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Bfi London Film Festival Announces New Format For
BFI LONDON FILM FESTIVAL ANNOUNCES NEW FORMAT FOR 2020 EDITION Virtual LFF & LFF in Cinemas The first ever edition of the Festival to be widely accessible across the UK 50 Virtual Festival Premieres to be enjoyed at home Up to 12 special previews of eagerly anticipated upcoming films screening in cinemas around the UK New Audience Choice Awards introduced for 2020 Edition Free talks, events, short films LONDON – Thursday 2nd July, 2020, 13:00 : The BFI London Film Festival in partnership with American Express today reveals its plans for the upcoming edition of the Festival from 7th-18th October 2020. In the most accessible version of the festival to UK audiences yet, film lovers will be given an opportunity to connect for a unique and innovative festival experience, enjoying both live and digital screenings across the 12 days of the Festival. Adapting to the extraordinary challenges of the year, the Festival will deliver up to 50 Virtual Festival Premieres in a programme that offers audiences the opportunity to see the best new cinema from around the world and with that same texture LFF’s audiences love, including fiction, documentary, animation, artists’ moving image, and restored classics from the world’s archives. Every film will be presented with an intro or Q&A, and the programme will also include a range of free-to-access additional works and events to include: an international short film programme, Screen Talks with major filmmakers and actors, salons and roundtables and a brand new Virtual Exhibition of XR and Immersive Art. Industry and Media delegates will have access to a rich professional programme, also delivered digitally. -
LOST for NEARLY a CENTURY LOVE, LIFE and LAUGHTER SCREENS AS BFI LFF’S ARCHIVE SPECIAL PRESENTATION with LIVE MUSICAL ACCOMPANIMENT [3Rd OCTOBER, BFI SOUTHBANK]
LOST FOR NEARLY A CENTURY LOVE, LIFE AND LAUGHTER SCREENS AS BFI LFF’S ARCHIVE SPECIAL PRESENTATION WITH LIVE MUSICAL ACCOMPANIMENT rd [3 OCTOBER, BFI SOUTHBANK] Tuesday 27 August, 10:30am London – The 63rd BFI London Film Festival in partnership with American Express is thrilled to announce George Pearson’s LOVE, LIFE AND LAUGHTER (1923) as this year’s Archive Special Presentation. Lost for nearly a century, this film was on the BFI 75 Most Wanted list and one of its most sought after titles for decades and has now been carefully restored by the team at the BFI National Archive. Its screening at this year’s Festival gives audiences the chance to fall under the spell of Betty Balfour, Britain’s ‘Queen of Happiness’ and the nation’s biggest star of the 1920s. The presentation will take place at BFI Southbank on Thursday 3rd October, 6.10pm in NFT1 with a live musical accompaniment by Meg Morley as well as an extended introduction by the BFI National Archive’s Silent Curator Bryony Dixon and the BFI’s Film Conservation Manager Kieron Webb. LOVE, LIFE AND LAUGHTER tells the story of a pair of working class youngsters with big dreams – a cheery chorus girl and a serious writer – the film toys with our expectations, blurring the boundaries of reverie and reality, tragedy and comedy. The films aesthetic is extremely evocative of the period, full of Art Deco styling from the overall design to Balfour’s costumes and the film’s set pieces. This restoration is a major event enabling today’s audiences to enjoy a truly vivacious performance from Balfour in one of her key films and adds to our knowledge of director Pearson, often likened to Dickens (whom he admired) for his ability to wring the maximum amount of emotion out of a story and a key figure in British cinema with now only a bare handful of his films survive. -
Elizabethirvinephdthesis.Pdf (8.438Mb)
CONTINUITY IN INTERMITTENT ORGANISATIONS: THE ORGANISING PRACTICES OF FESTIVAL AND COMMUNITY OF A UK FILM FESTIVAL Elizabeth Jean Irvine A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6901 This item is protected by original copyright Continuity in Intermittent Organisations: The Organising Practices of Festival and Community of a UK Film Festival Elizabeth Jean Irvine Thesis submitted for the degree of PhD at the University of St Andrews June 2014 ABSTRACT This thesis considers the relationship between practices, communities and continuity in intermittent organisational arrangements. Cultural festivals are argued to offer one such particularly rich and nuanced research context; within this study their potential to transcend intermittent enactment emerged as a significant avenue of enquiry. The engagement of organisation studies with theories of practice has produced a rich practice-based corpus, diverse in both theoretical concerns and empirical approaches to the study of practice. Nevertheless, continuity presents an, as yet, under- theorised aspect of this field. Thus, the central questions of this thesis concern: the practices that underpin the enactment of festivals; the themes emerging from these practices for further consideration; and relationships between festivals and the wider context within which they are enacted. These issues were explored empirically through a qualitative study of the enactment of a community-centred film festival. Following from the adoption of a ‘practice-lens approach’, this study yielded forty-eight practices, through which to explore five themes emerging from analysis: Safeguarding, Legitimising, Gatekeeping, Connecting and Negotiating Boundaries. -
Here in the United Online Premieres Too
Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films. -
Regina King´S Highly Anticipated Directorial Debut One Night in Miami Joins B
Beat: Entertainment REGINA KING´S HIGHLY ANTICIPATED DIRECTORIAL DEBUT ONE NIGHT IN MIAMI JOINS B 64TH LONDON FILM FESTIVAL PROGRAMME Paris, Washington DC, 21.09.2020, 23:20 Time USPA NEWS - The BFI London Film Festival in partnership with American Express announced on Thursday 17th August, 2020 that the UK premiere of Regina King´s highly anticipated directorial debut ONE NIGHT IN MIAMI will now screen in this year´s programme on Sunday 11th October. The Amazon Original film, which was the first by a Black female director to screen at the Venice Film Festival, features an exciting cast fronted by Kingsley Ben-Adir, Eli Goree, Aldis Hodge and Leslie Odom Jr., and is produced by ABKCO Films and Snoot Entertainment and will be released by Amazon Studios. On one incredible night in 1964, four icons of sports, music, and activism gathered to celebrate one of the biggest upsets in boxing history. When underdog Cassius Clay, soon to be called Muhammad Ali (Eli Goree), defeats heavy weight champion Sonny Liston at the Miami Convention Hall, Clay memorialized the event with three of his friends: Malcolm X (Kingsley Ben-Adir), Sam Cooke (Leslie Odom Jr.) and Jim Brown (Aldis Hodge)---------------------------------------------------------------- Based on Kemp Powers´ award-winning play of the same name, ONE NIGHT IN MIAMI is a fictional account inspired by the historic night these four formidable figures spent together. It looks at the struggles these men faced and the vital role they each played in the civil rights movement and cultural upheaval of the 1960s. More than 40 years later, their conversations on racial injustice, religion, and personal responsibility still resonate.----------------------------------------------------------------------- ONE NIGHT IN MIAMI star Kingsley Ben-Adir said: “I´m thrilled that ONE NIGHT IN MIAMI will screen as part of this year's London Film Festival. -
End Terrace Features
Forest Road, London Offers In Excess Of £580,000 Freehold 2 Bed House - End Terrace Features • Two Bedrooms • South Facing Garden • Extended Kitchen Diner • Under Floor Heating • Upper Leytonstone Location • Close to Leytonstone Station • Immaculate Condition • Side Access A lovingly developed, expertly extended and elegantly appointed two bedroom family end of terrace with a capacious kitchen/diner and lengthy through lounge. Design & Decor is an artful blend of vintage and contemporary and it's all located within easy walking distance of Hollow Pond and Epping Forest. As artfully developed as the property is, with the loft space so far unconverted you have the potential to extend still further, as some of your neighbours have done (subject to the usual permissions). A WORD FROM THE OWNER.... "We'll be sad to move on from Forest Road where we've happily lived for six years. We love it so much we're planning stay as local as possible! The established garden isn't overlooked and a cocktail under the palm tree transports you out of town in the summer months. The neighbours are lovely and there's a great community spirit. We're spoilt for choice for places to eat and drink, The house is within strolling distance of Leytonstone centre with its cafes and pubs - we always enjoy a visit to The Wild Goose Bakery or The Heathcote and Star. Francis Road and Walthamstow Village are a short walk away and we'll often mosey across the Hollow Ponds for a bite to eat in Wanstead at the weekend. The tube is only 12 minutes on foot where the Central Line will ping you to Westfield in 5 minutes. -
Vebraalto.Com
Lytton Road, Leytonstone, London, E11 FOR SALE Offers In Excess Of £475,000 1 1 2 Leasehold - Share of Freehold • Ground Floor Victorian Conversion Flat A fabulous two double bedroom garden flat on Lytton Road. • Two Bedrooms & Lounge/Kitchen/Diner Offering 640 square feet of beautifully presented internal space, this property is finished to the very highest of standards. To the front sit the two bedrooms and the shower room. The first of the bedrooms has a front aspect bay, feature fireplace and • Hollow Ponds Boating Lake Closeby plenty of space for free standing storage, whilst the second offers views towards (and access to) the garden to the rear. The shower room is sleek and modern, with three piece suite including rainfall shower. • 0.3m To Leytonstone Tube Station • Council Tax Band: B The “living” part of this home is at the rear, and is just as handsome as the rooms that precede it. The open plan kitchen/diner/lounge is a wonderfully light filled space, thanks to the two large side aspect sash windows, and the beautiful bi- • 41' x 14'2 Rear Garden & Private Front Garden fold doors at the far end. There is engineered wood flooring underfoot throughout this space, whilst the kitchen/diner section is kitted out with modern fitted units and work surfaces, as well as featuring a breakfast bar. The diner part is easily able to • Off Street Parking Space accommodate dining table (for when entertaining is back on the menu), whilst the lounge section is the perfect spot to hunker down on a cold winter’s evening. -
2. LFF 2019 Industry Guide
INDUSTRY GUIDESupported by Main Sponsor WITH THANKS TO OUR GENEROUS SPONSORS, FUNDERS AND PARTNERS PRINCIPAL PARTNER MAIN FUNDING CONTRIBUTORS AND SUPPORTERS OF THE INDUSTRY PROGRAMME OFFICIAL HOTEL OFFICIAL INDUSTRY EVENTS OFFICIAL BFI NETWORK@LFF SOCIAL HUB PARTNER VENUE PARTNER VENUE PARTNER EVENTS PARTNERS AND SUPPORTERS ELSTREE STUDIOS WELCOME Welcome to our refreshed BFI London Film Festival Industry Programme which tackles pressing questions facing the industry at a time of immense change, change in both how THE BIG PICTURE 4 work is being produced and how we’re reaching audiences. We also feature an increased international focus which positions the UK within a wider global conversation - an approach SPOTLIGHT CONVERSATIONS 10 that parallels our public programme, featuring 37 UK feature films in the context of films from 77 countries. INDUSTRY PANELS 16 New strands help audiences navigate our events. Big Picture sessions explore how SCREEN TALKS & LFF CONNECTS 22 key areas of the industry are adapting to disruption and evolution, from sales and distribution models to SVOD; from immersive and high-end television production to festival PARTNER EVENTS 24 programming. Spotlight events showcase the work of major game-changing individuals and duos, offering the chance to hear them reflect on impressive careers and get their NEW BRITISH TALENT 28 perspectives on an industry in flux. While ourNew Talent programmes support the development of the UK’s next generation of filmmakers and other creatives from the wider NETWORKING 32 screen sectors. SOCIAL HUBS 38 Panel discussions and debates delve into the timely and urgently topical – such as how the industry is responding to the climate emergency and the continued need for more inclusive DELEGATE SERVICES 40 practice – and these sit alongside a series of satellite programmes for filmmakers and creatives, delivered by and with partners. -
Channel 4 and British Film: an Assessment Of
Channel 4 and British Film: An Assessment of Industrial and Cultural Impact, 1982-1998 Laura Mayne This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 i Abstract This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contribution to film and television studies. In order to better understand this interdependence, this thesis will offer some original ideas about the relationship between film and television, examining the ways in which Channel 4’s funding methods led to new production practices. Aside from the important part the Channel played in funding (predominantly low-budget) films during periods when the industry was in decline and film finance was scarce, this partnership had profound effects on British cinema in the 1980s and 1990s. In exploring these effects, this thesis will look at the ways in which the film funding practices of the Channel changed the landscape of the film industry, offered opportunities to emerging new talent, altered perceptions of British film culture at home and abroad, fostered innovative aesthetic practices and brought new images of Britain to cinema and television screens. -
Questions to the Mayor PDF 1 MB
Questions to the Mayor 27 May, 2021 ALL QUESTIONS LIST Report No: 4 Subject: Questions to the Mayor Report of: Executive Director of Secretariat Violence in London Question No: 2021/1947 Keith Prince Following the terrible murder of schoolboy Daniel Laskos in Harold Wood, I have been contacted by constituents who are deeply concerned about violence in London. I see that the MPS have recently been awarded £8 million to tackle serious violence. How will this be used in Havering? Delivering London’s Transport Strategy Question No: 2021/1484 Siân Berry Are you confident you can find the funding to deliver your Transport Strategy? Delivering Manifesto Commitments and the GLA Budget Question No: 2021/1781 Len Duvall OBE What are your key priorities for the next three years? Building Safety on Public Land Question No: 2021/1400 Hina Bokhari What do you consider to be your responsibility to Londoners living in unsafe buildings? TfL’s Extraordinary Funding and Financing Agreement Question No: 2021/1541 Elly Baker Please provide an update on the Extraordinary Funding and Financing Agreement for Transport for London that was due to come into effect on 19 May 2021? Edmonton Incinerator Question No: 2021/1919 Emma Best Will the Mayor meet with a cross party delegation of Members of Parliament who are calling for a pause and review of the new Edmonton Incinerator scheme? London Cancer Hub, Sutton Question No: 2021/2017 Neil Garratt Would you be willing to work with me to support the major regeneration, scientific and economic opportunity at The London Cancer Hub in Sutton? Violence reduction Question No: 2021/1743 Unmesh Desai Since the easing of lockdown measures, there has tragically been a spate of violent murders across London. -
A Free Festive Feast for Residents Hundreds of Local People Aged 65 and Over Gathered to Take Part in Council’S Free Christmas Meal Events This December
Your Christmas Cheer Turn to pages See a selection of fun, festive photos sent in 14 and 15 by residents Your Council keeping residents informed Issue 152 21 December 2015 www.walthamforest.gov.uk @wfcouncil A free festive feast for residents Hundreds of local people aged 65 and over gathered to take part in Council’s free Christmas meal events this December The borough’s senior residents John Patient, pictured right, told were full of festive cheer as they Waltham Forest News: “I’ve been tucked into traditional turkey lucky to attend multiple Christmas lunches and dinners at Waltham meals over the years at Leyton Forest Council’s free Christmas Orient and Walthamstow and can’t meal events. fault them at all. For the Council to The popular annual events, which be able to continue to host these took place earlier this month, saw events in light of financial pressures local people aged 65 and over is brilliant. It’s a really enjoyable day gather together to welcome in the for everybody.” festive season. Waltham Forest Council Leader, There were four Christmas events Chris Robbins, told Waltham in total – one at Leyton Orient Forest News: “Events like the free Football Club, two at Walthamstow Christmas dinners are fantastic Assembly Hall and one at Chingford occasions that celebrate our senior Assembly Hall – attracting more residents and acknowledge the than a thousand older residents. valuable contribution they make to Attendee Valerie Card and her the Waltham Forest community.” friend, Patricia Southan, both proclaimed the Walthamstow event as: “absolutely brilliant.” They said More info Senior resident, John Patient, had a cracking time at the it was also a great chance to catch For more information about services Council’s free Christmas meals event up with friends and meet new for older residents, visit www. -
Soundscapes of the Urban Past
Shifting Sounds Textualization and Dramatization of Urban Soundscapes Karin Bijsterveld, Annelies Jacobs, Jasper Aalbers and Andreas Fickers 1. Sound Ways in the Museum In 2007, the Aboa Vetus & Ars Nova Museum in Turku, Finland did something remark- able. It organized an exhibition on the history of the medieval town of Arboa Vetus which hardly made use of images, while also very few artefacts were put on display. The exhibition, entitled »Sound Ways«, was largely built around sound and text. As such it re-enacted the acoustic environment of Arboa Vetus by playing recordings, or »acoustic images« as the curators called them, in the rather dark museum basement harbouring the rudimentary remains of the town’s excavations. These recordings presented six me- dieval characters: a blacksmith, a fisherman’s wife, a cathedral schoolmaster, a maid of a merchant’s house and a mother superior. Rather than being played over headphones, the recordings automatically started to sound as soon as visitors entered a particular area of the exhibition. To prevent a cacophony of sounds these spaces were separated from each other through sound isolating felt.1 In looking back on this exhibition, the curators explained that they aimed to find a so- lution for an issue we would like to label as the »museum authenticity problem«.2 For some, this problem refers to the seeming contradiction between, on the one hand, the academic claim that historical authenticity is constructed by the observer rather than »inherent or intrinsic to the person or practice or object« presented and, on the other hand, the firm belief of the wider public to simply experience authenticity through these presentations, for instance by listening to early music played with historical 1 Aboa Vetus & Ars Nova Museum 2007.