Conference Programme

SUNDAY JUNE 12 – p. 2 MONDAY JUNE 13 – p. 3 TUESDAY JUNE 14 – p. 21 WEDNESDAY JUNE 15 – p. 46 THURSDAY JUNE 16 – p. 58 FRIDAY JUNE 17 – p. 71

Please note that the Programme might change. To find your panel, please use CTRL+F / CMD+F and search for your name. Note that this version of the programme doesn’t included special panels such as workshops and roundtables.

SUNDAY JUNE 12

Polyxeni Stavrou Transcendental Experiences in Text- Performance and Pre-Conference Workshop E306 12 11:30- based Performance Religion 13:00 Hannah McClure The University of Surrey A Whirling Sema of the Heart Performance and Pre-conference workshop E306 12 16:00- Religion 17:30 Adela Bravo Sauras Institut für Angewandte Classifying architecture in relation to Theatre Architecture Imagining and Reimagining Space E319 Chair Andrew 12 14:00- Theaterwissenschaft theater Filmer 18:00 (Giessen) / Universität der Künste (Berlin) Mike Pearson Aberystwyth University Modelling Performance Theatre Architecture Imagining and Reimaging Space E319 Chair Andrew 12 14:00- Filmer 18:00 Catherine Hamel University Of Calgary Theatres of Observation: Scripts for Theatre Architecture Imagining and Reimagining Space E319 Chair Andrew 12 14:00- Lingering Filmer 18:00

MONDAY JUNE 13

Name Affiliation Title WG Panel Chair Time Shozo Motosugi Nihon University, College of Transformation in the traditional theater in Theatre Interpreting and reconstructing historical Andrew 09:00- Science and Technology Japan ―space and time relations Architecture performance spaces and practices Filmer 10:30 Xiaohuan Zhao University of Sydney Ancient Stages in Ancestral Shrines: A Study of Theatre Interpreting and reconstructing historical Andrew 09:00- Huizhou Theatre in Late Imperial China Architecture performance spaces and practices Filmer 10:30 Julie Iezzi University of Hawaii at The Playwright at the Heart of 18th Kabuki Theatre Interpreting and reconstructing historical Andrew 09:00- Manoa, Dept. of Theatre Scenography: Namiki Shōza and his Machines Architecture performance spaces and practices Filmer 10:30 and Dance Kurt Vanhoutte University of Antwerp Genius Loci: On the Logic of Space, Technology Intermediality Spatial interventions: The new meets the old Andy 09:00- and Drama in Science Theatre Then and Now 'and in Theatre and Lavender 10:30 the stars look very different today' (David Bowie, Performance 1947 - 2016) Riina Oruaas University of Tartu Technological theatre: from new to old media Intermediality Spatial interventions: The new meets the old Andy 09:00- in Theatre and Lavender 10:30 Performance Susanne Kass Academy of Fine Arts in Activating the Museum Space - Using theatre as a Intermediality Spatial interventions: The new meets the old Andy 09:00- Prague tool for interventions in permanent collections in Theatre and Lavender 10:30 and liberate the histories and fictions created by Performance the institutional setting Jane Drake Brody The Theatre School, Depaul Acting, Archetype, and Neuroscience Performance and Consciousness Daniel Meyer- 09:00- University, Chicago, IL Dinkgräfe 10:30 Ulla Kallenbach University of Southern Conflux and imagination: perspectives from Performance and Consciousness Daniel Meyer- 09:00- Denmark philosophy and drama Dinkgräfe 10:30 Gabriella Calchi ISAP-Zurich From Charlie Hebdo to Le Bataclan: Subject(ed) to Performance and Consciousness Daniel Meyer- 09:00- Novati Digital Biopolitcs Dinkgräfe 10:30

Tomasz Ciesielski Institute of Contemporary Artistic recreation and neurocognitive Performance and Consciousness Daniel Meyer- 09:00- Culture, University of Lodz recontextualization. Ancient choreia in re- Dinkgräfe 10:30 construction. Susan Haedicke University of Warwick Eco-creativity and Performance of the Land: The Performances Ecology Esther Belvis 09:00- Department of Theatre and PerFarmance Project and Earthrise Repair Shop’s in Public 10:30 Performance Studies Meadow Meanders Spaces Coventry UK Andrew Eglinton Konan Women's University In Search of Direction: Mapping, Materiality and Performances Ecology Esther Belvis 09:00- (Kobe, Japan) Theatre Ecology in Rural Japan in Public 10:30 Spaces Sarah Mullan Queen Mary, University of Deviant Lesbianism: The West End revivals of The Queer Futures Popular Queer performance Fintan Walsh 09:00- London Killing of Sister George and The Children's Hour in 10:30 2011 Stephen Greer University of Glasgow Queer ressentiment and history as progress: the Queer Futures Popular Queer performance Fintan Walsh 09:00- backwards drag of Margaret Thatcher Queen of 10:30 Soho Lazlo Pearlman Northumbria University Thoughts on a Transgender Performance Queer Futures Popular Queer performance Fintan Walsh 09:00- Economy: Stripping My Way Through The Box 10:30 Alison Walls CUNY Graduate Center Porgy at the Pã: The New Zealand Opera Music Theatre George 09:00- Company’s 1965 Porgy and Bess Rodosthenous 10:30 Paula Sledzinska University of Aberdeen Navigating between the past and the future – Music Theatre George 09:00- National Theatre of Scotland and the musical Rodosthenous 10:30 construction of contemporary Scottish identities David Savran The Graduate Center, City Broadway as Global Brand Music Theatre George 09:00- University of New York Rodosthenous 10:30 Sahoko Tsuji Waseda University Interplays of how to dramatize the past and create Music Theatre George 09:00- a musical show in Billion Dollar Baby Rodosthenous 10:30 Tiran University of ST Andrews Abū al-ʿIlā al-Salāmūnī: the rewriting of history in Arabic Theatre Egyptian Theatre Across Shifting Nationalist Times Hazem Azmy 09:00- Manucharyan the Egyptian theatre in the 1970-80s 10:30

Hadia Mousa Helwan University The 1919 Revolution in the Eyes of Modern and Arabic Theatre Egyptian Theatre Across Shifting Nationalist Times Hazem Azmy 09:00- Contemporary Egyptian Theatre Directors 10:30 Ketu Katrak UCI Kaisika Natakam, 13th Century Ritual Dance Performance and Religion Joshua 09:00- Theatre from Tamilnadu, India Edelman 10:30 Anita Ratnam University of Madras, India Kaisika Natakam, 13th Century Ritual Dance Performance and Religion Joshua 09:00- Theatre from Tamilnadu, India Edelman 10:30 Maysa Utairat Royal Holloway University of Tradition and Modernity in Buddhist Storytelling Performance and Religion Joshua 09:00- London Edelman 10:30 Isabella Elena University of Bucharest, Rethinking Aesthetic and Ecstatic in Theatre Art: Performance and Religion Joshua 09:00- Drăghici Department of Philosophy; Mircea Eliade’s Vision in Nineteen Roses and Edelman 10:30 Research Assistant, Stanislav Grof’s Theory about Holotropic States of Romanian Academy, “G. Consciousness Oprescu” Institute of Art History, Department “Dramatic Art and Cinema” Fiona Graham Goldsmiths, London Excavating The Space Between: The collaboration Translation, Adaptation and Dramaturgy Katja Krebs 09:00- University between dramaturge and artistic director 10:30 Eleanor Skimin Brown University, USA Bourgeois inheritances: the specter of the office in Translation, Adaptation and Dramaturgy Katja Krebs 09:00- experimental dramaturgical practice and theory 10:30 Jane Turner Manchester Metropolitan Body of the group/body of the artist as central to Translation, Adaptation and Dramaturgy Katja Krebs 09:00- University the ethos of Third Theatre 10:30 Patrick Campbell Manchester Metropolitan Body of the group/body of the artist as central to Translation, Adaptation and Dramaturgy Katja Krebs 09:00- University the ethos of Third Theatre 10:30 Carol Brown The University of Auckland Excavating The Space Between: The collaboration Translation, Adaptation and Dramaturgy Katja Krebs 09:00- between dramaturge and artistic director 10:30 Priyanka Budge Budge Institute of The Dynamics of Intraculturalism: Waiting for Samuel Responses in Different Countries Mariko Hori 09:00- Chatterjee Technology Godot in Bangla Beckett Tanaka 10:30 Charlotta P. Department of English, Beckett in Sweden: Waiting for Godot (1990–2015) Samuel Responses in Different Countries Mariko Hori 09:00- Einarsson Stockholm University Beckett Tanaka 10:30

Teresa Rosell University of Barcelona Samuel Beckett’s Reception in Spain or the Samuel Responses in Different Countries Mariko Hori 09:00- Nicolas Revolution of a Louse Beckett Tanaka 10:30 Fiona Watt University of the Creative ‘In civilisations without boats, dreams dry up, Scenography Interpreting sites and historical performance practices Scott Palmer 09:00- Arts, Rochester, UK espionage takes the place of adventure and the 10:30 police take the place of the pirates’ (Michel Foucault, Of Other Spaces : Utopias and Heterotopias) Greer Crawley Buckinghamshire New Mutable Perception Scenography Interpreting sites and historical performance practices Scott Palmer 09:00- University and Royal 10:30 Holloway University of London Catherine Ely Dublin Institute of Authored site as ‘amateur’ space: A consideration Scenography Interpreting sites and historical performance practices Scott Palmer 09:00- O'Carroll Technology, GradCAM of the interrelationship of site and performance 10:30 space within networks of site based historical performance, through Bernard Stiegler’s construction of the ‘amateur’. Nebojsa Tabački Freelance Artist Consuming Scenography: Theatricality and Scenography Interpreting sites and historical performance practices Scott Palmer 09:00- Entertainment Strategies of the Shopping Mall 10:30 Naphtaly Shem- The Open University of The Political Context of the Theatrical Event: Theatrical Politics Willmar 09:00- Tov Israel Politicized Theatre Event Sauter 10:30 Eva Chou Baruch College, City Two Chinese Ballets and The Contexts of their Theatrical Politics Willmar 09:00- University of New York Creation and Performance Event Sauter 10:30 Vicki Ann University of Malta Theatre in Malta under British rule: opposition Theatrical Politics Willmar 09:00- Cremona and negotiation Event Sauter 10:30 Berenice Hamidi University Lyon 2, France Façons de s'organiser, manières de créer au Processus de Création Josette Féral 09:00- Kim Cheptel Aleikoum and Sophie 10:30 Proust

Edith Cassiers University of Antwerp; Vrije Indiquer et Délinéer « L’Imagination Didascalique Processus de Création Josette Féral 09:00- Universiteit Brussel » – Rechercher les notes de metteurs en scène and Sophie 10:30 contemporains: une conclusion préliminaire Proust Simone Niehoff Ludwig-Maximilians- Genealogies of interventionist performance Political Theatres of the Left / Performance and Activism Today Paola Botham 09:00- University of Munich (LMU) Performances and Lloyd 10:30 Peters Elena London South Bank Performing inequality: Performative self-organised Political Theatres of the Left / Performance and Activism Today Paola Botham 09:00- Marchevska University protest and the politics of ‘precariousness’ Performances and Lloyd 10:30 Peters Pujya Ghosh Jawaharlal Nehru University …of Spaces and Spectacles Political Theatres of the Left / Performance and Activism Today Paola Botham 09:00- Performances and Lloyd 10:30 Peters Rebecca Hillman University of Exeter Reclaiming the network: revisiting historical Political Theatres of the Left / Performance and Activism Today Paola Botham 09:00- support systems for artists and activists of the new Performances and Lloyd 10:30 UK Left Peters Awo Mana University of Ghana Tracking the Creative process of a Roverman African and Medium and Process 09:00- Asiedu Production Caribbean 10:30 Theatre and Performance Catherine University of Stellenbosch Intermediality in 21st Century South Africa African and Medium and Process 09:00- Makhumula Theatre: Ubu and the Truth Commission Caribbean 10:30 Theatre and Performance Seokhun Choi Yonsei University, South Re-thinking Presence in Intermedial Terms: The Asian Theatre Contemporary Asian Puppet and Marionette Theatre 09:00- Korea Distinct Ontology of Body and Digital Media in The 10:30 Marionette Frances Barbe Edith Cowan University, Considering the Butoh Performer as a Marionette- Asian Theatre Contemporary Asian Puppet and Marionette Theatre 09:00- Perth like Object 10:30

Janice Norwood University of Hertfordshire Nineteenth-Century ‘House’ Dramatists and the Historiography Negotiating Identity 09:00- Creation of Theatrical Identity 10:30 Katharina Institute of Culture Studies Between Back Province and Metropolis: Actor Historiography Negotiating Identity 09:00- Wessely and Theatre History, Autobiographies as Sites to Negotiate Cultural 10:30 Austrian Academy of Siences Identities Nurith Yaari Tel Aviv Unviersity Myths versus Facts in Theatre History: The Historiography Negotiating Identity 09:00- Reception of Hanoch Levin in the European 10:30 Theatrical Scene Elizabeth Turner University of Warwick Exploring the Present Through the Past: Magic, Popular Entertainments 09:00- Mass Media and the ‘Aesthetic of Attractions’ 10:30 Joanna Department of American Zenne Dancers and the New Burlesque: Histories Popular Entertainments 09:00- Mansbridge Culture & Literature, Bilkent of Sexuality in 21st Century Popular Performance 10:30 University Susan Kattwinkel College of Charleston Penn and Teller and the recreation of heritage Popular Entertainments 09:00- magic 10:30 Rashna Ludwig Maximilian The Persian Warrior Performed Historiography Negotiating Traditions 11:00- Nicholson University of Munich 12:30 Rosemarie Bank Kent State University When Is an Artefact Not a Fact of Art? Historiography Negotiating Traditions 11:00- 12:30 Tanja Klankert Institute of Theater Studies Faces and masks. The reception of Nō masks in Historiography Negotiating Traditions 11:00- European dance 12:30 Fintan Walsh Birkbeck, University of Seep Shows Queer Futures HIV/AIDS in Queer Performance Alyson 11:00- London Campbell 12:30 Catherine Queen Mary University of AIDS in (Global) Queer Times: Karen Finley’s Queer Futures HIV/AIDS in Queer Performance Alyson 11:00- Silverstone London Written in Sand (2013-15) Campbell 12:30 Dirk Gindt Stockholm University Affective Power or Neoliberal Sentimentality? HIV Queer Futures HIV/AIDS in Queer Performance Alyson 11:00- Department of Culture and and AIDS Performance in Contemporary Sweden Campbell 12:30 Aesthetics

Dominic Glynn Institute of Modern A Magus on Stage: Olivier Cadiot’s Novels Adapted Translation, Adaptation and Dramaturgy Andrea 11:00- Languages Research to the Theatre Pelegri Kristic 12:30 Gad Kaynar Tel Aviv University, Theatre Ghosts' or Phantoms?: Hybrid Cultural Images as Translation, Adaptation and Dramaturgy Andrea 11:00- Arts Prominent Agents in Theatrically-Oriented Pelegri Kristic 12:30 Dramaturgical Translations. The Case of Ibsen in Hebrew. Mark O'Thomas University of Lincoln Technology and the future of theatrical translation Translation, Adaptation and Dramaturgy Andrea 11:00- Pelegri Kristic 12:30 Sarah Grochala Royal Central School of Controversal Intentions: Adaptation as an act of Translation, Adaptation and Dramaturgy Andrea 11:00- Speech and Drama iconoclasm in Rupert Goold and Ben Power’s Pelegri Kristic 12:30 Faustus (2004) and the Chapman Brothers’ Insult to Injury (2003) Peter Peasey University of Bristol Rituals of Cohesion and Consumption: The Cruel Theatrical Values & Sanctions Anneli Saro 11:00- Optimism of Commodified Communitas in Event 12:30 Immersive Performance Andreas Kotte Institute of Theatre Studies Selecting Contexts Theatrical Values & Sanctions Anneli Saro 11:00- Event 12:30 Janne Tapper Finnish Cultural Foundation, Philosophy as an Event: Context of The Theatrical Theatrical Values & Sanctions Anneli Saro 11:00- Grant Researcher Event Event 12:30 Julie Matheson York University Theatre Restoration and Contemporary Activism: Theatre Restoring, regenerating and re-using Cathy Turner 11:00- Reperforming the Past Architecture 12:30 Andrew Filmer Aberystwyth University ‘We have to do this slowly’: Assessing NVA’s Theatre Restoring, regenerating and re-using Cathy Turner 11:00- Kilmahew/St Peter’s Project Architecture 12:30 Helena Langewitz Institute of Theater Studies, The So-called Boom of Baroque Opera and Music Theatre George 11:00- University Bern Historically Informed Performance Practice: What Rodosthenous 12:30 Does It Tell Us? Helena Spurna University Palacky in Opera Theatre as a Reflection of Social Changes at Music Theatre George 11:00- Olomouc the Beginning of “Normalization” in Rodosthenous 12:30 Czechoslovakia.

Magnus Tessing Stockholms Universitet Death and Delirium in the Age of Sensibility: The Music Theatre George 11:00- Schneider Opera "Comala" (1780) by Calzabigi and Morandi Rodosthenous 12:30 Tereza Havelkova Charles University, Prague Opera, Memory, and Collective Identity: Opera Music Theatre George 11:00- Scenes in Czech Narrative Cinema during Nazi Rodosthenous 12:30 Occupation Rand Hazou Massey University Re-Enacting Palestine and the Performance of Arabic Theatre Historicising Palestinian Dramas Katherine 11:00- Credibility Hennessey 12:30 Samer Al-Saber Florida State University Theatre in Jerusalem: Lessons from the Street Arabic Theatre Historicising Palestinian Dramas Katherine 11:00- (1967-1993) Hennessey 12:30 Josh Stenberg Department of Theatre and Christian “Chinese Opera”: “Tradition” as a Vehicle Performance and Religion Kim 11:00- Film University of British for Faith Promotion in Taiwan Skjoldager- 12:30 Columbia Nielsen Joshua Edelman Manchester Metropolitan The Megachurch and the Synagogue: a case study Performance and Religion Kim 11:00- University of intertraditional performative borrowing Skjoldager- 12:30 Nielsen Will Shuler Royal Holloway, University Dionysus Superstar: Performance of Pagan and Performance and Religion Kim 11:00- of London Gnostic Christian Mysteries Skjoldager- 12:30 Nielsen Helen Gilbert Royal Holloway University of Mapping Indigenous Heritage in London: New Performances Landmarks Lesley 11:00- London Journeys though Old Landmarks in Public Delmenico 12:30 Spaces Bertie Ferdman City University of New York- Landmark Performance: The Production(s) of Performances Landmarks Lesley 11:00- BMCC Campus Urban Sites in Public Delmenico 12:30 Spaces Tim White University of Warwick Lest we forget, lest we remember: Tales of Performances Landmarks Lesley 11:00- Tianenmen in Public Delmenico 12:30 Spaces Yoshiko Takebe Shujitsu University Translating Theatre Language of Beckett's Texts Samuel Responses in Different Countries Linda Ben-Zvi 11:00- Beckett 12:30

Shimon Levy Tel Aviv University, Theater Personalized Beckett Samuel Responses in Different Countries Linda Ben-Zvi 11:00- Dept. Beckett 12:30 Anita Rakoczy Karoli Gaspar University of Samuel Beckett’s Fin de partie in Hungary – A Samuel Responses in Different Countries Linda Ben-Zvi 11:00- the Reformed Church in Brief Reception History Beckett 12:30 Hungary Dominika University of Lodz, Poland Historical migrations between theater and cinema Scenography Animated Scenography through Light and Projection Nick Hunt 11:00- Larionow elements of stage design as an example creativity 12:30 of Allan Starski. Carmen Gonzalez Faculty of Fine Arts at Transmedia Experimenting Objects (TEO). A Scenography Animated Scenography through Light and Projection Nick Hunt 11:00- Requeijo Universidad Complutense proposal for documentation and exhibition of 12:30 de Madrid contemporary staging. Kathrine Sandys Rose Bruford College ‘I want a big disco’: animating the museum Scenography Animated Scenography through Light and Projection Nick Hunt 11:00- 12:30 Vincenzo University of Palermo The history of theatre and videomapping:a new Scenography Animated Scenography through Light and Projection Nick Hunt 11:00- Sansone Department of Cultures and stagecraft machine of vision to generate a new 12:30 Societies augmented space Alla Sosnovskaya Haifa University Human Beings and His Double? Performance and Consciousness Peter Zazzali 11:00- 12:30 Philden Ndlela North West University, Claudius’s “State of the Nation Address” and his Performance and Consciousness Peter Zazzali 11:00- Department of English deployment of Repressive State Apparatuses in 12:30 Hamlet Yetunde Akorede Adeyemi Federal University Nigeria Home Video Films and the Other- Performance and Consciousness Peter Zazzali 11:00- College of Education, Ondo Worldiness: A Psycho-social Interpretation of the 12:30 Unconscious Consciousness Anton Krueger Rhodes University, South Performing Mindfulness: Three South African Case Performance and Consciousness Peter Zazzali 11:00- Africa Studies 12:30 Piotr Woycicki Aberystwyth University Recursive game structures as emergent post- Intermediality Mediality and music Ralf 11:00- capitalist creative strategies in Theatre and Remshardt 12:30 Performance

Jocelyn Spence University of Nottingham Music sharing through site-specific intermedial Intermediality Mediality and music Ralf 11:00- performance in Theatre and Remshardt 12:30 Performance Joanne Scott University of Salford, Uk Mixing media ‘constellations’: musical history and Intermediality Mediality and music Ralf 11:00- place in live intermedial practice in Theatre and Remshardt 12:30 Performance Laure Fernandez Drama, Theatre & Dancing History, Staging History: contemporary Processus de Création Josette Féral 11:00- Performance, Roehampton, dance and the writing of its memory by the use of and Sophie 12:30 London the stage Proust Mariana Simoni Pontifícia Universidade Flammes, rêves et théorie: Le processus de Processus de Création Josette Féral 11:00- Católica do Rio de Janeiro création de Hannas Traum and Sophie 12:30 (PUC-Rio) Proust Zahava Caspi Ben-Gurion University in the Politics, Ethics and Theater: Are Mutual Relations Political Dialogue in Contemporary Political Performance / Paola Botham 11:00- Negev Possible? Performances Politics and Ethics, Effect and Affect (part 1) and Lloyd 12:30 Peters Camila Gonzalez King's College London The Citizen Turn: Chilean theater and Social Political Dialogue in Contemporary Political Performance / Paola Botham 11:00- Ortiz Spanish, Portuguese and Movements. Performances Politics and Ethics, Effect and Affect (part 1) and Lloyd 12:30 Latin American Studies Peters Department Elizabeth Tomlin University of Birmingham From Effect to Affect: The Pendulum of ‘the Political Dialogue in Contemporary Political Performance / Paola Botham 11:00- Political’ Performances Politics and Ethics, Effect and Affect (part 1) and Lloyd 12:30 Peters Lib Taylor University of Reading Speaking to me: These Associations and the Political Dialogue in Contemporary Political Performance / Paola Botham 11:00- spatial politics of para-performance Performances Politics and Ethics, Effect and Affect (part 1) and Lloyd 12:30 Peters Linda Taylor Northumbria University What's Left? : The production of subjectivity Political Dialogue in Contemporary Political Performance / Paola Botham 11:00- through rational dialogue Performances Politics and Ethics, Effect and Affect (part 1) and Lloyd 12:30 Peters

Ariane Zaytzeff Finding space: making art in a controlled public African and Space and Architecture 11:00- space in contemporary Rwanda Caribbean 12:30 Theatre and Performance Liman Ahamdu Bello University Square Pegs in Round Holes: Architecture, Artifacts African and Space and Architecture 11:00- Rasheeedah Zaria,Nigeria and Stage Performances at the Drama Village of Caribbean 12:30 Ahmadu Bello University Zaria Theatre and Performance Rora Paek Department of Creative Performing the Aesthetics of Zen Buddhism: Asian Asian Theatre Asian Aesthetic of theatre and Performance 14:00- Writing at Soongsil Performances of ‘Non-duality(不二)’ 15:30 University Shih-Lung Lo Department of Chinese From Adrienne Lecouvreur to Yun Caixia: Asian Theatre Intercultural Asian Theatre Past and Present 11:00- Studies, Paul Valery Adaptation of French Well-Made Play on the 12:30 University-Montpellier III, Modern Chinese Stage France Tsu-Chung Su National Taiwan Normal Asian Theatre or Otherwise: A Revisit of Peter Asian Theatre Intercultural Asian Theatre Past and Present 11:00- University Brook’s The Mahabharata 12:30 Wei Feng Shandong University Voice and Affect in Chuanju’s Bangqiang Asian Theatre Asian Aesthetic of theatre and Performance 14:00- 15:30 Kirstin Pauka University of Hawaii at Contemporary Balinese Wayang Listrik (shadow Asian Theatre Intercultural Asian Theatre Past and Present 11:00- Manoa theatre) as an reinterpretation of the theatrical 12:30 past: a case study of the UHM Asian Theatre Program production of "Subali-Sugriwa-Battle of the Monkey Kings". Yingying Xiao University Normal of Who is and where is the real subject of perceive in Asian Theatre Asian Aesthetic of theatre and Performance 14:00- Nanjing the aesthetic process? 15:30 Bindi Kang The Graduate Center, City A Subcultural Carnival, or Actual Activism? -- A Case Digital Digital Technology in / as Performance 11:00- University of New York Study of a Chinese Cyber performance: This is a Humanities in 12:30 Dividing Line (2015)

Theatre Research Anna Rose Bruford Collage Experimental Rehearsal Techniques:Bio-screen & Digital Digital Technology in / as Performance 11:00- Makrzanowska Bio-camera Capturing the Devising Process Humanities in 12:30 Theatre Research Nivedita Gokhale University of Lincoln, United Voicing Domestic Abuse against Women in India Digital Digital Technology in / as Performance 11:00- Kingdom through Digitised Theatre Humanities in 12:30 Theatre Research Ann Elizabeth Miami University, Oxford Embodying the Chronotope: Freedom Summer Digital Digital Technology in / as Performance 11:00- Armstrong OH 1964, Locative Media, and Performance in Digital Humanities in 12:30 Humanities Theatre Research Lynette Hunter Performance Studies, Lineage transmission, coherence, and change: Performance as Research 11:00- University of California Davis Ballet and Wushu 12:30 Nicole Peisl Performance Studies, Lineage transmission, coherence, and change: Performance as Research 11:00- University of California Davis Contemporary Dance including Ballet and Wushu 12:30 Bruce Barton University of Calgary Performing Close Relations Performance as Research 11:00- 12:30 Laurelann Porter Arizona State University Diachronic Translation/ Translating Six Characters Performance as Research 11:00- Across Time and Geography: Performance process 12:30 as epistemic access to historiography Maude B Université duQuébec à Collective remembering and Popular Culture in Popular Entertainments 11:00- Lafrance Montréal Mommy d’Olivier Choinière 12:30 Mikael University of Gothenburg Presenting the outdoor theatre in Sweden Popular Entertainments 11:00- Strömberg 12:30 Janys Hayes University of Wollongong, Sites to Remember: Performing the landscape in Popular Entertainments 11:00- Australia cultural history 12:30

Matthias Warstat Freie Universität Berlin How Applied Theatre Projects Contextualise Theatrical Cultural Contexts/Economics Beate 14:00- Event Schappach 15:30 Poulomi Das Jawaharlal Nehru University, "The Tourist Eye changes it all”: Adaptation and Theatrical Cultural Contexts/Economics Beate 14:00- New Delhi, India Expectation in the Bonbibi Pala[s] of Sundarbans Event Schappach 15:30 (India) Susan Bennett University of Calgary Brand, Value, Theatre Theatrical Cultural Contexts/Economics Beate 14:00- Event Schappach 15:30 Sandra Parra Universidade Estadual de Breathing as key to scenic creation Performance and Consciousness Daniel Meyer- 14:00- Londrina - UEL Dinkgräfe 15:30 Maria Grazia University of Oxford The art of the actor as alpha-function: interpreting Performance and Consciousness Daniel Meyer- 14:00- Turri the eighteenth-century notion of the actor’s Dinkgräfe 15:30 sensibility as unconscious emotional processing. László Stachó Liszt Academy of Music, Practice Methodology, a new attentional training Performance and Consciousness Daniel Meyer- 14:00- Budapest for musicians Dinkgräfe 15:30 Angela Butler Trinity College Dublin Sounding Sensations and Affect in Pan Pan’s Performance and Consciousness Daniel Meyer- 14:00- adaptation of All That Fall Dinkgräfe 15:30 Phoebe Rumsey The Graduate Center, City "Hamilton" the Musical: Remixing Historical Music Theatre George 14:00- University of New York Narratives Rodosthenous 15:30 (CUNY) Sarah Browne University of From Hair to Hamilton: Who lives, who dies, who Music Theatre George 14:00- Wolverhampton tells your story? Rodosthenous 15:30 Sheri Anderson Monmouth University Harmony and Understanding: A Study of the Music Theatre George 14:00- Physics of Equilibrium in the Musical Hair Rodosthenous 15:30 Scott Palmer University of Leeds, UK Descending into night: Light, darkness and the Scenography Scenographic History & Contemporary Experiences Greer Crawley 14:00- theatrical experience 15:30 Helen Iball Workshop Theatre, School ‘Sharpening the gift of living’: C21st mindfulness Scenography Scenographic History & Contemporary Experiences Greer Crawley 14:00- of English, University of practices and the legacy of 1960s-70s Flux Objects. 15:30 Leeds, UK

Stephen Di University of Miami Sideshow scenography: lessons from the past for Scenography Scenographic History & Contemporary Experiences Greer Crawley 14:00- Benedetto creating immersive experiences 15:30 Sigridur Lara University of Iceland “Now is the Wintris of our discontent” – The signs Performances Home/ Homelands Helen Gilbert 14:00- Sigurjonsdottir of Icelandic protests in Public 15:30 Spaces Lesley Delmenico Grinnell College Theatricalizing Urban Pasts: The Home Theatre Performances Home/ Homelands Helen Gilbert 14:00- Project's Simultaneous Stagings in Public 15:30 Spaces Esther Belvis Artea Dialogues between homeland and home Performances Home/ Homelands Helen Gilbert 14:00- Pons in Public 15:30 Spaces Kornelia Deres Károli Gáspár University of Performing Intermedial Spaces of Claustrophobia Intermediality Going into No Man’s Land: Intermedial performance Jo Scott 14:00- the Reformed Church in Theatre and in/and the public sphere 15:30 (Budapest, Hungary) Performance Ralf Remshardt University of Florida Fugitive Performance: Nicolas Stemann’s Die Intermediality Going into No Man’s Land: Intermedial performance Jo Scott 14:00- Schutzbefohlenen and the Medial Matrix of in Theatre and in/and the public sphere 15:30 Refugee Theatre Performance Aneta Mancewicz Kingston University Intermedial Performance as a Public Sphere Intermediality Going into No Man’s Land: Intermedial performance Jo Scott 14:00- in Theatre and in/and the public sphere 15:30 Performance Marios Aberystwyth University We are the easiest victims of the jihadists': Performance and Religion Joshua 14:00- Chatziprokopiou Performing Shia minorities in contemporary Edelman 15:30 Athens Katharina Pewny Ghent University, Belgium Precarious Communities. Traces of Ritual and Performance and Religion Joshua 14:00- Religion in Contemporary Theatre (in Germany Edelman 15:30 and in Belgium) James Reynolds Kingston University, London Between but not Wandering: Spiritual Space and Performance and Religion Joshua 14:00- Contradiction in Robert Lepage and Ex Machina's Edelman 15:30 The Seven Streams of the River Ota

Nelya Babynets National Autonomous Early Modern Hamlet on Contemporary Mexican Translation, Adaptation, and Dramaturgy Mark 14:00- University of Mexico Stage O'Thomas 15:30 (UNAM) Sarah Grunnah University of Oxford (U.K.) Authenticity in Adaptation: Performing the Translation, Adaptation, and Dramaturgy Mark 14:00- Drama(turgy) of Spain’s Golden Age in Translation O'Thomas 15:30 Kiki Gounaridou Smith College Swiss-French Absurdism: Translating Isabelle Translation, Adaptation, and Dramaturgy Mark 14:00- Sbrissa’s Barbie and Ken O'Thomas 15:30 Thea Brejzek University of Technology Radical Hospitality: A Close Reading of 2 Post- Theatre Hospitality, Housing and Adaptation Natalie Rewa 14:00- Sydney (UTS) Otherness Interventions in the context of refugee Architecture 15:30 housing in Berlin Stuart Andrews University of Surrey Adapting Architecture in Death of the Dollhouse Theatre Hospitality, Housing and Adaptation Natalie Rewa 14:00- and 12 Ballads for Huguenot House Architecture 15:30 Hadeel La Trobe University Scripting Memories: female characters in Iraqi Arabic Theatre Emerging Voices in Arabo-Islamic Theatre Research: Rand Hazou 14:00- Abdelhameed plays about War Theatre and War 15:30 Solomon Teklu Adama University Title: ‘No Trumpets, No Drums’: Healing Trauma Arabic Theatre Emerging Voices in Arabo-Islamic Theatre Research: Rand Hazou 14:00- and War Memory through Theater Theatre and War 15:30 Annalaura Liverpool Hope University Willfully (Un)Bound: Queer Kinships and Faulty Queer Futures Queer Bodies Stephen 14:00- Alifuoco Bloodlines Greer 15:30 Caoimhe Mader Queen Mary University of ‘Why don’t you do it then?’ – Frozen between Queer Futures Queer Bodies Stephen 14:00- McGuinness London watching and acting at SPILL 2015 Greer 15:30 Betty Jean Young University of Georgia, The Stories They Didn’t Tell Me Were the Ones I Queer Futures Queer Bodies Stephen 14:00- Athens, GA, USA Needed Most: Queer Futurity Meets the Blues Greer 15:30 Poetic in Sharon Bridgforth’s the bull-jean stories Beth Lopes Universidade de São Paulo L'écrit de soi et le processus de création Processus de Création Josette Féral 14:00- and Sophie 15:30 Proust Pia Gutierrez Universidad de Santiago de Le faire des images : Genèse de Fulgor (2016) Processus de Création Josette Féral 14:00- Chile and Sophie 15:30 Proust

Marco Catalão University of São Paulo “Théâtre virtuel”: la critique comme processus de Processus de Création Josette Féral 14:00- (USP) création and Sophie 15:30 Proust Majeed University of Essex, UK. The Representation of History: A Crisis of Political Politics and Ethics, Effect and Affect (part 2 and Paola Botham 14:00- Mohammed University of Anbar, Iraq. Censorship and the Role of the Artist in Howard Performances discussion) / The British History Play (Past and and Lloyd 15:30 Midhin Barker’s No End of Blame and Scenes from an Present) Peters Execution. Jacqueline University of Lincoln Three Kingdoms: Reviving the ‘state of the Political Politics and Ethics, Effect and Affect (part 2 and Paola Botham 14:00- Bolton (inter)nation play’ Performances discussion) / The British History Play (Past and and Lloyd 15:30 Present) Peters Paola Botham Birmingham City University The British History Play beyond Postmodernism Political Politics and Ethics, Effect and Affect (part 2 and Paola Botham 14:00- (UK) Performances discussion) / The British History Play (Past and and Lloyd 15:30 Present) Peters Trish Reid Kingston University, London. Remaking the Demos: Caryl Churchill's Political Politics and Ethics, Effect and Affect (part 2 and Paola Botham 14:00- Dramaturgy of Disillusionment. Performances discussion) / The British History Play (Past and and Lloyd 15:30 Present) Peters Julia Goldstein The Graduate Center, CUNY Reframing Transnational Exchange: Sundance African and Transnational Flows 14:00- Institute, South-South Networking, and the Caribbean 15:30 Kampala International Theatre Festival Theatre and Performance Sabine Kim Mainz University Theater, Slavery and Democracy African and Transnational Flows 14:00- Caribbean 15:30 Theatre and Performance David Donkor Texas A&M University "All for You, Satch": The Performance of African and Transnational Flows 14:00- Transatlantic Blackness in Louis Armstrong's 1956 Caribbean 15:30 Musical Tour of Ghana Theatre and Performance

Dominique Ecole Pratique des Hautes A comprehensive virtual tool of 3d models for Digital DH Tools for Theatre Research 14:00- Lauvernier Etudes Paris restituting French Court Theatres Humanities in 15:30 Theatre Research José Pedro Sousa Centre for Theatre Studies, The virtual reconstruction of disappeared Digital DH Tools for Theatre Research 14:00- University of Lisbon playhouses: A methodology Humanities in 15:30 Theatre Research Ana Bigotte Universidade de Lisboa, Gulbenkian Foundation ACARTE 1984-1989 Digital Digital DH Tools for Theatre Research 14:00- Vieira Centro de Estudos de Teatro Timeline seen as a ‘commons tool’ Humanities in 15:30 Universidade NOVA Theatre deLisboa, IFILNOVA Research Bruno Henriques Centre for Theatre Studies The virtual reconstruction of disappeared Digital DH Tools for Theatre Research 14:00- playhouses: A methodology Humanities in 15:30 Theatre Research Patricia Gaborik American University of Digital Methods, Historiographic Shifts: the Case Digital DH Tools for Theatre Research 14:00- Rome of Performance in Fascist Italy Humanities in 15:30 Theatre Research Susan Baruch College, CUNY Winning Hearts and Minds: Visions of Political Historiography Performances of/and Reconstruction 14:00- Tenneriello Transformation at the 1988 Seoul Summer 15:30 Olympics Opening Ceremony Aldo Milohnic University of Ljubljana, Theatre Reconstruction and its Discontents Historiography Performances of/and Reconstruction 14:00- Academy of Theatre, Radio, 15:30 Film and Television Jo Robinson University of Nottingham, Presenting the theatrical past in place: theatre Historiography Performances of/and Reconstruction 14:00- UK history at site 15:30

Roberta Mock Plymouth University A Trip Around the World is Not a Cruise: Performance as Research 14:00- Performance Analysis from the Inside Out 15:30 Emma Meehan Coventry University Embodied archives, PaR and ‘intangible’ heritage Performance as Research 14:00- 15:30 Joanna Bucknall University of Portsmouth Rememberance & Remembering: Performance as Performance as Research 14:00- a critical palimpsest of legacy. 15:30 Cariad Astles University of Exeter and Farting in the Face of Fear: Puppetry and Popular Entertainments 14:00- Royal Central School of Dictatorship 15:30 Speech and Drama Jonas Eklund Stockholm University A Short Story of Amusement: on the ‘Forgotten’ Popular Entertainments 14:00- Swedish History of ‘Midgets’ as Entertainment 15:30 Lisa Skwirblies School for Theatre and Colonial Pantomime – The ‘first German genocide’ Popular Entertainments 14:00- Performance Studies at the on the popular stage 15:30 University ofWarwick

TUESDAY JUNE 14

Name Affiliation Title WG / Panel Panel Chair Time Katherine Hennessey University of Warwick and Seven Countries in Search of an Arabic Theatre “New” Arab Eiman Tunsi 09:00- Queen Mary University of Historiography: The Challenges and the Theatres? Exploring 10:30 London Potential of Theatre History on the Arabian the Performance Peninsula Cultures of the Arab Gulf Faisal Hamadah Queen Mary Hanẓala's Feet: Politics in Translation Arabic Theatre “New” Arab Eiman Tunsi 09:00- Between Weiss, Wannous and the Kuwaiti Theatres? Exploring 10:30 Stage the Performance Cultures of the Arab Gulf Frithwin Wagner-Lippok University of Hildesheim Affective space and historical context in Theatrical Event Addressing the Sarah Bess Rowen 09:00- theatrical performances Audience 10:30 Silvia Dumitriu Royal Central School of Theatricality, Subversion and Theatrical Event Addressing the Sarah Bess Rowen 09:00- Speech and Drama Transgression Audience 10:30 Peter M Boenisch International Research Centre The perspective of ‘Institutional Theatrical Event Addressing the Sarah Bess Rowen 09:00- “Interweaving Performance Dramaturgy’: Analysing the ‘Gorki’ Audience 10:30 Cultures”, FU Berlin situation Yael Zarhy Levo Tel-Aviv University On Playwright Canonization: Factors and Historiography Canonization, 09:00- Implications Narrative, 10:30 Legitimation Pirkko Koski University of Helsinki Finnish National Theatre and the Time of Historiography Canonization, 09:00- Change Narrative, 10:30 Legitimation Janne Risum Section for Dramaturgy, Press Reviews of Mei Lanfang in the Soviet Historiography Canonization, 09:00- School of Communication and Union, 1935, by Female Writers: Neher Narrative, 10:30 Culture, Aarhus University versus Shaginyan Legitimation

Rachel Payne University of Canterbury, New Borders and bridges: adventures in Asian Theatre History of Asian 09:00- Zealand mapping Japanese theatre history Theatre and 10:30 Modernity Meewon Lee Korean National University of Modernization, the pivotal turning point of Asian Theatre History of Asian 09:00- Arts Korean theatre History Theatre and 10:30 Modernity Jonah Salz Ryukoku university Borders and bridges: adventures in Asian Theatre History of Asian 09:00- mapping Japanese theatre history Theatre and 10:30 Modernity Anandhakrishnan Balakrishna S N School of Arts & Nationalism, Modernity and Knowledge Asian Theatre History of Asian 09:00- Pillai Communication University Production: Shaping the Terrain of Theatre and 10:30 Modern Theatre in Post Colonial India Modernity Krysta Dennis Siena College Tasting the Atmosphere: On the Performance and Indian Theatre Sreenath Nair 09:00- Performance of Wine Consciousness Special Sessions on 10:30 Taste, Panel 1 Roanna Mitchell University of Kent Tasting the Atmosphere: On the Performance and Indian Theatre Sreenath Nair 09:00- Performance of Wine Consciousness Special Sessions on 10:30 Taste, Panel 1 Seth Powers CUNY Graduate Center Tasteful Screams: Sense and Nonsense in Performance and Indian Theatre Sreenath Nair 09:00- Kathakali Vocal Performance Consciousness Special Sessions on 10:30 Taste, Panel 1 Sanjukta Banerjee York University, Toronto, Men in Mohiniyattam: A new trend in the Performance and Indian Theatre Sreenath Nair 09:00- Canada making. An ethnographic art-based Consciousness Special Sessions on 10:30 research project Taste, Panel 1 Katherine Graham University of Leeds Chiarascuro, perception, and expression; Scenography Light, Sound and Kathy Sandys 09:00- a pre-history of scenographic light Scenographic 10:30 Atmospheres

Christopher McCormack National University of Ireland, “By a Blaze of Electric Light”: Divergent Scenography Light, Sound and Kathy Sandys 09:00- Galway Irish Scenographies at the Turn of the Scenographic 10:30 Twentieth Century Atmospheres Ross Brown The Royal Central School of Theatron immersed: the auditorium as an Scenography Light, Sound and Kathy Sandys 09:00- Speech and Drama, University architecture for fantastic space and aural Scenographic 10:30 of London vision Atmospheres Ruth Prangen Muthesius Kunsthochschule Scenosphere & Scenotopia Scenography Light, Sound and Kathy Sandys 09:00- Kiel Scenographic 10:30 Atmospheres Charles Nwadigwe Nnamdi Azikiwe University, The Development of Theatre Space and Theatre Architecture Negotiating Thea Brejzek 09:00- Awka, Nigeria. Architecture in Contemporary Africa: modernity and 10:30 Historical Evolution of Two Nigerian indigeneity in Traditional Performance Venues theatre architecture Fikerte Mekuria Individual worker Remapping history: interpreting Theatre Architecture Negotiating Thea Brejzek 09:00- modernity and history through Ethiopian modernity and 10:30 theater architecture indigeneity in theatre architecture Tal Itzhaki The Academy of Performing Tracing the Birth of Modern Capitalism Political Performances Performing Paola Botham and Lloyd 09:00- Arts, Tel Aviv and Nationhood in Shakespeare’s The Contemporary Peters 10:30 Merchant of Venice Anxieties / Nation and Borders in the Reinterpretation of Classics James Hudson University of Lincoln The Reactionary Mind and the limits of Political Performances Performing Paola Botham and Lloyd 09:00- Liberal Tolerance in Chris Thorpe’s Contemporary Peters 10:30 Confirmation and David Grieg’s The Events Anxieties / Nation and Borders in the Reinterpretation of Classics

Patrick Duggan University of Surrey Unsettling the audience: on the politics, Political Performances Performing Paola Botham and Lloyd 09:00- ethics and aesthetics of anxiety in Contemporary Peters 10:30 contemporary performance Anxieties / Nation and Borders in the Reinterpretation of Classics Avraham Oz University of Haifa, Tel Aviv Tracing the Birth of Modern Capitalism Political Performances Performing Paola Botham and Lloyd 09:00- and Nationhood in Shakespeare’s The Contemporary Peters 10:30 Merchant of Venice Anxieties / Nation and Borders in the Reinterpretation of Classics Evelyn Annuss Institute for Theater Studies, Between Parodos and Push-Back. Political Performances Performing Paola Botham and Lloyd 09:00- LMU MUnich Aesthetics and the Crisis of the European Contemporary Peters 10:30 Border Regime Anxieties / Nation and Borders in the Reinterpretation of Classics Bryce Lease Royal Holloway, University of From RuPaul to the Cape Flats: Queer Futures Queer Places Sarah Mullan 09:00- London TransPolitics and Drag Pageants in Cape 10:30 Town Sascha Forster Theaterwissenschaftliche Queering Weimar Cologne. Thoughts Queer Futures Queer Places Sarah Mullan 09:00- Sammlung, University of about the Homosexual Scene in Cologne, 10:30 Cologne Germany, 1918–33 Christopher-Rasheem McMillan King's College London Bathhouses as Backstage of Sodom: Sex, Queer Futures Queer Places Sarah Mullan 09:00- Scripture, and the Performance of 10:30 Sacred Place Julius Heinicke Department of Theatre Applied and/or democratic? Questioning African and Caribbean Theatre Strategies of Social 09:00- Studies Freie Universität Democratic Strategies of Applied Theatre and Performance Action/Change 10:30 Berlin, Germany in Southern Africa

Kene Igweonu Canterbury Christ Church 'Once Upon Four Robbers': a parable for African and Caribbean Theatre Strategies of Social 09:00- University, UK social and political change in Nigeria and Performance Action/Change 10:30 Anna Sigg McGill University, Montreal, Cinematic Adaptations of Beckett’s Breath Samuel Beckett Technology and Mariko Hori Tanaka 09:00- Canada Performance 10:30 Matthias Korn University of Potsdam On seriality and obsession Samuel Beckett Technology and Mariko Hori Tanaka 09:00- Performance 10:30 Jonathan Bignell University of Reading Textures of Black: Walter Asmus and Samuel Beckett Technology and Mariko Hori Tanaka 09:00- Beckett's What Where on Screen Performance 10:30 Maria Angeles Grande University of Granada From transtextuality to transmediality: Intermediality in Theatre and Transmediality and Johan Callens 09:00- performative strategies in contemporary Performance Theatricality 10:30 theater Maria Jose Sanchez Montes University of Granada Transmedia theatre and contemporary Intermediality in Theatre and Transmediality and Johan Callens 09:00- performance Performance Theatricality 10:30 Jia-Iuan Chin National Dong Hwa University Night Market Theatre and Night Walks: Performances in Public Spaces Walks/Mobs Susan Haedicke 09:00- Making Theatre in the Margin 10:30 Rebecca Savory Fuller University of Exeter Flash Mob Mumbai! Enacting a ‘politics of Performances in Public Spaces Walks/Mobs Susan Haedicke 09:00- forgetting’ in the semi-public spaces of 10:30 globalising India Anders Backstrom Theatre and Dance Studies, The Street as Venue Performances in Public Spaces Walks/Mobs Susan Haedicke 09:00- Department of Culture and 10:30 Aesthetics, Stockholm University Alvin Eng Hui Lim National University of Deriving and Arriving at Island Performance and Religion Kim Skjoldager-Nielsen 09:00- Singapore Performatives and Spiritualities: Voyages 10:30 in Southeast Asia Claire Maria Chambers Sogang University, Seoul, Performing Tradition: Women Priests and Performance and Religion Kim Skjoldager-Nielsen 09:00- South Korea the Contestation of History 10:30 Yoshiko Fukushima UH Hilo Ancient Magic in Iida Shigemi’s Performance and Religion Kim Skjoldager-Nielsen 09:00- Documentary Dance Theatre 10:30

Marcus Tan National Institute of (Re)Sounding the Past and/in the Present: Music Theatre Marcus Tan 09:00- Education, Nanyang Battlefield and the Ghost of Peter Brook’s 10:30 Technological University Past Singapore Millie Taylor University of Winchester Alarums and Flourishes: Musical Music Theatre Marcus Tan 09:00- Signification in Macbeth and A 10:30 Midsummer Night’s Dream Renfang Tang University of Hull, UK ‘If Music Be the Food of Love’: Music in Music Theatre Marcus Tan 09:00- Twelfth Night 10:30 Alejandro Postigo RCSSD Making ‘The Copla Musical’: PaR and Music Theatre Marcus Tan 09:00- interculturalism in musical theatre 10:30 Katja Krebs University of Bristol, UK Adaptation as Rewatching Translation, Adaptation and Dramaturgy Stuart Young 09:00- 10:30 Andrea Pelegri Kristic Pontificia Universidad Católica Strata of Mediation: Towards a New Translation, Adaptation and Dramaturgy Stuart Young 09:00- de Chile/Paris Ouest Nanterre Category for the Analysis of Theatre 10:30 la Défense Translation Shane Kinghorn Manchester Metropolitan The Mourning After: Structures of Feeling Translation, Adaptation and Dramaturgy Stuart Young 09:00- University in Verbatim Theatre 10:30 Göze Saner Goldsmiths, University of An Inquiry into Form: Past and Present Performance as Research 09:00- London (Co-Authored with Maria Kapsali) 10:30 Jonathan Heron University of Warwick To dance is also to think': Performance as Research 09:00- histories/practices/movements 10:30 Pauliina Hulkko University of Tampere Performance as Research Meets Art(ist) Performance as Research 09:00- Pedagogy 10:30 Esa Kirkkopelto University of the Arts Helsinki The Adventures of the Diaphragm. On the Performance as Research 09:00- Physiology of Affective Acting 10:30 Gillian Arrighi University of Newcastle, Claiming Childhood: theatre business and Popular Entertainments 09:00- Australia the [new] political rights of the child 10:30

Kim Baston La Trobe University The ‘Dromedary Wars’: ambition, Popular Entertainments 09:00- ineptitude and theatrical rivalry in 10:30 eighteenth century Edinburgh. Lisa Warrington University of Otago, Dunedin, Second leads and low comedians: the Popular Entertainments 09:00- New Zealand long and occasionally illustrious careers of 10:30 Mrs Walter Hill, her husband, and children. Maria Sehopoulou National and Kapodistrian Transnational Diversities and National Nordic Drama Abroad GP 1.01 Hanna Korsberg 11:00- University of Athens Singularities: the Case of August 12:30 Strindberg and his Reception in Greece Svein Henrik Nyhus Centre for Ibsen Studies, Ibsen in America - a centralized narrative? Nordic Drama Abroad GP 1.01 Hanna Korsberg 11:00- University of Oslo 12:30 Kamaluddin Nilu University of Oslo No Local is Anymore Local: A Transcultural Nordic Drama Abroad GP 1.01 Hanna Korsberg 11:00- Adaptation of Ibsen’s Peer Gynt 12:30 José Camões Centre for Theatre Studies ReCET the past: Tools for a modern Digital Archives GP 1.02 Anna Maria Monteverdi 11:00- theatre archaeology 12:30 John Andreasen Dramaturgy, Aarhus Eternal Presence – How to create a Digital Archives GP 1.02 Anna Maria Monteverdi 11:00- University, Denmark Community Play Archive? 12:30 Bernadette Cochrane University of Queensland Remaindering the Remains: the digital, Digital Archives GP 1.02 Anna Maria Monteverdi 11:00- the live, and the archive 12:30 Kotla Hanumantha rao Potti Sriramulu Telugu Surabhi – The Pioneer in Stagecraft Echoes of Indian Pasts in the GP 1.03 Sanjay Kumar 11:00- University Theatre 12:30 Ramakrishnan Muthiah Central University of Resisting the Stratified World: Echoes of Indian Pasts in the GP 1.03 Sanjay Kumar 11:00- Jharkhand Understanding the Role of Folk Theatre for Theatre 12:30 the Marginalized Communities in India Tithi Chakraborty Budge Budge Institute of Echoes of Social, Political and Economic Echoes of Indian Pasts in the GP 1.03 Sanjay Kumar 11:00- Technology Crises in the Theatre of Bengal, India Theatre 12:30

Sofie Taubert Institute of Media Culture and Shipwreck and enchanted lands - Sources and Techniques of GP 1.04 Ross Brown 11:00- Theatre, University of Cologne Wonder, Sound and Machinery in Operatic Performativity 12:30 Shakespeare’s 'The Tempest' Aldo Roma Sapienza University of Rome Digital Archives and Textual Attribution: Sources and Techniques of GP 1.04 Ross Brown 11:00- Story and Reflections About a Migration Operatic Performativity 12:30 from Opera to Vocal Music in the Late Seventeenth Century Susana Egea Ruiz Escola Superior de Música de Acting on opera through history: sources Sources and Techniques of GP 1.04 Ross Brown 11:00- Catalunya - Institut del Teatre and treatises to create the performativity Operatic Performativity 12:30 de Barcelona of operatic genre, from XVI century to nowadays. Ankush Gupta Jawaharlal Nehru University, Queering the Voice of the Nation- The De-constructing Gender GP 1.05 Denise Varney 11:00- New Delhi Case of Lata Mangeshkar 12:30 Ken Nielsen New York University Abu Reconstructing BENT Identities: De-constructing Gender GP 1.05 Denise Varney 11:00- Dhabi Performance, Gay History, and the Present 12:30 Past Kirstin Smith Queen Mary, University of Historicising Casting: Methodological De-constructing Gender GP 1.05 Denise Varney 11:00- London Challenges 12:30 Chieko Hiranoi Hosei University History of a Ji-shibai – A History of Citizen Countering the Canon GP 1.06 Hazem Azmy 11:00- Participation in Arts and its Contributions 12:30 to Local Society Martynas Petrikas Vilnius University Selective Memory and Counter-Canonical Countering the Canon GP 1.06 Hazem Azmy 11:00- History 12:30 Tony McCaffrey University of Canterbury How can theatre involving actors with Countering the Canon GP 1.06 Hazem Azmy 11:00- Christchurch Polytechnic intellectual disabilities have a history? 12:30 Institute of Technology Different Light Theatre

Fabiola Camuti "Sapienza" University of Back to the Ritual Towards a Theatrical Theatre and Humanist Utopia GP 1.07 Milija Gluhovic 11:00- Rome; UvA, University of Spirituality 12:30 Amsterdam Martha de Mello Ribeiro Fluminense Federal University Battlefield or the dance-conversation Theatre and Humanist Utopia GP 1.07 Milija Gluhovic 11:00- (UFF) around the fire: Peter Brook’s “theatre of 12:30 less” Annelis Kuhlmann Dramaturgy Studies, Aarhus In (re)search of Performance as Research. Theatre and Humanist Utopia GP 1.07 Milija Gluhovic 11:00- University Examples from research on actors' work 12:30 from Odin Teatret, Denmark Nicole Haitzinger Fachbereich Kunst-, Musik- Nyota Inyoka: ‘Forgotten’ modern Parisian Performing Dance History GP 1.08 Lena Hammergren 11:00- und Tanzwissenschaft Paris- Choreographer? 12:30 Lodron Universität Salzburg Timmy De Laet University of Antwerp The An-Archive of Contemporary Dance: Performing Dance History GP 1.08 Lena Hammergren 11:00- Choreographic Re-enactment, or How to 12:30 (Re-)Construe a Recalcitrant Past with Unstable Means? Sandra Chatterjee Fachbereich Kunst-, Musik- Nyota Inyoka: ‘Forgotten’ modern Parisian Performing Dance History GP 1.08 Lena Hammergren 11:00- und Tanzwissenschaft Paris- Choreographer? 12:30 Lodron Universität Salzburg Katherine Mezur Keio University Art Center Cracking History's Codes in Crocodile Performing Dance History GP 1.08 Lena Hammergren 11:00- Time: The Sweat and Glitter of Migrating 12:30 Women Butoh Artists, Ashikawa Yoko and Furukawa Anzu accompanied by SU-EN Kati Roettger University of Amsterdam The Time of The Spectacle Re-reading Theatre History: GP 1.09 Toby Zinman 11:00- Entertainment, Spectacle and 12:30 Mise-en-Scène David Drozd Department of Theatre Conceptualising Theatre Directing (The Re-reading Theatre History: GP 1.09 Toby Zinman 09:00- Studies, Masaryk University case of Otakar Zich and his Aesthetics of Entertainment, Spectacle and 10:30 Dramatic Art 1931) Mise-en-Scène

Marija Djokic Graduate School for East and Belgrade as Hub for (inter-)national Re-reading Theatre History: GP 1.09 Toby Zinman 11:00- Southeast European Studies Theatre in the 19th Century Entertainment, Spectacle and 12:30 Mise-en-Scène Berenika Szymanski-Duell LMU Munich "to speak Shakespeare in German is Transnational Theatre History GP 1.10 Miseong Woo 11:00- almost to speak it in English…" – Touring 12:30 Theatre and the Difference of Language Katalin Ágnes Bartha University of Debrecen, Lilla von Bulyovsky and the Hungarian Transnational Theatre History GP 1.10 Miseong Woo 11:00- Hungary Theatrical Discourse 12:30 Magnus Thorbergsson University of Iceland Icelandic-Canadian Amateur Theatre: Transnational Theatre History GP 1.10 Miseong Woo 11:00- Reflections on Narrative and Erasure 12:30 Beate Hochholdinger-Reiterer Departement for Theatre Patrilineal Histories of Theatre Re-Thinking Canonical Works GP 1.11 John Bull 11:00- Studies University of Bern 12:30 Anne Etienne University College Cork Creation and Reception: Remembering Re-Thinking Canonical Works GP 1.11 John Bull 11:00- Corcadorca’s Merchant of Venice (2005) 12:30 Jenny Sager University of Cologne ‘Out of the Frying Pan and Into the Fire’ (c. Re-Thinking Canonical Works GP 1.11 John Bull 11:00- 1774-78): A/The Interplay between 12:30 Marlowe’s Doctor Faustus (c. 1588-9) and Greene’s Friar Bacon (c. 1589) Silvia Bier Forschungsinstitut für Analysing the ‚spectacle total‘ – an Curated Panel – Performance - GP 1.12 Johan Callens 11:00- Musiktheater der Universität approach to historical performance Space - Notion: Writing the 12:30 Bayreuth (FIMT) research in early French opera Music-Theatrical Past Wolf-Dieter Ernst University of Bayreuth The Rutz-Sievers system of voice training in Curated Panel – Performance - GP 1.12 Johan Callens 11:00- late 19th century Space - Notion: Writing the 12:30 Music-Theatrical Past Lena van der Hoven University of Bayreuth Tracing the music-theatrical past - an Curated Panel – Performance - GP 1.12 Johan Callens 11:00- approach to historical performance Space - Notion: Writing the 12:30 research in 18th century Prussia Music-Theatrical Past

Maren Butte Institute for Research on Archiving the Event. (Non-)Documentation Curated Panel – Performance - GP 1.12 Johan Callens 11:00- Music-Theatre University of and Aesthetic Experience in the Work of Space - Notion: Writing the 12:30 Bayreuth Tino Sehgal and Ari Benjamin Meyers Music-Theatrical Past Sami Henrik Haapala Theatre Academy of the Genealogies of Artist-Researchers: Past Curated Panel – Genealogies of GP 1.13 Hanna Järvinen 11:00- University of the Arts Helsinki, Practices and Imagined Futures for Artistic Artist-Researchers: Past 12:30 Finland Research in the Performing Arts Practices and Imagined Futures for Artistic Research in the Performing Arts Simo Kellokumpu Theatre Academy of the Genealogies of Artist-Researchers: Past Curated Panel – Genealogies of GP 1.13 Hanna Järvinen 11:00- University of the Arts Helsinki, Practices and Imagined Futures for Artistic Artist-Researchers: Past 12:30 Finland Research in the Performing Arts Practices and Imagined Futures for Artistic Research in the Performing Arts Vincent Roumagnac Theatre Academy of the Genealogies of Artist-Researchers: Past Curated Panel – Genealogies of GP 1.13 Hanna Järvinen 11:00- University of the Arts Helsinki, Practices and Imagined Futures for Artistic Artist-Researchers: Past 12:30 Finland Research in the Performing Arts Practices and Imagined Futures for Artistic Research in the Performing Arts Otso Kautto Theatre Academy of the Genealogies of Artist-Researchers: Past Curated Panel – Genealogies of GP 1.13 Hanna Järvinen 11:00- University of the Arts Helsinki, Practices and Imagined Futures for Artistic Artist-Researchers: Past 12:30 Finland Research in the Performing Arts Practices and Imagined Futures for Artistic Research in the Performing Arts Hanna Järvinen Theatre Academy of the Genealogies of Artist-Researchers: Past Curated Panel – Genealogies of GP 1.13 Hanna Järvinen 11:00- University of the Arts Helsinki, Practices and Imagined Futures for Artistic Artist-Researchers: Past 12:30 Finland Research in the Performing Arts Practices and Imagined Futures for Artistic Research in the Performing Arts

Anu Koskinen Theatre Academy of the Genealogies of Artist-Researchers: Past Curated Panel – Genealogies of GP 1.13 Hanna Järvinen 11:00- University of the Arts Helsinki, Practices and Imagined Futures for Artistic Artist-Researchers: Past 12:30 Finland Research in the Performing Arts Practices and Imagined Futures for Artistic Research in the Performing Arts Susanne Foellmer Coventry University “Trust Me”? Epistemological Questions Curated Panel – Immediate GP 1.14 Christine Matzke 11:00- About Witnessing in Repeating Dance Past? Tracing Practices of 12:30 Remaining in Performing Arts Cornelia Schmitz Freie Universitaet Berlin 'Doing of History' of Performance Analysis. Curated Panel – Immediate GP 1.14 Christine Matzke 11:00- Audiovisual Recordings as Traces of the Past? Tracing Practices of 12:30 Past Remaining in Performing Arts Katharina Schmidt Freie Universitaet Berlin Tracing Quotation: Hypothetical Curated Panel – Immediate GP 1.14 Christine Matzke 11:00- Connections of Trace and Quote in Dance Past? Tracing Practices of 12:30 Remaining in Performing Arts Jan Clarke Durham University, UK Dangerous Images Curated Panel – The Discursive GP 1.15 David Wiles 11:00- Function of Visual Evidence in 12:30 Theatre Jim Davis University of Warwick Defining audiences through visual satire Curated Panel – The Discursive GP 1.15 David Wiles 11:00- Function of Visual Evidence in 12:30 Theatre Patricia Smyth University of Warwick Researching Nineteenth-Century Curated Panel – The Discursive GP 1.15 David Wiles 11:00- Theatrical Spectacle Function of Visual Evidence in 12:30 Theatre Sreenath Nair University of Lincoln Taste: The Aesthetics of Invisible Performance and GP 1.16 Arya Madhavan 11:00- Consciousness Working Group 12:30 Sponsored Panel – Theatre, Consciousness & Asian Performance

Daniel Meyer-Dinkgrafe University of Lincoln Silence in Performnance Performance and GP 1.16 Arya Madhavan 11:00- Consciousness Working Group 12:30 Sponsored Panel – Theatre, Consciousness & Asian Performance Arya Madhavan University of Lincoln Corporeality of taste: Kudiyattam, and the Performance and GP 1.16 Arya Madhavan 11:00- facial expression of taste Consciousness Working Group 12:30 Sponsored Panel – Theatre, Consciousness & Asian Performance Kumara Swamy Gadda Telangana Samskruthika Mythical Narratives clad in Ritual Performance and Religion GP 1.17 Yasushi Nagata and 11:00- Sarathi(TSS), Government of Performance, Configuring community Working Group and Asian Joshua Edelman 12:30 Telangana, India identity: A study of Mallanna Theatre Working Group Joint Katha(Stories) of Komuravelli in Panel – Presenting the Telangana, India Religious Past of South Asia Arnab Banerji Loyola Marymount University Being Playfully Hindu Performance and Religion GP 1.17 Yasushi Nagata and 11:00- Working Group and Asian Joshua Edelman 12:30 Theatre Working Group Joint Panel – Presenting the Religious Past of South Asia David Mason Rhodes College Other Identity in the Utah Ram Lila Performance and Religion GP 1.17 Yasushi Nagata and 11:00- Working Group and Asian Joshua Edelman 12:30 Theatre Working Group Joint Panel – Presenting the Religious Past of South Asia Laurens De Vos University of Amsterdam Beckett and technology in the digital era Samuel Beckett Working Group GP 1.18 Linda Ben-Zvi 11:00- Sponsored Panel – Beckett in 12:30 the Age of Post-history and Postmodernity

Mariko Hori Tanaka Aoyama Gakuin University Forgetfulness of the Past as Revealed in Samuel Beckett Working Group GP 1.18 Linda Ben-Zvi 11:00- 'Waiting for Godot' and 'Godot Has Come' Sponsored Panel – Beckett in 12:30 the Age of Post-history and Postmodernity Andrew Lennon University of Birmingham Mokhallad Rasem’s Waiting: A Study in the Samuel Beckett Working Group GP 1.18 Linda Ben-Zvi 11:00- Politics of performing (Im)mobility and Sponsored Panel – Beckett in 12:30 Stasis the Age of Post-history and Postmodernity Shira Wolfe University of Warwick Meetings in Jenin - The potential and Intercultural Theatre NS 1.01 Brian Singleton 14:00- pitfalls of intercultural collaboration in 15:30 marginal spaces Sukanya Sompiboon Department of Speech Tradition-Based Contemporary Thai Intercultural Theatre NS 1.01 Brian Singleton 14:00- Communication and Theatre: Discursive and Practical 15:30 Performing Arts, Approaches of Traditionalist Theatre Chulalongkorn University, Reinvention Bangkok Thailand Shaik John Bashur University of Hyderabad Interface between the Sacred and the Intercultural Theatre NS 1.01 Brian Singleton 14:00- Secular: An Indian Experiment with Ibsen’s 15:30 Peer Gynt SK Kaja Pasha Potti Sri Ramulu Telugu The Impact of Indian Drama on the Canvas Intercultural Theatre NS 1.01 Brian Singleton 14:00- University, Hyderabad of the World Drama 15:30 Daria Kubiak Stockholm University Education Everywhere!? Discussing Education and Pedagogy NS 1.02 Peter Marx 14:00- educational activities in Polish theatre 15:30 Anja Keränen The University of Tampere, Drama grammar as a technique in Finnish Education and Pedagogy NS 1.02 Peter Marx 14:00- School of Communication, grammar teaching. 15:30 Media and Theatre Tais Ferreira Federal University of Pelotas, Brazilian performing arts’ teachers as Education and Pedagogy NS 1.02 Peter Marx 14:00- Federal University of spectators 15:30 Bahia,University of Bologna

Abhimanyu Vinayakumar University of Hyderabad How do we call it? A Package or a Visual Manifestations: Lights, NS 1.03 Nick Hunt 14:00- Performance? Costume and Stage Design 15:30 Luxsnai Songsiengchai University of Hyderabad From the Royal court to black box: Some Visual Manifestations: Lights, NS 1.03 Nick Hunt 14:00- Light on the Changing Aesthetics and Costume and Stage Design 15:30 Semiotics of Khon Pamela Thielman Graduate Center, CUNY Drawing on the Archive: Using Images of Visual Manifestations: Lights, NS 1.03 Nick Hunt 14:00- Scenography to Recreate the Past Costume and Stage Design 15:30 Tua Helve Aalto University, School of Costume design in Finnish contemporary Visual Manifestations: Lights, NS 1.03 Nick Hunt 14:00- Arts, Design and Architecture dance 2000–2015: Outlooks on Costume and Stage Design 15:30 collaboration processes and costume outcomes Houman Zandi-zadeh Flinders University Siyâvash and Hussein: Performing Eternity Ritual and Religion NS 1.04 Joshua Edelman 14:00- 15:30 Olivia Gacka Rhodes College Memphis, TN Between Church and Stage: Finding the Ritual and Religion NS 1.04 Joshua Edelman 14:00- USA Link Between Religion and Theatre in the 15:30 Eyes of Those Who Experience It Prerna Pradhan Jawaharlal Nehru University, From Community Ritual Practice to a Ritual and Religion NS 1.04 Joshua Edelman 14:00- New Delhi, India Public Spectacle: Performance of Kumari 15:30 worship in Nepal. Anika Marschall University of Glasgow, School Performing statelessness in "The First Fall Theatre/Politics/Nation NS 1.05 Jean Graham-Jones 14:00- of Culture and Creative Arts of the European Border" (2014) – The 15:30 State at play? Laura-Elina Aho University of Helsinki The virginity of the Maiden of Finland: The Theatre/Politics/Nation NS 1.05 Jean Graham-Jones 14:00- feminine representation of the nation in 15:30 the repertoire of the Finnish Theatre Luana Tavano Garcia University of Warwick, UK Reflexions on Brazilian Identity: Baila Theatre/Politics/Nation NS 1.05 Jean Graham-Jones 14:00- Brazil re-negotiating history 15:30

Mayurakshi Sen Jadavpur University The “Tamasha” of the Indian Postcolonial Theatre/Politics/Nation NS 1.05 Jean Graham-Jones 14:00- Dysphoria: A Study of Rabindranath 15:30 Tagore’s Tapati Folakemi Ogungbe University of Ibadan Nigeria History Files: Lost and Found? Theatre/Politics/Nation NS 1.05 Jean Graham-Jones 14:00- 15:30 Arkadiusz Rogozinski University of Lodz Can the work of actors be measured? The Acting and Directing NS 1.06 Maria Delgado 14:00- relation of art and work within theatrical 15:30 practice. Sabine Paesler Department of Media Culture Thought and Play – New Perspectives on Acting and Directing NS 1.06 Maria Delgado 14:00- and Theatre, University of Regie 15:30 Cologne, Germany Sipriina Ritaranta University of Helsinki An invisible actor. A question of being an Acting and Directing NS 1.06 Maria Delgado 14:00- artist in the Finnish radio theatre. 15:30 Fraser Stevens University of Amsterdam Cultural Camouflage/Suspicious Acting and Directing NS 1.06 Maria Delgado 14:00- Behaviour: Creating Identities in WWII 15:30 Espionage Naveen Guntheti University of Hyderabad Versatility of acting techniques: The Acting and Directing NS 1.06 Maria Delgado 14:00- traditional performers of Surabhi 15:30 Ellen Gillooly-Kress University of Oregon The work of Anna Deavere Smith makes Language and Communication NS 1.07 Milena Grass 14:00- her audience work: the sociolinguistic 15:30 effect and Brechtian alienation of Search for American Character. Fusako Innami Durham University Belated Love: Through the performance “A Language and Communication NS 1.07 Milena Grass 14:00- Boy” based on Kawabata’s text 15:30 Ilaria Salonna University of Warsaw What theatre characters "do" with their Language and Communication NS 1.07 Milena Grass 14:00- words? A sample of poetic and rhetoric 15:30 analysis of an excerpt of Beckett’s play End Game

Kristina Trajanovska Sts Cyril and Methodius Rewriting Shakespeare: Subversion in Language and Communication NS 1.07 Milena Grass 14:00- University, Skopje, Tom Stoppard’s Dogg’s Hamlet (,) 15:30 Macedonia Cahoot’s Macbeth Daria Lavrinienko Barcelona University, Spain Empathy and the Other in David Greig’s Participation and Spectatorship NS 1.08 Peter Eversmann 14:00- Dr. Korczak’s Example (2001) and Caryl 15:30 Churchill’s Seven Jewish Children: A Play for Gaza (2009) Julia Mendes University of São Paulo Non-actors in Boal and Bernat: a Participation and Spectatorship NS 1.08 Peter Eversmann 14:00- (USP/Brazil) comparative study of participatory theatre 15:30 in the 20th and the 21st century Alessandra Montagner Doctoral student at State Spectatorship, Shock and Creative Participation and Spectatorship NS 1.08 Peter Eversmann 14:00- University of Campinas Processes: Searching for the Depiction of a 15:30 Research fellow, FAPESP Lived Experience Rina Otani Keio University Jean Anouilh and his audience: When the Participation and Spectatorship NS 1.08 Peter Eversmann 14:00- playwright becomes one of them 15:30 Marleena Huuhka University of Tampere: Centre Vagabond Mimesis – Nomadic Spaces: Memory, Politics, NS 1.09 Paul Rae 14:00- for Practise as Research in Wanderings through Minecraftian Performance 15:30 Theatre(T7)&CMT Performance Space Miriam Althammer University of Salzburg Memory spaces of dance – Notes on Oral Spaces: Memory, Politics, NS 1.09 Paul Rae 14:00- Histories of choreographers in post- Performance 15:30 socialist Europé Mark Rogers University of Wollongong, Both Putin's Russia and St Kilda, Spaces: Memory, Politics, NS 1.09 Paul Rae 14:00- NSW, Australia Melbourne: Fictive space in Daniel Performance 15:30 Schlusser Ensemble's M + M Rubkwan Thammaboosadee Warwick University The Dead Stage: Tha Pra Chan Campus of Spaces: Memory, Politics, NS 1.09 Paul Rae 14:00- Thammasat University, a Historical Political Performance 15:30 Stage Transformed by the Rise of Neoliberalism

Carmen Wong University of Warwick “Place is a pause in movement...(t)he Spaces: Memory, Politics, NS 1.09 Paul Rae 14:00- pause makes it possible for a locality to Performance 15:30 become a center of felt value” -- Yi-Fu Tuan, Space and Place: The Perspective of Experience. Charlott Neuhauser Dept of Musicology and The silence surrounding Brita von Horn - Femininity and Gender NS 1.10 Tracy C. Davis 14:00- Performance Studies, does gender have to do with it? 15:30 University of Stockholm Dipanjali Deka Jawaharlal Nehru Krishna Without Radha: Negation of Erotic Femininity and Gender NS 1.10 Tracy C. Davis 14:00- University(JNU), New Delhi in Vaishnavite music of Assam 15:30 Helene Olsson Department of culture and The actress as pariah: Femininity Femininity and Gender NS 1.10 Tracy C. Davis 14:00- aestethic Discourses about actresses in nineteenth- 15:30 century Sweden Irene Mele Ballesteros University of Massachusetts in The Influence of Elena Jordi Vaudeville’s Femininity and Gender NS 1.10 Tracy C. Davis 14:00- Amherst Company on Spanish and Catalan XXth 15:30 Comic Theatre Raman Kumar Jawaharlal Nehru University, Negotiating Spaces in Neo-Liberalism: Femininity and Gender NS 1.10 Tracy C. Davis 14:00- New Delhi India Ramkinkar in New Delhi 2015 15:30 Rahel Leupin Department of Chasing Change: The Notion of Translation Methods of Audience and NS 1.11 Willmar Sauter 14:00- Communication and Arts, in the Rehearsal Space of Performance Research 15:30 Roskilde University Denmark Gintersdorfer/Klassen Sarah Marinucci University of Berne and Zurich After “Disabled Theater”: Theatre with and Methods of Audience and NS 1.11 Willmar Sauter 14:00- University of the Arts, by disabled performers in Swiss media. Performance Research 15:30 Switzerland Richard O'Brien University of Birmingham Inside the Haunted House: A practice-led Methods of Audience and NS 1.11 Willmar Sauter 14:00- (The Shakespeare Institute) investigation into audience reception of Performance Research 15:30 contemporary verse drama. Saara Moisio University of Helsinki Active Spectators and Co-creation of Value: Methods of Audience and NS 1.11 Willmar Sauter 14:00- Creative Research Methods in the Study of Performance Research 15:30

Audience Experiences of Contemporary Dance Diana Del Monte Universita Cattolica del Sacro Immersed in Sleep No More: When Methods of Audience and NS 1.11 Willmar Sauter 14:00- Cuore - Milan Punchdrunk met New Yorkers Performance Research 15:30 Hanna Voss Institute for theatre studies, Institutionalization as a link between the Migration and Ethnicity in GP 2.01 Ralf Remshardt 16:00- Johannes Gutenberg- present and the past German Theatre 17:30 Universität Mainz (Germany) Katrin Sieg Georgetown University Refugees in German Theater Migration and Ethnicity in GP 2.01 Ralf Remshardt 16:00- German Theatre 17:30 Stephen Wilmer Trinity College Dublin Greek Tragedy as a Pretext to Address the Migration and Ethnicity in GP 2.01 Ralf Remshardt 16:00- European Immigration Crisis German Theatre 17:30 Ellen Koban Department of Theatre On the genesis of theatre as a machinery Foucauldian Perspectives on GP 2.02 Jan Lazardzig 16:00- Studies at Johannes of re/production. Bourdieu’s theory of History 17:30 Gutenberg-University Mainz, social fields and Foucault’s dispositif Germany analysis as historicizing research programs Georg Doecker Institut für Angewandte Regimes – Apparatuses – Subjects and Foucauldian Perspectives on GP 2.02 Jan Lazardzig 16:00- Theaterwissenschaft, Forms: A Methodological Sketch for a History 17:30 Universität Gießen (Institute Critical Historiography of the Performing for Theatre Arts Studies,GießenUniversity) Lorenz Aggermann Institute for Applied Theatre Not yet finished – or: performance as Foucauldian Perspectives on GP 2.02 Jan Lazardzig 16:00- Studies, University Giessen apparatus. An analytical sketch for the History 17:30 historical analysis of theatre Zoltan Imre Reader Department of Presenting the Theatrical Past – Péter Independent/Fringe in Political GP 2.03 David Rodriguez-Solas 16:00- Comparative Literature and Halász and his Group’s Struggle with Regimes 17:30 Culture Eötvös University, Socialist Ideology and Censorship Budapest Hungary

Radka Kunderova Janáček Academy of Music Tracing Ideology How to Make Theatre Independent/Fringe in Political GP 2.03 David Rodriguez-Solas 16:00- and Performing Arts, Brno, Reviews Speak to Us Regimes 17:30 Czech Republic Merce Saumell Institut del Teatre Barcelona The Independent Theatre in Spain (1962- Independent/Fringe in Political GP 2.03 David Rodriguez-Solas 16:00- 1980) Project Regimes 17:30 William Grange Universty of Nebraska How the Shuberts saved the American American Narratives GP 2.04 David Savran 16:00- Lincoln, NE USA theatre–twice 17:30 Maria Hamali National Kapodistrian Investigating the Reception of National American Narratives GP 2.04 David Savran 16:00- University of Athens Dramaturgies in Foreign Countries as a 17:30 Means of Constructing and Interpreting Theatre History: the Case of American Dramaturgy in Post-War Greece (1946- 1965) Toby Zinman University of the Arts Musical Tragedy American Narratives GP 2.04 David Savran 16:00- 17:30 Christine Matzke University of Bayreuth Looking for 'Eritrea's Past Property' Memories, Archives, Oralities GP 2.05 Bisnupriya Dutt 16:00- (1947): archives and memories in Eritrean 17:30 theatre historiography Marcia Martinez Carvajal Universidad de Valparaíso Latin America, rebellious and holy: the Memories, Archives, Oralities GP 2.05 Bisnupriya Dutt 16:00- problem of political theater 17:30 Eunice Azevedo Centre for Theatre Studies, Reconstructing scenography: the Memories, Archives, Oralities GP 2.05 Bisnupriya Dutt 16:00- University of Lisbon portuguese censorhip archives 17:30 Keld Hyldig University of Bergen, NorwAY Theatre as philosophy: Romeo Tradition/Translation/Transition GP 2.06 Friedemann Kreuder 16:00- Castellucci’s staging of Oedipus the Tyrant 17:30 Anita Piemonti University of Pisa Emma Dante’s Io, Nessuno e Polifemo at Tradition/Translation/Transition GP 2.06 Friedemann Kreuder 16:00- the Teatro Olimpico in Vicenza 2014 17:30 Bruno Duarte FCSH – UNL (Lisbon, Text, Image, Translation: Straub-Huillet- Tradition/Translation/Transition GP 2.06 Friedemann Kreuder 16:00- Portugal) Hölderlin 17:30

Harue Tsutsumi The first collaboration of Kabuki and Japanese Dialogues between GP 2.07 Hayato Kosuge 16:00- Western theatre: The Wanderers’ Strange Past and Present 17:30 Story: Western Kabuki (Hyōryū Kitan Seiyō Kabuki 1890) Keiko Furuki Professor, Kyoto Gakuen Narrative, Memory, and the Acts of Japanese Dialogues between GP 2.07 Hayato Kosuge 16:00- University, Kyoto, Japan “Reading” as Theatrical Devices in Chiori Past and Present 17:30 Miyagawa’s Thousand Years Waiting Carol Fisher Sorgenfrei University of California, Los “An Endless River of Blood:” Theatricalizing Japanese Dialogues between GP 2.07 Hayato Kosuge 16:00- Angeles Lady Rokujō from Nō to the Present Past and Present 17:30 Henry Bial University of Kansas That time Swedish actors wore blackface Black/Red/Yellow Facing in GP 2.08 Gabriella Calchi Novati 16:00- to act out the Bible Theatre 17:30 Esther Lee University of Maryland Historiography of Racial Theatricality: A Black/Red/Yellow Facing in GP 2.08 Gabriella Calchi Novati 16:00- Study of Yellowface Performances in the Theatre 17:30 Nineteenth Century Daniel Ruppel Brown University This is "a redface show": anti-reenactment Black/Red/Yellow Facing in GP 2.08 Gabriella Calchi Novati 16:00- and the failures of documentation in Theatre 17:30 Optative Theatrical Laboratories' "Sinking Neptune" José Antonio Rodríguez Casas Escuela Técnica Superior de Le Corbusier’s fourth wall. A case study on Architecture and Space GP 2.09 Rikard Hoogland 16:00- Arquitectura de Madrid UPM discipline transversality. 17:30 Slobodan Dan Paich Artship Foundation Tectonic Presence and Absence: Adopting, Architecture and Space GP 2.09 Rikard Hoogland 16:00- Imagining and Merging Performance and 17:30 Built Environment Catriona Fallow Queen Mary University of Reconsidering a Reconstruction: Architecture and Space GP 2.09 Rikard Hoogland 16:00- London Shakespeare’s Globe as a Space for New 17:30 Work Dorothea Volz Gutenberg University Mainz From Dreamland to “Dismaland”: People, Politics, Performance GP 2.10 Lib Taylor 16:00- Commodified expectations and 17:30

performative appropriations in theme parks Sarah Ralfs Freie Universität Berlin Searching for one’s place in (art)history – People, Politics, Performance GP 2.10 Lib Taylor 16:00- Christoph Schlingensief and the 17:30 Avantgarde Movements Loren Kruger University of Chicago The Tragedy of the Commoner and the People, Politics, Performance GP 2.10 Lib Taylor 16:00- Suspended Revolution 17:30 Frederik Le Roy Ghent University Con-temporaneities. The Entangled Now Oral History and the Present- GP 2.11 Phillipa Rothfield 16:00- of Performance Ness of Past 17:30 Marina Ni Dhubhain National University of Ireland, Glimpses of Infinity and Indoor Plumbing: Oral History and the Present- GP 2.11 Phillipa Rothfield 16:00- Galway Oral History in the Performative Space Ness of Past 17:30 Heike Roms Department of Theatre, Film Mind the Gaps: Evidencing Performance Oral History and the Present- GP 2.11 Phillipa Rothfield 16:00- and Television Studies, and Performing Evidence in Oral Histories Ness of Past 17:30 Aberystwyth University of Performance Art Pia Strickler Institute for the Performing My Body – My Tradition? Movement at Discourses of Acting and GP 2.12 Inma Garin 16:00- Arts and Film, Zurich the Drama School Training 17:30 Leonardo Alves Inacio Universidade Estadual de The Expressionless Mask and the Discourses of Acting and GP 2.12 Inma Garin 16:00- Maringa Pedagogy of Neutrality Training 17:30 Boris Daussa-Pastor Institut del teatre de A Quest for Universals in Acting: From Discourses of Acting and GP 2.12 Inma Garin 16:00- Barcelona, Spain Commonalities across Cultures to the Laws Training 17:30 of Physics Margaret Araneo Brooklyn College, CUNY Collapsing the Divide: Experimentum Curated Panel – Historiography GP 2.13 Ben Piggot 16:00- Linguae and the Language of Theatre and Relationality: Rethinking 17:30 History and Practice Historical Narratives through New Lenses of Exchange Cecilia Pang University of Colorado at 100 Years to Educate a People: Cantonese Curated Panel – Historiography GP 2.13 Ben Piggot 16:00- Boulder Opera in Hong Kong and Relationality: Rethinking 17:30 Historical Narratives through New Lenses of Exchange

Helen Richardson Brooklyn College The Theatre History Text as Rhizome Curated Panel – Historiography GP 2.13 Ben Piggot 16:00- and Relationality: Rethinking 17:30 Historical Narratives through New Lenses of Exchange Sarah Balkin University of Melbourne Victorian Comedy Underplayed: the Curated Panel – Ordinary GP 2.14 Kenneth Cerniglia 16:00- Historical Emergence of the Deadpan Theatre Histories 17:30 Paul Rae University of Melbourne Presenting the Sociotechnical Past: Curated Panel – Ordinary GP 2.14 Kenneth Cerniglia 16:00- Gertrude Stein’s Electro-Theatrical Theatre Histories 17:30 Assemblage Michael Meeuwis University of Warwick Adventures in the Massively Normal: Curated Panel – Ordinary GP 2.14 Kenneth Cerniglia 16:00- Theatergoing in British Diaries, 1840-1910 Theatre Histories 17:30 Daphna Ben-Shaul Tel Aviv University Re-Calling the Foundational Act in National Curated Panel – Critical Re- GP 2.15 Freddie Rokem 16:00- Collection by Public Movement Actions to Israeli and 17:30 Palestinian Museum Collections Dror Harari Tel Aviv University Proactive, Performative, and Critical: Yona Curated Panel – Critical Re- GP 2.15 Freddie Rokem 16:00- Fischer’s Curatorial Practice and the Actions to Israeli and 17:30 Emergence of Performance Sensibility in Palestinian Museum Collections Israeli Art. Nir Shauloff Tel Aviv University A Double Agent: Re-Activating Hidden Curated Panel – Critical Re- GP 2.15 Freddie Rokem 16:00- Narratives in a State Museum Actions to Israeli and 17:30 Palestinian Museum Collections Ran Heilbrunn Tel Aviv University The Jerusalem River Project: From the ex- Curated Panel – Critical Re- GP 2.15 Freddie Rokem 16:00- territoriality of the art museum to the Actions to Israeli and 17:30 over-territoriality of the Zionist land Palestinian Museum Collections Nadine Civilotti Institut für Film-, Theater- und Theatrical Representation, Cultural Performing Traumatic Histories GP 2.16 R. Darren Gobert 16:00- empirische Performance, and the Structure of Time – 17:30 Kulturwissenschaft Johannes Coping with History and Trauma in post- Gutenberg-Universität Mainz authoritarian Argentina

Shuchi Sharma GGS Indraprastha University, The Stained Dawn: A Study of Select Plays Performing Traumatic Histories GP 2.16 R. Darren Gobert 16:00- Delhi, India based on Indian Partition 17:30 Cecilia Sosa Universidad Nacional Tres de The Performances of Blood: Theatre & the Performing Traumatic Histories GP 2.16 R. Darren Gobert 16:00- Febrero, Argentina Transmission of Trauma in Contemporary 17:30 Argentina Julija Pesic Centre for Drama, Theatre Marina Abramovic: Re-creation of Performance and Religion GP 2.17 Joshua Edelman and 16:00- and Performance Studies, Tradition in the Performance Balkan Working Group Sponsored Kim Skjoldager-Nielsen 17:30 University of Toronto Baroque (1997) Panel – Performing the (Progressive) Politics of Religious Traditions Rose Merin Jawaharlal Nehru University, Questioning Social Justice in the Performance and Religion GP 2.17 Joshua Edelman and 16:00- India Performance of Nangiarkoothu Working Group Sponsored Kim Skjoldager-Nielsen 17:30 Panel – Performing the (Progressive) Politics of Religious Traditions Silvia Battista Liverpool Hope University The Ecological Politics of Pope Francis as Performance and Religion GP 2.17 Joshua Edelman and 16:00- Represented in the Multimedia Working Group Sponsored Kim Skjoldager-Nielsen 17:30 Performance Fiat Lux: Illuminating our Panel – Performing the Common Home (Progressive) Politics of Religious Traditions Claire Cochrane Worcester University UK International Inclusivity and Local Historiography Working Group GP 2.18 Magnus Thorbergsson 16:00- Understanding: Thoughts on an editorial Sponsored Panel – Politics of 17:30 process inclusion: Questioning historiographical assumptions Kenneth Cerniglia Disney Theatrical Group Historiography and Archive Creation Historiography Working Group GP 2.18 Magnus Thorbergsson 16:00- Sponsored Panel – Politics of 17:30 inclusion: Questioning historiographical assumptions

Hanna Korsberg University of Helsinki Representing theatre in materiality of Historiography Working Group GP 2.18 Magnus Thorbergsson 16:00- history – A short film Theatre 1957 Sponsored Panel – Politics of 17:30 inclusion: Questioning historiographical assumptions Elin Diamond Rutgers University Arendt, Ranciere, and Feminist Traditions Feminist Research Working GP 2.19 Aoife Monks and 16:00- of the Political Group Sponsored Panel – Charlotte Canning 17:30 Feminist Traditions/ Feminist Publishing Candice Amich Vanderbilt University Crying, A Feminist Tradition Feminist Research Working GP 2.19 Aoife Monks and 16:00- Group Sponsored Panel – Charlotte Canning 17:30 Feminist Traditions/ Feminist Publishing Elaine Aston Lancaster University Moving Women Centre Stage: Structures Feminist Research Working GP 2.19 Aoife Monks and 16:00- of Feminist-Tragic Feeling in Group Sponsored Panel – Charlotte Canning 17:30 Contemporary British Women’s Feminist Traditions/ Feminist Playwriting Publishing Denise Varney University of Melbourne Climate Guardians: Feminist Ecology and Feminist Research Working GP 2.19 Aoife Monks and 16:00- the activist tradition Group Sponsored Panel – Charlotte Canning 17:30 Feminist Traditions/ Feminist Publishing Jerome Maeckelbergh OISTAT Heritage Theatre Machinery: unexpected Changement à vue 19:00- possibilities in contemporary productions. 21:00

WEDNESDAY JUNE 15

Name Affiliation Title Panel Panel ID Chair Time Aylwyn Walsh University of Lincoln The archive and the repertoire revisited: Prison’s Discipline, biopolitics, GP 3.01 Dirk Gindt 09:00- culture of presenting the past sexuality 10:30 Ante Ursic UC Davis 69 Horsepower: Animality and Race in Cavalia’s Discipline, biopolitics, GP 3.01 Dirk Gindt 09:00- Odysseo sexuality 10:30 Ferdinando Martins University of Sao Paulo Misunderstanding the Queer in Brazilian Theater Disicpline, biopolitics, GP 3.01 Dirk Gindt 09:00- sexuality 10:30 Andres Kalawski Pontificia Universidad Without tropical gestures. The aesthetic ideal of a Class and Caste in Theatre GP 3.02 Fawzia Afzal Khan 09:00- Católica de Chile vanished way of Chilean acting History 10:30 Madhuri Dixit Tata Institute of Social Historiographical concerns and Social meaning: The Class and Caste in Theatre GP 3.02 Fawzia Afzal Khan 09:00- Sciences, Mumbai case of Marathi Theatre History 10:30 Paul Murphy Queen's University Belfast Theatre, Performance and the 'C' Word Class and Caste in Theatre GP 3.02 Fawzia Afzal Khan 09:00- History 10:30 Daphne Lei University of California, Performative Death Rescues History: Gendered Chinese Theatre - Now and GP 3.03 Renfang Tang 09:00- Irvine Nationalism in Chinese Opera Then 10:30 Shiao-ling Yu Oregon State University From Uncle Tom's Cabin to Modern Chinese Drama Chinese Theatre - Now and GP 3.03 Renfang Tang 09:00- Then 10:30 Kaijun Chen Brown University From Epic to Romance: Adaptation of Classical Chinese Theatre - Now and GP 3.03 Renfang Tang 09:00- Chinese Drama with a Commercial Sensibility Then 10:30 Antonis Glytzouris School of Drama (Aristotle The Resurrection of the Ancestors; Inter-War Filmed History on Stage GP 3.04 Rikard Hoogland 09:00- University of Thessaloniki) Records of Modern Greek Productions of Ancient 10:30 Greek Drama Jurgita Staniskyte Vytautas Magnus University (Re)imagined Pasts: Performing Histories and History on Stage GP 3.04 Rikard Hoogland 09:00- Reinventing Identities on Lithuanian Theatre Stage 10:30 Marija Tepavac University of Vienna Redefining the Role of History in Communism: History History on Stage GP 3.04 Rikard Hoogland 09:00- as the Tool for Criticism in Yugoslav Theater 10:30

Rose Whyman Dept of Drama and Theatre The ‘New Wave’ Actresses and Stanislavski’s Moscow Women in Drama and GP 3.05 Elin Diamond 09:00- Arts, University of Art Theatre Theatre 10:30 Birmingham Marisa Keuris University of South Africa Magrita Prinslo (1896), Magdalena Retief (1945) and Women in Drama and GP 3.05 Elin Diamond 09:00- Mies Julie (2012): the old Afrikaner volksmoeder Theatre 10:30 (mother of the nation) versus the young Afrikanermeisie (girl) Elizabeth Omoruyi University of Leiden, Specificities and Uniqueness of Narratives in the Women in Drama and GP 3.05 Elin Diamond 09:00- Netherlands Works of Two Nigerian Female Dramatists Theatre 10:30 Sarit Cofman-Simhon Kibbutzim College, Tel-Aviv Rejecting Theatre in the Roman Empire: The Case of Theatre for the Masses GP 3.06 Arnab Banerji 09:00- King Herod and the Talmudic Animosity towards 10:30 Public Entertainment in Judea Andres Grumann Escuela de Teatro, P. From T.E.P.A. to MassTheatre at Estadio Nacional. Theatre for the Masses GP 3.06 Arnab Banerji 09:00- Universidad Católica de Isidora Aguirre’s dramaturgical and staging strategies 10:30 Chile Julia Stenzel Theatre Studies, JGU Mainz The Play and the Passion: Early travelogues to Theatre for the Masses GP 3.06 Arnab Banerji 09:00- Oberammergau between theological essay and 10:30 ethnographic report Adrian Curtin University of Exeter Spiritualism and Symbolist Theatre: Maeterlinck’s Liveness of the Non-Living GP 3.07 Daniel Meyer-Dinkgräfe 09:00- Philosophy of Death 10:30 Daniel Johnston Sheffield Hallam University Phenomenology for Actors: Theatre-Making as Liveness of the Non-Living GP 3.07 Daniel Meyer-Dinkgräfe 09:00- Disclosing a World 10:30 Harry Wilson University of Glasgow “The voice as it sings, the hand as it writes, the limb Liveness of the Non-Living GP 3.07 Daniel Meyer-Dinkgräfe 09:00- as it performs: Re-turning to Roland Barthes and the 10:30 live body”. Franziska Bork Petersen University of Copenhagen Take your protein pills and put your helmet on. Body Bodies, Agents and GP 3.08 Julia Stenzel 09:00- Department of Arts and ‘enhancement’ through the ages Performativity 10:30 Cultural Studies

Anirban Kumar Jawaharlal Nehru University Missing Beings: Human-Robots in "Machine" Bodies, Agents and GP 3.08 Julia Stenzel 09:00- Performativity 10:30 Cormac Power Northumbria University Stoicism and Ancient Concepts of Performativity Bodies, Agents and GP 3.08 Julia Stenzel 09:00- Performativity 10:30 Jane Milling University of Exeter Manuals for Making: 20th Century advice books for Education and Amateur GP 3.09 Yvonne Schmidt 09:00- amateur companies Theatricals 10:30 Cock Dieleman Theatre Studies / University Representations of (Theatre)History in Dutch Youth Education and Amateur GP 3.09 Yvonne Schmidt 09:00- of Amsterdam Theatre Theatricals 10:30 Veronika Zangl Theatre Studies/University Representations of (Theatre)History in Dutch Youth Education and Amateur GP 3.09 Yvonne Schmidt 09:00- of Amsterdam Theatre Theatricals 10:30 David Coates University of Warwick Traces of Amateur Theatricals: Mapping the Rise of Education and Amateur GP 3.09 Yvonne Schmidt 09:00- Amateur Theatre in London in the Nineteenth Century Theatricals 10:30 Lesley Ferris Department of Theatre, The Staging Birth in the Face of Death: Women’s Work on Curated Panel – Gender and GP 3.10 09:00- Ohio State Unversity the Front Modernism: Genealogies of 10:30 Performance Penny Farfan University of Calgary Stage Women and Popular Modernism Curated Panel – Gender and GP 3.10 09:00- Modernism: Genealogies of 10:30 Performance Melissa Quek LASALLE College of the Arts Designing the Future, Performing the Past- A Case Corporeal Narratives, Doing GP 3.11 Katja Schneider 09:00- Study of Returning History 10:30 Friedemann Kreuder Institut für Film-, Theater- Theatre between reproduction and transgression of Corporeal Narratives, Doing GP 3.11 Katja Schneider 09:00- und empirische body-based distinction History 10:30 Kulturwissenschaft, Johannes Gutenberg- Universität Mainz Yvonne Hardt Hochschule für Musik und Working with the Past – Reflecting on the materiality, Corporeal Narratives, Doing GP 3.11 Katja Schneider 09:00- Tanz Köln (University of narration and strategies of authentification in current History 10:30 Music and Dance Cologne) practice of dance re/reconstruction

Sofia Pantouvaki Aalto University, Finland “Like Seeing Normal Life” (Dagmar Lieblová, née Scenography Working Group GP 3.12 Stephen Di Benedetto 09:00- Fantlová, Theresienstadt survivor): An evaluation of Sponsored Panel – 10:30 František Zelenka’s scenography for the children’s Scenography and the Archive opera Brundibár in Theresienstadt (1943-44) Freddie Rokem Department of Theatre August Strindberg and Siri von Essen playing Scenography Working Group GP 3.12 Stephen Di Benedetto 09:00- Studies; Tel Aviv University backgammon: Photography and Scenography Sponsored Panel – 10:30 Scenography and the Archive Nick Hunt Rose Bruford College, Fugitive Light: seeing stage lighting through Scenography Working Group GP 3.12 Stephen Di Benedetto 09:00- London production photographs Sponsored Panel – 10:30 Scenography and the Archive Sam Haddow University of St Andrews Suppressing the spectacle: concealed killings and IS Political Performances GP 3.13 Paola Botham 09:00- execution videos Working Group Sponsored 10:30 Panel – A Turning Point in Theatre History? War, Spectacle and the 21st- Century UK Stage Clare Finburgh University of Kent The "Spectacular Turn": War as Spectacle in Recent Political Performances GP 3.13 Paola Botham 09:00- UK Theatre Working Group Sponsored 10:30 Panel – A Turning Point in Theatre History? War, Spectacle and the 21st- Century UK Stage Cristina Delgado-García University of Birmingham Spectacular Ambivalence: Tim Crouch’s The Author in Political Performances GP 3.13 Paola Botham 09:00- its Theatrical and Political Context Working Group Sponsored 10:30 Panel – A Turning Point in Theatre History? War, Spectacle and the 21st- Century UK Stage

Clemens Risi Friedrich-Alexander- The performative power of the gestureXavier Le Roy Music Theatre Working GP 3.14 Tereza Havelkova 09:00- Universitaet Erlangen- re-enacting Simon Rattle conducting Stravinsky's Group Sponsored Panel – 10:30 Nuernberg "Sacre du printemps" Sacre Variations. Adorno, Disney, Le Roy Mario Frendo University of Malta Musicalised Dramaturgies: Reconsidering Music Theatre Working GP 3.14 Tereza Havelkova 09:00- Dramaturgical Procedures in Ancient Greek Tragedy Group Sponsored Panel – 10:30 Sacre Variations. Adorno, Disney, Le Roy David Levin Theater & Performance Viewing and Reviewing Stravinsky’s _Rite of Spring_: Music Theatre Working GP 3.14 Tereza Havelkova 09:00- Studies, University of Adorno and Performance Group Sponsored Panel – 10:30 Chicago Sacre Variations. Adorno, Disney, Le Roy Stephen Farrier Royal Central School of Joe Orton, queer histories and thinking the queer Queer Futures Working GP 3.15 Lazlo Pearlman 09:00- Speech and Drama, theatrical past. Group Sponsored Panel – 10:30 University of London Queer Pasts Alyson Campbell Victorian College of the Arts, GL RY: a (w)hole lot of woman trouble. Queer Futures Working GP 3.15 Lazlo Pearlman 09:00- University of Melbourne Group Sponsored Panel – 10:30 Queer Pasts Johanna Linsley University of Roehampton Challenging Archives Queer Futures Working GP 3.15 Lazlo Pearlman 09:00- Group Sponsored Panel – 10:30 Queer Pasts Jane Barnette University of Kansas (Re)Staging the Civil War: Red Badge of Courage in Translation, Adaptation, and GP 3.16 Katja Krebs and Stuart 09:00- the American South Dramaturgy Working Group Young 10:30 Sponsored Panel Kasia Lech Canterbury Christ Church Acting as the Act of Translation: Domesticating and Translation, Adaptation, and GP 3.16 Katja Krebs and Stuart 09:00- University Foreignizing Strategies as Part of the Actor’s Dramaturgy Working Group Young 10:30 Performance in the Irish-Polish Production of "Bubble Sponsored Panel Revolution"

Margherita Laera University of Kent Three Oresteias: Dealing with the Past Translation, Adaptation, and GP 3.16 Katja Krebs and Stuart 09:00- Dramaturgy Working Group Young 10:30 Sponsored Panel Julia Pajunen University of Helsinki Reshaping the national collective memory - The Presence and Cultural GP 3.17 Tim White 09:00- Unknown Soldier at the Finnish National Theatre Memory 10:30 2007-2009 Annemarie Stauss Theaterwissenschaft Proving the presence of presence – theatre as the Presence and Cultural GP 3.17 Tim White 09:00- München Ludwig- absolute moment and translation as uncovering Memory 10:30 Maximilians-Universität (theatre) history München Georgenstr. 11 80799 München Nataša Glišić University of Banja Luka. The Role of Documentary and Verbatim Theatre in Presence and Cultural GP 3.17 Tim White 09:00- Republika Srpska, Bosnia Theatrical Problematization of Turbulent Social Issues Memory 10:30 and Herzegovina Peilin Liang National University of Transformance: Historiography through Indigenous Reclaiming the Archive: Oral GP 4.01 Anna Birch 11:00- Singapore Historicity History 12:30 Barry Houlihan NUI Galway Taming the Chaos: Reclaiming Memory in the Archive Reclaiming the Archive: Oral GP 4.01 Anna Birch 11:00- of Theatre and Performance History 12:30 Wai Yam Chan International Association of Archive and Oral History Project on Hong Kong Drama Reclaiming the Archive: Oral GP 4.01 Anna Birch 11:00- Theatre Critics (Hong Kong) History 12:30 Maurya Wickstrom City University of New York C.L.R. James, Toussaint Louverture, and the New Critical Historiography and GP 4.02 Peter Davis 11:00- Present Performance 12:30 Sir Anril Pineda Tiatco University of the Philippines A Question of Authority: Dramaturgical Vision of Critical Historiography and GP 4.02 Peter Davis 11:00- Diliman Performing the Archive Performance 12:30 Katja Vaghi University of Roehampton Quoting/Referencing History: The Baroque in Jiří Critical Historiography and GP 4.02 Peter Davis 11:00- Kylián Performance 12:30 Katalin Cseh-Varga Graduate School of East The Revival of Marcel Duchamp´s Spirit. Performative Dada Spirit GP 4.03 Paul Rae 11:00- and Southeast European Moments in the Hungarian Neo-Avant-Garde of the 12:30 Studies at the Ludwig- 1960s and 1970s

Maximilians-University Munich / Department of Theatre, Film and Media Studies at the University of Vienna Matthias Dreyer Goethe University, Frankfurt Dada Masks and the History of Liveness Dada Spirit GP 4.03 Paul Rae 11:00- am Main Department of 12:30 Theatre, Film and Media Aristita I. Albacan independent The production of “self” in participatory performance: Dada Spirit GP 4.03 Paul Rae 11:00- Re-mixing the DADA arsenal. 12:30 Luule Epner University of Tartu, Tallinn How do we conceptualise innovation? Revolution and Continuity GP 4.04 Elizabeth Tomlin 11:00- University 12:30 Birgitta Johansson Theatre and Dance Studies Revolution or Repetition? Revolution and Continuity GP 4.04 Elizabeth Tomlin 11:00- Department of Culture and 12:30 Aesthetics Stockholm University Andy Machals University of Bristol (UK) The Queer Legacy of Marxism. How can we link Revolution and Continuity GP 4.04 Elizabeth Tomlin 11:00- practices of camp to Marxist cultural acquisition? 12:30 Edna Nahshon JTS Do Original Sources Matter? The Merchant of Venice Shakespeare and GP 4.05 Magnus Tessing Schneider 11:00- vis-à-vis Gregorio Leti’s “Pound of Flesh” Tale Historiography 12:30 David Hasberg Schmidt Independent Researcher Dissimulating History: The Historiography of Shakespeare and GP 4.05 Magnus Tessing Schneider 11:00- Shakespeare’s King Richard III Historiography 12:30 Sofie Kluge University of Southern Honourable? Staging History in Shakespeare's Julius Shakespeare and GP 4.05 Magnus Tessing Schneider 11:00- Denmark Caesar Historiography 12:30 Laura Peja Università Cattolica del Revolutionary Theatre or Means of Manufacturing Theatre as Institution in the GP 4.06 Jan Clarke 11:00- Sacro Cuore, Milan (Italy) Consent? Towards a Reconsideration of the “Teatro 17th and 18th Centuries 12:30 Patriottico” (Milan, 1796–1805)

Diana Damian-Martin Royal Central School of Theatre criticism and the discursive public sphere: the Theatre as Institution in the GP 4.06 Jan Clarke 11:00- Speech and Drama formation of public discourse in 18th century England 17th and 18th Centuries 12:30 and the neoliberal contemporary public sphere Deborah Payne American University, Behavioral Economic Theory and the Box-office: Theatre as Institution in the GP 4.06 Jan Clarke 11:00- Washington, D.C Towards a New History of the Restoration Theatre 17th and 18th Centuries 12:30 Staf Vos Het Firmament Centre of In search for good practices to safeguard intangible Intangible Cultural Heritages GP 4.07 Martynas Petrikas 11:00- expertise for the heritage of heritage of the performing arts: a Flemish case study 12:30 the performing arts Isinsu Ersan Dokuz Eylul University Fine Karagoz, Then and Now: The shadow under the Intangible Cultural Heritages GP 4.07 Martynas Petrikas 11:00- Arts Faculty Department of political regime change 12:30 Performing Arts Nadine Holdsworth University of Warwick From Private Collections to Publishing: Capturing the Intangible Cultural Heritages GP 4.07 Martynas Petrikas 11:00- Heritage of Amateur Theatre Practice in England. 12:30 Jean Lee Goldsmiths, University of Dance Studies so far and from now on Re-writing Dance History GP 4.08 Nicole Haitzinger 11:00- London 12:30 Alexander Schwan Freie Universität Berlin, Redoing Postmodern Dance and Rewriting Dance Re-writing Dance History GP 4.08 Nicole Haitzinger 11:00- Institute for Theatre Studies History 12:30 Jurgita Imbrasaite Research Associate ate the The révolution in Dance Re-writing Dance History GP 4.08 Nicole Haitzinger 11:00- Institute for Theater Studies 12:30 at the Ruhr-University Bochum Dilek Inan Assoc. Prof. in the English A Contemporary Macbeth: Restoring History in David Shakespeare Re-visited GP 4.09 Lisa Warrington 11:00- department of Balikesir Greig’s Dunsinane 12:30 University Sarah Youssef University of Cologne, Immersive Shakespeare Shakespeare Re-visited GP 4.09 Lisa Warrington 11:00- Germany 12:30 Elizabeth Schafer Royal Holloway, University History, Nostalgia and Shakespeare's 'The Merry Shakespeare Re-visited GP 4.09 Lisa Warrington 11:00- of London Wives of Windsor' in performance 12:30

Corinna Kirschstein Interdisciplinary Centre for Struggling with Sensuality – Debates about the Traces of Enlightenment GP 4.10 Wolf-Dieter Ernst 11:00- Pietism Studies, Martin- Marvellous in Early 18th Century Theatre Thinking 12:30 Luther-Universität Halle- Wittenberg Catherine Girardin Paris Ouest Nanterre La Reflections on the philosophy of history through Traces of Enlightenment GP 4.10 Wolf-Dieter Ernst 11:00- Défense and Goethe theatre in the late eighteenth-century Germany: the Thinking 12:30 Universität Frankfurt work of Johann Gottfried Herder amMain Jan Lazardzig University of Amsterdam Schiller’s ‘Moral Institution’ in Nineteenth-Century Traces of Enlightenment GP 4.10 Wolf-Dieter Ernst 11:00- Police Practice Thinking 12:30 Miseong Woo Yonsei University The New Theatrical Undercurrents in Korea: Performing Ethnic and GP 4.11 Tapati Gupta 11:00- Uncharted Border, Transnationality, and Korean Communal Identities 12:30 Diaspora M K Raina National School of Drama, Monk – Mask and the Mind Performing Ethnic and GP 4.11 Tapati Gupta 11:00- New Delhi Communal Identities 12:30 Pieter Verstraete Hacettepe University Ankara “How Did We Get Here?”: Interweaving Histories of Performing Ethnic and GP 4.11 Tapati Gupta 11:00- (Turkey) Performance Culture, Collective Identity and Protest Communal Identities 12:30 Movements in Turkey Jung Gyung Song Yonsei University The Diasporic Trauma as a Cornerstone of Julia Cho's Asian Theatre Working Group GP 4.12 Lee Meewon 11:00- The Architecture of Loss Sponsored Panel - Presenting 12:30 Korean Past in Post-Colonial Age Ka-eul Yoo Yonsei University Politics of Remembering the Dynamics of GI Towns in Asian Theatre Working Group GP 4.12 Lee Meewon 11:00- Korea in Ilgopzipmae Sponsored Panel - Presenting 12:30 Korean Past in Post-Colonial Age Sang Woo Lee Professor, Department of To Challenge the Conventions in Colonial Korea : The Asian Theatre Working Group GP 4.12 Lee Meewon 11:00- Korean Language and Case of An actress Yoon Shim-duk Sponsored Panel - Presenting 12:30 Literature, Korea University

Korean Past in Post-Colonial Age Doug Reside New York Public Library Creating tools for local theater companies to Digital Humanities in Theatre GP 4.13 11:00- document global theatre history Studies Working Group 12:30 Sponsored Panel Miguel Escobar Varela National University of Circuits and Puppets: ‘Re-materializing’ Digital Digital Humanities in Theatre GP 4.13 11:00- Singapore Archives through Tangible Interfaces Studies Working Group 12:30 Sponsored Panel Sandra Pietrini Dipartimento di Lettere e Arianna: A Digital Meta-Archive of Shakespearean Digital Humanities in Theatre GP 4.13 11:00- Filosofia - Università di Iconography Studies Working Group 12:30 Trento Sponsored Panel Marco Galea University of Malta Christmas Pantomime as Political Performance in a Comedic Subversions? GP 4.14 Kiki Gounaridou 11:00- Former Colony: Not just the master’s tools but the 12:30 master’s workshop too Aneta Glowacka The University of Silesia in Returning to comedy roots. Contemporary political Comedic Subversions? GP 4.14 Kiki Gounaridou 11:00- Katowice theatre in Poland. 12:30 Lloyd Peters University of Salford Reports of the Death of British Theatrical Comedy? Comedic Subversions? GP 4.14 Kiki Gounaridou 11:00- Greatly exaggerated or sadly accurate? 12:30 Matthew Causey Trinity College Dublin The Origin of the Work of Art (in Digital Culture) Origins, functions and means GP 4.15 Pauline Brooks 11:00- of theatre in the digital age 12:30 Simon Hagemann Université de Franche- Theatre and Big Data Mining Origins, functions and means GP 4.15 Pauline Brooks 11:00- Comté of theatre in the digital age 12:30 Jeroen Coppens Ghent University (Re)Animating Images in Theater. Visual Dramaturgies Origins, functions and means GP 4.15 Pauline Brooks 11:00- between the Actual and the Virtual. of theatre in the digital age 12:30 Christina Papagiannouli University of South Wales Liveness or ‘Live-less’? Theatrofilm from Broadway to Liveness and mediatisation: GP 4.16 Ralf Remshardt 11:00- NTLive Economies, experiments and 12:30 “software cultures”

Maria Chatzichristodoulou London South Bank Live Broadcasting and the Promise of Sustainable Liveness and mediatisation: GP 4.16 Ralf Remshardt 11:00- University Economies of Scale Economies, experiments and 12:30 “software cultures” Anna Maria Monteverdi Academy of Fine Arts, Lecce Hybrid media and hybrid theatre in a "software Liveness and mediatisation: GP 4.16 Ralf Remshardt 11:00- (Italy) culture". Economies, experiments and 12:30 “software cultures” April Albert Currently independent Performing the Political Past Identities, Transnationalism GP 4.17 Penny Farfan 11:00- researcher Transnationally:Reception of HILDEGARD/KNEF in and Reconciliation 12:30 Australia Zheyu Wei Trinity College Dublin Bird Men: Performing and Understanding Identities, Transnationalism GP 4.17 Penny Farfan 11:00- Chineseness Between Orientalism and Occidentalism and Reconciliation 12:30 Ursula Neuerburg-Denzer Concordia University, Dwellings - Theatre that investigates Identities, Transnationalism GP 4.17 Penny Farfan 11:00- Montreal, Canada Indigenous/Settler Relationships and Reconciliation 12:30 Camilla Kandare Independent researcher Position and Recognition: European Early Modern Re-Reading Acting and GP 4.18 Boris Daussa-Pastor 11:00- Social Protocol as Kinetic Performance Theatre Theory 12:30 Inma Garin University of Valencia, Spain The artist is not present: conceptualizing Re-Reading Acting and GP 4.18 Boris Daussa-Pastor 11:00- autobiography (the case of Stanislavski, Brook and Theatre Theory 12:30 Barba) Anna Sica University of Palermo The Applications of the Acting Vocal Code-System of Re-Reading Acting and GP 4.18 Boris Daussa-Pastor 11:00- the drammatica in the Eighteenth-Century Commedia Theatre Theory 12:30 dell’Arte Patrick Primavesi Institute for Theatre The Spectator's Past Curated Panel – A Theatre of GP 4.19 Günther Heeg 11:00- Studies, University of Repetition and Recurrence. 12:30 Leipzig On the Return of History in Theatre from 19th century Historicism to Contemporary Performances

Micha Braun Leipzig University Institute Repetition and Recurrence. On Artefacts and their Curated Panel – A Theatre of GP 4.19 Günther Heeg 11:00- for Theatre Studies Performative Reconstruction in Robert Kuśmirowski’s Repetition and Recurrence. 12:30 Installation Art On the Return of History in Theatre from 19th century Historicism to Contemporary Performances Andrea Hensel Leipzig University, Institute Performing History – Reforming Costumes. The Curated Panel – A Theatre of GP 4.19 Günther Heeg 11:00- of Theatre Studies Presence of the Past in Berlin Theatre Historicism of Repetition and Recurrence. 12:30 the 19th Century On the Return of History in Theatre from 19th century Historicism to Contemporary Performances Günther Heeg Institute for Theatre A Theatre of Repetition and Recurrence. On the Curated Panel – A Theatre of GP 4.19 Günther Heeg 11:00- Studies, Leipzig University Return of History in Theatre from 19th century Repetition and Recurrence. 12:30 Historicism to Contemporary Performances On the Return of History in Theatre from 19th century Historicism to Contemporary Performances

THURSDAY JUNE 16

Name Affiliation Title WG / Panel Panel / Chair Time Panel ID Clare Foster UCL Competing authenticities in 1890s Britain: translation Translation, Adaptation and Emer O’Toole 10:30- versus archaeology in early performances of Greek Dramaturgy 12:30 dramatic texts Robert Stock University of Warwick Whose play is it anyway? Celebrity translators and Translation, Adaptation and Emer O’Toole 10:30- changing perceptions of adaptation, ownership and Dramaturgy 12:30 voice Margaret Hamilton University of Wollongong Simon Stone’s The Wild Duck: Adaptation, Re- Translation, Adaptation and Emer O’Toole 10:30- Authorship and Regie in an Australian Context Dramaturgy 12:30 Graham Saunders University of Reading Festive Tragedy: Jez Butterworth’s Jerusalem (2009) Translation, Adaptation and Emer O’Toole 10:30- Dramaturgy 12:30 Yair Lipshitz Tel Aviv University On Ghosts, Dybbuks, and the Embodiment of Queer Queer Futures Queer Christopher-Rasheem 10:30- Temporalities in the Theatre Temporalities McMillan 12:30 and Performance Strategies Simon Dodi Royal Central School of Camp then/now: Re-performing a political camp Queer Futures Queer Christopher-Rasheem 10:30- Speech and Drama past to offer a fabulous camp future Temporalities McMillan 12:30 and Performance Strategies Priyam Ghosh Center for Media Studies, Engendering the streets: Performing Female Queer Futures Queer Christopher-Rasheem 10:30- School of Social Sciences, Masculinities in Asmita Theatre’s Dastak and Maya Temporalities McMillan 12:30 Jawaharlal Nehru Rao’s The Walk and University Performance Strategies

Giano Dan Xiao University of Lincoln, Rasa: Taste Embodied Performance and Indian Theatre Arya Madhavan 10:30- United Kingdom Consciousness Special 12:30 Sessions on Taste, Panel 2 Marie-Josee Blanchard Concordia University Good Taste in Indian Performing Arts: Can the Non- Performance and Indian Theatre Arya Madhavan 10:30- Expert Sensorium Savour Dance-Drama? Consciousness Special 12:30 Sessions on Taste, Panel 2 Sarasa Krishnan Murdoch University Taste and Rasa: From The Physical Aesthetic To The Performance and Indian Theatre Arya Madhavan 10:30- Spiritual Consciousness Special 12:30 Sessions on Taste, Panel 2 Debbie Fionn Barr Coventry University Corpo-realities: unraveling meaning-making in geo- Performance and Indian Theatre Arya Madhavan 10:30- cultural body-sites Consciousness Special 12:30 Sessions on Taste, Panel 2 José Capela School of Architecture, Scenic appropriation of representation systems from Scenography Imagining Freddie Rokem 10:30- University of Minho / the past, and its ideological dimension Past, Present 12:30 Lab2PT Research Centre and Futures Melissa Trimingham University of Kent ‘Taking a step, raising a hand, moving a finger’: Oskar Scenography Imagining Freddie Rokem 10:30- Schlemmer’s Bauhaus stage and the scenographic Past, Present 12:30 practice of ‘Imagining Autism’ and Futures Néill O'Dwyer Trinity College Dublin, From Engineer to Programmer: A genealogy of the Scenography Imagining Freddie Rokem 10:30- Department of Drama scenographic engineer and contemporary Past, Present 12:30 pedagogical implications and Futures Věra Velemanová Arts and Theatre Institute Scenographers Jan Dušek and František Zelenka: Scenography Imagining Freddie Rokem 10:30- Prague "Meeting after Many Years" Past, Present 12:30 and Futures

Jose Batista dal Farra Martins Universidade de São Paulo Premediating Brecht Music Theatre George Rodosthenous 10:30- 12:30 Mauro Calcagno University of Pennsylvania, Spectral Poetics: The Wooster Group’s Production of Music Theatre George Rodosthenous 10:30- Philadelphia, U.S.A. Busenello/Cavalli’s La Didone 12:30 Gareth Evans Aberystwyth University The Composer as Auteur Music Theatre George Rodosthenous 10:30- 12:30 Simon Bell Anglia Ruskin University Laibach: The Performance of European Trauma Music Theatre George Rodosthenous 10:30- 12:30 Efrat Shalom Faculty of Architecture and Reconstructing Space - The experience of space in Theatre Architecture Activating space in the Mike Pearson 10:30- town planing, Technion IIT theatre as a way of shifting the perception of theatrical event 12:30 'Ideological' space in every day life Mikko-Olavi Seppala University of Helsinki Communist Theatre during the Cold War in Finland Theatre Architecture Activating space in the Mike Pearson 10:30- – the Workers’ Theatre of Finland (Suomen Työväen theatrical event 12:30 Teatteri), 1945-1957 Mehmet Kerem Ozel Mimar Sinan Fine Arts Performativity of Theatre Architecture Theatre Architecture Activating space in the Mike Pearson 10:30- University theatrical event 12:30 Edvard Santana Universidade Federal da A Prole Dos Saturnos (The Offspring of Saturns): the Theatre Architecture Activating space in the Mike Pearson 10:30- Bahia (Federal Universitu appropriation of a traditional theatre building as an theatrical event 12:30 of Bahia), Brasil unconventional space by the staging Swati Arora University of Exeter Ram Lila in Delhi: Reordering public space through Performances in History Tim White 10:30- ritual Public Spaces 12:30 Naoko Kogo the graduate School of Détournement or misuse? An attempt with and Performances in History Tim White 10:30- Letters of Osaka University around documentary films of historical Public Spaces 12:30 performances Magdalena Golaczynska University of Wroclaw, Between the palace and the Jewish district – anti- Performances in History Tim White 10:30- Poland (Uniwersytet Nazi opposition and Crystal Night Public Spaces 12:30 Wrocławski)

Ciara Murphy NUI Galway, Ireland The history of Irish trauma: interrogating trauma Performances in History Tim White 10:30- through immersive and site-responsive performance Public Spaces 12:30 practice Beate Schappach Institute of Theatre From Page to Stage. Text as Context of Theatrical Theatrical Event Text Vicki Ann Cremona 10:30- Studies, University of Events 12:30 Berne, Switzerland Sarah Bess Rowen CUNY, The Graduate Blow Out Your Candles, Laura: Contextualizing Stage Theatrical Event Text Vicki Ann Cremona 10:30- Center Directions/Stage Directions as Context 12:30 Fatine Bahar Karlidag University of Washington, Conversations with a silenced past and current Political Performing the Past in Paola Botham and Lloyd 10:30- Seattle School of Drama oppressions: a film-set activism of Turkish unions Performances Prison Theatre / Peters 12:30 Archive, Space and Resistance Emine Fisek Bogazici University Tracing Galata: History, Space and Performance in an Political Performing the Past in Paola Botham and Lloyd 10:30- (Istanbul, Turkey) Istanbul Neighborhood Performances Prison Theatre / Peters 12:30 Archive, Space and Resistance Janina Mobius Department of Theatre A Passion Play in a Juvenile Prison in Mexico – or: Political Performing the Past in Paola Botham and Lloyd 10:30- Studies Freie Universität The clash of past and present forms of Performances Prison Theatre / Peters 12:30 Berlin / Germany representations of violence – Mexican Necroteatro Archive, Space and Resistance Sarah Bartley Queen Mary University of The Iconography of Unemployment: Archives, Political Performing the Past in Paola Botham and Lloyd 10:30- London Artefacts, and Anonymity Performances Prison Theatre / Peters 12:30 Archive, Space and Resistance Adelina Ong The Royal Central School Digital Fragments of Lost Places Political Performing the Past in Paola Botham and Lloyd 10:30- of Speech and Drama Performances Prison Theatre / Peters 12:30 Archive, Space and Resistance

Ilaria Pinna University of Exeter The Remnants of Political Theatre: Staging Brecht in Political Performing the Past in Paola Botham and Lloyd 10:30- Prison Performances Prison Theatre / Peters 12:30 Archive, Space and Resistance Pedzisai Maedza University of Cape Town, ‘Gukurahundi - A moment of madness’: memory African and History and Memory 10:30- South Africa rhetorics and remembering in the post colony Caribbean Theatre 12:30 and Performance Zerihun Sira Addis Ababa University Revolution After Revolution: The question of African and History and Memory 10:30- hegemonic discourse and power shift in Ethiopian Caribbean Theatre 12:30 theatre and Performance Haddy Kreie University of California, Confronting Traumatic Histories through Vodun and African and History and Memory 10:30- Santa Barbara Democratization in Benin Caribbean Theatre 12:30 and Performance Hsiao-Mei Hsieh National Taiwan University Experimental Traditional Theatre in Taiwan: The Asian Theatre Traditional Theatre in 10:30- Emergence of Taiwanese New Xiqu Asia 12:30 Hyunshik Ju Institute of Media Arts Traditional Korean Masked Dance Drama and Asian Theatre Traditional Theatre in 10:30- Culture, Kyonggi University Historiography of Emotions Asia 12:30 Tove Johanna Bjoerk Saitama University (Japan), The Literacy of an Early Modern Kabuki Actor – Asian Theatre Traditional Theatre in 10:30- Graduate School of Browsing the Library of Ichikawa Danjūrō II Asia 12:30 Humanities and Social Sciences Ursula Maya Tångeberg Fictive Femininity on Stage Physical Techniques in Asian Theatre Traditional Theatre in 10:30- Asian Classical Theatre and Dance Traditions Asia 12:30 Sissi Liu The Graduate Center, City Visualizing Cultural Taste through Broadway Digital Humanities in Digital Methods for 10:30- University of New York Musicals: A Project of Digital Musicology and Data Theatre Research Theatre Research 12:30 Visualization Dassia Posner Northwestern University Developing a Digital Companion for The Director’s Digital Humanities in Digital Methods for 10:30- Prism: E. T. A. Hoffmann and the Russian Theatrical Theatre Research Theatre Research 12:30 Avant-Garde

Jens-Morten Hanssen University of Oslo The Social Networks of German Stage Artists Digital Humanities in Digital Methods for 10:30- Performing Ibsen 1876-1918 Theatre Research Theatre Research 12:30 Karl Westerling The Graduate Center, Mapping the Roots and Routes of Boylesque Digital Humanities in Digital Methods for 10:30- CUNY Theatre Research Theatre Research 12:30 Jennifer Fewster AusStage, Flinders The importance of place: clearly identifying and Digital Humanities in Digital Methods for 10:30- University disambiguating sites of performance in data sets for Theatre Research Theatre Research 12:30 theatre research Laurence Senelick Tufts University "Wake Me Up When Kirby Dies" or, The Art of Dying Historiography Body, Memory, Archive 10:30- on Stage 12:30 Ruthie Abeliovich The Hebrew University of Archiving Voice and the Attempt to Listen to pieces of Historiography Body, Memory, Archive 10:30- Jerusalem Past 12:30 Dorota Sosnowska University of Warsaw The Body and the Archive – Performance Art History Historiography Body, Memory, Archive 10:30- 12:30 Kate Newey University of Exeter British Theatre and Visual Culture in the Long Historiography Body, Memory, Archive 10:30- Nineteenth Century 12:30 Annette Arlander Stockholm University of What Remains of the Bacchae? Performance as Research 10:30- the Arts 12:30 Johnmichael Rossi University of Bedfordshire Harm’s Way Revisited: Reflections At The Crossroads Performance as Research 10:30- of Theatre-Making and Pedagogical Practices 12:30 Mariana Terra Moreira Federal University of Bahia Teaching-Learning lighting from Bodily and Performance as Research 10:30- (Brazil) Performative Experience 12:30 Larissa de Oliveira Neves Campinas State University Telles’ tent and the XIXth century Brazilian popular Popular Entertainments 10:30- (Unicamp) theater 12:30 Bett Pacey Tshwane University of Gcina Mhlophe: Keeping the popular tradition of Popular Entertainments 10:30- Technology, Pretoria storytelling alive in South Africa 12:30 Maria Emília Tortorella Campinas State University/ The contributions of Antônio de Alcântara Machado Popular Entertainments 10:30- Post-Graduate Program of to the modernization of the Brazilian theatre 12:30 Scenic Arts

Sarah Penny University of Warwick Entertaining Jack at Sea: the SODS Operas at Scapa Popular Entertainments 10:30- Flow 12:30 George Potter Valparaiso University Global Refugee Chic: Performing Syrian as Tragedy in Arabic Theatre Arab Selves as the Margaret Litvin 10:30- Jordan Other Within 12:30 Liam Jarvis Literature, Film and ‘Time-sculptures of Terrifying Ambiguity’: Staging Intermediality in Perception and time: Maria Chatzichristodoulou 10:30- Theatre dept. (LiFTS) at ‘Inner Space’ and Migrating Realities in Analogue’s Theatre and Memory, immediacy 12:30 the University of Essex Living Film Set 2.0’ Performance and speed Clio Unger The Graduate Center, Darkness as Immersion in Tino Seghal’s This Variation Intermediality in Perception and time: Maria Chatzichristodoulou 10:30- CUNY (2012) Theatre and Memory, immediacy 12:30 Performance and speed Asher Warren University of Melbourne Diva Dromology: Tracking Intermedial Accelerations Intermediality in Perception and time: Maria Chatzichristodoulou 10:30- in 'Calpurnia Descending' Theatre and Memory, immediacy 12:30 Performance and speed Jared Pike The Graduate Center, City Upstaging History: Uncovering the Bacherl-Scandal Historization and NS 2.01 Chris Balme 14:00- University of New York through Micro-history Historiography 15:30 Mara Valderrama The Graduate Center. City Chasing the Gaze of the Killer. Rabih Mroué’s The Historization and NS 2.01 Chris Balme 14:00- University of New York Pixelated Revolution Historiography 15:30 (CUNY) Suzanne Kooloos University of Amsterdam (In)Visible Markets - Risky Knowledge: Theatre and Historization and NS 2.01 Chris Balme 14:00- Speculation in The Great Mirror of Folly Historiography 15:30 Priynka Ramrao Jadhav Dr.Babasaheb Ambedkar Lonely, Static Still Participatory: Digital and Satwik Historization and NS 2.01 Chris Balme 14:00- Marathwada University Rasa Sutra Historiography 15:30 Maria Hetzer University of Warwick; Translation as event and the concept of the somatic Historization and NS 2.01 Chris Balme 14:00- Historiography 15:30 Claire Hampton Brunel University London Looking Good Feeling Better: Evidence, Witness and Trauma and Catharsis NS 2.02 Hayato Kosuge 14:00- and University of Catharsis 15:30 Wolverhampton Monika Meilutyte Vilnius University Reviewing Collective Trauma: Theatre Criticism in Trauma and Catharsis NS 2.02 Hayato Kosuge 14:00- Independent Lithuania 15:30

Johanna Karlsson Stockholm University, 9.79 Catharsis: Ben Johnson as Tragedy Trauma and Catharsis NS 2.02 Hayato Kosuge 14:00- Dept. of Culture and 15:30 Aesthetics Alicia Goodman Texas Tech University Replicating the Avant-Garde: From Jikken Kōbō Trauma and Catharsis NS 2.02 Hayato Kosuge 14:00- (Experimental Workshop) to the Yakuza and How 15:30 Theatre Inspired by the A-Bomb is Now Commercial Entertainment Alexandra Halligey University of Cape Town Making with the archive: investigating space and Memories and NS 2.03 Heike Roms 14:00- people through performance-based participatory Archives 15:30 public art processes in inner-city Johannesburg Anusha Ravishankar Performing the Memory of India’s Partition of 1947 Memories and NS 2.03 Heike Roms 14:00- Archives 15:30 Chase Heltzel University Of Warwick Slaves, Ghosts, and Horror: Walking a ghost tour in Memories and NS 2.03 Heike Roms 14:00- New Orleans' French Quarter Archives 15:30 Hadera Woldmariam Zerihun Birehanu Artistic The Quest for Spectator: Throne of Weapon at the Memories and NS 2.03 Heike Roms 14:00- Works British Museum Archives 15:30 Christopher Martin University of Kansas Ambiguities of Witnessing in Max Frisch’s Firebugs Memories and NS 2.03 Heike Roms 14:00- Archives 15:30 Christina Vollmert Institute for Media Culture Objects and Observers. The International Grand Spectacles NS 2.04 Kati Roettger 14:00- and Theatre, University of Electrotechnical Exhibition in Frankfurt am Main, 15:30 Cologne (Germany) 1891 Cartherine McComb University of Regina, Buffalo Bill Cody’s Wild West Show: A Theatrical Grand Spectacles NS 2.04 Kati Roettger 14:00- Canada Vision Of The American Frontier West 15:30 Margit Edwards CUNY - Graduate Center American Folk Incorporated: A failed proposal by Grand Spectacles NS 2.04 Kati Roettger 14:00- Alan Lomax Jr. for the 1939-1940 World's Fair 15:30 Alexandra Dias University of Roehampton Solo dance in contamination: a practice-led research Dance and NS 2.05 Lena Hammergren 14:00- Choreography 15:30 Samson Akapo University of Ibadan, Embodied Choreographic and Dance Cognition Dance and NS 2.05 Lena Hammergren 14:00- Ibadan, Nigeria. Choreography 15:30

Veronika Bochynek University of Salzburg, Tap dance on screen: from stylistic variability to Dance and NS 2.05 Lena Hammergren 14:00- Austria cinematic uniformity Choreography 15:30 Aparna Nambiar University of California Performing the Contemporary by Re-performing the Dance and NS 2.05 Lena Hammergren 14:00- Berkeley Past: Traditional Indian dance in Contemporary Choreography 15:30 Singapore Andrew Goldberg CUNY - Graduate Center Norah as Parrhesiastes: Ibsen and Foucauldian Exploring Theatre and NS 2.06 Meike Wagner 14:00- Critique Performance Studies 15:30 Ilinca Todorut Yale School of Drama Critical Realism from Ibsen to Schlingensief Exploring Theatre and NS 2.06 Meike Wagner 14:00- Performance Studies 15:30 Krupa Desai Jawaharlal Nehru Political Performance of Fasting: A case study of Exploring Theatre and NS 2.06 Meike Wagner 14:00- University, New Delhi Yerawada Fast of 1932 Performance Studies 15:30 Manjari Mukherjee Jawaharlal Nehru Migration and Marginality – A study of the Anglo- Building Community NS 2.07 David Mason 14:00- University, New Delhi Indian Community’s repertoire in Calcutta between 15:30 1940-50 Emma Halpern New York City Children's Up and Away: Engaging with Audiences on the Building Community NS 2.07 David Mason 14:00- Theater Autism Spectrum 15:30 Tanvi Manpoong Jawaharlal Nehru The Tai-Khamti Performance in ‘Republic Day Parade’ Building Community NS 2.07 David Mason 14:00- University, New Delhi of India 15:30 Prateek The University of Re-presenting the Theatrical Past Through the State/Policies/Change NS 2.08 Rikard Hoogland 14:00- Queensland Technique of Madari-Jamoora: A Study of Safdar 15:30 Hashmi’s Street Theatre Eszter Szabo University of Szeged, Theatre Patronage and the Politics of Culture in 19th- State/Policies/Change NS 2.08 Rikard Hoogland 14:00- Hungary century Transylvania 15:30 Zane Kreicberga Latvian Academy of Culture Re-writing the recent history of Latvian theatre. State/Policies/Change NS 2.08 Rikard Hoogland 14:00- Construction of the new aesthetics in the 1990s. 15:30 Example of the New Riga Theatre Kristina Steiblyte Vytautas Magnus university Contemporary Baltic States Theater and European State/Policies/Change NS 2.08 Rikard Hoogland 14:00- (Kaunas, Lithuania) Identity 15:30

Cristian Gonzalez Universidad de Chile Heritage and artistic memory trace from the material State/Policies/Change NS 2.08 Rikard Hoogland 14:00- to the immaterial. The case of Gabriela Mistral 15:30 Cultural Center Aida Bahrami University of Warwick Paranoia and Narrative of Alterity in Thomas Shakespeare: 400 NS 2.09 Susan Bennett 14:00- Ostermeier’s Hamlet Years of Legacy 15:30 Molly Ziegler University of Glasgow Staging Madness: representing mental illness in Shakespeare: 400 NS 2.09 Susan Bennett 14:00- contemporary Shakespearean adaptations Years of Legacy 15:30 Dan Venning New York University “A Better Claim to Shakespeare?”: The Meininger’s Shakespeare: 400 NS 2.09 Susan Bennett 14:00- 1881 Tour to London Years of Legacy 15:30 Izuu Nwankwo Department of Theatre Countering Shakespeare, Engaging Master- Shakespeare: 400 NS 2.09 Susan Bennett 14:00- Arts Chukwuemeka Narratives: Esiaba Irobi's Re-(g)localization of The Years of Legacy 15:30 Odumegwu Ojukwu Tempest in the Mediterranean to Sycorax in the University Igbariam Caribbean Kyriaki Demiri School of Drama, Aristotle Men and Sports in Elfriede Jelinek's play "Das Gender: Stereotypes NS 2.10 Tiina Rosenberg 14:00- University of Thessaloniki Lebewohl" and Cross-dressing 15:30 Sailu Pattepu University of Hyderabad Gender Bending in Southern India: The curious case Gender: Stereotypes NS 2.10 Tiina Rosenberg 14:00- of Surabhi Theatre and Cross-dressing 15:30 Jacob Bloomfield University of Manchester Soldiers in Skirts: Cross-Dressing Veterans on the Gender: Stereotypes NS 2.10 Tiina Rosenberg 14:00- 20th Century English Stage and Cross-dressing 15:30 Catherine Turner University of Exeter Performance, Walking and the Indian City Theatre Architecture Urban Performative Andrew Filmer 16:00- Acts 17:30 Somdatta Bhattacharya Birla Institute of Performance as Transformation of Everyday Urban Theatre Architecture Urban Performative Andrew Filmer 16:00- Technology and Science, Space: Reading a Delhi Ram Leela Acts 17:30 Pilani Dinesh Yadav Birla Institute of Performance as Transformation of Everyday Urban Theatre Architecture Urban Performative Andrew Filmer 16:00- Technology and Science Space: Reading a Delhi Ram Leela Acts 17:30 Joe Parslow Royal Central School of Mother Black Cap: Queer Performance and the Loss Queer Futures Queer Performance Caoimhe Mader McGuiness 16:00- Speech and Drama, of (Queer) Spaces Spaces 17:30 University of London

Ben Walters Queen Mary University of How a grassroots campaign made a gay cabaret pub Queer Futures Queer Performance Caoimhe Mader McGuiness 16:00- London the UK’s first LGBTQ listed building Spaces 17:30 E-J Scott Duckie/Bishopsgate DUCKIE’s Pair of Big Old Balls: Lady Malcolm’s Queer Futures Queer Performance Caoimhe Mader McGuiness 16:00- Institute/London Servants’ Balls 1923 – ‘38 Queer Performative Heritage Spaces 17:30 Metropolitan Archives Engagement Project Kristen Rudisill University of Kent Teaching Good Taste: A Tamil Adaptation of Shaw's Performance and Indian Theatre Special Sreenath Nair 16:00- Pygmalion Consciousness Sessions on Taste, 17:30 Panel 3 Mariusz Bartosiak University of Łódź Possibility of dramatic representation of taste in Performance and Indian Theatre Special Sreenath Nair 16:00- modern theatre – case of Indian Ink by Tom Consciousness Sessions on Taste, 17:30 Stoppard Panel 3 Chris Dorsett Northumbria University Handling the taste of emotion Performance and Indian Theatre Special Sreenath Nair 16:00- Consciousness Sessions on Taste, 17:30 Panel 3 Sanjay Kumar Central European Reading ‘taste’ through Theatricality: debates on Performance and Indian Theatre Special Sreenath Nair 16:00- University (CEU), playwriting and performance in post-independence Consciousness Sessions on Taste, 17:30 Budapest. Indian theatre Panel 3 Demetris Zavros University of London Road: Using the ‘document’ and negotiating Music Theatre George Rodosthenous and 16:00- Wolverhampton the dialectics between the ‘poetic’ and the ‘political’ Marcus Tan 17:30 Emer OToole Concordia University, "No Propaganda But..." Activism, Art and Irish Translation, Adaptation and Dramaturgy Jane Turner 16:00- Montréal Theatre 17:30 John Bull University of Lincoln Classic and Contemporary Adaptation Clashes: Translation, Adaptation and Dramaturgy Jane Turner 16:00- Simon Stephens’ adaptation of the classic canon 17:30 Christoph Wagner Royal Conservatoire of Kept in The Dark Scenography Dialogues with Sofia Pantouvaki 16:00- Scotland Scenographic History 17:30 Magdalena Raszewska Akademia Sztuk Pięknych To enchant the viewers. The dialogue with history Scenography Dialogues with Sofia Pantouvaki 16:00- w Warszawie Academy of Scenographic History 17:30 Fine Arts in Warsaw

Monica Raya National Autonomous How past is the past: Some ideas about the Scenography Dialogues with Sofia Pantouvaki 16:00- University of Mexico Aalto performativity of scenography Scenographic History 17:30 University Geneva Foster Gluck Arizona State University Reading the Landscape behind Wild West Shows: Scenography Dialogues with Sofia Pantouvaki 16:00- Staging and subverting environmental propaganda Scenographic History 17:30 in the American West Ava Hunt University of Derby Disciplined-based Political Theatre Solo Political History, Citizenship and Paola Botham and Lloyd 16:00- Performance: “Acting Alone” – artist led research Performances Audiences Peters 17:30 exploring boundaries of performer/audience relationships Jennifer Thompson CUNY Graduate Center "The Public as Umpire": Archive, Repertoire, and Political History, Citizenship and Paola Botham and Lloyd 16:00- Public in Early National America Performances Audiences Peters 17:30 Maryam Kohansal Islamic Azad University The role of theater in voicing Iranian history based Asian Theatre Performing Asian Past 16:00- Shiraz on the analysis of Bahram Beyza’ee’s drama and Society 17:30 Yasushi Nagata Osaka University Performing Asian Geographical Past: on Production Asian Theatre Performing Asian Past 16:00- of Sealing Betal Palm by Karagumi, 1992 and Society 17:30 Lia Wenching Liang Department of Foreign “March on, join bravely”: Wang Chia-ming’s first Asian Theatre Performing Asian Past 16:00- Languages and Literature, Journey with Shakespearei’s Richard III and Society 17:30 National Tsing Hua University Mohammad Jafar Yousefian Tarbiat Modares University Development of Diegetic Practices in Iranian Arabic Theatre Iran and Syria: Some Marvin Carlson 16:00- Kenari Indigenous Performance: A Historical View Historical Perspectives 17:30 Ahmad Mahfouz University of Sheffield The Political Theatre of Al-Maghut Arabic Theatre Iran and Syria: Some Marvin Carlson 16:00- Historical Perspectives 17:30 Johan Callens Vrije Universiteit Brussel Music's Functional Variety in Dance Theatre: An Intermediality in Intermedial Christina Papagiannouli 16:00- Intermedial Case Study Theatre and encounters: Theatre, 17:30 Performance music and dance

Pauline Brooks Liverpool John Moores Blending the Traditional with the innovative – Intermediality in Intermedial Christina Papagiannouli 16:00- University making theatre global Theatre and encounters: Theatre, 17:30 Performance music and dance Maja Cecuk Universitat de Barcelona Notes about absences in contemporary theater Intermediality in Intermedial Christina Papagiannouli 16:00- (University of Barcelona) “versus” digital image #2 Theatre and encounters: Theatre, 17:30 Performance music and dance

FRIDAY JUNE 17

Name Affiliation Title Panel Panel ID Chair Time Riitta Pohjola-Skarp University of Tampere Aleksis Kivi between Romanticism and Realism – Tragic Irony, Morality and GP 5.01 Magnus Tessing Schneider 10:30- Rethinking Kivi´s play Karkurit (The Fugitives) Romantic Drama 12:00 Roland Lysell Stockholm University Shelley's The Cenci in the light of modern theories of Tragic Irony, Morality and GP 5.01 Magnus Tessing Schneider 10:30- tragedy Romantic Drama 12:00 Graca Correa CFC-Universidade Lisboa; Theatre in the Gothic Mode: Emotional Excess Tragic Irony, Morality and GP 5.01 Magnus Tessing Schneider 10:30- CIAC-Universidade do Defying Despotism and Mechanistic Knowledge Romantic Drama 12:00 Algarve Kevin Purcell Bard College Reconstructing The Past in Musical Theatre: Augmented Historiography GP 5.02 Aneta Mancewicz 10:30- Foregrounding History in New Transmedia Musicals 12:00 Edgaras Klivis Vytautas Magnus University, Theatre within Information Warfare: Using Theatre as Augmented Historiography GP 5.02 Aneta Mancewicz 10:30- Faculty of Arts, Department Public Sphere in the Baltic States 12:00 of Theatre Studies William Lewis University of Colorado What is Affective Participation? Interactivity and Augmented Historiography GP 5.02 Aneta Mancewicz 10:30- Boulder Immersion in Intermedial and Locative Narratives 12:00 Eirini Nedelkopoulou York St. John University, UK Reconsidering Liveness: From ‘Live’ Broadcasts to Concepts: Reality and Liveness GP 5.03 Andy Lavender 10:30- Network Systems 12:00 Peter Eversmann Department of Theatre Hyperreality revisited: the employment of theatrical Concepts: Reality and Liveness GP 5.03 Andy Lavender 10:30- Studies, University of means in engaging with the past. 12:00 Amsterdam Felisberto da Costa University of São Paulo - Unstable webs: temporary intertwining of bodies in Concepts: Reality and Liveness GP 5.03 Andy Lavender 10:30- USP the city. 12:00 David Rodriguez-Solas University of Massachusetts Remembering State Violence in the Spanish Political Conflicts '60s, '70s, '80s GP 5.04 Claire Cochrane 10:30- Amherst Transition to Democracy 12:00 Ozge Zeren Canakkale Onsekiz Mart Turning Points of Political Discourse in Turkish Political Conflicts '60s, '70s, '80s GP 5.04 Claire Cochrane 10:30- University, Fine Arts Faculty Theater 12:00

Margarida Adónis Torres College of Education, The Revolution on stage: theater in Portugal during Political Conflicts '60s, '70s, '80s GP 5.04 Claire Cochrane 10:30- Polytechnic Institution of the post-revolutionary period (1974-1976) 12:00 Coimbra Jelena Rothermel University of Leipzig - "Ils se contentent seulement d'ouir un grand bruit Curated Panel: A Turkish GP 5.05 Patrick Primavesi 10:30- Department of Theatre confus" - Musical Stereotypes in Le Bourgeois Ceremony for Louis XIV. Aspects of 12:00 Studies Gentilhomme Representation in Molière’s / Lully’s Le Bourgeois Gentilhomme Kathrin Stocker University of Leipzig Dances and dancing in Molière‘s/Lully’s Le Bourgeois Curated Panel: A Turkish GP 5.05 Patrick Primavesi 10:30- gentilhomme Ceremony for Louis XIV. Aspects of 12:00 Representation in Molière’s / Lully’s Le Bourgeois Gentilhomme Petra Dotlacilova Stockholm University/ Dressing Mamamouchi Curated Panel: A Turkish GP 5.05 Patrick Primavesi 10:30- Leipzig University Ceremony for Louis XIV. Aspects of 12:00 Representation in Molière’s / Lully’s Le Bourgeois Gentilhomme Viviana Iacob New Europe College Theatre Diplomacy during the Cold War: Bucharest Cultural Exchange during the Cold GP 5.06 Sofia Pantouvaki 10:30- 1964, Vienna 1965 War 12:00 Alexandra Portmann Institute for Media Culture Theatre festivals and its documentation Cultural Exchange during the Cold GP 5.06 Sofia Pantouvaki 10:30- and Theatre, University of War 12:00 Cologne (Germany) Ioana Szeman University of Roehampton The Communist Nation on the World Stage: Cultural Exchange during the Cold GP 5.06 Sofia Pantouvaki 10:30- Romanian Theatres Abroad War 12:00 Michael Bachmann University of Glasgow Ambivalent Pasts: Colonial History and the Theatrical Challenging the Museum GP 5.07 Franziska Bork Petersen 10:30- Turn in Ethnographic Curation 12:00 Joshua Williams Department of Theater, An Empire of the Lifelike Dead: Fossils, Taxidermy Challenging the Museum GP 5.07 Franziska Bork Petersen 10:30- Dance & Performance and the (Re)Staging of the State in Kenya’s National 12:00 Studies, University of Museum California-Berkeley

Alexander Chepurov Russian State Institute of the The Approach to Modeling the Theatrical Texts of the Challenging the Museum GP 5.07 Franziska Bork Petersen 10:30- Performing Arts, S:t Past: The documentary multimedia reconstruction 12:00 Petersburg Tania Neofytou Tutor (Open University of Theatrical traces of the past in the contemporary Historical Traces on Contemporary GP 5.08 Jane Barnette 10:30- Cyprus) theatre: the case of Simos Kakalas and Horos Theatre Stages 12:00 Company Laura Purcell-Gates Bath Spa University, United Staging Corpses: Disrupting Progressive Historical Historical Traces on Contemporary GP 5.08 Jane Barnette 10:30- Kingdom Narrative through Puppetry Stages 12:00 Javiera Larrain Pontificia Universidad Affiliations and reminiscences of a tradition. The Historical Traces on Contemporary GP 5.08 Jane Barnette 10:30- Católica de Chile - CONICYT melodramatic imagination in the current Chilean Stages 12:00 scene. Hye-Gyong Kwon Dongseo University Dissolving and Reorganizing the Korean Theater: Asian Rituals and Mythologies GP 5.09 Fernando Mencarelli 10:30- Goot, a Korean Traditional Shamanistic Ritual, and 12:00 Yun-Taek Lee’s Theater Aruna Bhikshu University of Hyderabad Performative intercessions beyond Religion-A Asian Rituals and Mythologies GP 5.09 Fernando Mencarelli 10:30- Glimpse into Telugu Dance Traditions 12:00 Chul-Sang Ahn Independent scholar From Ritual to Comedy: Rethinking a Comic Play of Asian Rituals and Mythologies GP 5.09 Fernando Mencarelli 10:30- Giving Birth to a Baby in a Traditional Korean Funeral 12:00 Ritual, Dashiraegi Mary Caulfield Farmingdale State College “Of what is past, or passing, or to come”: Archiving Mapping Heritage GP 5.10 Helen Gilbert 10:30- the corporeal artifacts of Irish and Irish-American 12:00 heritage performance Christopher Collins University of Nottingham “Of what is past, or passing, or to come”: Archiving Mapping Heritage GP 5.10 Helen Gilbert 10:30- the corporeal artifacts of Irish and Irish-American 12:00 heritage performance Tzu-Ching Yeh Chang Jung Christian City, Literature and Theater: Engaging the Colonial Mapping Heritage GP 5.10 Helen Gilbert 10:30- University Past in Tainan 12:00 Rebecca Free Goucher College Mapping Heritage Through Site-Specific Performance Mapping Heritage GP 5.10 Helen Gilbert 10:30- in Marseille 12:00

Ameet Parameswaran Jawaharlal Nehru University Radical Posture: Presence, Theatricality and Public in Curated Panel – Radical GP 5.11 Janelle Reinelt 10:30- the Post-Emergency Political Theatre of Kerala, Citizenship: Performance, 12:00 1970s-80s, Curated Panel, "Radical Citizenship: Censorship, Erasure Performance, Censorship, Erasure" Anuradha Kapur Ambedkar University, Delhi Performance, Cross-cultural Exchange and Erasure in Curated Panel – Radical GP 5.11 Janelle Reinelt 10:30- the Indian Theatre Histories: The Case of Fritz Citizenship: Performance, 12:00 Bennewitz Censorship, Erasure Milija Gluhovic University of Warwick The Radicality of Love: Representations, Erasures, Curated Panel – Radical GP 5.11 Janelle Reinelt 10:30- Politics Citizenship: Performance, 12:00 Censorship, Erasure Silvija Jestrovic Warwick University The Artist is (Meaningfully) Absent: Three Stories of Curated Panel – Radical GP 5.11 Janelle Reinelt 10:30- Performance, Censorship and Erasure from History Citizenship: Performance, 12:00 Censorship, Erasure Asha Kuthari Chaudhuri Gauhati University Guwahati Constructing a Theatre Anthology for a Western Curated Panel – Alternative GP 5.12 Geraldine Harris 10:30- Audience: India Theatrical Pasts 12:00 Xiaomei Chen University of California at The Making and Remaking of Anthologies of Modern Curated Panel – Alternative GP 5.12 Geraldine Harris 10:30- Davis Chinese Drama: Challenges, Issues and Approaches Theatrical Pasts 12:00 Marvin Carlson Graduate Center, City Arabic Theatre: An Alternative Theatrical Past Curated Panel – Alternative GP 5.12 Geraldine Harris 10:30- University of New York Theatrical Pasts 12:00 Giulia Filacanapa Labex Arts-H2H / Université Mask and technologies: from the Commedia dell’arte Curated Panel – Mask and GP 5.13 Lloyd Peters 10:30- Paris 8 Saint Denis to the digital avatar Technologies: From the 12:00 Commedia dell'arte to the Digital Avatar Erica Magris Université Paris 8 Saint- Mask and technologies: from the Commedia dell’arte Curated Panel – Mask and GP 5.13 Lloyd Peters 10:30- Denis THALIM-CNRS to the digital avatar Technologies: From the 12:00 Commedia dell'arte to the Digital Avatar Cedric Plessiet University Paris 8 Mask and technologies: from the Commedia dell’arte Curated Panel – Mask and GP 5.13 Lloyd Peters 10:30- to the digital avatar Technologies: From the 12:00

Commedia dell'arte to the Digital Avatar Georges Gagneré University Paris 8 Mask and technologies: from the Commedia dell’arte Curated Panel – Mask and GP 5.13 Lloyd Peters 10:30- to the digital avatar Technologies: From the 12:00 Commedia dell'arte to the Digital Avatar Tapati Gupta Retired from Dept. of Performing Narrative: Tradition & Modernity Going back in Time through GP 5.14 Yasushi Nagata 10:30- English, Calcutta University Performance 12:00 Hayato Kosuge Keio University, Tokyo Staging Past Disasters with Butoh Dance: Ohno Going back in Time through GP 5.14 Yasushi Nagata 10:30- Yoshito’s “Flower and Bird/Inside and Outside” Performance 12:00 (2015) Anna Thuring University of the Arts The Heroic Body of Asia: Reflections on Presenting Going back in Time through GP 5.14 Yasushi Nagata 10:30- Helsinki - Theatre Academy Asian Warriors on Western Stage Performance 12:00 Juan Manuel Adalpe Munoz University of California, Picking Grapes, Pulling Histories: Teatro Campesino’s Performance as Research Working GP 5.15 Jonathan Heron, Emma 10:30- Berkeley genealogies and performance practices of food Group Sponsored Panel – Meehan, Annette Arlander 12:00 security and labour Transnational Performance as Research Ben Spatz University of Huddersfield Mad Lab — or Why We Can’t Do Practice as Performance as Research Working GP 5.15 Jonathan Heron, Emma 10:30- Research Group Sponsored Panel – Meehan, Annette Arlander 12:00 Transnational Performance as Research Manola Gayatri Faculty NMKRV College, Working Title: Body Centres from Archive to Performance as Research Working GP 5.15 Jonathan Heron, Emma 10:30- Kumarswamy Bangalore Univerisity India. performance: embodied research and contemporary Group Sponsored Panel – Meehan, Annette Arlander 12:00 Awarded Postdoc fellowship Indian theatre Transnational Performance as PU,SA. Research Ewa Kara Columbia University “Revising the ‘Authentic’: Postmodern Design of Theatre Architecture Working GP 5.16 Andrew Filmer 10:30- Baroque Opera” Group and Scenography Working 12:00 Group Joint Panel – Here, Then,

Now: Genealogies of Theatre Architecture and Scenography Lucy Thornett University of the Arts, Dramaturgy as a Spatial Design Strategy Theatre Architecture Working GP 5.16 Andrew Filmer 10:30- London Group and Scenography Working 12:00 Group Joint Panel – Here, Then, Now: Genealogies of Theatre Architecture and Scenography Sidsel Graffer Norwegian Theatre Academy Norwegian Theatre Architecture Revisited. 200 years Theatre Architecture Working GP 5.16 Andrew Filmer 10:30- of Staging Spectatorship and Objectality Group and Scenography Working 12:00 Group Joint Panel – Here, Then, Now: Genealogies of Theatre Architecture and Scenography Natalie Rewa School of Drama and Music, Translation and dialogues of international Theatre Architecture Working GP 5.16 Andrew Filmer 10:30- Queen's University, architectural vocabularies-- Snøhetta architects in Group and Scenography Working 12:00 Kingston, Ontario Canada Olso, Norway and Kingston, Canada Group Joint Panel – Here, Then, Now: Genealogies of Theatre Architecture and Scenography Anke Charton Department for Theatre, Narratives of a Golden Age: On the Margins of Staging Spanish History GP 6.01 14:00- Film and Media Studies, Spanish Theatre History 15:30 University of Vienna Maria Delgado Royal Central School of Spanish matters: Calixto Bieito’s 'Carmen' and 'La Staging Spanish History GP 6.01 14:00- Speech and Drama, forza del destino' 15:30 University of London Junko Okamoto Osaka University The Spanish History of the 20th Century Seen Staging Spanish History GP 6.01 14:00- Through the Censorial Archives – In the Case of 2 15:30 Major Spanish Playwrights under the Dictatorship Dagmara Krzyzaniak Adam Mickiewicz University The Battle of the Somme trauma and its theatrical Re-working Trauma through GP 6.02 Patrick Duggan 14:00- in Poznan Faculty of English articulation in Frank McGuinness‘ 'Observe the Sons Performance 15:30 Deaprtment of Studies in of Ulster Marching Towards the Somme'

R. Darren Gobert York University David Greig's THE EVENTS: Theatre, Healing, and the Re-working Trauma through GP 6.02 Patrick Duggan 14:00- History of Ideas Performance 15:30 Pentti Paavolainen University of Helsinki; Theatre of Cultural Trauma and Healing. Case: Re-working Trauma through GP 6.02 Patrick Duggan 14:00- independent scholar Finland Performance 15:30 Anneli Saro University of Tartu Theatrical Event as a Representation of Theatre Writing Theatre History GP 6.03 Alexander Schwan 14:00- History 15:30 Milena Grass Escuela de Teatro, P. Theatre anthology versus theatre history: the Chilean Writing Theatre History GP 6.03 Alexander Schwan 14:00- Universidad Católica de case 15:30 Chile Tania Brandao Universidade Federal do History of Modern Theatre: A Study on the Brazilian Writing Theatre History GP 6.03 Alexander Schwan 14:00- Estado do Rio de Janeiro Experience in Theatrical Performance and Theatre 15:30 UNIRIO History Joanna Weckman Postdoctoral Researcher, Touching the Past – Costumes as Mediators of the Costume History GP 6.04 Willmar Sauter 14:00- Aalto University of Arts, Finnish Film & Theatre History 15:30 Design and Architecture Fausto Viana Escola de Artes, Ciencias e Archives and performance rights: stimulus for forgery Costume History GP 6.04 Willmar Sauter 14:00- Humanidades – and misconceptions 15:30 Universidade de Sao Paulo Maarit Uusitalo Aalto University, School of Gustaf III theatre costumes Costume History GP 6.04 Willmar Sauter 14:00- Arts, Design and Architecture 15:30 Michelle Liu Carriger University of California, Los Past the Theatrical Present: Engaging the Living Conceptualizing Theatre and GP 6.06 Jim Davis 14:00- Angeles Histories that Never Happened Spectacle 15:30 Riku Roihankorpi The School of The Eco-Cruelty of the Great Famine of 1695-97: Conceptualizing Theatre and GP 6.06 Jim Davis 14:00- Communication, Media and Artaud and His Anarchic Ethics at the Crux of the Little Spectacle 15:30 Theatre The University of Ice Age Tampere Teemu Paavolainen University of Tampere Ingold's Binaries: Theatrical and Performative Conceptualizing Theatre and GP 6.06 Jim Davis 14:00- Perspectives on Historical Materiality Spectacle 15:30

Marie-Louise Crawley C-DaRE (Centre for Dance Performance as Archive: towards a ‘new’ Re-Enactment and the Dance GP 6.07 Annalisa Piccirillo 14:00- Research), Coventry methodology in the Dancing Museum? Archive 15:30 University, UK Alison Curtis-Jones Trinity Laban Conservatoire From Archive to Production: contemporising the past Re-Enactment and the Dance GP 6.07 Annalisa Piccirillo 14:00- of Music and Dance envisioning the future. Translating and staging Rudolf Archive 15:30 Laban's Dance Theatre works (1913-1928) for today's audiences. Fernando Oliveira University of Coimbra Reenactment as ecodirecting: Vera Mantero’s "Eating Re-Enactment and the Dance GP 6.07 Annalisa Piccirillo 14:00- your heart out in the trees" and other pieces Archive 15:30 Julia Boll University of Konstanz Not Talking about Blackfacing Racial Stereotyping and its GP 6.08 Ken Nielsen 14:00- Subversion 15:30 Leslie Gray University of Maryland The Resistant Blackground: Performing Subversion in Racial Stereotyping and its GP 6.08 Ken Nielsen 14:00- College Park the Public Sphere Subversion 15:30 Raz Weiner Royal Holloway University of Ample Wildness: Ethnic Drag and Racial Fantasies in Racial Stereotyping and its GP 6.08 Ken Nielsen 14:00- London. PhD candidate the Kibbutz Movement Subversion 15:30 Christine Junqueira Leite de UNIRIO, Federal University The Relationship between Theatre and Cinema in Popular Theatre and Film GP 6.09 Millie Taylor 14:00- Medeiros of the State of Rio de Janeiro Portugal in the 1930s 15:30 / FAPERJ, Foundation for Research Support of the State of Rio de Janeiro Matthew Buckley Rutgers University - New Modern Historiography and Mythic History: Popular Theatre and Film GP 6.09 Millie Taylor 14:00- Brunswick Melodrama and/in Modernity 15:30 Peter Davis University of Illinois at Asking Large Questions in Small Spaces: Popular Theatre and Film GP 6.09 Millie Taylor 14:00- Urbana-Champaign Contextualized Theatre History as Microhistory 15:30 Mara Kaeser LMU Munich Diversification of theatre forms in contemporary Curated Panel – Institutional GP 6.10 Peter M Boenisch 14:00- theatre using the example of the Munich Aesthetics: Path Dependencies in 15:30 Kammerspiele German Theatre

Sebastian Stauss Theaterwissenschaft Effects of the reunification on the opera houses in Curated Panel – Institutional GP 6.10 Peter M Boenisch 14:00- München East Germany Aesthetics: Path Dependencies in 15:30 German Theatre Bianca Michaels Ludwig Maximilian Highly Improbable and Far-Reaching: Path Curated Panel – Institutional GP 6.10 Peter M Boenisch 14:00- University Munich Dependencies and Critical Junctures in the Aesthetics: Path Dependencies in 15:30 Institutional Development of German Theatre German Theatre between 1918 and 1949 Christopher Balme Institut für Institutional Aesthetics: Path Dependencies in Curated Panel – Institutional GP 6.10 Peter M Boenisch 14:00- Theaterwissenschaft LMU German Theatre Aesthetics: Path Dependencies in 15:30 Munich German Theatre Bishnupriya Dutt School of Arts and Popular Visual Culture Archives and Writing ‘Theatre’ Curated Panel – Discoveries as an GP 6.11 Kate Newey 14:00- Aesthetics, Jawaharlal Nehru Histories in post-colonial India Element of the Historiographic 15:30 university, India Process Peter Marx University of Cologne The Magic Box or the Poetics of Discovery in the Curated Panel – Discoveries as an GP 6.11 Kate Newey 14:00- Archive Element of the Historiographic 15:30 Process Tracy C Davis Northwestern University Digital Bounties and Categorical Aberrance in Curated Panel – Discoveries as an GP 6.11 Kate Newey 14:00- Evanston, USA Performance Research: Inside and Outside the Element of the Historiographic 15:30 Cornucopia Process Odai Johnson University of Washington Remains, Shattered artifacts on the edge of Empire Curated Panel – Discoveries as an GP 6.11 Kate Newey 14:00- Element of the Historiographic 15:30 Process Jocelyn Chng LASALLE College of the Arts Going Back in Time- (Re)searching the History of Urban Communities and Cultural GP 6.12 Kumara Swamy Gadda 14:00- Theatre for Young Audiences in Singapore History 15:30 Caleb Lee LASALLE College of the Arts Going Back in Time- (Re)searching the History of Urban Communities and Cultural GP 6.12 Kumara Swamy Gadda 14:00- Theatre for Young Audiences in Singapore History 15:30 Claire Borody University of Winnipeg The Lower Depths: Then and Now Urban Communities and Cultural GP 6.12 Kumara Swamy Gadda 14:00- History 15:30

Nicholas Wood Royal Central School of Blue Tired Heroes - Abutting, Rejecting, and Urban Communities and Cultural GP 6.12 Kumara Swamy Gadda 14:00- Speech and Drama Rebuilding the Past History 15:30 Johanna Timonen University of Amsterdam Appearing Archives: Curating the gaps in Curated Panel – Genealogies of GP 6.13 Vicki Ann Cremona 14:00- transnational performing arts history in The institutional policies and their 15:30 Netherlands, Dutch Caribbean and Suriname disjunctures with trans/national performance practices Gargi Bharadwaj Deptt. of Theatre Arts, SN Re-searching the Archive: Towards Cultural Policy Curated Panel – Genealogies of GP 6.13 Vicki Ann Cremona 14:00- School of Arts & Discourse and its Selected its (In) Visibilities institutional policies and their 15:30 Communication, Hyderabad, disjunctures with trans/national Central University, performance practices Telangana, India Lonneke van Heugten Amsterdam School for Curating the archive, re-staging events in a European Curated Panel – Genealogies of GP 6.13 Vicki Ann Cremona 14:00- Cultural Analysis, University public sphere: the cancellation of Golgota Picnic in institutional policies and their 15:30 of Amsterdam Poznan disjunctures with trans/national performance practices MeLê Yamomo University of Amsterdam Sound Urbanization Policies? City modernization Curated Panel – Genealogies of GP 6.13 Vicki Ann Cremona 14:00- policies and the importation of migrant Manila institutional policies and their 15:30 musicians in 19th-century colonial Southeast Asia disjunctures with trans/national performance practices Anna Winget University of California, “As if awakening”: for an increasingly global Performativity and Spirituality GP 6.14 Joshua Edelman and Kim 14:00- Irvine consciousness in Strindberg’s Dream Play Skjoldager-Nielsen 15:30 Fernando Mencarelli Universidade Federal de Practices of the “performer” and indigenous Performativity and Spirituality GP 6.14 Joshua Edelman and Kim 14:00- Minas Gerais/UFMG/Brazil knowledge: shamanism, active culture and Skjoldager-Nielsen 15:30 performing actions Matteo Bonfitto State University of Campinas Dissolving Past and Present: the importance of Performativity and Spirituality GP 6.14 Joshua Edelman and Kim 14:00- - Brazil (www.unicamp.br) spirituality in Eastern/Asian Theatres Skjoldager-Nielsen 15:30 Eiman Tunsi King Abdul Aziz University Discourse in Rahbani Historical Musicals Arabic Theatre Working Group GP 6.05 Marvin Carlson 14:00- Sponsored Panel – 15:30

HISTORICISING ARAB PERFORMANCE REALITIES Hazem Azmy Ain Shams University, Egypt The Just Despot Revisited: Historicising the Crisis of Arabic Theatre Working Group GP 6.05 Marvin Carlson 14:00- Democratic Governance in the Post-30 June Egyptian Sponsored Panel – 15:30 Stage HISTORICISING ARAB PERFORMANCE REALITIES Margaret Litvin Boston University and Taking Refuge? Arabic Theatre in Scandinavia Arabic Theatre Working Group GP 6.05 Marvin Carlson 14:00- Swedish Collegium for Sponsored Panel – 15:30 Advanced Study HISTORICISING ARAB PERFORMANCE REALITIES Hannah Neumann University of Cologne International Art Projects in Afghanistan: Where Does Political Crises GP 7.01 Mercè Saumell 16:00- the Responsibility Towards The Artists end? 17:30 Maria Mytilinaki Kennedy The Graduate Center CUNY Crisis and Memory on the Bilingual Stage: Testimony Political Crises GP 7.01 Mercè Saumell 16:00- Theatre in Translation 17:30 Jirayudh Sinthuphan Chulalongkorn University A Glimpse of Hope over the Chaophraya River: Political Crises GP 7.01 Mercè Saumell 16:00- History, Memory and Political Dialogue in 17:30 Performance Practice Lynne Kent La Trobe University Moving Screens: gateways between the material and Intermediality in Theatre and GP 7.02 Aneta Mancewicz 16:00- Melbourne Australia immaterial Performance Working Group 17:30 Sponsored Panel – Shadow, screen, and gesture: Media archaeologies Andrew Starner Brown University The Versailles Broadcasting Corporation: Bi- Intermediality in Theatre and GP 7.02 Aneta Mancewicz 16:00- directional Communication in Theatre, Television, Performance Working Group 17:30 and Tennis Sponsored Panel – Shadow, screen, and gesture: Media archaeologies Andy Lavender University of Surrey Seizing the moment: the cultural disposition of early- Intermediality in Theatre and GP 7.02 Aneta Mancewicz 16:00- phase motion capture Performance Working Group 17:30

Sponsored Panel – Shadow, screen, and gesture: Media archaeologies Brian Singleton Trinity College Dublin Re-Performing Retrospectives and Witnessing Future Ephemeral Evidence GP 7.03 Bertie Ferdman 16:00- History: ANU Productions and the Monto Cycle 17:30 Katherine Johnson Sheffield Hallam University, Performance of/as history: live, living and online Ephemeral Evidence GP 7.03 Bertie Ferdman 16:00- U.K. and The University of 17:30 Sydney, Australia Priyanka Basu Department of South Asia in Itinerant Traditions: Reading Fairs and Festivals as Ephemeral Evidence GP 7.03 Bertie Ferdman 16:00- SOAS New Sites for Constructing Performance Histories 17:30 Aneta Stojnic FMK, Faculty of Media and Liminal Bodies and Radical Subjectivities Choreography and Corporeality GP 7.04 Aoife McGrath 16:00- Communications, Working Group Sponsored Panel 17:30 Singidunum University, Belgrade Arushi Singh UCLA Department of World Locating precarity in the creative practice of Choreography and Corporeality GP 7.04 Aoife McGrath 16:00- Arts and Cultures/Dance contemporary dance Working Group Sponsored Panel 17:30 Gustavo Vicente University of Lisbon, School Expanded practices from the experience of “crisis” in Choreography and Corporeality GP 7.04 Aoife McGrath 16:00- of Arts and Humanities Portugal: recent projects from João Fiadeiro & Working Group Sponsored Panel 17:30 Fernanda Eugénio and Vera Mantero Avra Sidiripoulou Open University of Cyprus ‘Adaptaphobia’ and the Current Stage; Or Should we Adaptation and Dramaturgy GP 7.05 Kamaluddin Nilu 16:00- ‘Resurrect’ the Past and Why? 17:30 Jan Balbierz Instytut Filologii Cultural Traditions and Theatrical Genealogies in Adaptation and Dramaturgy GP 7.05 Kamaluddin Nilu 16:00- Germanskiej, Uniwersytet Ingmar Bergman´s Operas 17:30 Jagiellonski Anthoullis Demosthenous University of Athens "Saint Tennesse Williams" on Stage Adaptation and Dramaturgy GP 7.05 Kamaluddin Nilu 16:00- 17:30 Shorelle Cole Professional playwright Veiling the Women: Appropriation of Baroque Re-appropriating History and GP 7.06 Kene Igweonu 16:00- performance platforms as a plot device in writing the Theatre History 17:30 stage adaptation of Vivaldi's Mistresses

Ruta Mazeikiene Vytautas Magnus University The new is well forgotten old: the legacy of theatrical Re-appropriating History and GP 7.06 Kene Igweonu 16:00- past in contemporary Lithuanian theatre Theatre History 17:30 Jeff Kaplan University of Maryland, Dramaturging the Past: Dorothy Sands and Styles in Re-appropriating History and GP 7.06 Kene Igweonu 16:00- College Park Acting (1932) Theatre History 17:30 Joana Soares Vieira Centre for Theatre Studies Does history forgive divas?: the case of Amelia Rey Women in Power on and off Stage GP 7.07 Elaine Aston 16:00- (CET), University of Lisbon Colaço 17:30 Ngozi Udengwu University of Nigeria, The First Actress Party: Adunni Oluwole and the First Women in Power on and off Stage GP 7.07 Elaine Aston 16:00- Nsukka. Guerrilla Theatre in Nigeria 17:30 Dorothy Chansky Texas Tech University Critic and Criticism as Discursive Artefacts: Wilella Women in Power on and off Stage GP 7.07 Elaine Aston 16:00- Waldorf in Situ 17:30 Helena Bastos Universidade de São Paulo Unwilling body. Testimony of a movement between Memory, Media and the Body GP 7.08 Michael Bachmann 16:00- (USP), Brazil forgetfulness 17:30 Tony Gardner University of Leeds Time and Memory in Museum Performance and Re- Memory, Media and the Body GP 7.08 Michael Bachmann 16:00- enactments 17:30 Ildikó Ungvári Zrínyi University of Arts Tg-Mures, Technical media, narratives and realities in theatre Memory, Media and the Body GP 7.08 Michael Bachmann 16:00- Romania, Theatre history 17:30 Department Nesreen Hussein Middlesex University My City, My Revolution and the Theatrical Re-telling The Theatrical Power of the GP 7.09 Janne Risum 16:00- of Experience People 17:30 Venkata Naresh Burla Central University of Political Mobilization and Folk Performances: A The Theatrical Power of the GP 7.09 Janne Risum 16:00- Jharkhand Theatrical Study on the Performances Organized by People 17:30 the Indian People Theatre Association During the Centenary Celebrations of Comrade P.S. in Andhra Pradesh Casmir Onyemuchara University of Ibadan A Critique of the Origin of Theatre in Nigeria: The The Theatrical Power of the GP 7.09 Janne Risum 16:00- Okumkpo Masquerade Performance Aesthetics in People 17:30 Focus Holly Maples Brunel University London The Commemorative Body: Body as Site of Collective Re-Enacting of History GP 7.10 Fernando Oliveira 16:00- Memory and National’ Resistance 17:30

Kurt Taroff Queen's University Belfast Loyal to a Fault: Performing History and Playing Re-Enacting of History GP 7.10 Fernando Oliveira 16:00- Politics in the Ulster Volunteer Force Centenary 17:30 Commemoration Parades Natalia Duong University of California, (Re)dressing Vietnam: War Reenactment and Re-Enacting of History GP 7.10 Fernando Oliveira 16:00- Berkeley Transnational Repair in the work of Dinh Q. Le 17:30 Laura Grondahl University of Helsinki Amateur traditions as part of the development of the Curated Panel – Historiography in GP 7.11 Daria Kubiak 16:00- Finnish theatre system Development of Theatre Systems 17:30 Kim Skjoldager-Nielsen Stockholm University Historiography of Development: The Danish Theatre Curated Panel – Historiography in GP 7.11 Daria Kubiak 16:00- System Development of Theatre Systems 17:30 Karolina Prykowska Michalak University of Lodz Tradition as factors of organization systems theaters Curated Panel – Historiography in GP 7.11 Daria Kubiak 16:00- in Europé Development of Theatre Systems 17:30 Małgorzata Leyko University of Lodz The distribution of history in Polish theatre in respect Curated Panel – Historiography in GP 7.11 Daria Kubiak 16:00- to the political transformation of 1989 Development of Theatre Systems 17:30 Alette Scavenius The Royal Library, Denmark Historiography of Development: The Danish Theatre Curated Panel – Historiography in GP 7.11 Daria Kubiak 16:00- System Development of Theatre Systems 17:30