. Clockwork Orange and my carrelmates for not missing me too much. Don Joyce and Bob Boster for their suggestions. The Woodrow Wilson School Undergraduate Office for everything. All the people I’ve made music with: Yamato Spear, Kesu, CNU, Scott, Russian Smack, Marcus, the Setbacks, Scavacados, Web, Duchamp’s Fountain, and of course, Muffcake. David Lefkowitz and Figurehead Management in San Francisco. Edmund White, Tom Keenan, Bill Little, and Glenn Gass for getting me started. My friends, for being my friends. TABLE OF CONTENTS Introduction.....................................................................................……………………...1 History of Musical Appropriation........................................................…………………6 History of Music Copyright in the United States..................................………………17 Case Studies....................................................................................……………………..32 New Media......................................................................................……………………..50
    [Show full text]
  • Song Title Artist Genre
    Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles
    [Show full text]
  • The Beastie Boys 2012.Pdf
    B PERFORMERS ALAN LIGHT ONE OF HIP-HOP'S FINEST LIVE ACTS he Beastie Boys altered the direction of popu­ social activism, and street-level entrepreneurship. “One of lar music at least three times, and lived to tell my favorite groups is the Beasties,” no less than Bono him­ the tale. Their 1986 debut album, Licensed to III, self once said. “Their journey is really one to watch, from wasT the first hip-hop album to reach Number One on the just having fun with their own middle-class-ness to a grow­ charts, and did more than any other recording to introduce ing awareness of the way the world is.” In 2011, twenty- the genre to the suburban masses. Paul’s Boutique, the 1989 five years after their initial Budweiser-fueled assault on followup, is generally considered the pinnacle of hip-hop’s high school parking lots and college fiats, the H ot Sauce golden era o f sampling, and is still viewed as one o f the fin­ Committee Part Two disc debuted in B illb o a rd s Number est rap albums ever made. The Beasties’ third album, 1992’s Two slot and turned up on lists o f the year’s best albums. Check Jour Head, solidified a truce between the worlds of In 1987, the very idea that the Beastie Boys would end hip-hop and alternative rock, creating a kind of global hip­ up in the (then newly established) Rock and Roll Hall of ster coalition that cast a decade-long shadow. Fame would have been preposterous.
    [Show full text]
  • Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill
    Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Author Shill, Gene Published 2016-12 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3631 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/370569 Griffith Research Online https://research-repository.griffith.edu.au Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Gene Shill BA, MA (Distinction) Queensland Conservatorium Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 2016 “The most beautiful experience we can have is the mysterious - the fundamental emotion which stands at the cradle of true art and true science.” Albert Einstein Abstract Through analysis, observation, critical listening, interviews and creative practice, this study explores how techniques of appropriation via digital music sampling are used for electronic musical composition and production. Included is an examination of literature and creative work focused on the Golden Age of Hip-Hop that explores early sampling processes and techniques. Through original compositions and an exegesis, the study provides unique and significant contributions to the field including the identification of four approaches to the design and construction of sample-based composition and associated techniques for achieving them using contemporary music technologies. The Golden Age of Hip-Hop is presented as a historical period of musical significance, not only for defining new genres and sub genres of music, but because of the influencing factors that emerging technologies had on new compositional processes and outcomes.
    [Show full text]
  • APRIL 29, 2005 Political Leaders Speak at Martinsville Campus PC VIRUS RAVAGES Politics
    THE NATION'S OLDEST NOW ON THE WEB! COUNTRY DAY SCHOOL http://record.pingry.org NEWSPAPER VOLUME CXXXI, NUMBER 4 The Pingry School, Martinsville, New Jersey APRIL 29, 2005 Political Leaders Speak at Martinsville Campus PC VIRUS RAVAGES politics. Max Cooper (V) asked both parties. By CAROLINE SAVELLO (VI) know why you want to get into of his visits are to the districtʼs the former governor what it was Despite her conservative po- politics. Understand the issues public schools. In fact, Rep. Frel- SCHOOL COMPUTERS with like to be interviewed by Ali G, litical leanings, Ms. Whitmanʼs DARINA SHTRAKHMAN (III) that you care about and find inghuysen says he visits about 90 a satirical character created by message of forward-thinking out about local campaigns. Get schools in the area each year, in It has hardly been “politics comedian Sacha Cohen Brown. politics and the countryʼs future to know people; let them get to addition to local universities such OVER SPRING BREAK as usual” at Pingry over the past According to the showʼs official appealed to the common political know you. Make sure youʼre part as Fairleigh-Dickinson, Drew, month. A succession of national website, Ms. Whitman chatted ground among students rather of the discussion.” and Rutgers. By MELISSA LOEWINGER (IV) with Brown about “solar energy than their partisan interests. Ms. Congressman Rodney Frel- politicians and guest lecturers has The 20 seniors enrolled in the The W32.Mytob@mm vi- Whitman said that her new book, inghuysen, the Republican rep- brought citizen action and public AP Government class discussed rus entered and infected the policy issues to the forefront of “Itʼs My Party, Too: The Battle resentative of the 11th District of government and public policy for the Heart of the GOP and the schoolʼs entire computer sys- assemblies and classes.
    [Show full text]
  • The Beastie Boys: Jews in Whiteface
    Popular Music (2008) Volume 27/3. Copyright © 2008 Cambridge University Press, pp. 413–432 doi:10.1017/S0261143008102203 Printed in the United Kingdom The Beastie Boys: Jews in whiteface JON STRATTON Cultural Studies, Curtin University of Technology, Perth, Western Australia E-mail: [email protected] Abstract The Beastie Boys are usually described as the white hip hop group who helped break rap to a broad-based white audience. Rarely is it acknowledged that the Beasties all came from Jewish backgrounds. This article examines the implications of the Beastie Boys’ Jewishness. The Beasties can be placed in a long history of Jewish entertainers reworking black music for white American audiences. By the 1980s, Jews in the United States had been assimilated into whiteness, yet it is clear that the memory of discrimination lived on. The members of the Beasties played with whiteness – performed in whiteface – while being very aware of their own Jewishness and the implications of this. With the advice and mentoring of African American Russell Simmons and the Jewish Rick Rubin, the group gained respect in the black community as legitimate rappers and then set out to perform as uncivil rock performers for white audiences. This article argues that the Beasties’ Jewishness was central to their success as the group that brought rap to a mainstream white American audience. Introduction I don’t recall race ever being an issue per se. Remember, this is a group that was recording for a label run by a Long Island Jew and a black guy from Hollis, Queens, and managed by an Israeli.
    [Show full text]
  • COOLCUTS HOTLINE the FASTES! WAY to HEAR the BEST UPFRONT DANCE MUSIC Ïnnprsisinnr E Is Provided by Frontier Media
    mm ■ [chart] COOLCUTS HOTLINE THE FASTES! WAY TO HEAR THE BEST UPFRONT DANCE MUSIC ïnnprsisinnr e is provided by Frontier Media. Fau 1 (2) STARDUST Thomas Bangalter (Daft Punk's Thomas on a solo outing) Roule 2 RAY OFIIGHT Madonna (With mixes from Sasha, VictorCalderone and William Orbit) Maverick 3 I JUNK SCIENCE Deep Dish (Excellentalbum fullof originalideas) Deconstruction 4 I SITUATION CRITICAL Ultra Nate (Hptfour-track sampler from Ultra's album) AM;PM 5 I BACK JACK TKC (That Kid Chris cuts up Steely Dan) Henry SI 6 I NO-ONE IN THE WORLD Locust (With hot mixes from Armand Van Helden and Stacker) R&S 7 MASQUERADE Gerldeau (With mixes from MJCole, D.O.P. and Ruff Driverz) white label 8 FLIPSIDE Moloko (A multitude of mixes from Ail Seeing I, Herbert, Aphrodite, DJ Krustand more) Echo 9 I MAYBE l'M DEAD Money Mark (With mixes from Dust Brothers, Psychonauts and Underdog) MoWax 10 I IN MY LIFE José Nunez (Another hot item from the Subliminal stable) Subliminal 11 l 1ND1CA Pink Bomb (Excellent trance trackfeaturing The Primitives' Tracey Cattell) Quad 12 SPEND THE NIGHT Danny J Lewis (With mixes from Serions Danger, H-Man and New Horizons) XL/Locked On 13 1998 Binary Finary (Big trance tune from lastyeargetsaPaul Van Dykremix) Aquarius 14 SCATTER & SWING Lionrock (Another fine skanking groove from Justin Robertson) Deconstruction 15 l SIXTH SENSE Wink (Adventurous techno featuring poetry from Ursula Rucker) Ovum 16 I TRAVELLING MAN Studio 2 (Garage track with reggae vocals that's winningpeople round) Mulliply 17 I DO THE FREAK Bootsy Collins (lan Dury-sampling hip hop smash) Black Culture 18 I BAD GIRL DJ Rap (DJRap's débutgets the BT treatment) HigherGround 19 | WATER Fathers 01 Sound (Smoothprogressivehouse tune) 20 I SHORTY Imajin (HotR&B eut with funky house dubs from Spensane) anchester), 23fd precinct/topp (glasgow), 3 b «yr /y t£S :■ ** K Iw BULLETS FOR WOR 05 / PHEROmOHE I I .
    [Show full text]
  • Beastie Boys Anthology: the Sounds of Science Mp3, Flac, Wma
    Beastie Boys Anthology: The Sounds Of Science mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Anthology: The Sounds Of Science Country: UK & Europe Style: Cut-up/DJ, Pop Rap MP3 version RAR size: 1874 mb FLAC version RAR size: 1686 mb WMA version RAR size: 1151 mb Rating: 4.1 Votes: 888 Other Formats: AC3 AAC WMA AU RA TTA APE Tracklist Hide Credits Beastie Boys 1-1 Producer – Beastie Boys, Scott JarvisWritten-By – A. Yauch*, J. Berry*, K. Schellenbach*, 0:56 M. Diamond* Slow And Low 1-2 Producer – Beastie Boys, Rick RubinWritten-By – Beastie Boys, D. Hayden*, D. 3:38 McDaniels*, J. Simmons*, R. Rubin* Shake Your Rump 1-3 Producer – Beastie Boys, Dust Brothers*Written-By – Beastie Boys, J. King*, M. Dike*, M. 3:19 Simpson* Gratitude 1-4 Engineer – Mario Caldato, Jr.*Producer – Beastie Boys, Mario Caldato, Jr.*Written-By – 2:45 Beastie Boys, T. Cushman* Skills To Pay The Bills 1-5 Engineer – Mario Caldato, Jr.*Producer – Beastie Boys, Mario Caldato, Jr.*Written-By – 3:13 Beastie Boys Root Down 1-6 Engineer – Mario Caldato, Jr.*Producer – Beastie Boys, Mario Caldato, Jr.*Written-By – 3:32 Beastie Boys, M. Caldato, Jr.*, M. Nishita* Believe Me 1-7 Engineer – Mario Caldato, Jr.*Performer – Amery SmithProducer – Beastie Boys, Mario 1:19 Caldato, Jr.*Written-By – A. Smith*, Beastie Boys Sure Shot 1-8 Engineer – Mario Caldato, Jr.*Producer – Beastie Boys, Mario Caldato, Jr.*Written-By – 3:20 Beastie Boys, J. Steig*, M. Caldato, Jr.*, W. Fite* Body Movin' (Fatboy Slim Remix) 1-9 Engineer – Simon ThorntonProducer – Beastie Boys, Mario Caldato Jr.Remix – Fatboy 5:31 SlimWritten-By – Beastie Boys, M.
    [Show full text]
  • List: 44 When Your Heart Stops Beating ...And You Will Know Us By
    List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T.
    [Show full text]