DOCSLIB.ORG

Become a Patron J.R.R

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Become a Patron J.R.R Become a Patron J.R.R. Tolkien’s signature in the A word from our President RSL Roll Book If you value the beauty and expressiveness of the English language, then the RSL is your Society, uniquely devoted to promoting and extending the knowledge and love of literature. But our work can never be taken for granted: we receive no public funding, and our subscription income goes only a small way to covering the costs of the “Britain’s literature, both programme of events we offer our Fellows past and present, is and Members. We rely on the generosity of unrivalled, and the Royal donors to help fund all that we do. Society of Literature is the Our Patron scheme brings together people only organisation devoted to who want to help secure the future of the ensuring that it remains so” RSL, and to enable it to grow by developing Michael Holroyd, our work in schools, building up the number N HE President Emeritus C of masterclasses we offer to writers, N and extending our programme of talks, YA discussions and readings. “The RSL offers the As a gesture of thanks, we offer our Patrons a series of special invitations and best, and best-value, opportunities throughout the year. We hope programme of literary they will also get great satisfaction from talks and discussions in knowing that they are bringing real benefit London – a unique blend through an organisation whose work has never been more important. of literary seriousness and lively comment” Colin Thubron Maggie Gee, President former Chair Polly Toynbee and Aminatta Forna at ARD “What’s the Use of N U Literature?”, C June 2011 NICK Jeremy Treglown, Sara Wheeler, RSL Patrons Michael Holroyd and Hilary Spurling ahead of an RSL discussion on biography The RSL does not receive any government funding so we rely heavily on sponsorship, donations and subscriptions. Current RSL Patrons include Sir Tom Stoppard and “People need to feel in J.K. Rowling. their very bones that the “Two years ago I suggested that the RSL whole of English literature should help to meet its urgent need for an from Beowulf to Byron to injection of funds by inviting a number of Benjamin Zephaniah is theirs Fellows each to promise a gift of £1,000 by right of inheritance. The a year for three years. I congratulate es NZI RSL exists to show people everyone concerned at the Society on E - M - their success in using this first tranche S what belongs to them and to A of money so effectively and imaginatively, gl welcome them into it” increasing significantly the influence of DOU A D Philip Pullman, CBE IN the RSL, its membership and the scope of C what it is now able to do in the service of LU literature and language. I very much hope that the Society will be able to continue “At the heart of the RSL are the Patrons scheme, broadening its scope to include RSL Members.” its Fellows, and as Chair P.D James my aim is to link them, our best writers, with readers Patrons receive a number of exclusive so that their remarkable invitations throughout the year, and are regularly sent books by forthcoming talents are shared as speakers, tailored to their interests. widely as possible” Anne Chisholm, Chair OW L Seamus Heaney at an RSL celebration yn of his work JOCEL What your support will achieve N SO Enhancing our programme of N Additional grants and prizes If you would like to become a Patron of the RSL we would be grateful if you could fill in this OPKI form and send it back to us. Payment can be made by enclosing a cheque for a minimum of lectures, debates and discussions H for writers £500 made out to The Royal Society of Literature, or by filling in the Direct Debit form overleaf. HARLIE HARLIE “In recent years the RSL has placed itself C “Receiving this award was a wonderful, Name (Mr/Mrs/Miss/Other) at the centre of debate on literary culture. unforeseen boon... It is an unusual prize, From top: Its events have become noted for bringing Alice Albinia, awarded as it is before a book is done. readers and writers together in lively Kate Clanchy So it buys a writer time – and gives them engagement.” and Edmund a sweet serendipitous cup of adrenalin Address Hilary Mantel, CBE de Waal and morale.” Alice Albinia, winner of an Increasing our masterclasses RSL Jerwood Award “Ali Smith’s recent masterclass in “There are many wonderful things Postcode Brighton opened my eyes to the endless about the V. S. Pritchett Prize: it is possibilities that seemingly simple tasks very prestigious, it is very literary, it could bring to my writing, and helped celebrates the longer short story. The Telephone me overcome my reluctance to share most wonderful thing for me, though, my work. Having a world class author was that it was open to all comers, comment on my work was fantastic.” From top: with no entrance criteria. That meant Email Priya Khanchandani Hilary Mantel, that someone with no reputation in Priya Khanchandani short fiction could find herself sharing and Michael a platform with Helen Simpson and Developing our work in schools Morpurgo Penelope Lively.” Date “Children should not only read great Kate Clanchy, winner of the RSL writers, but meet them in the flesh. V.S. Pritchett Memorial Prize for The RSL’s new Schools Membership, short-story writing which will make this possible, is a Please tick the appropriate box: thrilling initiative.” “I am truly honoured to have received this I would like to become a Patron of the RSL and I enclose a cheque/have Michael Morpurgo, OBE prize. There are very few prizes given by filled in the Direct Debit form. I would like to donate the following amount: writers to writers and this makes the RSL £500 £1000 Other Ondaatje Prize particularly special. My book is haunted by the meaning of place It is also possible to pay by Direct Debit on a monthly basis. and the experience of exile and I feel that For the £500 gift level this would work out as £42 per month, and for the £1,000 level it would come to £83 per month. the award is a public recognition of the complexity that place can engender.” Edmund de Waal, winner of the RSL Ondaatje Prize Please send this form, once completed, to: N Rachel Page, The Royal Society of Literature, O Somerset House, Strand, London WC2R 1LA nn A C AH JAMES AH Please call 020 7845 4677 or email [email protected] nn A ICHARD ICHARD R H for further information. Instruction to your Bank or Building Society to pay by Direct Debit Name and full address of your Bank or Building Society I wish to make a regular donation by direct debit of To: The Manager Bank/Building Society £ Address Annually Monthly Commencing on Postcode Name(s) of Account Holder(s) Bank/Building Society account number Branch sort code Reference Service User Number F S 1 0 4 9 6 8 5 9 6 7 Banks and Building Societies may not accept Direct Debit Instructions CAF, Kings Hill, West Malling, Kent ME19 4TA from some types of account Instruction to your Bank or Building Society Please pay CAF Re RSL Direct Debits from the account detailed in this Instruction subject to the safeguards assured by the Direct Debit Guarantee. I understand that this Instruction may remain with CAF Re RSL and, if so, details will be passed electronically to my Bank/Building Society. Signature I wish all donations I have made to the Royal Society of Literature to be treated as Gift Aid donations, so Date that the Society can reclaim tax on them. I am a UK tax payer, and expect to pay at least as much income tax or capital gains tax as the Society will reclaim on The Royal Society of Literature, Somerset House, Strand, London WC2R 1LA my donations. Tel 020 7845 4676 Fax 020 7845 4679 [email protected] www.rslit.org Registered Charity No. 213-962.
Load more

Recommended publications
  • "The Problem of Predicting What Will Last"
    Allan Massie, "The Problem of Predicting What Will Last" Booksonline, with Amazon.co.uk (An Electronic Telegraph Publication) 4 January 2000 As our Book of the Century series concludes, Allan Massie compares the list with one published by The Daily Telegraph 100 years ago EACH WEEK for the past two years The Daily Telegraph’s literary editor has asked a contributor to name and describe his or her "Book of the Century", and today the series concludes with Arthur C. Clarke’s choice. The full selection invites comparison with a list drawn up by The Telegraph a century ago; we print both here. The comparison cannot, however, be exact. All the books chosen in 1899 were fiction - the paper offered its readers the "100 Best Novels in the World", selected by the editor "with the assistance of Sir Edwin Arnold, K. C. I. E, H. D. Traill, D. C. L, and W. L. Courtney, LL. D.". The modern list includes poetry, plays, history, diaries, philosophy, economics, memoirs, biography and travel writing. It is certainly eclectic, ranging from Wittgenstein’s Tractatus Logico-Philosophicus, selected by David Sylvester, to The Wind in the Willows, chosen by John Bayley, and Down with Skool, Wendy Cope’s Book of the Century. The 1899 list, on offer at the time in a cloth-bound edition at nine guineas the lot (easy terms available), is homogeneous, as the modern one is not, not only because it consists entirely of works of fiction but also because the selection was made by a small group. And since they were picking the 100 Best Novels, they were able to include books that nobody might name as a single "Book of the Century" but which many might put in their top 20 or so.
    [Show full text]
  • A Legacy to Literature J.R.R
    A Legacy to Literature J.R.R. Tolkien’s signature in the A word from our President RSL Roll Book The Royal Society of Literature honours English writing at its finest. Through talks, debates and readings we help to celebrate the past and vitalise the future. But our work can never be taken for granted. We rely not only on membership subscriptions, but “Britain’s literature, both on the generosity of donors. Legacies bequeathed in a will, even modest past and present, is ones, can be especially important. unrivalled, and the Royal Society of Literature is the I myself will be bequeathing to the Royal only organisation devoted Society of Literature the earnings from my books. I feel sure there could be no to ensuring that it remains recipient more worthy. Others who I am so. Its work has never aware have made provision for the RSL in been more important” their wills include the President Emeritus, Michael Holroyd, Michael Holroyd, and Giles St Aubyn, who N HE President Emeritus C will be leaving a substantial sum to fund N grants for writers of non-fiction early in YA their careers. For those who value the beauty and “The RSL offers the expressiveness of the English language, best, and best-value, a legacy to the RSL is an apt and lasting programme of literary contribution. Please give it thought. The talks and discussions in Society – and countless others – will be deeply grateful. London – a unique blend of literary seriousness Colin Thubron and lively comment” President Maggie Gee, former Chair Polly Toynbee and Aminatta Forna at ARD “What’s the Use of N U Literature?”, C June 2011 NICK Leaving a legacy By leaving a gift to the Society in your Awards, prizes and grants will, you could help to secure N SO the future of the following N “Receiving this award was a wonderful, OPKI unforeseen boon..
    [Show full text]
  • Adult Trade January-June 2018
    BLOOMSBURY January – June 2018 NEW TITLES January – June 2018 2 Original Fiction 12 Paperback Fiction 26 Crime, Thriller & Mystery 32 Paperback Crime, Thriller & Mystery 34 Original Non-Fiction 68 Food 78 Wellbeing 83 Popular Science 87 Nature Writing & Outdoors 92 Religion 93 Sport 99 Business 102 Maritime 104 Paperback Non-fiction 128 Bloomsbury Contact List & International Sales 131 Social Media Contacts 132 Index export information TPB Trade Paperback PAPERBACK B format paperback (dimensions 198 mm x 129 mm) Peach Emma Glass Introducing a visionary new literary voice – a novel as poetic as it is playful, as bold as it is strangely beautiful omething has happened to Peach. Blood runs down her legs Sand the scent of charred meat lingers on her flesh. It hurts to walk but she staggers home to parents that don’t seem to notice. They can’t keep their hands off each other and, besides, they have a new infant, sweet and wobbly as a jelly baby. Peach must patch herself up alone so she can go to college and see her boyfriend, Green. But sleeping is hard when she is haunted by the gaping memory of a mouth, and working is hard when burning sausage fat fills her nostrils, and eating is impossible when her stomach is swollen tight as a drum. In this dazzling debut, Emma Glass articulates the unspeakable with breathtaking clarity and verve. Intensely physical, with rhythmic, visceral prose, Peach marks the arrival of a ground- breaking new talent. 11 JANUARY 2018 HARDBACK • 9781408886694 • £12.99 ‘An immensely talented young writer . Her fearlessness renews EBOOK • 9781408886670 • £10.99 one’s faith in the power of literature’ ANZ PUB DATE 01 FEBRUARY 2018 George Saunders HARDBACK • AUS $24.99 • NZ $26.99 TERRITORY: WO ‘You'll be unable to put it down until the very last sentence’ TRANSLATION RIGHTS: BLOOMSBURY Kamila Shamsie ‘Peach is a work of genius.
    [Show full text]
  • LIVING with a WRITER Also by Dale Salwak
    LIVING WITH A WRITER Also by Dale Salwak KINGSLEY AMIS: A REFERENCE GUIDE JOHN BRAINE AND JOHN WAIN: A REFERENCE GUIDE JOHN WAIN A. J. CRONIN: A REFERENCE GUIDE LITERARY VOICES: INTERVIEWS WITH BRITAIN’S ‘ANGRY YOUNG MEN’ A. J. CRONIN THE LIFE AND WORK OF BARBARA PYM (editor) CARL SANDBURG: A REFERENCE GUIDE PHILIP LARKIN: THE MAN AND HIS WORK (editor) KINGSLEY AMIS: IN LIFE AND LETTERS (editor) BARBARA PYM: A REFERENCE GUIDE MYSTERY VOICES: INTERVIEWS WITH BRITISH CRIME WRITERS KINGSLEY AMIS, MODERN NOVELIST ANNE TYLER AS NOVELIST (editor) THE WONDERS OF SOLITUDE THE WORDS OF CHRIST THE WISDOM OF JUDAISM THE LITERARY BIOGRAPHY: PROBLEMS AND SOLUTIONS (editor) THE POWER OF PRAYER A PASSION FOR BOOKS (editor) LIVING WITH A WRITER Edited by DALE SALWAK Professor of English Citrus College California Chapter 1 © Malcolm Bradbury Estate 1988 Selection, editorial matter, Preface and Conclusion © Dale Salwak 2004 Individual chapters (in order) © Ann Thwaite; Paul Theroux; Edmund Morris; Michael Holroyd; Margaret Drabble; William Golding Ltd and Judy Carver; John Halperin; George Howe Colt; John Updike; David Updike; Catherine Aird; Brian Aldiss; Kathleen Symons; Frances H. Bachelder; James J. Berg; John Bayley; Felix Licensing BV and Nadine Gordimer 2004 and by permission of Russell & Volkening as agents for the author; Amanda Craig; Anne Bernays and Justin Kaplan; Jeffrey Meyers; Mary Ann Caws; Laurel Young; Betty Fussell; Rob Rollison; Hershel Parker 2004 Softcover reprint of the hardcover 1st edition 2004 978-1-4039-0476-8 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP.
    [Show full text]
  • Anderton, Marja Arendina Louise (1994) the Power to Destroy False Images: Eight British Women Writers and Society 1945-1968
    Anderton, Marja Arendina Louise (1994) The power to destroy false images: eight British women writers and society 1945-1968. PhD thesis http://theses.gla.ac.uk/4409/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] THE POWER TO DESTROY FALSE IMAGES: Eight British Women Writers and Society 1945-1968 Marja Arendina Louise Anderton Thesis submitted for the degree of Doctor of Philosophy Department of Sociology, University of Glasgow February 1994 @M.A.L. Anderton 1994 Acknowledgements As this thesis was written over several years and in a period of great change in my life, I feel that at this pOint I ought to express my gratitude to the people who encouraged me not to give up. First of all, of course, this is my supervisor, Barbara Littlewood, who very kindly helped me wherever she could in spite of the great distance between us for most of the time. Secondly, I would like to thank Iris Murdoch, Penelope Mortimer, A.S. Byatt, and Margaret Drabble for allowing me to use their correspondence here.
    [Show full text]
  • Issues 1 – 71 Spring 2004 – Autumn 2021 NB the Number in Square Brackets Indicates the Andrews, Michael: the Life That Lives on Bailey, E
    An Index to issues 1 – 71 spring 2004 – autumn 2021 NB The number in square brackets indicates the Andrews, Michael: The Life that Lives on Bailey, E. McDonald: If It’s Speed You’re After, Baum, L. Frank: The Wonderful Wizard of Oz, issue number of Slightly Foxed. Man, [14] 11 [62] 79 [39] 71 Angus, James Stout: A Glossary of the Shetland Bainbridge, Beryl: the novels of, [43] 26 Baynes, Jenny: article by, [1] 46 Dialect, [49] 36 Baker, J. A.: The Peregrine, [45] 31 Baynes, Pauline: illustrations of, [41] 44 Animals in fiction: Justin Cartwright on, Baker, Nicholson: The Everlasting Story of BB: see Watkins-Pitchford, Denys [1] 38 Nory, [35] 80; The Mezzanine, [69] 87 Beanland, David: article by, [53] 68 A Annan, Noel: Our Age, [63] 44 Bakewell, Sarah: article by, [49] 46 Beasant, Pamela: article by, [53] 76 Abbey, Edward: Desert Solitaire, [30] 82 Annesley, Horace: article by, [56] 75 Balchin, Nigel: The Small Back Room, Beauman, Nicola: The Other Elizabeth Taylor, Achebe, Chinua: Things Fall Apart, [22] 37 Anon.: Sir Gawain and the Green Knight, [24] 60; Mine Own Executioner [51] 58 [58] 46 Acknowledgements: Oliver Pritchett on, [60] 34 Baldwin, James: Giovanni’s Room, [6] 42 Becoming a writer: Tim Mackintosh-Smith [28] 90 Ardizzone, Edward: The Young Ardizzone, Banffy, Miklos: The Writing on the Wall: The on, [63] 89 Adam, Ruth: A House in the Country, [57] 46 [28] 14, [41] 6; & Gorham, Maurice: The Transylvanian Trilogy, [5] 54 Bede, Cuthbert: The Adventures of Mr Verdant Adams, Matthew: articles by, [44] 33; [47] 39; Local; Back to the Local, [28] 32 Bankes, Ariane: articles by, [3] 7; [5] 26; Green, [55] 7 [49] 51 Arlen, Michael: The Green Hat, [7] 27 [12] 62; [15] 36; [20] 18; [28] 64; [33] 77; Bedford, Sybille: A Legacy, [38] 45; A Visit to Adams, Richard: Watership Down, [54] 30 Arseniev, V.
    [Show full text]
  • Bart Van Es Wins the 2018 Slightly
    for immediate release – 26 february 2019 The Biographers’ Club and Slightly Foxed are delighted to announce that the winner of the 2018 prize, chosen by judges Anne Chisholm, Rachel Cooke and Andrew O’Hagan, is The Cut Out Girl by Bart van Es, already winner of the Costa Book of the Year Award Bart van Es The Cut Out Girl(Penguin Fig Tree) The extraordinary true story of a young Jewish girl in Holland during World War II, who hides from the Nazis in the homes of an underground network of foster families, one of them the author’s grandparents. Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, only too aware of the danger they were in. The girl was raised by her foster family as one of their own, but well after the war there was a grave rift, and they were no longer in touch. What was the girl’s side of the story, Bart wondered? What really happened during the war, and after? So began an investigation that would consume the author’s life, and change it irrevocably. The Cut Out Girl is a deeply moving reckoning with a young girl’s struggle for survival during war, and a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.
    [Show full text]
  • SAVU, LAURA E., Ph.D. Postmortem Postmodernists: Authorship and Cultural Revisionism in Late Twentieth-Century Narrative. (2006) Directed by Dr
    SAVU, LAURA E., Ph.D. Postmortem Postmodernists: Authorship and Cultural Revisionism in Late Twentieth-Century Narrative. (2006) Directed by Dr. Keith Cushman. 331 pp The past three decades have witnessed an explosion of narratives in which the literary greats are brought back to life, reanimated and bodied forth in new textual bodies. In the works herein examined—Penelope Fitzgerald’s The Blue Flower, Peter Ackroyd’s The Last Testament of Oscar Wilde and Chatterton, Peter Carey’s Jack Maggs, Michael Cunningham’s The Hours, Colm Toíbín’s The Master, and Geoff Dyer’s Out of Sheer Rage: Wrestling with D.H. Lawrence—the obsession with biography spills over into fiction, the past blends with the present, history with imagination. Thus they articulate, reflect on, and can be read through postmodern concerns about language and representation, authorship and creativity, narrative and history, rewriting and the posthumous. As I argue, late twentieth-century fiction “postmodernizes” romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. More specifically, these works project a postmodern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality. The immediate implications of my argument are twofold, and they emerge as the common threads linking the chapters that make up this study. First, to make a case for the return of the author into the contemporary literary space is to acknowledge that the postmodern, its antihumanist bias notwithstanding, does not discount the human.
    [Show full text]
  • PRR David Cohen Judges Announced FINAL
    ! New release: for release 00:00 23rd May 2017 David Cohen Prize for Literature: 2017 judges announced The David Cohen Prize for Literature is proud to announce the judges for 2017. Now in its 25th year, the prize is singular in its approach: it is awarded every two years in recognition of a living writer’s lifetime achievement in literature, and has consequently earned its position in the literary canon as the “UK Nobel for literature”. The winner of the prize is nominated and selected by a panel of judges comprising authors, literary critics and academics. Their identity may now be revealed. Under the chair’s eye of Mark Lawson, the judges are: Kate Bassett, Gillian Clarke, Professor Simon J. James, Alan Johnson, Denise Mina and Anita Sethi. They met together for the first time on 18th May. Managed by New Writing North, the award will be announced in London on 8 November 2017. Comments from the judges include: Alan Johnson: “I'm honoured to be asked to judge this prestigious award. Some of the greatest names in British and Irish literature have been recognised through the David Cohen Prize but there are so many writers to honour and so few generic awards to be made. It will be fun to have a role in determining the latest recipient.” Professor Simon James: “Many literary prizes give the opportunity to make a judgement on the quality of a single work; the David Cohen prize, unusually, allows the opportunity to recognise, and applaud a lifetime's work. Most professors of literature evaluate writing from the past - it is very exciting to be able to celebrate the work of a living writer, and I am delighted to be involved in this year's prize.” Anita Sethi: “I'm delighted to be a Judge for the David Cohen Prize for Literature 2017 which has a prestigious history of honouring some fantastic writers including Doris Lessing, Hilary Mantel, VS Naipaul and Harold Pinter.
    [Show full text]
  • CLASSIC HIGHLIGHTS Contents
    Autumn 2017 CLASSIC HIGHLIGHTS Contents For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Centenary Celebrations 2018 p. 4 Hollywood adaptations pp. 5-12 Animals pp. 13-18 Troublesome Women pp. 19-24 Agents US Rights: Georgia Glover; Toby Eady, Andrew Gordon Film & TV Rights: Nicky Lund; Georgina Ruffhead Translation Rights: Alice Howe: [email protected] Giulia Bernabè: [email protected] Direct: Arabic; Croatia; Estonia; France; Germany; Greece; Israel; Latvia; Lithuania; Netherlands; Scandinavia; Slovenia; Spain and Spanish in Latin America; Sub-agented: Czech Republic; Italy; Poland; Romania; Slovakia; Turkey Emily Randle: [email protected] Direct: Afrikaans; Albanian; all Indian languages; Brazil; Macedonia; Portugual; Russia; Ukraine; Vietnam; Wales; plus miscellaneous requests Subagented: China; Bulgaria; Hungary; Indonesia; Japan; Korea; Serbia; Taiwan; Thailand Allison Cole: [email protected] Children’s titles in all languages Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk CENTENARY CELEBRATIONS MURIEL SPARK 2018 marks the 100th anniversary of the birth of classic writer, Dame Muriel Spark Born in Edinburgh in 1918, Muriel Spark originally worked as a secretary and then a poet and literary journalist. She was completely unknown and impoverished until she started her career as a story writer and novelist. Then everything changed overnight. A poet and novelist, she also wrote children’s books, radio plays, a comedy Doctors of Philosophy, (first performed in London in 1962 and published 1963) and biographies of nineteenth-century literary figures, including Mary Shelley and Emily Brontë.
    [Show full text]
  • New Writing North to Manage the David Cohen Prize for Literature
    New Writing North to manage the David Cohen Prize for Literature The literature development agency New Writing North will manage the David Cohen Prize for Literature from 2017. The David Cohen Prize for Literature was established in 1992 and is one of the UK’s most distinguished literary honours. Awarded biennially, the prize is worth £40,000 and recognises a living writer from the UK or the Republic of Ireland for a lifetime's achievement in literature. The prize was originally managed by Arts Council England and subsequently by BookTrust. The David Cohen Prize for Literature has been awarded to dramatists, essayists, biographers, novelists and poets, including Tony Harrison in 2015. The David Cohen Prize for Literature is funded by the John S Cohen Foundation, which was established by David Cohen and his family in 1965 to support education, the arts, conservation and the environment. Arts Council England funds an additional prize, the Clarissa Luard Award, which from 2017 will award £10,000 to an independent publisher to support the development of new writing. Previous winners of the David Cohen Prize for Literature are: 2015 Tony Harrison 2013 Hilary Mantel 2011 Julian Barnes 2009 Seamus Heaney 2007 Derek Mahon 2005 Michael Holroyd 2003 Beryl Bainbridge and Thom Gunn (joint winners) 2001 Doris Lessing 1999 William Trevor 1997 Muriel Spark 1995 Harold Pinter 1993 V S Naipaul Mark Lawson will act as chair of the judges for his fourth term and the David Cohen Prize for Literature will be awarded in November 2017 at an event in London. Dr David Cohen, John S Cohen Foundation, said: "I greatly welcome the involvement of New Writing North and I and my co-trustees look forward to working closely with them.
    [Show full text]
  • Notes and References
    Notes and References Introduction: Lives Without Theory 1. Hermione Lee, Biography:AVery Short Introduction (Oxford University Press, 2009), 94. Lee is running together remarks by Ian MacKillop, ‘Vignettes: Leavis, Biography and theBody’ in W. Gould and T. Staley, eds., Writing the Lives of Writers (Macmillan, 1998), 297; andby Mary Rhiel and David Suchoff (eds.), Introduction to TheSeductions of Biography (Routledge, 1996),1. 2. Park Honan, Authors’ Lives: On Literary Biographyand theArtsof Lan- guage (St. Martin’s Press – now Palgrave Macmillan, 1990),4.Seealso, D. J. Taylor, novelist, critic and biographer of Orwell and Thackeray, who has commented that ‘there is hardly such a thing as a theory of biogra- phy’ (Guardian, 8/11/2002); Ray Monk, ‘Life Without Theory: Biography as an Exemplar of Philosophical Understanding’in Poetics Today, 28:3 (Fall, 2007), 556. Monk summarises recent approaches to a theory of biog- raphy but focuses on literary sources and, curiously, omits any reference to historiography. His title is taken from Disraeli: ‘Read no history, noth- ing but biography, for that is life without theory’ (cited in Honan, op. cit, 1990: 1);and,Catherine N. Parke, Biography: Writing Lives (Routledge, 2002), 30–1 on biographyandliterary theory. 3. Barbara Lewalski, TheLifeof JohnMilton (Blackwell Publishing, 2003),x. 4. Jonathan Culler, ‘Chapter 1. What is Theory?’ in Literary Theory: A Very Short Introduction (Oxford University Press, 2000), 1–17. 5. Ibid., 15–16. 6. Hayden White, ‘The Discourse of History’ in The Fiction of Narrative: Essays on History, Literature and Theory 1957–2007, ed. R. Doran (TheJohns Hopkins University Press, 2010), 200. 7.Ibid., 200.
    [Show full text]