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PRINT.Pdf 1 03/02/20 13:35 SEIZOEN-COVER-2020-PRINT.pdf 1 03/02/20 13:35 C M Y CM MY CY CMY K Seizoen Oude Muziek 2 Van de makers van het Festival Oude Muziek Utrecht 1 ONZE CONCERTEN Xavier Vandamme Directeur-bestuurder ABONNEMENTEN ZIJN Voor u ligt de brochure van het Seizoen Oude EXTRA VOORDELIG Muziek 2020/2021. Op de volgende bladzijden pre- senteren we onze musici en concertprogramma’s. En als u de brochure omdraait, vindt u alles over locaties en kaartprijzen. Dit nieuwe seizoen is opnieuw divers en kleurrijk: van devote nonnenmuziek tot liedjes over rozen- BESTEL KAARTEN VOOR blaadjes. Van gevestigde waarden als VIER OF MEER CONCERTEN Bob van Asperen en Discantus tot EN KRIJG 15% KORTING jonge honden als Lucie Horsch en Daria Spiridonova. En dat alles klinkt op de mooi- ste locaties in Nederland en Vlaanderen. De tournee van Marco Beasley is misschien wel zijn persoonlijkste ooit. Hij maakt een muzikale levensreis langs plaatsen die voor hem van wezenlijke betekenis zijn. Voor de intiemste serie van het seizoen tekenen het blokfluit- talent Lucie Horsch en de jonge luitist Thomas COMPONISTENDAG IN Dunford. Verder hebben we het blazersensemble UTRECHT EN AMSTERDAM: Into the Winds gestrikt, winnaar van het MARC-ANTOINE CHARPENTIER Internationaal Van Wassenaer Concours 2019. De complete concertdag rond een grootheid uit de barok krijgt een nieuw hoofdstuk, te schrijven in Utrecht en Amsterdam. Met als stralend middelpunt: Marc-Antoine Charpentier, de man die als enige de concurrentie durfde aangaan met Lully. En daar was moed voor nodig…! In het Seizoen 2020/2021 geniet u andermaal voor- delig van oude muziek. Als u kaarten bestelt voor minimaal vier concerten, krijgt u 15% korting. De locatie-abonnementen zijn zelfs extra voordelig. Veel muzikaal genoegen gewenst! Seizoen Oude Muziek 2 Van de makers van het Festival Oude Muziek Utrecht 3 8 / 11 okt DARIA SPIRIDONOVA SNAREN MET EEN VERHAAL Daria Spiridonova viool 70 MINUTEN GEEN PAUZE Één instrument, oneindig veel mogelijkheden: Daria Spiridonova laat de viool in duizend talen zingen in dit verbazend veelzijdige programma. Haar intense zoektocht naar repertoire van topniveau leidde onder meer naar suites van Tartini en Vilsmayr, twee legendarische vioolvirtuozen van de barok, en de zelden uitgevoerde Capricci van componist-astronoom William Herschel. Kers op de taart zijn de Fantasieën van de grote Georg Philipp Telemann, die tot de top van de viool solo-literatuur behoren. PROGRAMMA Johann Joseph Vilsmayr Partita VI in A voor viool Giuseppe Alessandro Ferruccio Tartini Sonate voor viool in C / Sonate voor viool in a Georg Philipp Telemann Fantasieën voor viool, TWV 40: 14-25 DARIA SPIRIDONOVA: William Herschell Drie capricci voor viool Johan Helmich Roman Assagio nr. 5 in C ‘Contrast is het belangrijkste principe Louis-Gabriel Guillemain - Amusement Op. 8 voor viool in mijn programma. De stukken zijn allemaal voor viool solo, maar heel verschillend van karakter waardoor interessante dialogen ontstaan. Ik heb gezocht naar minder bekend repertoire uit meerdere muzikale tradities om AGENDA zo een beeld te kunnen geven van de do 8 okt 20.15 Westzaan, Zuidervermaning enorme culturele veelzijdigheid van vr 9 okt 20.15 Deventer, Penninckshuis Europa in de achttiende eeuw.’ za 10 okt 20.30 Maastricht, Cellebroederskapel zo 11 okt 16.00 Amerongen, Andrieskerk Seizoen Oude Muziek 4 Van de makers van het Festival Oude Muziek Utrecht 5 14 / 18 okt HUBERT HOFFMANN LUITMUZIEK VOOR DE KEIZER Hubert Hoff mann luit 70 MINUTEN GEEN PAUZE In de schoot van het Weense hof van de Habsburgse keizers kwam in de zeventiende en achttiende eeuw een weelderige muziekcultuur tot bloei. Vaak hield de keizer er ook een privé-kapel op na die instond voor intieme kamermuziek. De luitist Hubert Hoff mann, al jaren gefascineerd door het eclectische oeuvre dat in Wenen werd gebezigd, presenteert op zijn dertienkorige luit een selectie uit het solorepertoire van componisten als Weiss, Biechteler en Weichenberger. PROGRAMMA Matthias Siegmund Biechteler Prelude in g / Prelude in Es / Prelude in F Wolff Jacob Lauff ensteiner Suite in c Jacques de Saint-Luc Toccata in Es Johann Georg Weichenberger Nocturne in F / Campanella HUBERT HOFFMANN: Silvius Leopold Weiss Fantasie / Largo / Fuga ‘Vijf jaar geleden wees een musicoloog uit Salzburg me op een manuscript met luitpreludes van Matthias Siegmund Biechteler, een luitist die later kapel- meester aan het bisschoppelijk hof van AGENDA Salzburg werd. De verzameling lijkt een soort schets in compositie; de stukken wo 14 okt 20.15 Haarlem, Doopsgezinde Kerk zijn nog niet helemaal uitgewerkt. Er do 15 okt 20.15 Muiden, Muiderslot is veel ruimte voor improvisatie en dat vr 16 okt 20.00 Zeist, Kerk van de Evangelische Broedergemeente maakt de uitvoering spannend.’ za 17 okt 20.00 ’s-Heerenberg, Huis Bergh zo 18 okt 11.00 Schokland, Kerkje op Schokland Seizoen Oude Muziek 6 Van de makers van het Festival Oude Muziek Utrecht 7 27 / 31 okt DOLCE CONFORTO / FRANZISKA FLEISCHANDERL HEMELSE SIRENEN Dolce Conforto Marie Luise Werneburg sopraan – Deniel Perer orgel – Carla Rovirosa cello – Lukas Henning aartsluit – Franziska Fleischanderl salterio en muzikale leiding 70 MINUTEN GEEN PAUZE Terwijl vermeldingen van vrouwelijke musici in de achttiende eeuw uiterst dun gezaaid zijn, wijzen bronnen gevonden in vrouwenkloosters op het bestaan van een levendige en virtuoze muziekpraktijk. Dolce conforto dook in de levensverhalen en het repertoire van Italiaanse nonnen, voor wie musiceren vaak een schaars lichtpunt was in een streng bestaan. Met aria’s uit passiecantates van Manna, Caputi en Piccinni en het wonderlijke salterio van Franziska Fleischanderl klinkt de troost van de muziek zoeter dan ooit. PROGRAMMA Niccolò Piccini Lezione Seconda del Giovedì Santo, Largo Gennaro Manna Lezione Quarta del Giovedì Santo, Spirituoso FRANZISKA Domenico Gabrielli Sonate Nr. 1 voor cello Antonio Sacchini Lamentazione Seconda del Giovedì Santo, FLEISCHANDERL: Amoroso Antonio Caputi Lezione Quinta del Venerdì Santo, Un poco Allegro ‘Het was in achttiende-eeuws Italië niet Alessandro Scarlatti Varie partite obbligate al basso voor orgel Litterio Ferrari Lezione Seconda per il Mercoledì Santo ongebruikelijk dat jonge aristocratische Giovanni Zamboni Sonate Nona in d voor aartsluit vrouwen tegen hun wil naar het klooster werden gestuurd. Om te ontsnappen AGENDA aan de melancholie van het dagelijks di 27 okt 20.30 Lelystad, Agora Theater kloosterleven, speelden zij muziek van de beste operacomponisten. Ze bestel- wo 28 okt 20.00 Amsterdam, De Waalse Kerk den zelfs kerkmuziek in operastijl voor do 29 okt 20.15 Westzaan, Zuidervermaning hun liturgische feesten. We willen een vr 30 okt 20.15 Deventer, Penninckshuis stem geven aan de nonnen van toen: excellente musici die hun lot ombogen za 31 okt 20.00 Ammerzoden, Kasteel Ammersoyen tot uitingen van schoonheid.’ Seizoen Oude Muziek 8 Van de makers van het Festival Oude Muziek Utrecht 9 6 / 10 nov DISCANTUS BRIGITTE LESNE DE SCHATKAMER VAN DE NOTREDAME Discantus Cécile Banquey, Christel Boiron, Hélène Decarpignies, Lucie Jolivet, Caroline Magalhaes, Catherine Sergent zang en handklokken – Brigitte Lesne zang en muzikale leiding 70 MINUTEN GEEN PAUZE In de schaduw van zijn monumentale, gotische kathedralen onderging Europa’s muzieklandschap in de hoge middeleeuwen een ingrijpende transformatie met het ontstaan van de meerstemmigheid. Dankzij toonmeesters als Leoninus en Perotinus, en dichters als Adam de Saint-Victor en Pierre Abélard, werd de Notre- Dame in Parijs de bakermat van de polyfonie. De mysterieuze, soms bevreemdende maar bloedmooie liederen van deze pioniers zitten de kristallen stemmen van Discantus als gegoten. PROGRAMMA Adam de Saint-Victor Rex Salomon fecit templum Anoniem Urbs beata Jerusalem / Sanctifi cavit Dominus BRIGITTE LESNE: tabernaculum / Hodie Christus natus est / Ecce mundi gaudium / Vite lucina Maria ‘Vanaf de tweede helft van de twaalfde Léonin Benedicamus Domino Pierre le Vénérable Ave stella matutina / Orbis totus unda lotus eeuw bloeide onder de gewelven van Pierre Abélard Epithalamica / Da Marie tympanum / de Notre-Dame in Parijs een nieuw O quanta qualia meerstemmig repertoire op. Ons Perotinus Beata viscera / Vide prophetie Magister Albertus Congaudeant catholici programma verkent de vroege jaren AGENDA van deze Parijse polyfonie, die zich in een periode van intense artistieke vr 6 nov 20.15 Eindhoven, De Kapel vitaliteit tot iets heel speciaals kon za 7 nov 20.30 Maastricht, Onze Lieve Vrouwebasiliek ontwikkelen.’ zo 8 nov 15.00 Bloemendaal, Dorpskerk ma 9 nov 20.00 Utrecht, Pieterskerk di 10 nov 20.00 Amsterdam, De Waalse Kerk Seizoen Oude Muziek 10 Van de makers van het Festival Oude Muziek Utrecht 11 9 / 13 dec PLUTO ENSEMBLE / MARNIX DE CAT CHANTILLY & ROZENBLAADJES Pluto Ensemble Tore Denys tenor – Romain Bockler bariton – Harry van der Kamp bas – Baptiste Romain, Romina Lischka vedel – Sarah Louise Ridy harp – Marnix De Cat altus, organetto, keteltrom en muzikale leiding 70 MINUTEN GEEN PAUZE Dit is geen recept voor een romantisch onderonsje, maar de opzet van een tijdreis naar de vroegste Nederlanden. Pluto Ensemble koppelt de mooiste werken uit de veertiende- eeuwse Chantilly-codex – de bijbel van de Ars subtilior – aan middeleeuwse liederen met de roos in een hoofdrol. Embleem van het ridderideaal, symbool van eer, code voor liefde en culinaire smaakmaker: de breekbare blaadjes en meedogenloze doornen van de roos prikkelden componisten als Machaut, Dufay, Ockeghem en Josquin tot meesterlijke mijmeringen. PROGRAMMA François Andrieu Armes,
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