Name Affiliation Title Panel Day Time Maria Sehopoulou National and Kapodistrian Transnational Diversities and National Singularities: the Case of Nordic Abroad 14 11:00- University of Athens August Strindberg and his Reception in Greece 12:30 Svein Henrik Nyhus Centre for Ibsen Studies, Ibsen in America - a centralized narrative? Nordic Drama Abroad 14 11:00- University of Oslo 12:30 Kamaluddin Nilu University of Oslo No Local is Anymore Local: A Transcultural Adaptation of Ibsen’s Nordic Drama Abroad 14 11:00- Peer Gynt 12:30 José Camões Centre for Studies ReCET the past: Tools for a modern theatre archaeology Digital Archives 14 11:00- 12:30 John Andreasen Dramaturgy, University, Eternal Presence – How to create a Community Archive? Digital Archives 14 11:00- Denmark 12:30 Bernadette Cochrane University of Queensland Remaindering the Remains: the digital, the live, and the archive Digital Archives 14 11:00- 12:30 Kotla Hanumantha rao Potti Sriramulu Telugu University Surabhi – The Pioneer in Echoes of Indian Pasts in the Theatre 14 11:00- 12:30 Ramakrishnan Muthiah Central University of Jharkhand Resisting the Stratified World: Understanding the Role of Folk Echoes of Indian Pasts in the Theatre 14 11:00- Theatre for the Marginalized Communities in India 12:30 Tithi Chakraborty Budge Budge Institute of Echoes of Social, Political and Economic Crises in the Theatre of Echoes of Indian Pasts in the Theatre 14 11:00- Technology Bengal, India 12:30 Sofie Taubert Institute of Media Culture and Shipwreck and enchanted lands - Wonder, Sound and Sources and Techniques of Operatic 14 11:00- Theatre, University of Cologne Machinery in Shakespeare’s 'The Tempest' Performativity 12:30 Aldo Roma Sapienza University of Rome Digital Archives and Textual Attribution: Story and Reflections Sources and Techniques of Operatic 14 11:00- About a Migration from to Vocal Music in the Late Performativity 12:30 Seventeenth Century Susana Egea Ruiz Escola Superior de Música de on opera through history: sources and treatises to create Sources and Techniques of Operatic 14 11:00- Catalunya - Institut del Teatre de the performativity of operatic genre, from XVI century to Performativity 12:30 Barcelona nowadays. Ankush Gupta Jawaharlal Nehru University, New Queering the Voice of the Nation- The Case of Lata Mangeshkar De-constructing Gender 14 11:00- Delhi 12:30 Aishika Chakraborty School of Women's Studies, Politics versus : The Politics of Performance in De-constructing Gender 14 11:00- Jadavpur University Kolkata Tagore Dance/drama 12:30 Kirstin Smith Queen Mary, University of Historicising Casting: Methodological Challenges De-constructing Gender 14 11:00- London 12:30 Chieko Hiranoi Hosei University History of a Ji-shibai – A History of Citizen Participation in Arts Countering the Canon 14 11:00- and its Contributions to Local Society 12:30 Martynas Petrikas Vilnius University Selective Memory and Counter-Canonical History Countering the Canon 14 11:00- 12:30 Tony McCaffrey University of Canterbury How can theatre involving actors with intellectual disabilities Countering the Canon 14 11:00- Christchurch Polytechnic Institute have a history? 12:30 of Technology Different Light Theatre Fabiola Camuti "Sapienza" University of Rome; Back to the Ritual Towards a Theatrical Spirituality Theatre and Humanist Utopia 14 11:00- UvA, University of Amsterdam 12:30 Martha de Mello Fluminense Federal University Battlefield or the dance-conversation around the fire: Peter Theatre and Humanist Utopia 14 11:00- Ribeiro (UFF) Brook’s “theatre of less” 12:30 Annelis Kuhlmann Dramaturgy Studies, Aarhus In (re)search of Performance as Research. Examples from Theatre and Humanist Utopia 14 11:00- University research on actors' work from Odin Teatret, Denmark 12:30 Nicole Haitzinger Fachbereich Kunst-, Musik- und Nyota Inyoka: ‘Forgotten’ modern Parisian Choreographer? Performing Dance History 14 11:00- Tanzwissenschaft Paris-Lodron 12:30 Universität Timmy De Laet University of The An-Archive of Contemporary Dance: Choreographic Re- Performing Dance History 14 11:00- enactment, or How to (Re-)Construe a Recalcitrant Past with 12:30 Unstable Means? Sandra Chatterjee Fachbereich Kunst-, Musik- und Nyota Inyoka: ‘Forgotten’ modern Parisian Choreographer? Performing Dance History 14 11:00- Tanzwissenschaft Paris-Lodron 12:30 Universität Salzburg Katherine Mezur Keio University Art Center Cracking History's Codes in Crocodile Time: The Sweat and Glitter Performing Dance History 14 11:00- of Migrating Women Butoh Artists, Ashikawa Yoko and Furukawa 12:30 Anzu accompanied by SU-EN Marie-Louise Crawley C-DaRE (Centre for Dance Performance as Archive: towards a ‘new’ methodology in the Re-Enactment and the Dance Archive 14 11:00- Research), Coventry University, UK Dancing Museum? 12:30 Alison Curtis-Jones Trinity Laban Conservatoire of From Archive to Production: contemporising the past envisioning Re-Enactment and the Dance Archive 14 11:00- Music and Dance the future. Translating and staging Rudolf Laban's Dance Theatre 12:30 works (1913-1928) for today's audiences. Fernando Oliveira University of Coimbra Reenactment as ecodirecting: Vera Mantero’s "Eating your heart Re-Enactment and the Dance Archive 14 11:00- out in the trees" and other pieces 12:30 William Grange Universty of Nebraska Lincoln, NE "How the Shuberts saved the American theatre–twice." Theatre Business in the US 14 11:00- USA 12:30 Toby Zinman University of the Arts Musical Theatre Business in the US 14 11:00- 12:30 Andres Grumann Escuela de Teatro, P. Universidad From T.E.P.A. to MassTheatre at Estadio Nacional. Isidora People, Politics, Performance 14 11:00- Católica de Chile Aguirre’s dramaturgical and staging strategies. 12:30 Loren Kruger University of Chicago The Tragedy of the Commoner and the Suspended Revolution People, Politics, Performance 14 11:00- 12:30 Silvia Bier Forschungsinstitut für Analysing the ‚spectacle total‘ – an approach to historical Curated Panel – Performance - Space - 14 11:00- Musiktheater der Universität performance research in early French opera Notion: Writing the Music-Theatrical 12:30 Bayreuth (FIMT) Past Wolf-Dieter Ernst University of Bayreuth The Rutz-Sievers system of voice training in late 19th century Curated Panel – Performance - Space - 14 11:00- Notion: Writing the Music-Theatrical 12:30 Past Lena van der Hoven University of Bayreuth Tracing the music-theatrical past - an approach to historical Curated Panel – Performance - Space - 14 11:00- performance research in 18th century Prussia Notion: Writing the Music-Theatrical 12:30 Past Maren Butte Institute for Research on Music- Archiving the Event. (Non-)Documentation and Aesthetic Curated Panel – Performance - Space - 14 11:00- Theatre University of Bayreuth Experience in the Work of Tino Sehgal and Ari Benjamin Meyers Notion: Writing the Music-Theatrical 12:30 Past Sami Henrik Haapala Theatre Academy of the University Genealogies of Artist-Researchers: Past Practices and Imagined Curated Panel – Genealogies of Artist- 14 11:00- of the Arts Helsinki, Finland Futures for Artistic Research in the Performing Arts Researchers: Past Practices and 12:30 Imagined Futures for Artistic Research in the Performing Arts Simo Kellokumpu Theatre Academy of the University Genealogies of Artist-Researchers: Past Practices and Imagined Curated Panel – Genealogies of Artist- 14 11:00- of the Arts Helsinki, Finland Futures for Artistic Research in the Performing Arts Researchers: Past Practices and 12:30 Imagined Futures for Artistic Research in the Performing Arts Vincent Roumagnac Theatre Academy of the University Genealogies of Artist-Researchers: Past Practices and Imagined Curated Panel – Genealogies of Artist- 14 11:00- of the Arts Helsinki, Finland Futures for Artistic Research in the Performing Arts Researchers: Past Practices and 12:30 Imagined Futures for Artistic Research in the Performing Arts Otso Kautto Theatre Academy of the University Genealogies of Artist-Researchers: Past Practices and Imagined Curated Panel – Genealogies of Artist- 14 11:00- of the Arts Helsinki, Finland Futures for Artistic Research in the Performing Arts Researchers: Past Practices and 12:30 Imagined Futures for Artistic Research in the Performing Arts Hanna Järvinen Theatre Academy of the University Genealogies of Artist-Researchers: Past Practices and Imagined Curated Panel – Genealogies of Artist- 14 11:00- of the Arts Helsinki, Finland Futures for Artistic Research in the Performing Arts Researchers: Past Practices and 12:30 Imagined Futures for Artistic Research in the Performing Arts Anu Koskinen Theatre Academy of the University Genealogies of Artist-Researchers: Past Practices and Imagined Curated Panel – Genealogies of Artist- 14 11:00- of the Arts Helsinki, Finland Futures for Artistic Research in the Performing Arts Researchers: Past Practices and 12:30 Imagined Futures for Artistic Research in the Performing Arts Susanne Foellmer Coventry University “Trust Me”? Epistemological Questions About Witnessing in Curated Panel – Traces, Commodities, 14 11:00- Repeating Dance Materialities of History 12:30 Cornelia Schmitz Freie Universitaet Berlin 'Doing of History' of Performance Analysis. Audiovisual Curated Panel – Traces, Commodities, 14 11:00- Recordings as Traces of the Past Materialities of History 12:30 Katharina Schmidt Freie Universitaet Berlin Tracing Quotation: Hypothetical Connections of Trace and Quote Curated Panel – Traces, Commodities, 14 11:00- in Dance Materialities of History 12:30 Jan Clarke Durham University, UK Dangerous Images Curated Panel – The Discursive 14 11:00- Function of Visual Evidence in Theatre 12:30 Jim Davis University of Warwick Defining audiences through visual satire Curated Panel – The Discursive 14 11:00- Function of Visual Evidence in Theatre 12:30 Patricia Smyth University of Warwick Researching Nineteenth-Century Theatrical Spectacle Curated Panel – The Discursive 14 11:00- Function of Visual Evidence in Theatre 12:30 Sreenath Nair University of Lincoln Taste: The Aesthetics of Invisible Performance and Consciousness 14 11:00- Working Group Sponsored Panel – 12:30 Theatre, Consciousness & Asian Performance Daniel Meyer-Dinkgrafe University of Lincoln Silence in Performnance Performance and Consciousness 14 11:00- Working Group Sponsored Panel – 12:30 Theatre, Consciousness & Asian Performance Arya Madhavan University of Lincoln Corporeality of taste: Kudiyattam, and the facial expression of Performance and Consciousness 14 11:00- taste Working Group Sponsored Panel – 12:30 Theatre, Consciousness & Asian Performance Kumara Swamy Gadda Telangana Samskruthika Mythical Narratives clad in Ritual Performance, Configuring Performance and Religion Working 14 11:00- Sarathi(TSS), Government of community identity: A study of Mallanna Katha(Stories) of Group and Asian Theatre Working 12:30 Telangana, India Komuravelli in Telangana, India Group Joint Panel – Presenting the Religious Past of South Asia Arnab Banerji Loyola Marymount University Being Playfully Hindu Performance and Religion Working 14 11:00- Group and Asian Theatre Working 12:30 Group Joint Panel – Presenting the Religious Past of South Asia David Mason Rhodes College Other Identity in the Utah Ram Lila Performance and Religion Working 14 11:00- Group and Asian Theatre Working 12:30 Group Joint Panel – Presenting the Religious Past of South Asia Mariko Tanaka Aoyama Gakuin University Forgetfulness of the Past as Revealed in 'Waiting for Godot' and Samuel Beckett Working Group 14 11:00- 'Godot Has Come' Sponsored Panel – Beckett in the Age 12:30 of Post-History, Post-Modern and Post- Colonial Andrew Lennon University of Birmingham Mokhallad Rasem’s Waiting: A Study in the Politics of performing Samuel Beckett Working Group 14 11:00- (Im)mobility and Stasis Sponsored Panel – Beckett in the Age 12:30 of Post-History, Post-Modern and Post- Colonial

Name Affiliation Title Panel Day Time Hanna Voss Institute for theatre studies, Institutionalization as a link between the present and the past Migration and Ethnicity in German 14 16:00- Johannes Gutenberg-Universität Theatre 17:30 Mainz (Germany) Katrin Sieg Georgetown University Refugees in German Theater Migration and Ethnicity in German 14 16:00- Theatre 17:30 Stephen Wilmer Trinity College Dublin Greek Tragedy as a Pretext to Address the European Immigration Migration and Ethnicity in German 14 16:00- Crisis Theatre 17:30 Ken Nielsen New Abu Dhabi Reconstructing BENT Identities: Performance, Gay History, and Queer Concepts 14 16:00- the Present Past 17:30 Paul Bonin-Rodriguez The University of Texas at Austin Queer Performance Futures and a Theory of Exhaustion Queer Concepts 14 16:00- 17:30 Zoltan Imre Reader Department of Presenting the Theatrical Past – Péter Halász and his Group’s Independent/Fringe in Political 14 16:00- Comparative Literature and Struggle with Socialist Ideology and Censorship Regimes 17:30 Culture Eötvös University, Budapest Hungary Radka Kunderova Janáček Academy of Music and Tracing Ideology How to Make Theatre Reviews Speak to Us Independent/Fringe in Political 14 16:00- Performing Arts, Brno, Czech Regimes 17:30 Republic Merce Saumell Institut del Teatre Barcelona The Independent Theatre in Spain (1962-1980) Project Independent/Fringe in Political 14 16:00- Regimes 17:30 Berenika Szymanski- LMU Munich „to speak Shakespeare in German is almost to speak it in Transnational Theatre History 14 16:00- Duell English...“– Touring Theatre and the Difference of Language 17:30 Katalin Ágnes Bartha University of Debrecen, Hungary Lilla von Bulyovsky and the Hungarian Theatrical Discourse Transnational Theatre History 14 16:00- 17:30 Magnus Thorbergsson University of Iceland Icelandic-Canadian Amateur Theatre: Reflections on Narrative Transnational Theatre History 14 16:00- and Erasure 17:30 Christine Matzke University of Bayreuth Looking for 'Eritrea's Past Property' (1947): archives and Memories, Archives, Oralities 14 16:00- memories in Eritrean theatre historiography 17:30 Marcia Martinez Universidad de Valparaíso Latin America, rebellious and holy: the problem of political Memories, Archives, Oralities 14 16:00- Carvajal theater 17:30 Eunice Azevedo Centre for Theatre Studies, Reconstructing : the portuguese censorhip archives Memories, Archives, Oralities 14 16:00- University of Lisbon 17:30 Keld Hyldig University of Bergen, NorwAY Theatre as philosophy: Romeo Castellucci’s staging of Oedipus Tradition/Translation/Transition 14 16:00- the Tyrant 17:30 Anita Piemonti University of Pisa Emma Dante’s Io, Nessuno e Polifemo at the Teatro Olimpico in Tradition/Translation/Transition 14 16:00- Vicenza 2014 17:30 Bruno Duarte FCSH – UNL (Lisbon, Portugal) Text, Image, Translation: Straub-Huillet-Hölderlin Tradition/Translation/Transition 14 16:00- 17:30 Harue Tsutsumi The first collaboration of Kabuki and Western theatre: The Japanese Dialogues between Past and 14 16:00- Wanderers’ Strange Story: Western Kabuki (Hyōryū Kitan Seiyō Kabuki Present 17:30 1890) Keiko Furuki Professor, Kyoto Gakuen Narrative, Memory, and the Acts of “Reading” as Theatrical Japanese Dialogues between Past and 14 16:00- University, Kyoto, Japan Devices in Chiori Miyagawa’s Thousand Years Waiting Present 17:30 Carol Fisher Sorgenfrei University of California, Los “An Endless River of Blood:” Theatricalizing Lady Rokujō from Nō Japanese Dialogues between Past and 14 16:00- Angeles to the Present Present 17:30 Henry Bial University of Kansas That time Swedish actors wore blackface to act out the Bible Black/Red/Yellow Facing in Theatre 14 16:00- 17:30 Esther Lee University of Maryland Historiography of Racial Theatricality: A Study of Yellowface Black/Red/Yellow Facing in Theatre 14 16:00- in the Nineteenth Century 17:30 Daniel Ruppel Brown University This is "a redface show": anti-reenactment and the failures of Black/Red/Yellow Facing in Theatre 14 16:00- documentation in Optative Theatrical Laboratories' "Sinking 17:30 Neptune" José Antonio Rodríguez Escuela Técnica Superior de Le Corbusier’s fourth wall. A case study on discipline Architecture and Space 14 16:00- Casas Arquitectura de Madrid UPM transversality. 17:30 Slobodan Dan Paich Artship Foundation Tectonic Presence and Absence: Adopting, Imagining and Architecture and Space 14 16:00- Merging Performance and Built Environment 17:30 Catriona Fallow Queen Mary University of London Reconsidering a Reconstruction: Shakespeare’s Globe as a Space Architecture and Space 14 16:00- for New Work 17:30 Dorothea Volz Gutenberg University Mainz From Dreamland to “Dismaland”: Commodified expectations and Activist Performances 14 16:00- performative appropriations in theme parks 17:30 Sarah Ralfs Freie Universität Berlin Searching for one’s place in (art)history – Christoph Activist Performances 14 16:00- Schlingensief and the Avantgarde Movements 17:30 James Harding University of Maryland Disrupting Paranoia’s Archive: The Future of Performance in the Activist Performances 14 16:00- Surveillance Society. 17:30 Frederik Le Roy University Con-temporaneities. The Entangled Now of Performance Oral History and the Present-Ness of 14 16:00- Past 17:30 Marina Ni Dhubhain National University of Ireland, Glimpses of Infinity and Indoor Plumbing: Oral History in the Oral History and the Present-Ness of 14 16:00- Galway Performative Space Past 17:30 Heike Roms Department of Theatre, Film and Mind the Gaps: Evidencing Performance and Performing Oral History and the Present-Ness of 14 16:00- Television Studies, Aberystwyth Evidence in Oral Histories of Performance Art Past 17:30 University Pia Strickler Institute for the Performing Arts My Body – My Tradition? Movement at the Drama School Discourses of Acting and Training 14 16:00- and Film, Zurich 17:30 Leonardo Alves Inacio Universidade Estadual de Maringa The Expressionless Mask and the Pedagogy of Neutrality Discourses of Acting and Training 14 16:00- 17:30 Boris Daussa-Pastor Institut del teatre de Barcelona, A Quest for Universals in Acting: From Commonalities across Discourses of Acting and Training 14 16:00- Spain Cultures to the Laws of Physics 17:30 Margaret Araneo Brooklyn College, CUNY Collapsing the Divide: Experimentum Linguae and the Language Curated Panel – Historiography and 14 16:00- of Theatre History and Practice Relationality: Rethinking Historical 17:30 Narratives through New Lenses of Exchange Cecilia Pang University of California at Boulder 100 Years to Educate a People Curated Panel – Historiography and 14 16:00- Relationality: Rethinking Historical 17:30 Narratives through New Lenses of Exchange Helen Richardson Brooklyn College The Theatre History Text as Rhizome Curated Panel – Historiography and 14 16:00- Relationality: Rethinking Historical 17:30 Narratives through New Lenses of Exchange Sarah Balkin University of Victorian Underplayed: the Historical Emergence of the Curated Panel – Ordinary Theatre 14 16:00- Deadpan Histories 17:30 Paul Rae University of Melbourne Presenting the Sociotechnical Past: Gertrude Stein’s Electro- Curated Panel – Ordinary Theatre 14 16:00- Theatrical Assemblage Histories 17:30 Michael Meeuwis University of Warwick Adventures in the Massively Normal: Theatergoing in British Curated Panel – Ordinary Theatre 14 16:00- Diaries, 1840-1910 Histories 17:30 Daphna Ben-Shaul Tel Aviv University Re-Calling the Foundational Act in National Collection by Public Curated Panel – Critical Re-Actions to 14 16:00- Movement Israeli and Palestinian Museum 17:30 Collections Dror Harari Tel Aviv University Proactive, Performative, and Critical: Yona Fischer’s Curatorial Curated Panel – Critical Re-Actions to 14 16:00- Practice and the Emergence of Performance Sensibility in Israeli Israeli and Palestinian Museum 17:30 Art. Collections Nir Shauloff Tel Aviv University A Double Agent: Re-Activating Hidden Narratives in a State Curated Panel – Critical Re-Actions to 14 16:00- Museum Israeli and Palestinian Museum 17:30 Collections Ran Heilbrunn Tel Aviv University The Jerusalem River Project: From the ex-territoriality of the art Curated Panel – Critical Re-Actions to 14 16:00- museum to the over-territoriality of the Zionist land Israeli and Palestinian Museum 17:30 Collections Nadine Civilotti Institut für Film-, Theater- und Theatrical Representation, Cultural Performance, and the Performing Traumatic Histories 14 16:00- empirische Kulturwissenschaft Structure of Time – Coping with History and Trauma in post- 17:30 Johannes Gutenberg-Universität authoritarian Argentina Mainz Shuchi Sharma GGS Indraprastha University, The Stained Dawn: A Study of Select Plays based on Indian Performing Traumatic Histories 14 16:00- Delhi, India Partition 17:30 Cecilia Sosa Universidad Nacional Tres de The Performances of Blood: Theatre & the Transmission of Performing Traumatic Histories 14 16:00- Febrero, Argentina Trauma in Contemporary Argentina 17:30 Julija Pesic Centre for Drama, Theatre and Marina Abramovic: Re-creation of Tradition in the Performance Performance and Religion Working 14 16:00- Performance Studies, University of Balkan Baroque (1997) Group Sponsored Panel – Performing 17:30 the (Progressive) Politics of Religious Traditions Rose Merin Jawaharlal Nehru University, India Questioning Social Justice in the Performance of Nangiarkoothu Performance and Religion Working 14 16:00- Group Sponsored Panel – Performing 17:30 the (Progressive) Politics of Religious Traditions Silvia Battista Liverpool Hope University The Ecological Politics of Pope Francis as Represented in the Performance and Religion Working 14 16:00- Multimedia Performance Fiat Lux: Illuminating our Common Home Group Sponsored Panel – Performing 17:30 the (Progressive) Politics of Religious Traditions Claire Cochrane Worcester University UK International Inclusivity and Local Understanding: Thoughts on Historiography Working Group 14 16:00- an editorial process Sponsored Panel – Politics of 17:30 inclusion: Questioning historiographical assumptions Kenneth Cerniglia Disney Theatrical Group Historiography and Archive Creation Historiography Working Group 14 16:00- Sponsored Panel – Politics of 17:30 inclusion: Questioning historiographical assumptions Hanna Korsberg University of Helsinki Representing theatre in materiality of history – A short film Historiography Working Group 14 16:00- Theatre 1957 Sponsored Panel – Politics of 17:30 inclusion: Questioning historiographical assumptions Elin Diamond Rutgers University Arendt, Ranciere, and Feminist Traditions of the Political Feminist Research Working Group 14 16:00- Sponsored Panel – Feminist 17:30 Traditions/ Feminist Publishing Candice Amich Vanderbilt University Crying, A Feminist Tradition Feminist Research Working Group 14 16:00- Sponsored Panel – Feminist 17:30 Traditions/ Feminist Publishing Elaine Aston Lancaster University Moving Women Centre : Structures of Feminist-Tragic Feminist Research Working Group 14 16:00- Feeling in Contemporary British Women’s Playwriting Sponsored Panel – Feminist 17:30 Traditions/ Feminist Publishing Denise Varney University of Melbourne Climate Guardians: Feminist Ecology and the activist tradition Feminist Research Working Group 14 16:00- Sponsored Panel – Feminist 17:30 Traditions/ Feminist Publishing Jerome Maeckelbergh STEPP Heritage Theatre Machinery: unexpected possibilities in Changement à vue 14 19:00- contemporary productions. 21:00

Name Affiliation Title Panel Day Time Aylwyn Walsh University of Lincoln The archive and the repertoire revisited: Prison’s culture of Discipline, biopolitics, sexuality 15 09:00- presenting the past 10:30 Ante Ursic UC Davis 69 Horsepower: Animality and Race in Cavalia’s Odysseo Discipline, biopolitics, sexuality 15 09:00- 10:30 Ferdinando Martins University of Sao Paulo Misunderstanding the Queer in Brazilian Theater Disicpline, biopolitics, sexuality 15 09:00- 10:30 Andres Kalawski Pontificia Universidad Católica de Without tropical gestures. The aesthetic ideal of a vanished way of Class and Caste in Theatre History 15 09:00- Chile Chilean acting 10:30 Madhuri Dixit Tata Institute of Social Sciences, Historiographical concerns and Social meaning: The case of Class and Caste in Theatre History 15 09:00- Mumbai 10:30 Paul Murphy Queen's University Belfast Theatre, Performance and the 'C' Word Class and Caste in Theatre History 15 09:00- 10:30 Daphne Lei University of California, Irvine Performative Death Rescues History: Gendered Nationalism in Chinese Theatre - Now and Then 15 09:00- 10:30 Shiao-ling Yu Oregon State University From Uncle Tom's Cabin to Modern Chinese Drama Chinese Theatre - Now and Then 15 09:00- 10:30 Kaijun Chen Brown University From Epic to Romance: Adaptation of Classical Chinese Drama with Chinese Theatre - Now and Then 15 09:00- a Commercial Sensibility 10:30 Antonis Glytzouris School of Drama (Aristotle The Resurrection of the Ancestors; Inter-War Filmed Records of History on Stage 15 09:00- University of Thessaloniki) Modern Greek Productions of Ancient Greek Drama 10:30 Jurgita Staniskyte Vytautas Magnus University (Re)imagined Pasts: Performing Histories and Reinventing History on Stage 15 09:00- Identities on Lithuanian Theatre Stage 10:30 Marija Tepavac University of Redefining the Role of History in Communism: History as the Tool History on Stage 15 09:00- for Criticism in Yugoslav Theater 10:30 Jukka von Boehm University of Helsinki, The Challenge of Wagner’s Gesamtkunstwerk for the 20th Century Re-Visiting Theatre Theory 15 09:00- Department of Theatre Studies Theatre History 10:30 David Drozd Department of Theatre Studies, Conceptualising Theatre Directing (The case of Otakar Zich and his Re-Visiting Theatre Theory 15 09:00- Masaryk University Aesthetics of Dramatic Art 1931) 10:30 Rose Whyman Dept of Drama and Theatre Arts, The ‘New Wave’ Actresses and Stanislavski’s Art Theatre Re-Visiting Theatre Theory 15 09:00- University of Birmingham 10:30 Julia Stenzel Theatre Studies, JGU Mainz The Play and the Passion: Early travelogues to Oberammergau Religious Theatre and Drama 15 09:00- between theological essay and ethnographic report 10:30 Sarit Cofman-Simhon Kibbutzim College, Tel-Aviv Rejecting Theatre in the Roman Empire: The Case of King Herod Religious Theatre and Drama 15 09:00- and the Talmudic Animosity towards Public Entertainment in Judea 10:30 Adrian Curtin University of Exeter Spiritualism and Symbolist Theatre: Maeterlinck’s Philosophy of Liveness of the Non-Living 15 09:00- Death 10:30 Daniel Johnston Sheffield Hallam University Phenomenology for Actors: Theatre-Making as Disclosing a World Liveness of the Non-Living 15 09:00- 10:30 Harry Wilson University of Glasgow “The voice as it sings, the hand as it writes, the limb as it performs: Liveness of the Non-Living 15 09:00- Re-turning to Roland Barthes and the live body”. 10:30 Annemarie Stauss Theaterwissenschaft München Proving the presence of presence – theatre as the absolute Presence, Liveness and Performativity 15 09:00- Ludwig-Maximilians-Universität moment and translation as uncovering (theatre) history 10:30 München Georgenstr. 11 80799 München Cormac Power Northumbria University Stoicism and Ancient Concepts of Performativity Presence, Liveness and Performativity 15 09:00- 10:30 Jane Milling University of Exeter Manuals for Making: 20th Century advice books for amateur Amateur Theatricals 15 09:00- companies 10:30 David Coates University of Warwick Traces of Amateur Theatricals: Mapping the Rise of Amateur Amateur Theatricals 15 09:00- Theatre in London in the Nineteenth Century 10:30 Lesley Ferris Department of Theatre, The Ohio Staging Birth in the Face of Death: Women’s Work on the Front Curated Panel – Gender and 15 09:00- State Unversity : Genealogies of 10:30 Performance Penny Farfan University of Stage Women and Popular Modernism Curated Panel – Gender and 15 09:00- Modernism: Genealogies of 10:30 Performance Sos Eltis University of Oxford Meta-theatrical escapism or modernist experiment? Performing Curated Panel – Gender and 15 09:00- gender and fantasy selves during WW1. Modernism: Genealogies of 10:30 Performance Melissa Quek LASALLE College of the Arts Staging the Future, Performing the Present- A Case Study on the Corporeal Narratives, Doing History 15 09:00- Future of Us Exhbition 10:30 Friedemann Kreuder Institut für Film-, Theater- und Theatre between reproduction and transgression of body-based Corporeal Narratives, Doing History 15 09:00- empirische Kulturwissenschaft, distinction 10:30 Johannes Gutenberg-Universität Mainz Yvonne Hardt Hochschule für Musik und Tanz Working with the Past – Reflecting on the materiality, narration Corporeal Narratives, Doing History 15 09:00- Köln (University of Music and and strategies of authentification in current practice of dance 10:30 Dance Cologne) re/reconstruction Sofia Pantouvaki Aalto University, Finland “Like Seeing Normal Life” (Dagmar Lieblová, née Fantlová, Scenography Working Group 15 09:00- Theresienstadt survivor): An evaluation of František Zelenka’s Sponsored Panel – Scenography and 10:30 scenography for the children’s opera Brundibár in Theresienstadt the Archive (1943-44) Freddie Rokem Department of Theatre Studies; August Strindberg and Siri von Essen playing backgammon: Scenography Working Group 15 09:00- Tel Aviv University Photography and Scenography Sponsored Panel – Scenography and 10:30 the Archive Nick Hunt Rose Bruford College, London Fugitive Light: seeing through production Scenography Working Group 15 09:00- photographs Sponsored Panel – Scenography and 10:30 the Archive Sam Haddow University of St Andrews Suppressing the spectacle: concealed killings and IS execution Political Performances Working Group 15 09:00- videos Sponsored Panel – A Turning Point in 10:30 Theatre History? War, Spectacle and the 21st-Century UK Stage Clare Finburgh University of Kent The "Spectacular Turn": War as Spectacle in Recent UK Theatre Political Performances Working Group 15 09:00- Sponsored Panel – A Turning Point in 10:30 Theatre History? War, Spectacle and the 21st-Century UK Stage Cristina Delgado- University of Birmingham Spectacular Ambivalence: Tim Crouch’s The Author in its Theatrical Political Performances Working Group 15 09:00- García and Political Context Sponsored Panel – A Turning Point in 10:30 Theatre History? War, Spectacle and the 21st-Century UK Stage Clemens Risi Friedrich-Alexander-Universitaet The performative power of the gestureXavier Le Roy re-enacting Music Theatre Working Group 15 09:00- Erlangen-Nuernberg Simon Rattle conducting Stravinsky's "Sacre du printemps" Sponsored Panel – Sacre Variations. 10:30 Adorno, Disney, Le Roy Stefanie Diekmann Hildesheim University Rites of Animation: Stravinsky in Disney’s “Fantasia” (1940) Music Theatre Working Group 15 09:00- Sponsored Panel – Sacre Variations. 10:30 Adorno, Disney, Le Roy David Levin Theater & Performance Studies, Viewing and Reviewing Stravinsky’s _Rite of Spring_: Adorno and Music Theatre Working Group 15 09:00- University of Chicago Performance Sponsored Panel – Sacre Variations. 10:30 Adorno, Disney, Le Roy Stephen Farrier Royal Central School of Speech Joe Orton, queer histories and thinking the queer theatrical past. Queer Futures Working Group 15 09:00- and Drama, University of London Sponsored Panel – Queer Pasts 10:30 Alyson Campbell Victorian College of the Arts, GL RY: a (w)hole lot of woman trouble. Queer Futures Working Group 15 09:00- University of Melbourne Sponsored Panel – Queer Pasts 10:30 Johanna Linsley University of Roehampton Challenging Archives Queer Futures Working Group 15 09:00- Sponsored Panel – Queer Pasts 10:30 Jane Barnette University of Kansas (Re)Staging the Civil War: Red Badge of Courage in the American Translation, Adaptation, and 15 09:00- South Dramaturgy Working Group 10:30 Sponsored Panel Kasia Lech Canterbury Christ Church Acting as the Act of Translation: Domesticating and Foreignizing Translation, Adaptation, and 15 09:00- University Strategies as Part of the Actor’s Performance in the Irish-Polish Dramaturgy Working Group 10:30 Production of "Bubble Revolution" Sponsored Panel Margherita Laera University of Kent Three Oresteias: Dealing with the Past Translation, Adaptation, and 15 09:00- Dramaturgy Working Group 10:30 Sponsored Panel Julia Pajunen University of Helsinki Reshaping the national collective memory - The Unknown Soldier Re-Shaping Cultural Memory 15 09:00- at the Finnish National Theatre 2007-2009 10:30 Nataša Glišić University of Banja Luka. The Role of Documentary and Verbatim Theatre in Theatrical Re-Shaping Cultural Memory 15 09:00- Republika Srpska, Bosnia and Problematization of Turbulent Social Issues 10:30 Herzegovina Peilin Liang National University of Singapore Transformance: Historiography through Indigenous Historicity Reclaiming the Archive: Oral History 15 11:00- 12:30 Barry Houlihan NUI Galway “Taming the Chaos: Reclaiming Memory in the Archive of Theatre Reclaiming the Archive: Oral History 15 11:00- and Performance 12:30 Wai Yam Chan International Association of Archive and Oral History Project on Hong Kong Drama Reclaiming the Archive: Oral History 15 11:00- Theatre Critics (Hong Kong) 12:30 Maurya Wickstrom City University of New York C.L.R. James, Toussaint Louverture, and the New Present Critical Historiography and 15 11:00- Performance 12:30 Sir Anril Pineda Tiatco University of the Philippines A Question of Authority: Dramaturgical Vision of Performing the Critical Historiography and 15 11:00- Diliman Archive Performance 12:30 Katja Vaghi University of Roehampton Quoting/Referencing History: The Baroque in Jiří Kylián Critical Historiography and 15 11:00- Performance 12:30 Katalin Cseh-Varga Graduate School of East and The Revival of Marcel Duchamp´s Spirit. Performative Moments in Dada Spirit 15 11:00- Southeast European Studies at the Hungarian Neo-Avant-Garde of the 1960s and 1970s 12:30 the Ludwig-Maximilians- University Munich / Department of Theatre, Film and Media Studies at the Matthias Dreyer Goethe University, Frankfurt am Dada Masks and the History of Liveness Dada Spirit 15 11:00- Main Department of Theatre, 12:30 Film and Media Aristita I. Albacan independent The production of “self” in participatory performance: Re-mixing Dada Spirit 15 11:00- the DADA arsenal. 12:30 Luule Epner University of Tartu, Tallinn How do we conceptualise innovation? Revolution and Continuity 15 11:00- University 12:30 Birgitta Johansson Theatre and Dance Studies Revolution or Repetition? Revolution and Continuity 15 11:00- Department of Culture and 12:30 Aesthetics Stockholm University Andy Machals University of Bristol (UK) The Queer Legacy of Marxism. How can we link practices of camp Revolution and Continuity 15 11:00- to Marxist cultural acquisition? 12:30 Edna Nahshon JTS Do Original Sources Matter? The Merchant of Venice vis-à-vis Shakespeare and Historiography 15 11:00- Gregorio Leti’s “Pound of Flesh” Tale 12:30 David Hasberg Independent Researcher Dissimulating History: The Historiography of Shakespeare’s King Shakespeare and Historiography 15 11:00- Schmidt Richard III 12:30 Sofie Kluge University of Southern Denmark "The evil that men do lives after them;/The good is oft interrèd Shakespeare and Historiography 15 11:00- with their bones". Staging history in Shakespeare's Julius Caesar 12:30 Laura Peja Università Cattolica del Sacro Revolutionary Theatre or Means of Manufacturing Consent? Theatre as Institution in the 17th and 15 11:00- Cuore, Milan (Italy) Towards a Reconsideration of the “Teatro Patriottico” (Milan, 18th Centuries 12:30 1796–1805) Diana Damian-Martin Royal Central School of Speech Theatre criticism and the discursive public sphere: the formation of Theatre as Institution in the 17th and 15 11:00- and Drama public discourse in 18th century England and the neoliberal 18th Centuries 12:30 contemporary public sphere Deborah Payne American University, Washington, Behavioral Economic Theory and the Box-office: Towards a New Theatre as Institution in the 17th and 15 11:00- D.C History of the Restoration Theatre 18th Centuries 12:30 Staf Vos Het Firmament Centre of In search for good practices to safeguard intangible heritage of the Intangible Cultural Heritages 15 11:00- expertise for the heritage of the performing arts: a Flemish case study 12:30 performing arts Isinsu Ersan Dokuz Eylul University Fine Arts Karagoz, Then and Now: The shadow under the political regime Intangible Cultural Heritages 15 11:00- Faculty Department of change 12:30 Performing Arts Nadine Holdsworth University of Warwick From Private Collections to Publishing: Capturing the Heritage of Intangible Cultural Heritages 15 11:00- Amateur Theatre Practice in England. 12:30 Jean Lee Goldsmiths, University of London Dance Studies so far and from now on Re-writing Dance History 15 11:00- 12:30 Alexander Schwan Freie Universität Berlin, Institute Redoing Postmodern Dance and Rewriting Dance History Re-writing Dance History 15 11:00- for Theatre Studies 12:30 Jurgita Imbrasaite Research Associate ate the The révolution in Dance Re-writing Dance History 15 11:00- Institute for Theater Studies at 12:30 the Ruhr-University Bochum Dilek Inan Assoc. Prof. in the English A Contemporary Macbeth: Restoring History in David Greig’s Shakespeare Re-visited 15 11:00- department of Balikesir Dunsinane 12:30 University Sarah Youssef University of Cologne, Germany Immersive Shakespeare Shakespeare Re-visited 15 11:00- 12:30 Elizabeth Schafer Royal Holloway, University of History, Nostalgia and Shakespeare's 'The Merry Wives of Shakespeare Re-visited 15 11:00- London Windsor' in performance 12:30 Corinna Kirschstein Interdisciplinary Centre for Struggling with Sensuality – Debates about the Marvellous in Early Traces of Enlightenment Thinking 15 11:00- Pietism Studies, Martin-Luther- 18th Century Theatre 12:30 Universität Halle-Wittenberg Catherine Girardin Paris Ouest Nanterre La Défense Reflections on the philosophy of history through theatre in the late Traces of Enlightenment Thinking 15 11:00- and Goethe Universität Frankfurt eighteenth-century Germany: the work of Johann Gottfried Herder 12:30 amMain Jan Lazardzig University of Amsterdam Schiller’s ‘Moral Institution’ in Nineteenth-Century Police Practice Traces of Enlightenment Thinking 15 11:00- 12:30 Miseong Woo Yonsei University The New Theatrical Undercurrents in Korea: Uncharted Border, Performing Ethnic and Communal 15 11:00- Transnationality, and Korean Diaspora Identities 12:30 Pieter Verstraete Hacettepe University Ankara “How Did We Get Here?”: Interweaving Histories of Performance Performing Ethnic and Communal 15 11:00- (Turkey) Culture, Collective Identity and Protest Movements in Turkey Identities 12:30 Joseph Greenwood Soran University, Iraqi Kurdistan Songs and the Performance of Kurdish Identity Performing Ethnic and Communal 15 11:00- Identities 12:30 Jung Gyung Song Yonsei University The Diasporic Trauma as a Cornerstone of Julia Cho's The Asian Theatre Working Group 15 11:00- Architecture of Loss Sponsored Panel - Presenting Korean 12:30 Past in Post-Colonial Age Ka-eul Yoo Yonsei University Politics of Remembering the Dynamics of GI Towns in Korea in Asian Theatre Working Group 15 11:00- Ilgopzipmae Sponsored Panel - Presenting Korean 12:30 Past in Post-Colonial Age Sang Woo Lee Professor, Department of Korean To Challenge the Conventions in Colonial Korea : The Case of An Asian Theatre Working Group 15 11:00- Language and Literature, Korea actress Yoon Shim-duk Sponsored Panel - Presenting Korean 12:30 University Past in Post-Colonial Age Doug Reside New York Public Library Creating tools for local theater companies to document global Digital Humanities in Theatre Studies 15 11:00- theatre history Working Group Sponsored Panel 12:30 Miguel Escobar Varela National University of Singapore Circuits and Puppets: ‘Re-materializing’ Digital Archives through Digital Humanities in Theatre Studies 15 11:00- Tangible Interfaces Working Group Sponsored Panel 12:30 Sandra Pietrini Dipartimento di Lettere e Arianna: A Digital Meta-Archive of Shakespearean Iconography Digital Humanities in Theatre Studies 15 11:00- Filosofia - Università di Trento Working Group Sponsored Panel 12:30 Marco Galea University of Malta Christmas Pantomime as Political Performance in a Former Colony: Comedic Subversions? 15 11:00- Not just the master’s tools but the master’s workshop too 12:30 Aneta Glowacka The University of Silesia in Returning to comedy roots. Contemporary political theatre in Comedic Subversions? 15 11:00- Katowice Poland. 12:30 Lloyd Peters University of Salford Reports of the Death of British Theatrical Comedy? Greatly Comedic Subversions? 15 11:00- exaggerated or sadly accurate? 12:30 Matthew Causey Trinity College Dublin The Origin of the Work of Art (in Digital Culture) Origins, functions and means of 15 11:00- theatre in the digital age 12:30 Simon Hagemann Université de Franche-Comté Theatre and Big Data Mining Origins, functions and means of 15 11:00- theatre in the digital age 12:30 Jeroen Coppens Ghent University (Re)Animating Images in Theater. Visual Dramaturgies between Origins, functions and means of 15 11:00- the Actual and the Virtual. theatre in the digital age 12:30 Christina University of South Wales Liveness or ‘Live-less’? Theatrofilm from Broadway to NTLive Liveness and mediatisation: 15 11:00- Papagiannouli Economies, experiments and 12:30 “software cultures” Maria London South Bank University Live Broadcasting and the Promise of Sustainable Economies of Liveness and mediatisation: 15 11:00- Chatzichristodoulou Scale Economies, experiments and 12:30 “software cultures” Anna Maria Academy of Fine Arts, Lecce Hybrid media and hybrid theatre in a "software culture". Liveness and mediatisation: 15 11:00- Monteverdi (Italy) Economies, experiments and 12:30 “software cultures” Johan Callens Vrije Universiteit Brussel Music's Functional Variety in Dance Theatre: An Intermedial Case Intermedial encounters: Theatre, 15 11:00- Study music and dance 12:30 Pauline Brooks Liverpool John Moores University Blending the Traditional with the innovative – making theatre Intermedial encounters: Theatre, 15 11:00- global music and dance 12:30 Maja Cecuk Universitat de Barcelona Notes about absences in contemporary theater “versus” digital Intermedial encounters: Theatre, 15 11:00- (University of Barcelona) image #2 music and dance 12:30 April Albert Currently independent Performing the Political Past Transnationally:Reception of Identities, Transnationalism and 15 11:00- researcher HILDEGARD/KNEF in Australia Reconciliation 12:30 Zheyu Wei Trinity College Dublin Bird Men: Performing and Understanding Chineseness Between Identities, Transnationalism and 15 11:00- Orientalism and Occidentalism Reconciliation 12:30 Ursula Neuerburg- Concordia University, , Dwellings - Theatre that investigates Indigenous/Settler Identities, Transnationalism and 15 11:00- Denzer Canada Relationships Reconciliation 12:30

Name Affiliation Title Panel Day Time Maria Hamali National Kapodistrian University of Athens Investigating the Reception of National Transnational Dramaturgy and 17 10:30- Dramaturgies in Foreign Countries… Performance 12:00 Maria Helena Federal University of Rio de Janeiro State Theatre and the public sphere in the years of Transnational Dramaturgy and 17 10:30- Werneck Brazil's participation in the Second World War Performance 12:00 Maria The Graduate Center CUNY Crisis and Memory on the Bilingual Stage: Transnational Dramaturgy and 17 10:30- Mytilinaki Testimony Theatre in Translation Performance 12:00 Kennedy Nele Wynants Université libre de Bruxelles The Legacy of the Lantern. Artistic Reuse of an Old Theatre Entertainment and 17 10:30- Apparatus Spectacle 12:00 Kati Roettger University of Amsterdam The Time of The Spectacle Theatre Entertainment and 17 10:30- Spectacle 12:00 Marija Djokic Graduate School for East and Southeast European Studies Belgrade as Hub for (inter-)national Theatre in the Theatre Entertainment and 17 10:30- 19th Century Spectacle 12:00 Ameet Jawaharlal Nehru University Radical Posture: Presence, Theatricality and Public Curated Panel – Radical Citizenship: 17 10:30- Parameswaran in the Post-Emergency Political Theatre of Kerala, Performance, Censorship, Erasure 12:00 1970s-80s, Curated Panel, "Radical Citizenship: Performance, Censorship, Erasure" Anuradha Ambedkar University, Delhi Radical Citizenship: Performance, Censorship, Curated Panel – Radical Citizenship: 17 10:30- Kapur Erasure Performance, Censorship, Erasure 12:00 Milija Gluhovic University of Warwick The Radicality of Love: Representations, Erasures, Curated Panel – Radical Citizenship: 17 10:30- Politics Performance, Censorship, Erasure 12:00 Silvija Jestrovic Warwick University The Artist is (Meaningfully) Absent: Three Stories of Curated Panel – Radical Citizenship: 17 10:30- Performance, Censorship and Erasure from History Performance, Censorship, Erasure 12:00 Asha Kuthari Gauhati University Guwahati Alternative Theatrical Pasts: India Curated Panel – Alternative 17 10:30- Chaudhuri Theatrical Pasts 12:00 Xiaomei Chen University of California at Davis The Making and Remaking of Anthologies of Curated Panel – Alternative 17 10:30- Modern Chinese Drama: Challenges, Issues and Theatrical Pasts 12:00 Approaches Marvin Carlson Graduate Center, City University of New York Arabic Theatre: An Alternative Theatrical Past Curated Panel – Alternative 17 10:30- Theatrical Pasts 12:00 Giulia Labex Arts-H2H / Université Paris 8 Saint Denis Mask and technologies: from the Commedia Curated Panel – Mask and 17 10:30- Filacanapa dell’arte to the digital avatar. Technologies: From the Commedia 12:00 dell'arte to the Digital Avatar Erica Magris Université Paris 8 Saint-Denis THALIM-CNRS Mask and technologies : from the Commedia Curated Panel – Mask and 17 10:30- dell’arte to the digital avatar Technologies: From the Commedia 12:00 dell'arte to the Digital Avatar Cedric Plessiet University Paris 8 Mask and technologies : from the Commedia Curated Panel – Mask and 17 10:30- dell'arte to the digital avatar Technologies: From the Commedia 12:00 dell'arte to the Digital Avatar Georges University Paris 8 Mask and technologies : from the Commedia Curated Panel – Mask and 17 10:30- Gagneré dell'arte to the digital avatar Technologies: From the Commedia 12:00 dell'arte to the Digital Avatar Tapati Gupta Retired from Dept. of English, Calcutta University Performing Narrative: Tradition & Modernity Going back in Time through 17 10:30- Performance 12:00 Hayato Kosuge Keio University, Tokyo Staging Past Disasters with Butoh Dance: Ohno Going back in Time through 17 10:30- Yoshito’s “Flower and Bird/Inside and Outside” Performance 12:00 (2015) Anna Thuring University of the Arts Helsinki - Theatre Academy The Heroic Body of Asia: Reflections on Presenting Going back in Time through 17 10:30- Asian Warriors on Western Stage Performance 12:00 Juan Manuel University of California, Berkeley Picking Grapes, Pulling Histories: Teatro Performance as Research Working 17 10:30- Adalpe Munoz Campesino’s genealogies and performance Group Sponsored Panel – 12:00 practices of food security and labour. Transnational Performance as Research Ben Spatz University of Huddersfield Mad Lab — or Why We Can’t Do Practice as Performance as Research Working 17 10:30- Research Group Sponsored Panel – 12:00 Transnational Performance as Research Manola Gayatri Faculty NMKRV College, Bangalore Univerisity India. Awarded Working Title: Body Centres from Archive to Performance as Research Working 17 10:30- Kumarswamy Postdoc fellowship PU,SA. performance: embodied research and Group Sponsored Panel – 12:00 contemporary Indian theatre Transnational Performance as Research Ewa Kara Columbia University “Revising the ‘Authentic’: Postmodern Design of Theatre Architecture Working 17 10:30- Baroque Opera” Group and Scenography Working 12:00 Group Joint Panel – Here, Then, Now: Genealogies of Theatre Architecture and Scenography Lucy Thornett University of the Arts, London Dramaturgy as a Spatial Design Strategy Theatre Architecture Working 17 10:30- Group and Scenography Working 12:00 Group Joint Panel – Here, Then, Now: Genealogies of Theatre Architecture and Scenography Sidsel Graffer Norwegian Theatre Academy Norwegian Theatre Architecture Revisited. 200 Theatre Architecture Working 17 10:30- years of Staging Spectatorship and Objectality Group and Scenography Working 12:00 Group Joint Panel – Here, Then, Now: Genealogies of Theatre Architecture and Scenography Natalie Rewa School of Drama and Music, Queen's University, Kingston, Translation and dialogues of international Theatre Architecture Working 17 10:30- Ontario Canada architectural vocabularies-- Snøhetta architects in Group and Scenography Working 12:00 Olso, Norway and Kingston, Canada Group Joint Panel – Here, Then, Now: Genealogies of Theatre Architecture and Scenography Kevin Purcell Bard College Reconstructing The Past in : Augmented Historiography 17 10:30- Foregrounding History in New Transmedia 12:00 Musicals Edgaras Klivis Vytautas Magnus University, Faculty of Arts, Department of Theatre within Information Warfare: Using Theatre Augmented Historiography 17 10:30- Theatre Studies as Public Sphere in the Baltic States 12:00 William Lewis University of Colorado Boulder What is Affective Participation? Interactivity and Augmented Historiography 17 10:30- Immersion in Intermedial and Locative Narratives 12:00 Eirini York St. John University, UK Reconsidering Liveness: From ‘Live’ Broadcasts to Concepts: Reality and Liveness 17 10:30- Nedelkopoulou Network Systems 12:00 Peter Department of Theatre Studies, University of Amsterdam Hyperreality revisited: the employment of theatrical Concepts: Reality and Liveness 17 10:30- Eversmann means in engaging with the past. 12:00 Felisberto da University of São Paulo - USP Unstable webs: temporary intertwining of bodies Concepts: Reality and Liveness 17 10:30- Costa in the city. 12:00 David University of Massachusetts Amherst Remembering State Violence in the Spanish Political Conflicts '60s, '70s, '80s 17 10:30- Rodriguez- Transition to Democracy 12:00 Solas Ozge Zeren Canakkale Onsekiz Mart University, Fine Arts Faculty Turning Points of Political Discourse in Turkish Political Conflicts '60s, '70s, '80s 17 10:30- Theater 12:00 Margarida College of Education, Polytechnic Institution of Coimbra The Revolution on stage: theater in Portugal during Political Conflicts '60s, '70s, '80s 17 10:30- Adónis Torres the post-revolutionary period (1974-1976) 12:00 Jelena University of Leipzig - Department of Theatre Studies "Ils se contentent seulement d'ouir un grand bruit Curated Panel: A Turkish Ceremony 17 10:30- Rothermel confus" - Musical Stereotypes in Le Bourgeois for Louis XIV. Aspects of 12:00 Gentilhomme Representation in Molière’s / Lully’s Le Bourgeois Gentilhomme Kathrin Stocker University of Leipzig Dances and dancing in Molière‘s/Lully’s Le Curated Panel: A Turkish Ceremony 17 10:30- Bourgeois gentilhomme for Louis XIV. Aspects of 12:00 Representation in Molière’s / Lully’s Le Bourgeois Gentilhomme Petra Stockholm University/ Leipzig University Dressing Mamamouchi Curated Panel: A Turkish Ceremony 17 10:30- Dotlacilova for Louis XIV. Aspects of 12:00 Representation in Molière’s / Lully’s Le Bourgeois Gentilhomme Viviana Iacob New Europe College Theatre Diplomacy during the Cold War: Bucharest Cultural Exchange during the Cold 17 10:30- 1964, Vienna 1965 War 12:00 Alexandra Institute for Media Culture and Theatre, University of Theatre festivals and its documentation Cultural Exchange during the Cold 17 10:30- Portmann Cologne (Germany) War 12:00 Ioana Szeman University of Roehampton The Communist Nation on the World Stage: Cultural Exchange during the Cold 17 10:30- Romanian Abroad War 12:00 Michael University of Glasgow Ambivalent Pasts: Colonial History and the Challenging the Museum 17 10:30- Bachmann Theatrical Turn in Ethnographic Curation 12:00 Joshua Department of Theater, Dance & Performance Studies, An Empire of the Lifelike Dead: Fossils, Taxidermy Challenging the Museum 17 10:30- Williams University of California-Berkeley and the (Re)Staging of the State in Kenya’s 12:00 National Museum Alexander Russian State Institute of the Performing Arts, S:t Petersburg The Approach to Modeling the Theatrical Texts of Challenging the Museum 17 10:30- Chepurov the Past: The documentary multimedia 12:00 reconstruction Tania Neofytou Tutor (Open University of Cyprus) Theatrical traces of the past in the contemporary Historical Traces on Contemporary 17 10:30- theatre: the case of Simos Kakalas and Horos Stages 12:00 Theatre Company Laura Purcell- Bath Spa University, United Kingdom Staging Corpses: Disrupting Progressive Historical Historical Traces on Contemporary 17 10:30- Gates Narrative through Puppetry Stages 12:00 Javiera Larrain Pontificia Universidad Católica de Chile - CONICYT Affiliations and reminiscences of a tradition. The Historical Traces on Contemporary 17 10:30- melodramatic imagination in the current Chilean Stages 12:00 scene. Hye-Gyong Dongseo University Dissolving and Reorganizing the Korean Theater: Asian Rituals and Mythologies 17 10:30- Kwon Goot, a Korean Traditional Shamanistic Ritual, and 12:00 Yun-Taek Lee’s Theater Aruna Bhikshu University of Hyderabad Performative intercessions beyond Religion-A Asian Rituals and Mythologies 17 10:30- Glimpse into Telugu Dance Traditions 12:00 Chul-Sang Ahn Independent scholar From Ritual to Comedy: Rethinking a Comic Play of Asian Rituals and Mythologies 17 10:30- Giving Birth to a Baby in a Traditional Korean 12:00 Funeral Ritual, Dashiraegi Anke Charton Department for Theatre, Film and Media Studies, University Narratives of a Golden Age: On the Margins of Staging Spanish History 17 14:00- of Vienna Spanish Theatre History 15:30 Maria Delgado Royal Central School of Speech and Drama, University of Spanish matters: Calixto Bieito’s 'Carmen' and 'La Staging Spanish History 17 14:00- London forza del destino' 15:30 Junko Okamoto Osaka University The Spanish History of the 20th Century Seen Staging Spanish History 17 14:00- Through the Censorial Archives – In the Case of 2 15:30 Major Spanish Playwrights under the Dictatorship – Mara Kaeser LMU Munich Diversification of theatre forms in contemporary Curated Panel – Institutional 17 14:00- theatre using the example of the Munich Aesthetics: Path Dependencies in 15:30 Kammerspiele German Theatre Sebastian Theaterwissenschaft München Effects of the reunification on the opera houses in Curated Panel – Institutional 17 14:00- Stauss East Germany Aesthetics: Path Dependencies in 15:30 German Theatre Bianca Ludwig Maximilian University Munich Highly Improbable and Far-Reaching: Path Curated Panel – Institutional 17 14:00- Michaels Dependencies and Critical Junctures in the Aesthetics: Path Dependencies in 15:30 Institutional Development of German Theatre German Theatre between 1918 and 1949 Christopher Institut für Theaterwissenschaft LMU Munich Institutional Aesthetics: Path Dependencies in Curated Panel – Institutional 17 14:00- Balme German Theatre Aesthetics: Path Dependencies in 15:30 German Theatre Bishnupriya School of Arts and Aesthetics, Jawaharlal Nehru university, Popular Visual Culture Archives and Writing Curated Panel – Discoveries as an 17 14:00- Dutt India ‘Theatre’ Histories in post-colonial India Element of the Historiographic 15:30 Process Peter Marx University of Cologne The Magic Box or the Poetics of Discovery in the Curated Panel – Discoveries as an 17 14:00- Archive Element of the Historiographic 15:30 Process Tracy C Davis Northwestern University Evanston, USA Digital Bounties and Categorical Aberrance in Curated Panel – Discoveries as an 17 14:00- Performance Research: Inside and Outside the Element of the Historiographic 15:30 Cornucopia Process Jane Taylor University of Leeds On Holding and Holding On Curated Panel – Discoveries as an 17 14:00- Element of the Historiographic 15:30 Process Odai Johnson University of Washington Remains, Shattered artifacts on the edge of Empire Curated Panel – Discoveries as an 17 14:00- Element of the Historiographic 15:30 Process Jocelyn Chng LASALLE College of the Arts Going Back in Time- (Re)searching the History of Urban Communities and Cultural 17 14:00- Theatre for Young Audiences in Singapore History 15:30 Caleb Lee LASALLE College of the Arts Going Back in Time- (Re)searching the History of Urban Communities and Cultural 17 14:00- Theatre for Young Audiences in Singapore History 15:30 Claire Borody University of The Lower Depths: Then and Now Urban Communities and Cultural 17 14:00- History 15:30 Nicholas Wood Royal Central School of Speech and Drama Blue Sky Heroes - Abutting, Rejecting, and Urban Communities and Cultural 17 14:00- Rebuilding the Past History 15:30 Beate Departement for Theatre Studies University of Bern Patrilineal Histories of Theatre Re-Thinking Canonical Works 17 14:00- Hochholdinger- 15:30 Reiterer Anne Etienne University College Cork ‘Creation and Reception: Remembering Re-Thinking Canonical Works 17 14:00- Corcadorca’s Merchant of Venice (2005)’ 15:30 Jenny Sager University of Cologne ‘Out of the Frying Pan and Into the Fire’ (c. 1774- Re-Thinking Canonical Works 17 14:00- 78): A/The Interplay between Marlowe’s Doctor 15:30 Faustus (c. 1588-9) and Greene’s Friar Bacon (c. 1589) Anna Winget University of California, Irvine “As if awakening”: for an increasingly global Performativity and Spirituality 17 14:00- consciousness in Strindberg’s Dream Play 15:30 Fernando Universidade Federal de Minas Gerais/UFMG/Brazil Practices of the “performer” and indigenous Performativity and Spirituality 17 14:00- Mencarelli knowledge: shamanism, active culture and 15:30 performing actions Matteo State University of Campinas - Brazil (www.unicamp.br) Dissolving Past and Present: the importance of Performativity and Spirituality 17 14:00- Bonfitto spirituality in Eastern/Asian Theatres 15:30 Patrick Institute for Theatre Studies, University of Leipzig The Spectator's Past Curated Panel – A Theatre of 17 14:00- Primavesi Repetition and Recurrence. On the 15:30 Return of History in Theatre from 19th century Historicism to Contemporary Performances Micha Braun Leipzig University Institute for Theatre Studies Repetition and Recurrence. On Artefacts and their Curated Panel – A Theatre of 17 14:00- Performative Reconstruction in Robert Repetition and Recurrence. On the 15:30 Kuśmirowski’s Installation Art Return of History in Theatre from 19th century Historicism to Contemporary Performances Andrea Hensel Leipzig University, Institute of Theatre Studies Performing History – Reforming . The Curated Panel – A Theatre of 17 14:00- Presence of the Past in Berlin Theatre Historicism Repetition and Recurrence. On the 15:30 of the 19th Century Return of History in Theatre from 19th century Historicism to Contemporary Performances Günther Heeg Institute for Theatre Studies, Leipzig University A Theatre of Repetition and Recurrence. On the Curated Panel – A Theatre of 17 14:00- Return of History in Theatre from 19th century Repetition and Recurrence. On the 15:30 Historicism to Contemporary Performances. Return of History in Theatre from 19th century Historicism to Contemporary Performances Eiman Tunsi King Abdul Aziz University Discourse in Rahbani Historical Musicals Arabic Theatre Working Group 17 14:00- Sponsored Panel – HISTORICISING 15:30 ARAB PERFORMANCE REALITIES Hazem Azmy Ain Shams University, EGYPT The Just Despot Revisited: Historicising the Crisis of Arabic Theatre Working Group 17 14:00- Democratic Governance in the Post-30 June Sponsored Panel – HISTORICISING 15:30 Egyptian Stage ARAB PERFORMANCE REALITIES Margaret Litvin Boston University and Swedish Collegium for Advanced Taking Refuge? Arabic Theatre in Scandinavia Arabic Theatre Working Group 17 14:00- Study Sponsored Panel – HISTORICISING 15:30 ARAB PERFORMANCE REALITIES Julia Boll University of Konstanz Not Talking about Blackfacing Racial Stereotyping and its 17 14:00- Subversion 15:30 Leslie Gray University of Maryland College Park The Resistant Blackground: Performing Subversion Racial Stereotyping and its 17 14:00- in the Public Sphere Subversion 15:30 Raz Weiner Royal Holloway University of London. PhD candidate Ample Wildness: Ethnic Drag and Racial Fantasies Racial Stereotyping and its 17 14:00- in the Kibbutz Movement. Subversion 15:30 Dagmara Adam Mickiewicz University in Poznan Faculty of English The Battle of the Somme trauma and its theatrical Re-working Trauma through 17 14:00- Krzyzaniak Deaprtment of Studies in articulation in Frank McGuinness‘ 'Observe the Performance 15:30 Sons of Ulster Marching Towards the Somme' R. Darren York University David Greig's THE EVENTS: Theatre, Healing, and Re-working Trauma through 17 14:00- Gobert the History of Ideas Performance 15:30 Pentti University of Helsinki; independent scholar Theatre of Cultural Trauma and Healing. Case: Re-working Trauma through 17 14:00- Paavolainen Finland Performance 15:30 Anneli Saro University of Tartu Theatrical Event as a Representation of Theatre Writing Theatre History 17 14:00- History 15:30 Milena Grass Escuela de Teatro, P. Universidad Católica de Chile Theatre anthology versus theatre history: the Writing Theatre History 17 14:00- Chilean case 15:30 Tania Brandao Universidade Federal do Estado do Rio de Janeiro UNIRIO History of Modern Theatre: A Study on the Brazilian Writing Theatre History 17 14:00- Experience in Theatrical Performance and Theatre 15:30 History Joanna Postdoctoral Researcher, Aalto University of Arts, Design and Touching the Past – Costumes as Mediators of the History 17 14:00- Weckman Architecture Finnish Film & Theatre History 15:30 Fausto Viana Escola de Artes, Ciencias e Humanidades – Universidade de Archives and performance rights: stimulus for Costume History 17 14:00- Sao Paulo forgery and misconceptions 15:30 Maarit Uusitalo Aalto University, School of Arts, Design and Architecture Gustaf III theatre costumes Costume History 17 14:00- 15:30 Marisa Keuris University of South Africa Magrita Prinslo (1896), Magdalena Retief (1945) Women Writers 17 14:00- and Mies Julie (2012): the old Afrikaner 15:30 volksmoeder (mother of the nation) versus the young Afrikanermeisie (girl) Yuko Kurahashi Kent State University Theatrical Past and Present in the Women’s Women Writers 17 14:00- Suffrage Movement 15:30 Elizabeth University of Leiden, Netherlands Specificities and Uniqueness of Narratives in the Women Writers 17 14:00- Omoruyi Works of Two Nigerian Female Dramatists 15:30 Michelle Liu University of California, Los Angeles Past the Theatrical Present: Engaging the Living Conceptualizing Theatre and 17 14:00- Carriger Histories that Never Happened Spectacle 15:30 Riku The School of Communication, Media and Theatre The The Eco-Cruelty of the Great Famine of 1695-97: Conceptualizing Theatre and 17 14:00- Roihankorpi University of Tampere Artaud and His Anarchic Ethics at the Crux of the Spectacle 15:30 Little Ice Age Teemu University of Tampere Ingold's Binaries: Theatrical and Performative Conceptualizing Theatre and 17 14:00- Paavolainen Perspectives on Historical Materiality Spectacle 15:30 Christopher University of Nottingham “Of what is past, or passing, or to come”: Archiving Mapping Heritage 17 14:00- Collins the corporeal artifacts of Irish and Irish-American 15:30 heritage performance. Tzu-Ching Yeh Chang Jung Christian University City, Literature and Theater: Engaging the Colonial Mapping Heritage 17 14:00- Past in Tainan 15:30 Rebecca Free Goucher College Mapping Heritage Through Site-Specific Mapping Heritage 17 14:00- Performance in Marseille 15:30 Ellen Koban Department of Theatre Studies at Johannes Gutenberg- On the genesis of theatre as a machinery of Foucauldian Perspectives on History 17 14:00- University Mainz, Germany re/production. Bourdieu’s theory of social fields 15:30 and Foucault’s dispositif analysis as historicizing research programs Georg Doecker Institut für Angewandte Theaterwissenschaft, Universität Regimes – Apparatuses – Subjects and Forms: A Foucauldian Perspectives on History 17 14:00- Gießen (Institute for Theatre Studies,GießenUniversity) Methodological Sketch for a Critical Historiography 15:30 of the Performing Arts Lorenz Institute for Applied Theatre Studies, University Giessen Not yet finished – or: performance as apparatus. Foucauldian Perspectives on History 17 14:00- Aggermann An analytical sketch for the historical analysis of 15:30 theatre. Christine UNIRIO / FAPERJ The Relationship between Theatre and Cinema in Popular Theatre and Film 17 14:00- Junqueira Leite Portugal in the 1930s 15:30 de Medeiros Matthew Rutgers University - New Brunswick Modern Historiography and Mythic History: Popular Theatre and Film 17 14:00- Buckley and/in Modernity 15:30 Peter Davis University of Illinois at Urbana-Champaign Asking Large Questions in Small Spaces: Popular Theatre and Film 17 14:00- Contextualized Theatre History as Microhistory 15:30 Solveig Gade University of Keeping the past alive: Milo Rau’s Hate Radio Trouble Spots: Afghanistan, 17 16:00- Thailand, Rwanda 17:30 Hannah University of Cologne International Art Projects in Afghanistan: Where Trouble Spots: Afghanistan, 17 16:00- Neumann Does the Responsibility Towards The Artists end? Thailand, Rwanda 17:30 Jirayudh Chulalongkorn University A Glimpse of Hope over the Chaophraya River : Trouble Spots: Afghanistan, 17 16:00- Sinthuphan History, Memory and Political Dialogue in Thailand, Rwanda 17:30 Performance Practice Holly Maples Brunel University London The Commemorative Body: Body as Site of Re-Enacting of History 17 16:00- Collective Memory and National’ Resistance 17:30 Kurt Taroff Queen's University Belfast Loyal to a Fault: Performing History and Playing Re-Enacting of History 17 16:00- Politics in the Ulster Volunteer Force Centenary 17:30 Commemoration Parades Natalia Duong University of California, Berkeley (Re)dressing Vietnam: War Reenactment and Re-Enacting of History 17 16:00- Transnational Repair in the work of Dinh Q. Le 17:30 Riitta Pohjola- University of Tampere Aleksis Kivi between and – Tragic Irony, Morality and Romantic 17 16:00- Skarp Rethinking Kivi´s play Karkurit (The Fugitives) Drama 17:30 Roland Lysell Stockholm University Shelley's The Cenci in the light of modern theories Tragic Irony, Morality and Romantic 17 16:00- of tragedy Drama 17:30 Graca Correa CFC-Universidade Lisboa; CIAC-Universidade do Algarve Theatre in the Gothic Mode: Emotional Excess Tragic Irony, Morality and Romantic 17 16:00- Defying Despotism and Mechanistic Knowledge Drama 17:30 Orestes Perez Universitat Autonoma de Barcelona Catalunya. From the Real Person as Performer to the Actor as Bodies, Agents and Physicality 17 16:00- Character: A Possible History of the Human Agent 17:30 on the Theatrical Stage Franziska Bork University of Copenhagen Department of Arts and Cultural Take your protein pills and put your helmet on. Bodies, Agents and Physicality 17 16:00- Petersen Studies Body ‘enhancement’ through the ages 17:30 Anirban Kumar Jawaharlal Nehru University Missing Beings: Human-Robots in "Machine" Bodies, Agents and Physicality 17 16:00- 17:30 Johanna University of Amsterdam Appearing Archives: Curating the gaps in Curated Panel – Cultural Heritage 17 16:00- Timonen transnational performing arts history in The and Policies: Hegemony of Histories 17:30 Netherlands, Dutch Caribbean and Suriname Gargi Deptt. of Theatre Arts, SN School of Arts & Re-searching the Archive: Towards Cultural Policy Curated Panel – Cultural Heritage 17 16:00- Bharadwaj Communication,HyderabadCentralUniversity,Telangana,India Discourse and its Selected its (In) Visibilities and Policies: Hegemony of Histories 17:30 Lonneke van ASCA, UvA Curating the archive, re-staging events in a Curated Panel – Cultural Heritage 17 16:00- Heugten European public sphere: the cancellation of and Policies: Hegemony of Histories 17:30 Golgota Picnic in Poznan MeLê Yamomo University of Amsterdam Sound Urbanization Policies? City modernization Curated Panel – Cultural Heritage 17 16:00- policies and the importation of migrant Manila and Policies: Hegemony of Histories 17:30 musicians in 19th-century colonial Southeast Asia Laura University of Helsinki Amateur traditions as part of the development of Curated Panel – Historiography in 17 16:00- Grondahl the Finnish theatre system Development of Theatre Systems 17:30 Kim Stockholm University Historiography of Development: The Danish Curated Panel – Historiography in 17 16:00- Skjoldager- Theatre System Development of Theatre Systems 17:30 Nielsen Karolina University of Lodz Tradition as factors of organization systems Curated Panel – Historiography in 17 16:00- Prykowska theaters in Europé Development of Theatre Systems 17:30 Michalak Małgorzata University of Lodz The distribution of history in Polish theatre in Curated Panel – Historiography in 17 16:00- Leyko respect to the political transformation of 1989 Development of Theatre Systems 17:30 Alette The Royal Library, Denmark Historiography of Development: The Danish Curated Panel – Historiography in 17 16:00- Scavenius Theatre System Development of Theatre Systems 17:30 Nic Leonhardt University of Cologne LMU Munich Ephemerality in a Box: Approaches to an Object Curating History Through Media, 17 16:00- Objects and Performance 17:30 Tony Gardner University of Leeds Time and Memory in Museum Performance and Curating History Through Media, 17 16:00- Re-enactments Objects and Performance 17:30 Ildikó Ungvári University of Arts Tg-Mures, Romania, Theatre Department Technical media, narratives and realities in theatre Curating History Through Media, 17 16:00- Zrínyi history Objects and Performance 17:30 Aneta Stojnic FMK, Faculty of Media and Communications, Singidunum Liminal Bodies and Radical Subjectivities Choreography and Corporeality 17 16:00- University, Belgrade Working Group Sponsored Panel 17:30 Arushi Singh UCLA Department of World Arts and Cultures/Dance Locating precarity in the creative practice of Choreography and Corporeality 17 16:00- contemporary dance Working Group Sponsored Panel 17:30 Gustavo University of Lisbon, School of Arts and Humanities Expanded practices from the experience of “crisis” Choreography and Corporeality 17 16:00- Vicente in Portugal: recent projects from João Fiadeiro & Working Group Sponsored Panel 17:30 Fernanda Eugénio and Vera Mantero Lynne Kent La Trobe University Melbourne Australia Moving Screens: gateways between the material Intermediality in Theatre and 17 16:00- and immaterial Performance Working Group 17:30 Sponsored Panel – Shadow, screen, and gesture: Media archaeologies Andrew Brown University The Versailles Broadcasting Corporation: Bi- Intermediality in Theatre and 17 16:00- Starner directional Communication in Theatre, Television, Performance Working Group 17:30 and Tennis Sponsored Panel – Shadow, screen, and gesture: Media archaeologies Andy Lavender University of Surrey Seizing the moment: the cultural disposition of Intermediality in Theatre and 17 16:00- early-phase motion capture Performance Working Group 17:30 Sponsored Panel – Shadow, screen, and gesture: Media archaeologies Camilla Independent researcher Position and Recognition: European Early Modern Re-Reading Acting and Theatre 17 16:00- Kandare Social Protocol as Kinetic Performance Theory 17:30 Inma Garin University of Valencia, Spain The artist is not present Re-Reading Acting and Theatre 17 16:00- Theory 17:30 Anna Sica University of Palermo The Applications of the Acting Vocal Code-System Re-Reading Acting and Theatre 17 16:00- of the drammatica in the Eighteenth-Century Theory 17:30 Commedia dell’Arte. Brian Singleton Trinity College Dublin Re-Performing Retrospectives and Witnessing Ephemeral Evidence 17 16:00- Future History: ANU Productions and the Monto 17:30 Cycle Katherine Sheffield Hallam University, U.K. and The University of Performance of/as history: live, living and online Ephemeral Evidence 17 16:00- Johnson , Australia 17:30 Priyanka Basu Department of South Asia in SOAS Itinerant Traditions: Reading Fairs and Festivals as Ephemeral Evidence 17 16:00- New Sites for Constructing Performance Histories 17:30 Mary Caulfield Farmingdale State College “Of what is past, or passing, or to come”: Archiving City, Memory, Performance 17 16:00- the corporeal artifacts of Irish and Irish-American 17:30 heritage performance. Nesreen Middlesex University My City, My Revolution and the Theatrical Re- City, Memory, Performance 17 16:00- Hussein telling of Experience 17:30 Helena Bastos Universidade de São Paulo (USP), Brazil Unwilling body. Testimony of a movement between City, Memory, Performance 17 16:00- forgetfulness 17:30 Avra Open University of Cyprus “‘Adaptaphobia’ and the Current Stage; Or Should Adaptation and Dramaturgy 17 16:00- Sidiripoulou we ‘Resurrect’ the Past and Why?” 17:30 Jan Balbierz Instytut Filologii Germanskiej, Uniwersytet Jagiellonski Cultural Traditions and Theatrical Genealogies in Adaptation and Dramaturgy 17 16:00- Ingmar Bergman´s 17:30 Anthoullis University of Athens "Saint Tennesse Williams" on Stage Adaptation and Dramaturgy 17 16:00- Demosthenous 17:30 Shorelle Cole Professional playwright Veiling the Women: Appropriation of Baroque Re-appropriating History and 17 16:00- performance platforms as a plot device in writing Theatre History 17:30 the stage adaptation of Vivaldi's Mistresses Ruta Vytautas Magnus University The new is well forgotten old: the legacy of Re-appropriating History and 17 16:00- Mazeikiene theatrical past in contemporary Lithuanian theatre Theatre History 17:30 Jeff Kaplan University of Maryland, College Park Dramaturging the Past: Dorothy Sands and Styles Re-appropriating History and 17 16:00- in Acting (1932) Theatre History 17:30 Joana Soares Centre for Theatre Studies (CET), University of Lisbon Does history forgive divas?: the case of Amelia Rey Women in Power on and off Stage 17 16:00- Vieira Colaço. 17:30 Ngozi University of Nigeria, Nsukka. The First Actress Party: Adunni Oluwole and the Women in Power on and off Stage 17 16:00- Udengwu First Guerrilla Theatre in Nigeria 17:30 Dorothy Texas Tech University Critic and Criticism as Discursive Artefacts: Wilella Women in Power on and off Stage 17 16:00- Chansky Waldorf in Situ 17:30 Dominik Frank LMU Munich, Institute for Theatre Studies Reenactment+: Reflecting Traumas in the Theatrical Pedagogy, Education and Theatre 17 16:00- Past for the Present 17:30 Cock Dieleman Theatre Studies / University of Amsterdam Representations of (Theatre)History in Dutch Youth Pedagogy, Education and Theatre 17 16:00- Theatre 17:30 Veronika Zangl Theatre Studies/University of Amsterdam Representations of (theatre)history in Dutch Youth Pedagogy, Education and Theatre 17 16:00- theatre 17:30 Venkata Central University of Jharkhand Political Mobilization and Folk Performances: A Exploiting Traditional and Folk 17 16:00- Naresh Burla Theatrical Study on the Performances Organized by Performances 17:30 the Indian People Theatre Association During the Centenary Celebrations of Comrade P.S. in Andhra Pradesh Casmir UNIVERSITY OF IBADAN A Critique of the Origin of Theatre in Nigeria: The Exploiting Traditional and Folk 17 16:00- Onyemuchara Okumkpo Masquerade Performance Aesthetics in Performances 17:30 Focus M K Raina National School of Drama, New Delhi Monk – Mask and the Mind Exploiting Traditional and Folk 17 16:00- Performances 17:30