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Sideways Title Page
SIDEWAYS by Alexander Payne & Jim Taylor (Based on the novel by Rex Pickett) May 29, 2003 UNDER THE STUDIO LOGO: KNOCKING at a door and distant dog BARKING. NOW UNDER BLACK, A CARD -- SATURDAY The rapping, at first tentative and polite, grows insistent. Then we hear someone getting out of bed. MILES (O.S.) ...the fuck... A door is opened, and the black gives way to blinding white light, the way one experiences the first glimpse of day amid, say, a hangover. A worker, RAUL, is there. MILES (O.S.) Yeah? RAUL Hi, Miles. Can you move your car, please? MILES (O.S.) What for? RAUL The painters got to put the truck in, and you didn’t park too good. MILES (O.S.) (a sigh, then --) Yeah, hold on. He closes the door with a SLAM. EXT. HIDEOUS APARTMENT COMPLEX - DAY SUPERIMPOSE -- SAN DIEGO, CALIFORNIA Wearing only underwear, a bathrobe, and clogs, MILES RAYMOND comes out of his unit and heads toward the street. He passes some SIX MEXICANS, ready to work. 2. He climbs into his twelve-year-old convertible SAAB, parked far from the curb and blocking part of the driveway. The car starts fitfully. As he pulls away, the guys begin backing up the truck. EXT. STREET - DAY Miles rounds the corner and finds a new parking spot. INT. CAR - CONTINUOUS He cuts the engine, exhales a long breath and brings his hands to his head in a gesture of headache pain or just plain anguish. He leans back in his seat, closes his eyes, and soon nods off. -
Fall 2008.Indd
Vol. 9 No. 3 September-December 2008 A Year-Long Celebration of the Library! This August marked the 10th an- It was August 1998 that the millage Help us celebrate our milestone by niversary of the millage that voters passed and CMPL hit the ground coming to the library in the next in Clinton and Macomb Townships running, leasing space for the South year. We will host special events, approved in order to establish the Branch and scouting out locations contests and more. If you don’t Clinton-Macomb Public Library. Al- for the North Branch. The culmina- have a library card, there has never though the library’s offi cial start date tion of the library’s efforts came fi ve been a better time to get one. You can be traced back to 1992, it wasn’t years ago in October 2003, with the could even become our 100,000th until 1998, when the library had the opening of the Main Library. The library cardholder. Stop in today, support of CMPL: Board of Trustees promised a state bring a friend or relative and see residents, Voter-approved of the art library system when they what we have to offer. At CMPL that it truly since 1998. went to the voters in 1998 and today we’ve had big successes and began. we can say that we’ve lived up to we’ve got an even bigger future That is why we’re kicking off a those promises. planned! year-long celebration of important dates in library history. We’re going Retired Trustee Honored as Trustee to host events, contests and displays Emeritus through August 2009 to celebrate Donald Green, former trustee, capped off his twelve year tenure on the everything the library has to offer. -
Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
—Sex and the City“ Self-Guided Tour
“Sex and the City” Self-Guided Tour During its six seasons on television the ladies of Sex and the City made their way around Manhattan, making some previously unknown locations a must-see on every visitors list. Use this guide to visit some of the most memorable real-life filming locations of Sex and the City and visit www.TheNewYorkCityTraveler.com for more information on New York City. West Village/Meatpacking District 11 Sushi Samba 245 Park Ave South This sushi restaurant is where Samantha 1 Carrie’s Stoop 66 Perry St. confronts a cheating Richard Wright and Sex and the City used a few locations to film coins the term “Dirty martini. Dirty the exterior shots of Carrie’s apartment. bastard.” Here is the most recognizable, Carrie’s 12 Pleasure Chest 156 Seventh Ave. stoop. The girls stop by this sex shop and pick up 2 Magnolia Bakery 401 Bleecker St. the now-famous “The Rabbit” vibrator. Made famous by Sex and the City, stop by 13 Church of the Transfiguration 1 E. 29th St. for a cupcake. Also known as “The Little Church Around 3 Furniture Company 818 Greenwich St. the Corner,” this is where Samantha Furniture Company was cast as Aidan’s attempts to bed Friar Fuck. furniture shop, and where Carrie met Aidan. 14 Vera Wang Bridal House 225 W. 39th St. 4 Samantha’s Loft 300 Ganesvoort St. Where Charlotte picked up her wedding Samantha, always ahead of her time, moved dress when she was marrying Trey. to a loft in the Meatpacking District. The 15 Manolo Blahnik 31 W. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Inception-Screenplay.Pdf
I N C E P T I O N by Christopher Nolan 1. I N C E P T I O N FADE IN: 1 DAWN. CRASHING SURF. 1 The waves TOSS a BEARDED MAN onto wet sand. He lies there. A CHILD'S SHOUT makes him LIFT his head to see: a LITTLE BLONDE BOY crouching, back towards us, watching the tide eat a SAND CASTLE. A LITTLE BLONDE GIRL joins the boy. The Bearded Man tries to call to them, but they RUN OFF, FACES UNSEEN. He COLLAPSES. The barrel of a rifle ROLLS the Bearded Man onto his back. A JAPANESE SECURITY GUARD looks down at him, then calls up the beach to a colleague leaning against a JEEP. Behind them is a cliff, and on top of that, a JAPANESE CASTLE. 2 INT. ELEGANT DINING ROOM, JAPANESE CASTLE -- LATER 2 The Security Guard waits as an ATTENDANT speaks to an ELDERLY JAPANESE MAN sitting at the dining table, back to us. ATTENDANT (in Japanese) He was delirious. But asked for you by name. And... (to the Security Guard) Show him. SECURITY GUARD (in Japanese) He was carrying nothing but this... He puts a HANDGUN on the table. The Elderly Man keeps eating. SECURITY GUARD (CONT'D) ...and this. The Security Guard places a SMALL PEWTER CONE alongside the gun. The Elderly Man STOPS eating. Picks up the cone. ELDERLY JAPANESE MAN (in Japanese) Bring him here. And some food. 3 INT. SAME -- MOMENTS LATER 3 The Elderly Japanese Man watches the Bearded Man WOLF down his food. -
The Madison Square Garden Company Announces Bob Saget
January 24, 2017 The Madison Square Garden Company Announces Bob Saget Has Been Added to the All- Star Lineup of Garden of Laughs, Presented by Delta Air Lines, to Benefit The Garden of Dreams Foundation SAGET JOINS LESLIE JONES, SEBASTIAN MANISCALCO, TRACY MORGAN, JOHN OLIVER AND CHRIS ROCK FOR A NIGHT OF STAND-UP COMEDY HOSTED BY STEVE SCHIRRIPA AT THE THEATER AT MADISON SQUARE GARDEN ON TUESDAY, MARCH 28 AT 8:00 PM Already Confirmed Celebrity Appearances By Adam Graves, Matt Lauer, Spike Lee, Darryl "DMC" McDaniels, Mark Messier, John Starks and Justin Tuck With Additional Celebrity Presenters To Be Announced Garden_of_Laughs Logo.jpg NEW YORK, Jan. 24, 2017 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE:MSG) and The Garden of Dreams Foundation is pleased to announce that Grammy Award-nominated comedian and the star of two of the most successful network TV shows ever produced, Bob Saget, has joined the Garden of Laughs presented by Delta Air Lines. The bi-annual all-star comedy benefit will take place at The Theater at Madison Square Garden on Tuesday, March 28, 2017 at 8:00 p.m., with all net proceeds going directly to Garden of Dreams. As previously announced, Jerry Seinfeld will now be unable to attend the Garden of Laughs fundraiser as was previously scheduled. Instead, Seinfeld announced that he would donate the proceeds from an upcoming 2017 show at the Beacon Theatre to the Foundation. Saget is perhaps best known for his work as the star of two of the most family-friendly shows network TV has ever produced ("Full House" and "Americas Funniest Home Videos") but he's also been an out-of- his-mind standup comedian for over thirty years. -
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
Electronic Labyrinth: THX 1138 4EB
Electronic Labyrinth: THX 1138 4EB By Matthew Holtmeier Considering at least one “Star Wars” film has been released every decade since the 1970’s, this epic science fic- tion franchise likely jumps to mind upon hearing the name George Lucas. Avid filmgoers might think, instead, ‘Industrial Light and Magic,’ which has contributed to the special effects of over 275 feature films since it was founded by Lucas in 1975. Either way, Lucas’s penchant for the creation of fantastic worlds has radi- cally shaped the cinematic landscape of the past 40 years, particularly where big Dan Natchsheim as a character known simply as 1138 attempts budget films are concerned. Like many to escape a dystopian future society. Courtesy Library of filmmakers since the growth of film schools Congress Collection. in the 60’s, he started with a student film, however: “Electronic Labyrinth: THX1138 The Yardbirds, “I know. I know.” As the Gregorian 4EB” (1967). “Electronic Labyrinth” provides a strik- chant of The Yardbirds track begins, the camera ingly different vision of what the cinematic medium is tracks across an extreme close up of electronics capable of, particularly when compared to the mod- equipment, revealing the technocracy of the future. ern fairytales of the “Star Wars” films. It too has a The rest of the film will oscillate between the ‘operators’ science fictional setting, but one without heroes or of this technocracy, and THX 1138’s attempted escape princesses, and instead delves into the dystopian from the smooth, featureless white walls of a com- potential of technology itself. Giving vision to a world pound, presumably a world without desire. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.