Danny Santiago

Total Page:16

File Type:pdf, Size:1020Kb

Danny Santiago https://www.dannysantiago.com/ DANNY SANTIAGO FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE • “BALLERS” Season 1 [2015] (HBO), Co-Costume Designer -Episode 4 -Episode 5 -Episode 6 -Episode 7 -Episode 8 -Episode 9 -Episode 10 • “Graceland” Season 2 [2014] (USA Networks, 20th Century Fox), Costume Designer -“The Line” 2014 -“Connects” 2014 -“Tinker Bell” 2014 -“Magic Number” 2014 -“H-A-Double-P-Y” 2014 -“The Unlucky One” 2014 -“Los Malos” 2014 -“The Ends” 2014 • “Freddie of Wynwood”, 2014 (Short Film), Costume Designer • “A Change of Heart”, 2014 (Directed by Kenny Ortega), Costume Designer • “Overtown”, 2014 (Directed by Cess Silvera), Costume Designer • “Graceland” Season 1 [2013] (USA Networks, 20th Century Fox), Costume Designer 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DANNY SANTIAGO -FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE -“Graceland” 2013 -“Guadalajara Dog” 2013 -“Heat Run” 2013 -“Pizza Box” 2013 -“O-Mouth” 2013 -“Hair of the Dog” 2013 -“Goodbye Hugh” 2013 -"Bag Man” 2013 -“Smoke Alarm” 2013 -“Kings Castle” 2013 -“Happy Endings” 2013 -“Pawn” 2013 • “Burn Notice” Season 7 [2013] (USA Networks, 20th Century Fox), Costume Designer -“New Deal” 2013 -“Forget Me Not” 2013 -“Down Range” 2013 -“Brothers In Arms” 2013 -“Exit Plain” 2013 -“All or Nothing” 2013 -“Psychological Warfare” 2013 -“All or Nothing” 2013 -“Nature of the Beast” 2013 -“Bitter Pill” 2013 -“Things Unseen” 2013 -“Tipping Point” 2013 -“Sea Change” 2013 -“Reckoning” 2013 • “Burn Notice” Season 6 [2012] (USA Networks, 20th Century Fox), Costume Designer -“Scorched Earth” 2012 -“Mixed Messages” 2012 -“Last Rites” 2012 -“Under the Gun” 2012 -“Split Decision” 2012 2 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DANNY SANTIAGO -FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE -“Shock Wave” 2012 -“Reunion” 2012 -“Unchained” 2012 -“Official Business” 2012 -“Desperate Times” 2012 -“Desperate Measures” 2012 -“Mean & Ends” 2012 -“Over the Line” 2012 -“Down & Out” 2012 -“Best Laid Plans” 2012 -“Odd Man Out” 2012 -“You can Run” 2012 -“Game Change” 2012 • “Burn Notice” Season 5 [2011] (USA Networks, 20th Century Fox), Costume Designer -“Company Man” 2011 -“Bloodlines” 2011 -“Mind Games” 2011 -”No Good Deed” 2011 -“Square One” 2011 -“Enemy of My Enemy” 2011 -“Besieged” 2011 -“Hard Out” 2011 -“Eye for an Eye” 2011 -“Army of One” 2011 -“Better Halves” 2011 -“Dead to Rights” 2011 -“Damned If You Do” 2011 -“Breaking Point” 2011 -“Necessary Evil” 2011 -“Depth Perception” 2011 -“Acceptable Loss” 2011 -“Fail Safe” 2011 • “Burn Notice” Season 4 [2010] (USA Networks, 20th Century Fox), Costume Designer 3 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DANNY SANTIAGO -FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE -“Friends and Enemies” 2010 -“Fast Friends” 2010 -“Made Man” 2010 -“Breach of Faith” 2010 -“Neighborhood Watch” 2010 -“Entry Point” 2010 -“Past & Future Tense” 2010 -”Where There’s Smoke” 2010 -“Center of the Storm” 2010 -“Hard Time” 2010 -“Blind Spot” 2010 -“Guilty as Charged” 2010 -“Eyes Open” 2010 -“Hot Property” 2010 -“Brotherly Love” 2010 -“Dead or Alive” 2010 -“Out of the Fire” 2010 -“Last Stand” 2010 • “Confessions of a Shopaholic”, 2009 (Touchstone), Asst. Costume Designer • “Burn Notice” Season 3 [2009] (USA Networks, 20th Century Fox), Costume Designer -“Friends and Family” 2009 -“Question and Answer” 2009 -“End Run” 2009 -“Fearless Leader” 2009 -“Signals and Codes” 2009 -“The Hunter” 2009 -“Shot in the Dark” 2009 -“Friends Like These” 2009 -“Long Way Back” 2009 -“A Dark Road” 2009 -“Friendly Fire” 2009 -“Noble Causes” 2009 -“Enemies Closer” 2009 4 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DANNY SANTIAGO -FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE -“Partners in Crime” 2009 5 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DANNY SANTIAGO -FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE -“Good Intentions” 2009 -“Devil You Know” 2009 • “Burn Notice” Season 2 [2008] (USA Networks, 20th Century Fox), Costume Designer -“Scatter Point” 2008 -“Bad Blood” 2008 -“Rough Seas” 2008 -“Double Booked” 2008 -“Good Soldier” 2008 -“Do No Harm” 2008 -“Hot Spot” 2008 -“Seek and Destroy” 2008 -“Bad Breaks” 2008 -“Truth & Reconciliation” 2008 -“Sins of Omission” 2008 -“Lesser Evil” 2008 • “Sex and the City: The Movie”, 2007 (Darren Star, HBO Films), Co-Costume Designer • “Burn Notice” Season 1 [2007] (USA Networks, 20th Century Fox), Costume Designer -“Identity” 2007 -“Fight or Flight” 2007 -“Old Friends” 2007 -“Family Business” 2007 -“Unpaid Debts” 2007 -“Broken Rules” 2007 -“Wanted Man” 2007 -“Hard Bargain” 2007 -“False Flag” 2007 -“Dead Drop” 2007 -“Loose Ends” 2007 • “Bachelor Party 2”, Movie 2007 (20th Century Fox), Costume Designer 6 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DANNY SANTIAGO -FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE • “Burn Notice”, Pilot 2007 (USA Networks, 20th Century Fox), Costume Designer • “South Beach”, 2005 (Nuyorican, Paramount), Costume Designer • “Nip/Tuck”, 2005 (Warner Bros.), Costume Designer/Miami Crew • “Mermaids” Pilot 2005 (Aaron Spelling; Brad Kern), Costume Designer • MTV Latino, Senior Stylist and Designer from 1994 – 1998 • MTV Fashion Rocks, South Beach • MTV Beach House • MTV Spring Break • MTV – The Grind • MTV Video Music Awards with Dwayne “The Rock” Johnson - 2001 • MTV Video Music Awards with Alexandra and Vanessa Kerry – 2004 • “Ocean Avenue”, 2002 (Dolphin Entertainment, Kajak), Costume Designer • Bond’s Lingerie Commercial for Australia and UK • Diana King, music video • Performance Design for Shakira, 2001 Grammy Awards • Janet Jackson, Radio Music Awards 2004 • Dwayne “The Rock” Johnson, Saturday Night Live • Dwayne “The Rock” Johnson, Press Junkets and premieres 2001 to 2005 • Jamie Kennedy, Coors Light commercial - 2003 • Florida Lottery commercial • Gloria Estefan, Las Vegas concert 2003 • Gloria Estefan, Latin Grammy Awards 2003 7 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DANNY SANTIAGO -FASHION + COSTUME DESIGN COSTUME DESIGNER FOR FILM + VIDEO + LIVE PERFORMANCE • Gloria Estefan, music videos • Jennifer Lopez, video “Behind the Scenes - On the Sixth” aired on VH1 • Anna Nicole Smith, Trim-Spa commercials • Mary J. Blige, music video • Fieldy / koRn, music video • Yerba Buena, music video • Enrique Iglesais, music video • Enrique Iglesais for the Grammy Awards performance – 2001 • Enrique Iglesais for the GQ Awards – 2002 • Dwayne “The Rock” Johnson for the GQ Awards – 2003 • Paulina Rubio, music videos • Dwayne “The Rock” Johnson - Kid’s Choice Awards – 2001, 2002, 2003 8 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] .
Recommended publications
  • Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
    Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
    [Show full text]
  • —Sex and the City“ Self-Guided Tour
    “Sex and the City” Self-Guided Tour During its six seasons on television the ladies of Sex and the City made their way around Manhattan, making some previously unknown locations a must-see on every visitors list. Use this guide to visit some of the most memorable real-life filming locations of Sex and the City and visit www.TheNewYorkCityTraveler.com for more information on New York City. West Village/Meatpacking District 11 Sushi Samba 245 Park Ave South This sushi restaurant is where Samantha 1 Carrie’s Stoop 66 Perry St. confronts a cheating Richard Wright and Sex and the City used a few locations to film coins the term “Dirty martini. Dirty the exterior shots of Carrie’s apartment. bastard.” Here is the most recognizable, Carrie’s 12 Pleasure Chest 156 Seventh Ave. stoop. The girls stop by this sex shop and pick up 2 Magnolia Bakery 401 Bleecker St. the now-famous “The Rabbit” vibrator. Made famous by Sex and the City, stop by 13 Church of the Transfiguration 1 E. 29th St. for a cupcake. Also known as “The Little Church Around 3 Furniture Company 818 Greenwich St. the Corner,” this is where Samantha Furniture Company was cast as Aidan’s attempts to bed Friar Fuck. furniture shop, and where Carrie met Aidan. 14 Vera Wang Bridal House 225 W. 39th St. 4 Samantha’s Loft 300 Ganesvoort St. Where Charlotte picked up her wedding Samantha, always ahead of her time, moved dress when she was marrying Trey. to a loft in the Meatpacking District. The 15 Manolo Blahnik 31 W.
    [Show full text]
  • Sanibel Resident Killed by 12-Foot Alligator by Kevin Duffy Meisek Was Air-Lifted to Lee Memorial Tern
    The islands' newspaper of record Andrew Congress and Kayia Weber Week of July 29 - August 4, 2004 SANIBEL & CAPTIVA, FLORIDA VOLUME 31, NUMBER 31 20 PAGES 75 CENTS Sanibel resident killed by 12-foot alligator By Kevin Duffy Meisek was air-lifted to Lee Memorial tern. Staff Writer shortly after police received a phone call Morse said that even a seemingly from a neighbor at 12:41 p.m. Wednesday, harmless activity, such as feeding ducks, A Sanibel resident attacked by an alli- informing them of the emergency. can present problems as well because gator on Wednesday has died, and city Officers discovered two persons in the ducks are part of an alligator's staple diet. officials say they wiil scrutinize existing water at the pond's edge attempting to "An alligator does not differentiate regulations to better safeguard people. assist Meisek, who was floating face up between the chef and the waiter, v/hose Janie Meisek, 54, a landscaper who and saying she was caught in vines. The being served or the meal," he said. "It rec- was dragged into a pond while tree-trim- officers, soon assisted by fire and EMS ognizes patterns of behavior, and if there ming behind a house at 3061 Poinciana personnel, took up the struggle, but could are ducks nearby, and you are feeding Circle, died at 9:16 a.m. Friday from com- not see the alligator despite Melsek's them, you are now part of the scenario. plications due to extensive injuries, offi- claims that it had her in it's jaws.
    [Show full text]
  • Remembering Katie Reich
    THE M NARCH Volume 18 Number 1 • Serving the Archbishop Mitty Community • Oct 2008 Remembering Katie Reich Teacher, Mentor, Coach, Friend Katie Hatch Reich, beloved Biology and Environmental Science teacher and cross-country coach, was diagnosed with melanoma on April 1, 2008. She passed away peacefully at home on October 3, 2008. While the Mitty community mourns the loss of this loving teacher, coach, and friend, they also look back in remembrance on the profound infl uence Ms. Reich’s life had on them. “Katie’s passions were apparent to all “We have lost an angel on our campus. “My entire sophomore year, I don’t think “Every new teacher should be blessed to who knew her in the way she spoke, her Katie Reich was an inspiration and a mentor I ever saw Ms. Reich not smiling. Even after have a teacher like Katie Reich to learn from. hobbies, even her key chains. Her personal to many of our students. What bothers me is she was diagnosed with cancer, I remember Her mind was always working to improve key chain had a beetle that had been encased the fact that so many of our future students her coming back to class one day, jumping up lessons and try new things. She would do in acrylic. I recall her enthusiasm for it and will never have the opportunity to learn on her desk, crossing her legs like a little kid anything to help students understand biology wonder as she asked me, “Isn’t it beautiful?!” about biology, learn about our earth, or learn and asking us, “Hey! Anyone got any questions because she knew that only then could she On her work keys, Katie had typed up her about life from this amazing person.
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • An Lkd Films Production Presents
    AN LKD FILMS PRODUCTION PRESENTS: RUNNING TIME.......................... 96 MIN GENRE ........................................ CRIME/DRAMA RATING .......................................NOT YET RATED YEAR............................................ 2015 LANGUAGE................................. ENGLISH COUNTRY OF ORIGIN ................ UNITED STATES FORMAT ..................................... 1920x1080, 23.97fps, 16:9, SounD 5.1 LINKS .......................................... Website: www.delinquentthemovie.com Facebook: https://www.facebook.com/Delinquentthefilm/ IMDB: http://www.imDb.com/title/tt4225478/ Instagram: @delinquentmovie Hashtag: #delinquentmovie, #delinquentfilm SYNOPSIS The principal is itching to kick Joey out of high school, anD Joey can’t wait to get out. All he wants is to work for his father, a tree cutter by day anD the leader of a gang of small-time thieves by night in rural Connecticut. So when Joey’s father asks him to fill in as a lookout, Joey is thrilleD until a routine robbery goes very wrong. Caught between loyalties to family anD a chilDhood frienD in mourning. Joey has to deal with paranoiD accomplices, a criminal investigation, anD his own guilt. What kinD of man does Joey want to be, anD what does he owe to the people he loves? DIRECTOR’S STATEMENT My home state of Connecticut is depicteD in Television anD Film as the lanD of the wealthy anD privileged: country clubs, yachts, anD salmon coloreD polo shirts galore. Although many of these elements do exist, there is another siDe of Connecticut that is not often seen. It features blue-collar workers, troubleD youth, anD families living on the fringes. I was raiseD in WooDbury, a small town in LitchfielD Country that restricteD commercial businesses from operating within its borders. WooDbury haD a large disparity in its resiDent’s householD income anD over one hundreD antique shops that lineD the town’s “Main St.” I grew up in the rural part of town where my house shareD a property with my father’s plant business.
    [Show full text]
  • Sprin G 2007
    The Lower Great Lakes Chapter Serving Bloomington, Ft. Wayne, Indianapolis, Muncie, Indiana; Akron, Canton, Cleveland, Lima, Mansfield, Toledo, Youngstown, Ohio; Erie, Pennsylvania President's Message Greeting & Salutations Fellow NATAS Members, On behalf of the board of governors and officers of the Lower Great Lakes chapter of NATAS, I wish to express a big round of thanks to all of you who entered this year’s Emmy® Awards. The number of entries and new memberships Terry D. Peterson was very strong, and given the fact that we introduced the DVD Lower Great Lakes chapter president requirement to the process, all of you came through magnificently. You will soon be receiving an announcement about the upcoming Emmy® nominations party which I hope you all plan on attending to hear the announcements and to mix and mingle with your fellow colleagues. Soon you will be receiving a slate of individuals who have expressed a desire to be on the board of governors. Please take this opportunity to review the ballot and cast your votes. In addition, Spring 2007 Spring starting at the June board meeting, the new officers and board of governors you have selected will be assuming their respective roles. We have a wonderful new group of leaders who will continue to keep the chapter moving in a forward direction with a commit- ment to excellence and added value to our membership. The chapter has undertaken a lot of major steps in the last four years and I am honored to have served as President. We still have a lot of challenges to embrace in the years to come but equally there are many opportunities that await us.
    [Show full text]
  • Accepted Manuscript Version
    Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper.
    [Show full text]
  • Racialization, Femininity, Motherhood and the Iron Throne
    THESIS RACIALIZATION, FEMININITY, MOTHERHOOD AND THE IRON THRONE GAME OF THRONES AS A HIGH FANTASY REJECTION OF WOMEN OF COLOR Submitted by Aaunterria Treil Bollinger-Deters Department of Ethnic Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Ray Black Joon Kim Hye Seung Chung Copyright by Aaunterria Bollinger 2018 All Rights Reserved. ABSTRACT RACIALIZATION, FEMININITY, MOTHERHOOD AND THE IRON THRONE GAME OF THRONES A HIGH FANTASY REJECTION OF WOMEN OF COLOR This analysis dissects the historic preconceptions by which American television has erased and evaded race and racialized gender, sexuality and class distinctions within high fantasy fiction by dissociation, systemic neglect and negating artistic responsibility, much like American social reality. This investigation of high fantasy creative fiction alongside its historically inherited framework of hierarchal violent oppressions sets a tone through racialized caste, fetishized gender and sexuality. With the cult classic television series, Game of Thrones (2011-2019) as example, portrayals of white and nonwhite racial patterns as they define womanhood and motherhood are dichotomized through a new visual culture critical lens called the Colonizers Template. This methodological evaluation is addressed through a three-pronged specified study of influential areas: the creators of Game of Thrones as high fantasy creative contributors, the context of Game of Thrones
    [Show full text]
  • Download the Production Notes
    THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.bvpublicity.com © 2007 Buena Vista Pictures Marketing and Walden Media, LLC. All Rights Reserved. Disney.com/Terabithia BRIDGE TO TERABITHIA PRODUCTION NOTES “Just close your eyes and keep your mind wide open.” PRODUCTION NOTES —Leslie Deep in the woods, far beyond the road, across a stream, lies a secret world only two people on Earth know about—a world brimming with fantastical creatures, glittering palaces and magical forests. This is Terabithia, where two young friends will discover how to rule their own kingdom, fight the forces of darkness and change their lives forever through the power of the imagination. From Walt Disney Pictures and Walden Media, the producers of “The Chronicles of Narnia,” and based on one of the most beloved novels of all time, comes an adventurous and moving tale that explores the wonders of friendship, family and fantasy: BRIDGE TO TERABITHIA. The story begins with Jess Aarons (JOSH HUTCHERSON), a young outsider on a quest to become the fastest kid in his school. But when the new girl in town, Leslie Burke (ANNASOPHIA ROBB), leaves Jess and everyone else in her dust, Jess’s frustration with her ultimately leads to them becoming fast friends. At first, it seems Jess and Leslie couldn’t be more different—she’s rich, he’s poor, she’s from the city, he’s from the country—but when Leslie begins to open up the world of imagination to Jess, they find they have something amazing to share: the kingdom of Terabithia, a realm of giants, ogres and other enchanted beings that can only be accessed by boldly swinging across a stream in the woods on a strand of rope.
    [Show full text]
  • GATEWAY PLAYHOUSE 1 Wmjoneill FP 08 5/14/08 1:14 PM Page 1
    GATEWAY PLAYHOUSE 1 WmJONeill FP 08 5/14/08 1:14 PM Page 1 Sales Exchange Co., Inc. Jewelers and Collateral Loanbrokers Classic and Contemporary Platinum and Gold Jewelry designs that will excite your senses. Expert Jewelry Repairs One East Main St., Patchogue 631.289.9899 www.wmjoneills.com Mention this ad for 10% discount on purchase 2 SUMMER 2010 GATEWAY PLAYHOUSE 3 Bellport page 2010_Layout 1 5/11/10 3:37 PM Page 1 The Show Goes On... Before The Play & After The Matinee, Restaurant & Bar Bellport Village South Shore Steaks, Seafood & Catering Welcomes You Wines & Liquors 600 South Ocean Avenue Over 250 Different Wines Patchogue, NY 11772 Special Orders Tel 631-654-8970 10% Off Case Purchases www.lombardisonthebay.com Present this ad Experience the Lombardi Family Tradition of Fine for 10% off 6 bottles of wine. Cuisine, Elegant Dining and Ultimate Catering that THE BELLPORT 440A South Country Rd. has extended for almost Four Decades. This is where… Steps away from the Gateway Playhouse East Patchogue HHHH New York Times Review (631) BUY-WINE 2 8 9 - 9 4 6 3 159 South Country Road, Bellport, New York 11713 (631) 286-7550 [email protected] & OLD FASHIONED CANDY SHOP COUPON COUPON COUPON Full Service Buy1Get 1Half Price Perfection is COUPON COUPON COUPON WATERFRONT 8 Bellport Lane, Bellport Village, NY 11713 Bar, Restaurant & Patio Dining our Promise… 631-803-6108 We cater to one Located across the street from Porters on the Lane Open 7 Days for Lunch & Dinner email us at [email protected] wedding at a time.
    [Show full text]
  • W • 32°38'47.76”N 117°8'52.44”
    public access 32°32’4”N 117°7’22”W • 32°38’47.76”N 117°8’52.44”W • 33°6’14”N 117°19’10”W • 33°22’45”N 117°34’21”W • 33°45’25.07”N 118°14’53.26”W • 33°45’31.13”N 118°20’45.04”W • 33°53’38”N 118°25’0”W • 33°55’17”N 118°24’22”W • 34°23’57”N 119°30’59”W • 34°27’38”N 120°1’27”W • 34°29’24.65”N 120°13’44.56”W • 34°58’1.2”N 120°39’0”W • 35°8’54”N 120°38’53”W • 35°20’50.42”N 120°49’33.31”W • 35°35’1”N 121°7’18”W • 36°18’22.68”N 121°54’5.76”W • 36°22’16.9”N 121°54’6.05”W • 36°31’1.56”N 121°56’33.36”W • 36°58’20”N 121°54’50”W • 36°33’59”N 121°56’48”W • 36°35’5.42”N 121°57’54.36”W • 37°0’42”N 122°11’27”W • 37°10’54”N 122°23’38”W • 37°41’48”N 122°29’57”W • 37°45’34”N 122°30’39”W • 37°46’48”N 122°30’49”W • 37°47’0”N 122°28’0”W • 37°49’30”N 122°19’03”W • 37°49’40”N 122°30’22”W • 37°54’2”N 122°38’40”W • 37°54’34”N 122°41’11”W • 38°3’59.73”N 122°53’3.98”W • 38°18’39.6”N 123°3’57.6”W • 38°22’8.39”N 123°4’25.28”W • 38°23’34.8”N 123°5’40.92”W • 39°13’25”N 123°46’7”W • 39°16’30”N 123°46’0”W • 39°25’48”N 123°25’48”W • 39°29’36”N 123°47’37”W • 39°33’10”N 123°46’1”W • 39°49’57”N 123°51’7”W • 39°55’12”N 123°56’24”W • 40°1’50”N 124°4’23”W • 40°39’29”N 124°12’59”W • 40°45’13.53”N 124°12’54.73”W 41°18’0”N 124°0’0”W • 41°45’21”N 124°12’6”W • 41°52’0”N 124°12’0”W • 41°59’33”N 124°12’36”W Public Access David Horvitz & Ed Steck In late December of 2010 and early Janu- Some articles already had images, in which ary of 2011, I drove the entire California I added mine to them.
    [Show full text]