Heavy Metal the Music and Its Culture, Revised Edition
Deena Weinstein Contents I I I Appreciation Acknowledgments 1 Studying Metal: The Bricolage of Culture 1 2 Heavy Metal: The Beast that Refuses to Die 1 3 Making the Music: Metal Gods 4 Digging the Music: Proud Pariahs 5 Transmitting the Music: Metal Media ( 6 The Concert: Metal Epiphany 7 Maligning the Music: Metal Detractors 8 Metal in the '90s I Appendix A: Suggested Hearings: 100 Definitive Metal Albums 295 Appendix 3: Gender Preferences for Metal Subgenres 299 Appendix C: Proportion of Heavy Metal Albums in Billboard's Top 100 301 About the Author 353 Appreciation Iam greatly indebted to a multitude of generous people who helped to make this book possible in both its original version and in this new revised edition. They have come from all corners of the metal and academic worlds-musicians, fans, and mediators. Much gratitude goes to the legions of metalheads of all ages, genders, and races, from a variety of educational and religious backgrounds, who have shared their insight and pleasure with me. A shout out to those who have gone beyond the call of duty: Denis Chayakovsky, Jim DeRogatis, Joey DiMaio, Natalie DiPietro, Bill Eikost, Paula Hogan, Randy Kertz, Michael Mazur, Paul Natkin, Patrik Nicolic, Rodney Pawlak, Jeff 1 Piek, Kira Schlecter, and Tony7Tavano, E i E 1 Acknowledgments Grateful acknowledgment is made to the following publishers for permission to quote from their work: Straight Arrow Publishers, Inc.: Excerpts from "Money for Nothing and the Chicks for Free," by David Handelman, Rolling Stone, August 13, 1989. By Straight Arrow Publishers, Inc. Copyright 1989.
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