Poldark’S Pulling Power RTS STUDENT TELEVISION AWARDS 2016 3 JUNE 1:00Pm BFI Southbank, London SE1 8XT
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Sep - Dec 2017 Breweryarts.Co.Uk | 01539 725133 | @Lakescinema
Cinema Sep - Dec 2017 breweryarts.co.uk | 01539 725133 | @lakescinema The Killing of a Sacred Deer | 8-11 Dec 01 The Brewery Cinema | September - December 2017 Cinema specials SEASON TICKETS In this Corner of the World | 14 Oct See 3 Films Save 15% See 5 Films Save 25% USEFUL INFO Tickets must be purchased at the same time. T&Cs apply. Selected films only. Doors open 15 minutes prior to start time, which includes adverts & trailers All our cinema screenings have allocated seating, THE REEL DEAL choose your preferred view when booking Enjoy a Movie & a Pizza You are welcome to enjoy alcoholic drinks in our for only £15 | Sun-Thu | 5-8pm cinema screens - served in plastic glasses only Only food & drink purchased at the Brewery may be taken into the cinemas. All profits from the food Student TICKETS & drink concessions help fund our arts programme. Please note hot drinks are not permitted in Screen 3 Any film anytime only £7.50 Screens 1 & 2 are equipped with an infra-red assistive listening system FAMILY TICKETs Tickets are available online www.breweryarts.co.uk/ Admit 4 for just £28 cinema and from our box office 01539 725133 Box office is open Noon - 8.30pm daily (programme dependent) MATINEE MOVIES Ticket Prices: All films listed in this brochure with confirmed times and dates £7.50 Silver Screenings only £7.50 (unless otherwise stated) See website for special offers, information and T&Cs. Visit our website for more fantastic All our venues are available for private hire; contact offers and terms and conditions. -
The True Story of Mission to Hell Page 4
The newspaper for BBC pensioners – with highlights from Ariel online The true story of Mission to Hell Page 4 August 2015 • Issue 4 Trainee Oh! What operators a lovely reunite – Vietnam War TFS 1964 50 years on Page 6 Page 8 Page 12 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BACK AT THE BBC Departments Annual report highlights ‘better’ for BBC challenge move to Salford The BBC faces a challenge to keep all parts of the audience happy at the same time as efficiency targets demand that it does less. said that certain segments of society were more than £150k and to trim the senior being underserved. manager population to around 1% of But this pressing need to deliver more and the workforce. in different ways comes with a warning that In March this year, 95 senior managers Delivering Quality First (DQF) is set to take a collected salaries of more than £150k against bigger bite of BBC services. a target of 72. The annual report reiterates that £484m ‘We continue to work towards these of DQF annual savings have already been targets but they have not yet been achieved,’ achieved, with the BBC on track to deliver its the BBC admitted, attributing this to ‘changes Staff ‘loved the move’ from London to target of £700m pa savings by 2016/17. in the external market’ and the consolidation Salford that took place in 2011 and The first four years of DQF have seen of senior roles into larger jobs. departments ‘are better for it’, believes Peter Salmon (pictured). a 25% reduction in the proportion of the More staff licence fee spent on overheads, with 93% of Speaking four years on from the biggest There may be too many at the top, but the the BBC’s ‘controllable spend’ now going on ever BBC migration, the director, BBC gap between average BBC earnings and Tony content and distribution. -
Daniel Greenway Editor
Daniel Greenway Editor Daniel gained cutting room and features experience working on Batman Begins, The Da Vinci Code and The Bourne Ultimatum. He graduated with a Distinction in 2007 from the National Film and Television School's two year MA programme, specialising in editing. In 2016 he was nominated for a BAFTA for his work on the sci-fi drama series Humans. Daniel is a proficient French speaker and is based in London. Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Drama Production Company Notes SUSPICION Keshet Productions / Apple Dir: Chris Long 4 x 60MIN EPS 1, 2, 7 TV+ Prod: Darin McLeod & 8 2021 BRAVE NEW WORLD Amblin Television / Dir: Andrij Parekh 1 x 60MIN EP 7 NBCUniversal Content Studios Prod: Chloe Moss 2020 / USA Network WHITE LINES Left Bank Pictures / Netflix Dir: Luis Prieto 1 x 60MIN EP 5 Prod: Chris Croucher 2020 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE CROWN Left Bank Pictures / Netflix Dir: Sam Donovan 1 x 60MIN SERIES 3, Prod: Michael Casey EP 9 2019 WORLD ON FIRE Mammoth Screen / BBC One Co-editor 1 x 60MIN EP 1 Dir: Adam Smith 2019 Prods: Nickie Sault, Chris Clough BAPTISTE Two Brothers Pictures / BBC Dir: Börkur Sigþórsson 1 x 60MIN EP 1 One Prod: John Griffin 2019 THE WIDOW Two Brothers Pictures / ITV Dir: Sam Donovan 2 x 60MIN EPS 1 & 2 Prod: Eliza Mellor 2019 THE TERROR Scott Free / AMC Studios Dir: Sergio Mimica-Gezzan 3 x 60MIN -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
BBC EXECUTIVE BOARD 11 DECEMBER 2007 1000 - 1430 Room 3028, 3Rd Floor, Broadcasting House
BBC EXECUTIVE BOARD 11 DECEMBER 2007 1000 - 1430 Room 3028, 3rd floor, Broadcasting House Attendees..............................................................................................................................1 Agenda..................................................................................................................................2 1. MINUTES FROM EXECUTIVE BOARD ON 13 NOVEMBER 2007 AND CONFERENCE CALLS HELD ON 16 AND 20 NOVEMBER 2007 .......................................3 2. DIRECTOR REPORTS ..................................................................................................3 3. BBC CORPORATE COMMUNICATIONS: THE WAY FORWARD...............................3 4. TALENT AT THE BBC ...................................................................................................4 5. DIGITAL SWITCHOVER................................................................................................4 6. bbc.co.uk SERVICE REVIEW........................................................................................4 7. APPOINTMENTS...........................................................................................................5 8. GAELIC PUBLIC VALUE TEST (PVT)...........................................................................5 9. DIGITAL MEDIA INTIATIVE...........................................................................................6 10. TRAINING AND EQUAL OPPORTUNITIES REPORT ..................................................6 12. MANAGEMENT RESPONSE TO OFCOM’S DISCUSSION -
A Career at BBC Birmingham
A Career at BBC Birmingham The BBC has approximately 350 staff who work at BBC Birmingham at The Mailbox and the Drama Village. Currently, The Asian Network is based in Birmingham as are parts of Radio 2, with programmes like Clare Teal, Paul Jones and the BBC Big Band. Part of Radio Drama is in Birmingham making The Archers and the new World War 1 series Home Front for Radio 4. BBC English Regions has its HQ in Birmingham and there are also the local regional services BBC Radio WM and TV’s Midlands Today. BBC Birmingham Drama, based at the Drama Village in Selly Oak, produces network TV drama including Doctors, Father Brown and WPC 56. In 2015, more roles are moving to Birmingham including the BBC Academy central HR teams, Internal Communications, Outreach and Corporate Responsibility and Workplace and Safety. A Digital Innovation Unit will also open in the city during 2015. By the end of the year there will be around 550 BBC staff in Birmingham. The Creative and Media Industries are one of the fastest growing sectors in the UK. If you want to work in the media in the future, it helps to understand how it works. Creative and Media is a big industry sector covering radio, TV, publishing, advertising and much more. Different sets of statistics include different occupations and the results can be confusing. The whole sector employs between a million and 2.5 million people across the UK depending on which criteria are used. The Government estimated that the Creative Industries accounted for 1.68 million jobs in 2012. -
Ivision and the BBC: Building Public Value
Observatorio (OBS*) Journal, 5 (2008), 041-055 1646-5954/ERC123483/2008 041 iVision and the BBC: Building Public Value Michael Klontzas, City University, London, UK Abstract Breaking with conventional wisdom that sees public service broadcasters as conveyors of content in line with historically shaped socio-political ideals, centred on quality, access, diversity and independence, evidence suggests that PSB is often the driving force behind key technological innovations serving public policy aims. In the drive towards wholesale digitalisation and the accelerated introduction of an information society, this hitherto understated function is now deemed critical and comes to the fore. More specifically, recent public policy initiatives in the UK, culminating to the 2006 White Paper, openly assign the mission of contributing to the process of ‘building digital Britain’ to the BBC, the flagship public service broadcaster. This vision of digitalisation is defined in broad terms in the policy discourse, as involving all platforms indiscriminately. The BBC’s contribution, designed to entice users to a digital future and simultaneously cement the continued relevancy of the institution in the 21st century, finds expression in a variety of implemented and proposed digital services deliverable over a range of digital platforms, including television and radio, the internet and mobile networks. This paper seeks to interrogate the host of controversial and closely scrutinised internet services offered by the BBC in the light of the digital vision articulated in the public policy discourse. These services shift the emphasis away from the time-honoured broadcasting paradigm to a more interactive approach. Through widespread application of emerging Web 2.0 practices, the users are now invited to participate, and generate and share their own content. -
Day in Birmingham Including
Day in Birmingham including: Return coach travel Guided tour of BBC Birmingham Lunch (at own cost) Optional: Matinee Theatre show (at preferential group rates) Format, date and show yet to be agreed BBC Birmingham Birmingham B1 1RF Tours Peek behind the scenes of Midlands Today, BBC WM, the Asian Network, and if you're lucky, the famous and intriguing Archers studio (if production schedules permit). Our entertaining and informative tour guides bring the fantastic TV, radio and online productions created at BBC Birmingham to life in a variety of creative ways! Your tour guides will surprise and amaze you as they explain how we get ideas from script to screen and how production teams work right up to the wire to deliver what you see on your TV or hear on your radio. Our tour guides are as happy answering your burning questions on our broadcasting wizardry as they are explaining the ins and outs of the centre's mind-blowing technology. Between revealing our incredible Broadcast Support Centre and telling tales of the famous faces who've visited BBC Birmingham. We'll show you the inner workings of how BBC Radio Drama is made and you'll be able to have a go at making your very own radio play complete with music and sound effects. The BBC Tour offers visitors the exclusive chance to gain access to the rarely seen world behind the scenes of some of your favourite shows. BBC Birmingham is a working building so no two tours are the same, but they will always be informative, interesting and entertaining. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
': the Making and Mauling of Churchill's People (BBC1, 1974-75)
Williams J, Greaves I. ‘Must We Wait 'til Doomsday?’: The Making and Mauling of Churchill's People (BBC1, 1974-75). Historical Journal of Film, Radio and Television 2017, 37(1), 82-95 Copyright: This is an Accepted Manuscript of an article published by Taylor & Francis in Historical Journal of Film, Radio and Television on 19th April 2017, available online: http://www.tandfonline.com/10.1080/01439685.2016.1272804 DOI link to article: http://dx.doi.org/10.1080/01439685.2016.1272804 Date deposited: 31/12/2016 Embargo release date: 19 October 2018 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence Newcastle University ePrints - eprint.ncl.ac.uk ‘MUST WE WAIT 'TIL DOOMSDAY?’: THE MAKING AND MAULING OF CHURCHILL’S PEOPLE (BBC1, 1974-75) Ian Greaves and John Williams Correspondence: John Williams, 12 Queens Road, Whitley Bay NE26 3BJ, UK. E-mail: [email protected] In 1974, the lofty ambition of a BBC drama producer to manufacture a ‘prestige’ international hit along the lines of Elizabeth R (BBC2, 1971) came unstuck. In this case study, the authors consider the plight of Churchill’s People (BBC1, 1974-75) during a time of economic strife in the UK and industrial unrest at the BBC, and ask how a series which combined so many skilled writers, directors and actors could result in such a poorly-received end product. Churchill’s People is also placed in a wider context to assess its ‘neglected’ status, the authors drawing parallels with other historical drama of the era. The series’ qualification for being ‘forgotten’ is considered in relation to its struggle in the ratings against strong competition, the ‘blacking out’ by unions of production at the BBC for eight weeks and the subsequent pressures on transmission times, prompting the authors’ consideration of a more qualified definition of ‘lost’ drama, i.e. -
News Competitions Diary Dates and More… Free Phone Card with the ‘BANGLA CALLING’ 660Ml Bottle Top Promotion
thestarISSUE 9 2009 FREE Don’t miss our interview with David Roper, the ‘piano’ in 4 Poofs and a Piano ✚ News Competitions Diary dates and more… Free Phone Card with the ‘BANGLA CALLING’ 660ml bottle top promotion “When your customer orders a beer go to the fridge and open a bottle of 660ml Bangla Premium Beer. Check the bottle top, if it reads Bangla on both sides you’re a winner” 1 in every 20 bottles is a winner... Good Luck! 1000’s of free Bangla Beer phone cards have been won, determined by ‘Bangla’ printed inside the bottle cap. Check to see if you’re a winner! To enter is Free of charge, for full terms and conditions please visit www.banglabeer.co.uk BOTTLED BANGLA 2007 INTERNATIONAL MONDE GOLD AWARD BANGLA BOTTLES Shapla Paani is a natural spring water. Being drawn deep through great british granite gives Shapla Paani its exceptional thirst quenching taste. A spring situated on the edge of Bodmin Moor in the picturesque and dramatic setting of Rough Tor. The bottling plant stands on an underground lake where pure Cornish moorland kissed rainfall naturally filters through the rock to produce a pure natural spring water. Why Stock Shapla Paani? • Shapla Paani spring water is specifically designed to fit into the Asian restaurant market. • Shapla Paani is exclusive to the on-trade, so it won’t be de-valued in your local supermarket. • Premium product, the quality and purity of this spring water is exceptional. • Available in 24x330ml and 12x750ml NRB cases. • Available in both Sparkling and Still variants.