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Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22). -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Amends Script
Amends (October 31, 1998) Written by: Joss Whedon Teaser EXT. DUBLIN STREET - NIGHT (1838) A Dickensian vista of Christmas. Snow covers the street (though it is not falling now), people and carriages milling about in it. A group of five or so CAROLLERS stand by one corner, singing a traditional Christmas air. A young man (DANIEL) in a dark suit makes his way through the people, quickly and nervously. He looks about him constantly. He passes an alley and he is suddenly GRABBED and pulled inside. He lands in a heap in the corner, the figure that grabbed him standing over him. ANGEL Why, Daniel, wherever are you going? Angel is dressed similarly -- though a bit more elegantly -- to Daniel. He is smiling graciously, and in full vampface. Daniel cowers, scrambling backwards. DANIEL You -- you're not human... ANGEL Not of late, no. DANIEL What do you want? ANGEL Well, it happens that I'm hungry, Daniel, and seeing as you're somewhat in my debt... DANIEL Please... I can't... ANGEL A man playing at cards should have a natural intelligence or a great deal of money and you're sadly lacking in both. So I'll take my winnings my own way. He grabs him, hoists him up. Daniel cannot wrest Angel's grasp from his throat. He Buffy Angel Show babbles quietly: DANIEL The lord is my shepherd, I shall not want... he maketh me to lie down in green pastures... he... ANGEL Daniel. Be of good cheer. (smiling) It's Christmas! He bites. INT. MANSION - ANGEL'S BEDROOM - NIGHT Angel awakens in a start, sweating. -
Buffy Omnibus Volume 2 Free
FREE BUFFY OMNIBUS VOLUME 2 PDF Dan Brereton,Christopher Golden,Hector Gomez,Brian Horton,Paul Lee,Scott Lobdell | 320 pages | 11 Sep 2007 | Dark Horse Comics,U.S. | 9781593078263 | English | Milwaukie, United States Buffy the Vampire Slayer: Omnibus, Vol. 2 by Joss Whedon Goodreads helps you keep track Buffy Omnibus Volume 2 books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other Buffy Omnibus Volume 2. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Buffy the Vampire Slayer: Omnibus, Buffy Omnibus Volume 2. Dan Brereton Script. Christopher Golden Goodreads Author Script. Hector Gomez Pencils. Paul Lee Cover Illustration. Scott Lobdell Script. James Marsters Script. Jeff Matsuda Illustrator. Fabian Nicieza Script. Doug Petrie Script. Cliff Richards Illustrator. Luke Ross Pencils. Ryan Sook Art. Jen Van Meter Script. This second volume of our Buffy omnibus series collects many of the best Buffy comics to see print. As we follow the newly chosen Slayer from Los Angeles to Sunnydale and through her parents' divorce--with Dawn in tow--the souled vampire Angel makes his first appearance and the not-so-souled Spike and Drusilla cleave a bloody path toward the West Coast. This collection inc This second volume of our Buffy omnibus series collects many of the best Buffy comics to see print. This collection includes the critically acclaimed graphic novel Ring of Fire and the miniseries A Stake to the Heart, and reflects the Season 1 to Season 3 timeline of the cult-hit TV series. -
Buffy at Play: Tricksters, Deconstruction, and Chaos
BUFFY AT PLAY: TRICKSTERS, DECONSTRUCTION, AND CHAOS AT WORK IN THE WHEDONVERSE by Brita Marie Graham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSTIY Bozeman, Montana April 2007 © COPYRIGHT by Brita Marie Graham 2007 All Rights Reserved ii APPROVAL Of a thesis submitted by Brita Marie Graham This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Linda Karell, Committee Chair Approved for the Department of English Dr. Linda Karell, Department Head Approved for the Division of Graduate Education Dr. Carl A. Fox, Vice Provost iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it availably to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Brita Marie Graham April 2007 iv ACKNOWLEDGMENTS In gratitude, I wish to acknowledge all of the exceptional faculty members of Montana State University’s English Department, who encouraged me along the way and promoted my desire to pursue a graduate degree. -
Qt5st9c8c4.Pdf
UC Irvine UC Irvine Previously Published Works Title Give Me Something to Sing About’: intertexuality in Once More With Feeling Permalink https://escholarship.org/uc/item/5st9c8c4 Author Bauer, AM Publication Date 2021-06-27 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Chapter 12 "Give Me Something to Sing About": Intertextuality and the Audience in "Once More, with Feeling" Amy Bauer "I love all musicals." (Joss Whedon, audio commentary to "Once More, with Feeling.") Critics hailed "Once More, with Feeling" (6.7) as a brilliant example of the television musical. Its musical numbers flow from the narrative, yet prove integral to the seven-year arc of the series, and its eclectic but unified score was written expressly for the talents of a cast (mostly) new to the genre. Notably, its book, score, and concept all sprang from one mind, that of the Buffyverse's primary architect, Joss Whedon. Although untrained in musical composition, Whedon's affection for and knowledge of the American musical are everywhere evident, even if we did not have John Kenneth Muir's admission that he is a "virtual encyclopedia of musical film history."1 Analogous to the combined cinematic genres-from horror to religious epic-that mark Buf/Y the Vampire Slayer and Angel, "Once More, with Feeling" alludes to Sondheim and Loesser alongside the sardonic charm of 1940s music, 1950s swing jazz, 1970s arena rock, 1980s power ballads, and 1990s soft-rock confessionals, all within a lean, swift-moving structure that performs the dramatic functions of the classic American musical. -
A PDF Copy of This Issue of Slayage Is Available Here
Slayage: Number Six Slayage 6 September 2002 [2.2] David Lavery and Rhonda V. Wilcox, Co-Editors Click on a contributor's name in order to learn more about him or her. A PDF copy of this issue (Acrobat Reader required) of Slayage is available here. A PDF copy of the entire volume can be accessed here. J. Gordon Melton (University of California, Santa Barbara), Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002 PDF Version (Acrobat Reader Required) Reid B. Locklin (Boston University), Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good PDF Version (Acrobat Reader Required) Frances Early (Mount St. Vincent University), Staking Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior PDF Version (Acrobat Reader Required) David Lavery (Middle Tennessee State University), "Emotional Resonance and Rocket Launchers": Joss Whedon's Commentaries on the Buffy the Vampire Slayer DVDs PDF Version (Acrobat Reader Required) Recommended. Here and in each issue 1 3 of Slayage the editors will recommend 2 [1.2] 4 [1.4] [1.1] [1.3] writing on BtVS available on the Internet. 5 6 [2.2] 7 [2.3] 8 [2.4] [2.1] Robert Hanks, Deconstructing Buffy 11-12 9 10 [3.2] [3.3- [3.1] (from ) 4] Manuel de la Rosa, Buffy the Vampire Slayer, the Girl Power Movement, and 13-14 Heroism 15 [4.3] [4.1- Archives Andy Sawyer, In a Small Town in 2] California . the Subtext is Becoming Text (from ) Anthony Cordesman, Biological Warfare and the "Buffy" Paradigm" Paula Graham, Buffy Wars: The Next file:///C|/Documents%20and%20Settings/David%20Lavery/Lavery%20Documents/SOIJBS/Numbers/slayage6.htm (1 of 2)12/21/2004 4:23:36 AM Slayage, Number 6: Melton J. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 115 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 115 CONGRESS, FIRST SESSION Vol. 163 WASHINGTON, WEDNESDAY, FEBRUARY 15, 2017 No. 27 House of Representatives The House met at 10 a.m. and was Amendment, celebrated its 50th anni- with the knowledge of what it takes to called to order by the Speaker pro tem- versary. I became intrigued with its understand the personal and political pore (Mr. ROGERS of Kentucky). history and application because it is stresses of the Presidency? f clear, whether with Donald Trump or a I submit that the best failsafe to a future President, this mechanism is President who is emotionally unstable DESIGNATION OF SPEAKER PRO very important. Accidents can happen: would be to impanel our previous TEMPORE President Reagan suffered from early Presidents and Vice Presidents to The SPEAKER pro tempore laid be- onset Alzheimer’s that concerned his make that determination. fore the House the following commu- staff. President Wilson was incapaci- Think about how it would work. Cur- nication from the Speaker: tated by a stroke, and his wife, Edith, rently, there are 10 bipartisan former WASHINGTON, DC, effectively governed the United States distinguished Americans who, in most February 15, 2017. for months. cases, enjoy even greater public sup- I hereby appoint the Honorable HAR- It is only a matter of time before we port than when they left office. Most OLD ROGERS to act as Speaker pro tem- face these challenges again. As I exam- importantly, there is no group of peo- pore on this day. -
Slayage 1: Wandless
William Wandless Undead Letters: Searches and Researches in Buffy the Vampire Slayer Buffy, I have volumes of lore, of prophecies and predictions. But I don’t have an instruction manual. We feel our way as we go along. And I must admit, as a Slayer you’re doing pretty well. —Rupert Giles, in “Never Kill a Boy on the First Date” (1) Buffy the Vampire Slayer banks on a very simple premise: folks dig research. Admittedly, they also love brushes with the supernatural, snappy dialogue, trendy clothes, pretty people, sweltering smoochies, and the occasional bleached-blonde British vampire, but nothing pulls them in like an overhead shot of a man in tweed thumbing through a dusty, leather-bound book. Sadly, squeezing all the requisite trappings of vampire-slaying into forty-five minutes of television time places severe limitations on how much research work can be depicted in each episode. To keep viewers coming back for more, the series teases them with only a few scant moments of tantalizing page-turning per week. (2) Over the course of four seasons, however, the nature of those moments—and the surrounding narrative content which reflects and is reflected in them—has changed dramatically. While Giles and the Sunnydale High School Library formerly centralized and localized the Scooby Gang’s researches for the majority of the first three seasons, their methods and their measures have gradually expanded and adjusted to enable them to understand phenomena and combat adversaries well beyond the realm of everyday vampire-slaying. Research once offered Buffy the Vampire Slayer a degree of internal unity: the team rendezvous in the library regularly served as a kind of familiar, and often comfortingly familial, intermission between an initial encounter with a threat and the informed response to follow. -
Opposing Buffy
Opposing Buffy: Power, Responsibility and the Narrative Function of the Big Bad in Buffy Vampire Slayer By Joseph Lipsett B.A Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts in Film Studies Carleton University, Ottawa, Ontario April 25, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16430-3 Our file Notre reference ISBN: 978-0-494-16430-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Death: They're Going to Find a Body 175
Death: They're Going to Find a Body 175 - popular taste, regularly disregard writers, directors, and actors from science fiction /fantasy series (with rare exceptions, such as Gillian Anderson's award in acting for The X-Ftles—but she played, of course, the character who did not believe in the paranormal). In the 2003 Academy Awards sweep of eleven Oscars for Lord of the Rin,gs, director Peter Jackson noted that fantasy has been "the F word," the equivalent of obscenity among the tasteful—or, rather, those popularly presumed to be of mature taste. In distinction from the popular view, scholars such as Fiske and Hartley have long recognized the constructed nature of the "realistic" view. None- theless, many scholars and professional critics have also equated Quality Television with realism. "Quality TV aspires toward 'realism'," declares Robert Thompson (15); and though one should acknowledge his use of quotation marks around the term, one might also note his disparagement of Twin Peaks in the same volume. More recently, scholars Piers D. Britton Quality Television and the and Simon J. Barker have asserted, "The aspiration toward naturalism has become ever greater in television as the medium has sought to ope film" Supernatural in "The Body"1 [18-19, emphasis added), seeming to imply that television is not yet evolved enough for true realism.3 Science fiction or fantasy television is more likely to be described as Cult TV than Quality TV. And the term "cult" is typi- cally pejorative, with the suggestion that admirers of such series are few and fannish. The Bufjy and Philosophy collection, edited by my friend James There is the house whose people sit in darkness; dust is their food South, includes a last chapter titled "Feeling for Buff)'," wherein Michael and clay their meat.. -
9524 1140 Rankin, Troy, Michigan 48083 5-29-08
REQUEST FOR QUOTATION REQUISITION No. 9524 TROY SCHOOL DISTRICT DUE DATE NO LATER THAN 1140 RANKIN, TROY, MICHIGAN 48083 5-29-08 3 p.m. 248-823-4052 FAX: 248-823-4077 DATE 5-9-08 REQUEST FOR QUOTE – NOT AN ORDER THIS FORM MUST BE UTILIZED WHEN RESPONDING TO THIS REQUEST BID ENVELOPE ENCLOSED THE RFQ NUMBER MUST APPEAR ON ALL QUOTATIONS AND RELATED CORRESPONDENCE, THIS IS NOT AN ORDER Quantity DESCRIPTION UNIT PRICE AMOUNT Please supply us with your bid to furnish the Troy School District with Media Center Books for the International Academy East. Copies of the bid are available at: www.troy.k12.mi.us/purchasing/items_out_for_bid.htm Bid recaps will be available at: troy.k12.mi.us/purchasing/index.htm FACSIMILE BID IS NOT ACCEPTABLE Bids will not be accepted if submitted after the deadline specified (local time) in the advertisement to bid or in the information to bidders. The late submission of a bid makes the bid nonrepsonsive and is a material defect which shall not be waived by the Board of Education. Delays in the mail will not be considered. All Late bids in the mail will be returned to the bidder unopened. Proposal for the submission of alternatives by vendors will be accepted and reviewed. However, if any substitution or departure is not clearly noted and described, it will be understood that the bid intends to exactly meet the specifications. The Board of Education shall be the sole judge as to whether the proposed goods are “equal” or “approved”. Quotations must be mailed or delivered to the Purchasing Office, 1140 Rankin, Troy, MI 48083 no later than 3 p.m.