DOCSLIB.ORG

Photographic Methods of Measuring Longissimus Dorsi

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Photographic Methods of Measuring Longissimus Dorsi 85. PHOTOGRAPHIC NETHOOS OF MEASURING LONGISSINUS DORSI JOHN Me STULL .......................................................KANSAS STATE COLLEGE The cross section view of the longissimus dorsi muscle has been accepted as a useful objective measurement of the quality of beef cattle car- casscs by the Committee on Cooperative Meat Investigations and the North Central Regional Beef Cattle Breeding Laboratory. This paper will describe the photogrcphic methcd of collecting these measurements as developed by Mr. William Stalls at the Kansas Agricultural Experiment Station. This technique was developed to facilitate the ease wfth which these msasuremcnts could be collected. The equipment used consisted of a Kodak 35 camera, econo-flash strobe light, SGries VI lens attachment with a one and one-fourth inch adapter ring, +1 portra lens and a frame on which to rest the camera. The lens attachment, adapter ring and the portra lens wcre required as the photographs wure taken at a close focal range of twenty-four inches. The frame was neccssary to hold the comer stationary and to insure the same focal range in each photograph. The frame was constructed of copper tubing, consisting of a ten by fifteen inch rectangular bottom piece to rest on the ribbcd carcass and two uprights which fastened on the camera. The two uprights were adjustriblo as to focal range and position over the rib face, A transparent ruler was taped across the upper end of the frame so that when the pictures were projected on a screen, they could be scaled to actual size (Slide No. 1). Several tests were conducted to determine the accuracy of the photographic method and to develop a satisfactory technique. In the first test, fine grained plus X Panchromatic film and a focal range of twenty-four inches were used. The camera lens opening was set at F8, referred to as the F stop and the exposure time or shutter spaed at 1/100. Although these photographs were satisfactory for measuring purposes, they exhibited a tendency to be slightly over-exposed and the optimum amount of desired detail was not present. Further tests were conducted using Pantomic X film, an ultra fine grain film, different F stops and shutter speeds. Most satis- factory results were secured by using Pantomic X film and a camera adjustment of F/16 lens opening and a shutter speed of 1/100. A model 3A Kodaslide Projector was used to project the negative of the rib cut on a sixteen by twenty-five inch frosted glass field (Slide No. 2). The actual .siee of the rib cut was obtained by holding a plastic ruler on the frosted &ass, adJusting the projector until the ruler in the projected negative coincided with the ruler being held against the glass. Tracings were made of the rib cut in the projected negative by taping a sixteen by sixteen inch sheet of parchment paper on the frosted glass facing the projector and tracing the outline of the cross-scction of the longissimus dorsi and adjoining parts of the parchent paper. The measursments of the rib eye and external fat were madc from this tracing (Slide No. 3). The measurements made are illustrated in Slide No. 4. The area measurement was made with an Amsler compensating polar planimeter. Tha werage of three readings from the planimeter w&s used to determine the total area of the eye muscle. The length measurement was the longest 86. distance across the eye muscle (AB). The width was an average of the follow- ing measurements: A line (CD) perpendicular to AB and one-half the distance from A to B; a line (GH) perpendicular to AB and one-half the distance from B to P; a line (EF) perpendicular to AB and one-half the distance from A to P. The thickness of fat was an average of three measurements (LF,MD,NH), measured from the outside of the fat where the surface of tho fat is perpen- dicular to these points, F,D and H. A rib eye index was calculated by dividing the rib eye width into rib eye length and multiplying the answer by 100. The accuracy of the photographic method was checked against measure- ments made from original tracings. Slide No. 5 gives the measurements and the correlation coefficient obtained. A correlation coefficient of +0.982 between the two methods indicates that the photographic method can be used with confidence. To f’urther test the accuracy of the photographic method, ten parchment Faper tracings and ten photographs were taken of the same rib cut. The error variance and the coefficients of variability (.9$ and 1.1%) of the two methods were determinod. The results are shown in Slide No. 6. The coefficients of variability me extremely low, rendering both methods equally accurate and highly reputable. This photographic method is recornended for facilitating the ease with which these measurements can be made, in decreasing the confusion caused by a data-collecting crew in the packing house cooler, and permitting the tracings to be made at a later date. 87. CORRELATION BETWEEN PHOTOGRAPHIC METHOD AND THE ORIGINAL TRACING ----METHOD X Y carcass Measurements Obtained Measurements Obtalned Number From Projected Negative- From Original Tracing Square Inches Square Inches 1 9.55 9.39 2 10.46 10.77 3 9.45 9.46 4 8.82 8.97 5 10.17 10.22 6 9.55 9.75 7 7.43 7.73 8 9.26 9.46 9 8.36 8.60 10 10.60 10.33 - X ( X2 ) 885.5425 S (Y2)903,5418 COEFFICIENT OF CORRELATION +o. 982 ___ __ - I_ I___ - ERROR VARIANCE AND COEFFICIENTS OF VARIABILITY OF THE TWO ME230DS OF--- MEASURING THE EYE MUSCLE Number of Tracing -From - Square Inches Square Inches 1 12.12 I 12.26 2 12.06 I 12.45 3 12.19 I 12.30 4 12.33 I 12.18 5 11.97 12.33 6 12.14 12.12 I 7 12.12 I 12.18 8 12.30 1 12.09 9 11.97 I 12.06 10 12.19 I 12 .oo ERROR VARIANCE = 0.37 COEFFICIENT OF VARIABILITY = 0.9%,1,1'% 88. MR. NAUMANN: Thank you. Marshall Heck, of the University of Arkansas, will now lead the discusslop. MR. HECK: How much time does it actually save? How long does it take? MR, McINTOCH: Well, it takes about a fraction of a minute to take the photograph after the carcass is in position. On one pasticu- lar setup where we were using Army beef we made all our measurements in the afternoon when the beef carca8ses were selected and the next morn- ing when they were going on the cutting floor we caught them just as they were passing and we got our measurements that time in that manner. In other cam8 we just flashed them and we had the record when the carcass wa8 free. It is usually necessary to borrow a stool, but we find these shrouding benches a very convenient height, and since most of them are on wheels you can wheel them down the line and get several carcasses on the line. MR, BUTLER: This may be a little extraneous, but you drew your lines out for measuring the thickness of fat covering the rib eye 88 shown in this diagram? MR, BECK: Correct. MR. BUTLER: I thought the tracing handed out last year recom- mended that the line from the rib surface of the eye be perpendicular instead of straight out. MR. McXSlQSH: This particular picture and the one we used were made from some measurements we were making in the cooperative grading project which stated that they should be made in this manner. In other words, it was a projected procedure in this case. CEAIRMAN COLE: Dr. Peareon and his Research Methods Committee have worked very hard. He has a pretty ambitious report to give to us, dividing it up into two sections, degree of fatness on the live animal and in the carca8s. So, Dr. Pearson, without any further ado, we are going to let you take over. ####### .
Load more

Recommended publications
  • History of KODAK Cameras
    CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P.
    [Show full text]
  • Photography Fundamentals Interpreted
    AHS Capstone Annotation Benjamin Bloom Gillian Epstein, advisor 10 May 2006 Photography: A Momentary Capture of Light Background The word photography, if translated etymologically, means “light-writing.”1 This very broad meaning has come to encompass a myriad of techniques and forms, from rudimentary early Daguerreotypes to modern digital imaging, each medium connected by the use of light to form an image. The photographic medium is a modern invention, first achieved on a sensitized pewter plate in 1826 by the French inventor Nicéphore Niépce.2 Photography has matured immensely in technology and technique over the past 180 years, providing a wide array of possibilities for the modern photographer. My project uses the two most common contemporary photographic methods, digital imaging and 35mm film, to explore the essence of photography as an artistic medium. In 1884, George Eastman, the founder of Eastman Kodak Company, invented a technique to coat paper with a light sensitive dry gel: the first photographic film. This invention brought photography to the consumer market because it was a self-contained system that did not require the consumer’s use of toxic chemicals.3 Modern film consists of a plastic substrate covered with a gel containing light-sensitive silver halide crystals (the emulsion). After the film is exposed to light, chemicals used during developing convert the silver halide crystals in the emulsion into visible metallic silver.4 This process leaves a negative image on the film, called the negative at this point in the process, and can be used to make positive image prints. To make a positive print, light is projected through the negative onto a sheet of paper that has been coated with a light-sensitive emulsion (a 1 Prosser, Jay.
    [Show full text]
  • Kodak Picture Making Aids
    Central Library of Rochester and Monroe County - Trade Catalog Collection KO D AK PlCTURt UMUHG MOS Central Library of Rochester and Monroe County - Trade Catalog Collection m Central Library of Rochester and Monroe County - Trade Catalog Collection KODAK 0$ PICTURE-MAKING AIDS FOREWORD ... A camera and a roll of film are the basic materials with which anyone may participate in the satisfying and enjoyable hobby of pic­ ture taking. As skill and experience grow, however, the desire often arises for new fields to conquer, and to help satisfy this longing, dozens of novel, easily used, Kodak accessories—as described in this book — are available. INDEX Adapters, Miniature-Kodachrome . 9 Lamps, Photoflood and Photoflash . 8, 14 Albums 38, 39 Lens Attachments . 15, 16, 17, 18 Blotter Roll 27 Lens Attachments, Combination 15, 16, 17 Carrying Cases 42, 43 Lens Cleaner 44 Chemicals . 29 Lens Hood 15, 16, 17, 44 Darkroom Lamps . 36 Mask Charts 27 Darkroom Outfits 30, 31 Minifile Box for Miniature Negatives . .11 Developers 29 Neck Strap 11 Developing Supplies 22, 23 Negative Spotting Panel 37 Dry Mounting Tissue 40 Oil Colors 41 Enlargement Exposure Calculator 37 Paper 28 Enlargers 32, 33, 34, 35 Paper Board, Kodak Miniature .... 37 Enlarging Focus Finder Paper Board, Masking 37 Exposure Guides 37 . 7 Photo Chamois 27 Ferrotype Plates Photoflood Control . 14 Film and Film Packs . 4, 5, 6, Back . 27 Cover Plates, Eastman and Wratten 6 Film Clips Printer, Kodak Amateur 26 23 Film Lacquer Printing Frames and Masks .... 26, 27 Film Tanks 44 Print Rollers 40 Filters 15, 16, 20, 21 Projection Print Scale 37 Filters, Kodachrome 8, 17, 18 Publications .
    [Show full text]
  • Cameras in the Curriculum. a Challenge to Teacher Creativity. Volume 1, 1982/83. an NEA/KODAK Program
    DOCUMENT RESUME ED 238 409 IR 010 931 AUTHOR Ford, Faye, Ed. TITLE Cameras in the Curriculum. A Challengeto Teacher Creativity. Volume 1, 1982/83. An NEA/KODAK Program. INSTITUTION Eastman Kodak Co,, Rochester, N.Y.; National Education Association, Washington,D.C. SPONS AGENCY National Foundation for theImprovement of Education, Washington, D.C. PUB DATE 83 NOTE 146p. PUB TYPE Reports Descriptive (141) Guides Classroom Use Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Availablefrom EDRS. DESCRIPTORS Awards; Case Studies; Elementary SecondaryEducation; Instructional Innovation; *Material Development; *Photography; Production Techniques;Program Descriptions; Program Development; *Program Tmplementation; *Teacher Developed Materials; *Teaching Methods; *Visual Aids ABSTRACT This book describes 119 award-winningprojects from a program which established a national teachers' competitionto select and disseminate superior teacher-planned anddeveloped programs which use photography as an integral part of the K-12 school curriculum. All subject areas, grade levels, andstates are represented in summaries of projects thatwere granted $200 implementation awards after being selected by a National EducationAssociation (NEA) review panel from entries submitted by eachstate NEA affiliate. Chosen from final reports of these programs submittedto the NEA, reports of six grand prize winners are first presented in theirentirety. These reports and summaries of the other projects includeproject title; teacher; locale; subject; grades;a purpose and description of project; activities; materials,resources, and expenses; and outcomes and adaptation. Grand prize winners includeprograms in fourth grade language arts, secondary science, kindergartenreading readiness, and intermediate art, social studies, and geology.(LMM) *********************************************************************** * Reproductions supplied by EDRSare the best that can be made * * from the original document.
    [Show full text]
  • Kodak Star Ef Manual
    Kodak star ef manual Continue The content of the Edit Share community is available according to GFDL unless otherwise stated. More Camerapedia in de startdagen van film en fotografie waren er nog geen gestandaardiseerde afmetingen voor negatieven. De filmpioniers de gebroeders Lumiere werkten met een film die ongeveer de afmeting was van de huidige 35mm-film. Het was Echter de American George Eastman, de oprichter van Eastman Kodak, die het filmformaat heeft gestandardiseerd. Later het 35mm-negatief gebruikt om in the camera fotocamera te gebruiken Kodak 35 AF1 with a built-in flash. Solid body compact camera for 35 mm film, with built-in electronic flash - automatic focus and DX film speed sensor. Kodak Extanar f4.0 35 mm lens. Kodak AF2 Is all a plastic full automatic Kodak camera that occupies 35 mm of film. By shifting the flash to the side, the lens cover and viewfinder open. The camera is equipped with a Kodak Ekton 35mm f/2.8 lens and automatic focus. Moving the film and rewinding are motorized, and ISO settings are also automated by DX coding. The flash has a manual filling setting that can be used by holding a small slider on your thumb. It is powered by a 2CR2 battery. Kodak 35 and Kodak 35 long-range cameras were manufactured by Eastman Kodak from 1938 to 1951. Kodak 35 from 1938 to 1948 and rangefinder from 1940 t0 1951. The Kodak 35 series was released with a variety of shutters and lenses. Installed with The Kodak Anastigmat Special 50 mm F3.5 lens, or Kodak Anaster 50mm F3.5.
    [Show full text]
  • Kodak Photo; Vol. 1, No. 1; 1946
    Two Leaders OUTSTANDING perform- ers in a brilliant group of new fine Kodaks . Above, the Kodak Reflex (shown with accessory Flasholder) has twin Kodak Anastigmat f/3.5lenses, shutter with built-in flash synchronization-gets 12 shots on a roll of black-and-white, 9 on a roll of Kodacolor Film At right, for the miniature·cam- *Others, too ... the superb new_ Kodak Medalist era fan, the Kodak 35 with new flash-synchronizing II--new KodakBantams, Vigilants, Monitors, shutter, coupled range finder, Kodak Anastigmat Cine .. Kodaks-cameras you've been wait- Special f/3.5 lens-24 ounces of compact perfec- ing for. They're on the woy. tion! Already available in limited quantities. Eastman Kodak Co., Rochester 4, N.Y. No, 1, THIS is No. 1, Vol. 1 of K odak Vol. 1. PHOTO. Some sort of intro- duction is in order,. H ere goes. K odak PHOTO has one primary function - to aid you, as best it can, in getting the greatest possible -pleasure and satisfaction from your camera. Kodak PHOT O is espe- cially interested in the great and expanding field of color photography, but it does not propose to overlook i:he fact that there is-_ a nd probably always will be-a vast useful- ness in black-and-white photography, too. Technicalities don't belong in these pages. Nor will K odak PHOTO attempt to prescribe precise and invariable procedures . PHOTO feels that amateur photography is a very intimately personal thing; it can be interest-- ing or valua ble to you only to the extent that it reflects or augments your interests, your way of enjoying life.
    [Show full text]
  • Kodak Photo; Vol. 1, No. 2; Fall 1946
    * GORGEOUS COLOR deserves fair treatment-and smooth showing with The "Kodaslide Projector , Model 2A, and the a dash of showmanship. Kodaslide Changer make a natural "projection Item One is a well-designed projector team"-they bring real luxury to home showing. Make sure yours is well ventilated, has heat- absorbing glass in the light beam to protect No "fumbling in the dark" here. You slip 50 your slides, and has a lens of f/4.5 or higher Kodaslides into the Changer-then sit back, re- aperture, corrected to yield sharp, brilliant laxed, and feed them through, slowly or swiftly as color images on the screen. you wish, each with a mere push of the thumb. Use file boxes-such as Kodaslide Se- At 16 feet, the p r ojector brilliantly fills a quence Files-to keep your slides in order, and prevent loss or damage. They'll a!so 52-inch screen. Its big f/3.5 lens and superb help you arrange related slides for sequence condenser system are fully Lumenized-all glass showing. surfaces coated to yield image brilliance far sur- passing ordinary p rojectors of even higher wattage. An automatic changer adds immeasurably to the pleasure of showing Kodaslides; pic- And its heat-absorbing filter guards your slides. tures change at a flick of the thumb. Here's equipment to show your color at its best. A good screen-and a thoroughly darkened * Incidentally, the K odaslide Changer also fits the inexpensive room-permit Kodachrome shots to reveal Kodaslide Projector Mo d el l - which also is equipped with an / / 3.5 their full richness and purity of calor.
    [Show full text]
  • Research Into Vision. Histories of Cinema Starting from Marey», Barcelona, 2018
    Vol. VI Núm 11 Vol.2018 VI comparative cinema No. 11 2018 Marey starting from cinema of Histories vision. into Research Editors Albert Elduque (University of Reading, United Kingdom), Núria Gómez Gabriel (Universitat Pompeu Fabra, Spain) and Gonzalo de Lucas (Universitat Pompeu Fabra, Spain). Associate Editors Núria Bou (Universitat Pompeu Fabra, Spain) and Xavier Pérez (Universitat Pompeu Fabra, Spain). Advisory Board Dudley Andrew (Yale University, United States), Jordi Balló (Universitat Pompeu Fabra, Spain), Raymond Bellour (Université Sorbonne-Paris III, France), Francisco Javier Benavente (Universitat Pompeu Fabra, Spain), Nicole Brenez (Université Paris 1-Panthéon-Sorbonne, France), Maeve Connolly (Dun Laoghaire Institut of Art, Design and Technology, Irleland), Thomas Elsaesser (University of Amsterdam, Netherlands), Gino Frezza (Università de Salerno, Italy), Chris Fujiwara (Edinburgh International Film Festival, United Kingdom), Jane Gaines (Columbia University, United States), Haden Guest (Harvard University, United States), Tom Gunning (University of Chicago, United States), John MacKay (Yale University, United States), Adrian Martin (Monash University, Australia), Cezar Migliorin (Universidade Federal Fluminense, Brazil), Alejandro Montiel (Universitat de València, Spain), Meaghan Morris (University of Sidney, Australia and Lignan University, Hong Kong), Raffaele Pinto (Universitat de Barcelona, Spain), Ivan Pintor (Universitat Pompeu Fabra, Spain), Àngel Quintana (Universitat de Girona, Spain), Joan Ramon Resina (Stanford University, United States), Eduardo A. Russo (Universidad Nacional de La Plata, Argentina), Glòria Salvadó (Universitat Pompeu Fabra, Spain), Yuri Tsivian (University of Chicago, United States), Vicente Sánchez-Biosca (Universitat de València, Spain), Jenaro Talens (Université de Genève, Switzerland and Universitat de València, Spain), Michael Witt (Roehampton University, United Kingdom). Contributors Sergi Álvarez Riosalido, María García Vera, Andrés Hispano, Alex Pena Morgado, Paula Arantzazu Ruiz, José Luis Torrelavega.
    [Show full text]
  • Millburn Short Hills
    'W ? ^ — w r "■ ;f- ■ ■■■' T _ .......t iiseex Library Sir.devy t t 7 4 v rat o n street yeviaxle, >"J .^ illburn Jubilee Days - September 17 - 2 5 IT LOOKS FROM HERE~~| [ V»l. 60, No. 3s ] [ September 16, 1948 1 IN TWO SECTIONS Unique Honor PART ONE Seldom does it fall to the lot of a community as small as 'llburn Township to number among its residents two such 'jncl)t jurists as Arthur T. Vanderbilt, Chief Justice of ' .New Jersey Supreme Court and Frederick R. Colie, Justice the new State Superior Court, MILLBURN lustice Vanderbilt brings to his new post a wealth of I experience through private practice, as Dean of New and University School of Law and as president of the nerican Bar Association. He was most instrumental in ITEM tting up the new judicial system in New Jersey under the State Constitution and will head that system, lustice Colie, until the new Constitution was adopted, SHORT HILLS a Supreme Court Justice serving seven years in that city. The high esteem in which he is held was recently a ’deuced by the strong support he received from laymen j bar associations alike when there was a question as to lether the Senate Judiciary Committee would recommend F o u n d e d 1 8 8 8 P u U . ’ . h e d every TUr.J.y «t MILLBURN. N. J. TEN C E N T S CoV appointment to the new Superior Court, l'he Item joins with all of Millburn Township in Con- atulating our two judges on their new appointments and in Q u n fP tn P P n iirf Vanderbilt Sworn Two Millburn Township Judges nng we are Moud that they are residents of our com- ^ U J tlC lU C V U U IL Registration C of C Jubilee >y + Rules Against As Chief Justice Sale Days Start For Voters ubilee Days Lick H CL Adjustment Bd.
    [Show full text]
  • Photographica Tuesday 24Th March 2020 at 10.00 Viewing: Monday 23Rd March 2020 10.00-16.00 Morning of Auction Otherwise by Appointment
    Hugo Neil Thomas BID LIVE NOW @ Marsh Shuttleworth Forrester auctions.specialauctionservices.com (Director) (Director) (Director) Photographica Tuesday 24th March 2020 at 10.00 Viewing: Monday 23rd March 2020 10.00-16.00 Morning of Auction Otherwise by Appointment For enquiries relating to the auction, PLEASE NOTE OUR NEW ADDRESS please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL (Sat Nav tip - behind SPX Flow RG14 5TR) Telephone: 01635 580595 Hugo Marsh Paul Mason Mike Spencer Email: [email protected] Photographica Photographica Photographica www.specialauctionservices.com Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 1. Canon Cameras and Lenses, 5. Pentax SLR Cameras, 9. A Zeiss Ikon Mess-Ikonta comprising a Canon EOS D30 DSLR comprising a Pentax K2 body, an ME 524/16 Folding Roll Film Camera, body, a Canon EOS 600 camera, a F camera with a SMC Pentax AF Zoom serial no Y 37155, Synchro-Compur Canon T50 camera, a Canon T70 35-70mm f/2.8 lens, a Super Program shutter sticking at slowest speeds, a camera, a Canon AE-1 Program body, an MZ-5 camera, an ist DS DSLR Zeiss Opton Tessar 75mm f/3.5 lens, camera, a Canonet rangefinder body, boxed and a Pentax-A Zoom 70- together with a Sanyo VM-D6P 8mm camera, an EF 75-300mm lens and an 200mm f/4 lens, boxed (a lot) £40-60 video camcorder, A/F £30-50 EF 90-300mm lens (a lot) £50-70 2.
    [Show full text]
  • Evening Star. (Washington, DC). 1939-12-14 [P C-11]
    of a Item is than 45 cent were Iden- the board has rechecking suspended per actually been devoting weeks chastened by popular indignatlor careful what he says and does for held strictly accountable for the have been incorporated into law designed to avoid such possibilities. tified. to the training of personnel to and has been known to be punlshec that record. proper execution of laws, in the be administered and McNutt Outlines Experience has proved that the sys- The extensive planning and prep- skillfully take care of the claims, and the at the When a falli Must Produce Results. making of which he may or in the tem now in operation provides ef- aration neoessary to execute a law polls. judge mayI wisely, spirit in which they fective safeguards for accurate wage which affects so many people is no- general counsel's office has for to protect the public Interest bj The administrator, on the other not have had any part. This is the were enacted, and, as far as legally to where better illustrated than in the several months been at work pre- Steps Accomplish accounting. misapplication of the law, he is helc hand, operates in a highly tech- only check practically applicable possible, in a way which will accom- Discrepancies Reduced. plans that have been made to han- paring procedures and methods for and, it is a one, responsible by a learned and critica nical field where the record of his although rigorous plish their purposes. This is the Records indicate that wage-item dle the benefit payments on the 1st the appeal and review of rejected it has the decided advantage of which examines care- work is usually buried in countless essence of discrepancies on the part of em- of January, 1940.
    [Show full text]
  • Copy of Auctionflex Catalog Model Inclusive
    LOT # TITLE 1 Keystone 8mm K-8 8mm 1930-1940 2 Bell Howell Filmo Sportster 8mm 1939-1950 3 Kodak EK Medallion 8 Mag 8 Mag 1960+ 4 Kodak Brownie 8mm II Reg 8 1951-1963 5 Kodak Box EK Cine Spec II 6 Box EK Cine K-100 Turret 7 Kodak CK 16mm Mag 16mm 1936-1945 8 Kodak CK Model 8-25 8mm 1932-1947 9 Kodak CK Magazine 8 8mm 1946-1955 10 Simplex Simplex Pockette 8mm 1931- 11 Cinekon Cinekon 3 Lens Turret 8mm 1950 12 Canon G III - QL 35 1960+ 13 Canon Autofocus AF35M 35 1978 14 Graflex Graphic 35 RR 35 1955-1958 15 Bell Howell Electric Eye 127 127 1958 16 Voigtlander Vitessa 35 Vtron 50/2.0 1950 17 Bell Howell Dial 35 35 1963-1967 18 Vivitar Point & Shoot 110 110 1982 19 Kodak #2 Hawkeye Model C 120 May-30 20 Voightlander Avus 6x9 1927-1934 21 Agfa A-8 Cadet Flash 127 1940 22 Lionel Linex Stereo Camera Spec 1940's 23 ASR Foto Disc & Photo Disc Magazines 22x24 1950 24 Ansco Clipper 120 1940-1950 25 Ansco Memar 35 Apotar 1954-1958 26 Ansco Memo 35 1927 27 Ansco Ready Flash 620 1953 28 Ansco Vest Pocket D 127 1916-1923 29 Murer UF 4x4 1910 30 Kodak 1A Pocket 116 Kodex #1 1926-1931 31 Seneca RF Sensor #1 (Uno) 1910 32 Kodak Jr. Six 16 Series II 616 1937-1940 33 Kodak Six 16 Improved 616 1934-1936 34 Kodak Tourist 620 1948-1951 35 Graflex Super Graphic 4x5 4.7 Graflex Optar 1958-1973 36 Ansco No 1 Ansco Delux 120 1925-1928 37 Kodak Premo #1 3 1/4x4 ¼ 1906-1916 38 Kodak Vest Pocket AutoGraph Spec 127 1915-1926 39 Kodak No.
    [Show full text]