Mike Bloomfield, Al Kooper

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Mike Bloomfield More Live Adventures Of mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: More Live Adventures Of Country: US Style: Electric Blues MP3 version RAR size: 1621 mb FLAC version RAR size: 1370 mb WMA version RAR size: 1673 mb Rating: 4.2 Votes: 753 Other Formats: AUD MMF WAV ASF MP4 AIFF VOX Tracklist Hide Credits Linda Lu A1 Vocals – Mike Bloomfield Swee Little Angel A2 Vocals – Roger Troy Glamour Girl B1 Vocals – Mike Bloomfield Imagination B2 Vocals – Al Kooper If I Get Started All Over Again B3 Vocals – Roger Troy Credits Bass, Vocals – Roger Troy Cover – Don Ivan Punchatz Drums – George Rains Engineer – Karl Richardson Guitar, Vocals – Mike Bloomfield Keyboards – Barry Goldberg Keyboards, Vocals – Al Kooper Mixer – Mike Fusaro Producer – Blake Carrington Re-mixer – Gene Paul, Jimmy Douglass Notes Live at the Bottom Line, NYC 31/03/1974 BETTER DAYS RECORDS 1803 BROADWAY, NEW YORK CITY, 10010 A side, white label B side, green label Other versions Category Artist Title (Format) Label Category Country Year Al Kooper & Mike Al Kooper & Bloomfield - More Live Four Aces FAR 009 FAR 009 US Unknown Mike Bloomfield Adventures Of (CD, Records Unofficial) Related Music albums to More Live Adventures Of by Mike Bloomfield Mike Bloomfield - Mike Bloomfield & Friends Mike Bloomfield And Al Kooper - The Live Adventures Of Mike Bloomfield And Al Kooper Mike Bloomfield, Al Kooper, Stephen Stills - Super Session Michael Bloomfield - Living In The Fast Lane Michael Bloomfield - Count Talent And The Originals Al Kooper & Mike Bloomfield - The Weight The Paul Butterfield Blues Band - An Anthology: The Elektra Years Michael Bloomfield - If You Love These Blues, Play'em As You Please Mike Bloomfield - Mike Bloomfield Mike Bloomfield / Al Kooper / Stephen Stills - Super Session.

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Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition.
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Breaking Down” with Premiere on All Things Go
FOR IMMEDIATE RELEASE: AUSTRALIAN BLUES/ROCK GUITARIST, HAMISH ANDERSON, ANNOUNCES NEW SINGLE, “BREAKING DOWN” WITH PREMIERE ON ALL THINGS GO -------------- Australia-born, blues-rock artist Hamish Anderson premiered his new track, "Breaking Down" on All Things Go, who declared, “From soulful strums of a thick bass to near-rockabilly breakdowns, the young artist clearly knows the path from nostalgia to the future.” Anderson is currently on an East coast tour with The Main Squeeze and will be performing on November 17 with Doyle Bramhall II at Moroccan Lounge in Los Angeles. “Breaking Down” dials up straight ahead, high energy rock and roll reminiscent of early Kings of Leon -with the swagger of 60s bands like The Kinks and The Who. Produced by 7x Grammy winner Jim Scott (whose credits include Red Hot Chili Peppers and Tom Petty), this new single is an unabashed rocker from start to finish, with a driving bass line and a breakneck drum beat backing up his rhythmic guitar styling The second single from Anderson’s upcoming album due out in 2019, "Breaking Down" follows up the single/video “No Good.” The video premiered on Billboard, who deems Anderson a “singer, songwriter and guitar hero.” That track, which debuted on Relix Magazine, was selected for Spotify’s Official ‘Nu Blues’ playlist. Anderson tells premiere partner, All Things Go: "With my new single, "Breaking Down" I wanted to write an unabashed rocker. I was listening to a lot of The Kinks, The Who and even early Kings of Leon when I wrote it -- that inspired the tone of it overall.
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Michael Bloomfield & Friends
Now here is something I haven't gotten to the bottom of yet!!! MICHAEL BLOOMFIELD & FRIENDS (These recordings have been released so many times on different LP’s and CD’s that I have given up trying to pin them down! Sorry. I know it’s a mess. Paul Thompson has tried to sort it out and I have used his numbering to the left. Anyway it’s fine music!) 1977 Recorded live at McCabe’s, Santa Monica, California - producer Denny Bruce - Mike Bloomfield, guitar, vocals - Mark Naftalin, piano - Buddy Helm, drums - Buell Neidlinger, bass Paul’s: 1 1. “Eyesight to the Blind” (4:11) band 2 14. “Women Lovin’ Each Other” (8.19) band 3 2. “Linda Lu” (3.51) band 4 3. “Kansas City Blues” (3:34) solo 5 1a. “Toilet story” (0.56) 6 2. “Frankie And Johnny” (4.38) 7 7. “Lord, Though I Am with Thee” (3:38) solo (“I’m With You Always”) 8 8. “Jockey Blues (3:50) piano + guitar (“My Father Was A Jockey”) 9 16. “Blues In B-flat” (5.56) piano + guitar 10 4. “Darktown Strutters' Ball/Mop Mop/Call Me A Dog” (3.59) solo 11 9. “Stagger Lee” (4.20) 12 5. “I'm Glad I'm Jewish” (3:02) solo 13 6. “Great Gifts From Heaven” (3:32) solo 14 9. “Between the Hard Place and the Ground” (6.56) band 15 17. “Don’t You Lie To Me” (3.30) band 16 15. “Cherry Red” (4.40) band 17 “We Love You” (6.08) 18 11.
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Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Beneﬁt It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.
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Catchpenny Gazette 15
Catchpenny Gazette 15 Catchpenny Gazette № 15 1 CCaattcchhpepennnnyy GGazettazettee Number 15 “Winter deserves to be defied” March 2006 Published more-or-less monthly by David Burton at 5227 Emma Drive, Lawrence IN 46236-2742 E-mail: [email protected] Distributed in a PDF version designed for printing. Available for downloading at efanzines.com or at geocities.com/cpgzine. A Noah Count Press Publication. Contents Notes From Byzantium Eric Mayer 3 View From The Attic Jim Lavell 5 Palimpsest Jack Blandifet 7 Much Nothings About Ado Lee Lavell 8 Shambles Dave Locke 9 Found In Collection Christopher Garcia 10 Epistles letter column 11 Finis David Burton 16 Artwork Cover: photograph by David Burton Brad Foster: 3, 4, 11, 13 USPS: 4 Jim Marshall (cover photos for Super Session LP/CD): 5 Marc Schirmeister: 15, Back cover William Rotsler: 6 Contents copyright © 2006 by David Burton. Copyright reverts to the respective contributors on publication. AMDG 2 Catchpenny Gazette № 15 EErriicc MMaayyeerr Notes From Byzantium ment at night. We provided some old blankets, on a shelf, Now Batting, Punxsutawney Phil next to the chimney. They curled up together and didn’t Yesterday the kids next door were out in the snow hit- seem to mind. If they did, we couldn’t hear the com- ting a whiffle ball. As a long time baseball fan, I like that. plaints from the second floor. The week before the Super Bowl no less. Obviously they Rachel’s been gone for years. If cats truly have no have their sports priorities straight. sense of time, Sabrina must get up every morning, think- When I was a kid, my friends and I always managed to ing her friend has just stepped out for a bit and will be get out once in January or February to hit some base- back any moment.
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BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a.
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Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
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The Butterfield Blues Band East-West Mp3, Flac, Wma
The Butterfield Blues Band East-West mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: East-West Country: Europe Style: Electric Blues, Blues Rock MP3 version RAR size: 1469 mb FLAC version RAR size: 1788 mb WMA version RAR size: 1120 mb Rating: 4.4 Votes: 968 Other Formats: AC3 MP3 FLAC MP1 WAV AA DTS Tracklist Hide Credits Walkin' Blues 1 3:15 Written-By – Johnson* Get Out Of My Life, Woman 2 3:13 Written-By – Toussaint* I Got A Mind To Give Up Living 3 4:57 Written-By – Traditional All These Blues 4 2:18 Written-By – Traditional Work Song 5 7:53 Written-By – Adderley*, Brown* Mary, Mary 6 2:48 Written-By – Nesmith* Two Trains Running 7 3:50 Written-By – Davis* Never Say No 8 2:57 Written-By – Traditional East-West 9 13:10 Written-By – Bloomfield*, Gravenites* Companies, etc. Record Company – Warner Communications Inc. Phonographic Copyright (p) – Elektra Records Copyright (c) – Elektra Records Copyright (c) – Demon Records Ltd. Manufactured By – TELDEC Record Service GmbH Mastered At – Digital Magnetics Credits Bass – Jerome Arnold Design, Photography [Cover Photos] – William S. Harvey Drums – Billy Davenport Guitar – Elvin Bishop, Mike Bloomfield Harmonica, Vocals – Paul Butterfield Liner Notes – Paul Nelson Mastered By [Cd Mastering] – Bruce Botnick, Paul A. Rothchild Organ, Piano – Mark Naftalin Producer – Barry Friedman (tracks: 6), Mark Abramson, Paul A. Rothchild Producer [Supervisor] – Jac Holzman Vocals – Elvin Bishop (tracks: 8) Notes Originally released in 1966. CD Mastering at Digital Magnetics, Los Angeles.
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Mike Bloomfield Pickup Phrases
The Essential Mike Bloomfield Pickup Phrases by Don Mock Welcome to this lesson series on the legendary Michael Bloomfield. No guitarist cast a larger shadow of influence on my playing career than Bloomfield. Mike was a gifted and creative Blues player who had a special magic when he played. He was the first player in the ‘60’s to incorporate melodies and sounds that were above and beyond the rock and Blues styles of the day. I can remember literally wearing out my “Butterfield” and “Super Session” albums try- ing to capture every note and nuance in his solos. Mike Bloomfield was clearly influenced by the great Bluesmen but he also listened to and was inspired by other forms of music including jazz. And it was those great little jazz touches, Mike brought to his improvised solos, that intrigued me and many others to study deeper into the world of jazz as well as Blues. And although I became known more as a Jazz and Fusion player later in my career, my musical soul still resides in the Blues and Mike Bloomfield. So, thanks for checking out this lesson and hope you gain a bit more insight into this great American guitarist whose life and career were far too short. This first installment of the Essential Mike Bloomfield demonstrates “pickup” or “setup” phrases Mike often used to begin or lead into his brilliant solos. The examples are rooted in traditional Blues and R&B and similar versions can be heard by many Blues guitar players. But Bloomfield had a special way of making even the simplest of them sound unique.
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The Snack Bar Saga by LESLIE LINCOLN
flsSversity VOL. 1, NO. 5 UCIIRVINE OCTOBER 10. 1968 The Snack Bar Saga by LESLIE LINCOLN Griping students and live guitar music spread out in the gaping space in the 1st floor of the Gateway Commons Tuesday at noon, as people started using the popular old snack bar areaonce again. Meanwhile, the ASUCI Senate had the night before taken over the negotiations on establising a new snack bar in the cafeteria area of the second floor, since Chancellor Daniel Aldrich's adminis- tration decided this summer to take out the snack bar and use the1st floor for student government expansion. Ex-student senator John Krall, who with Rollin Buchanan had called the "lunch-in," said that his purpose wasn't affected by the fact that there would someday be a snack bar on the second floor. "We thought,' he said, "that sudents needed to realize how im- portant it was to have a place to get together and meet - especially the freshmen, who just assume that this university is just a place where students wanderaroundonpaths, and you meet them, maybe, if youhappen to have a class withthem." "This area is ideal as a snack bar,' John went on. "The stu- dent government shouldn't accept a compromise. Ihope thatRon (Ridgle, ASUCI President) will use all the pressure he has to re- fuse to move his offices downstairs.' Students will get together in the empty area again on Friday at noon and whenever they feel 'like it from then on. "It's not something organized,' said John. It's just people bringing en- tertainment, bringing their friends." He hopes that "allthe people who feel they were kicked out of the snack bar" willcome.
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Roland Corporation U.S. Proudly Supports Light up the Blues Concert
FOR IMMEDIATE RELEASE Press Contact: Company Contact: Robert Clyne Rebecca Eaddy President Marketing Communications Mgr. Clyne Media, Inc. Roland Corporation U.S. (615) 662-1616 (323) 890-3718 [email protected] [email protected] ROLAND CORPORATION U.S. PROUDLY SUPPORTS LIGHT UP THE BLUES CONCERT Autographed Musical Instruments Donated for Silent Auction in Support of Autism Awareness Event Emceed by Jack Black Featured Special Performances from Stephen and Chris Stills, Neil Young, and More Los Angeles, CA, June 30, 2016 — Hollywood’s famed Pantages Theatre was host to the fourth annual Light Up the Blues concert, as several rock legends and Hollywood celebrities came together to help raise awareness for autism. The sold-out event was emceed by Jack Black — who wore blue suede sneakers in honor of the cause — and attended by celebrities including Christina Applegate, Andy Dick, Patricia Heaton, Matt Walsh, and many more. Attendees enjoyed musical performances by Neil Young, The Rides (featuring Stephen Stills, Kenny Wayne Shepherd, and Barry Goldberg), Jakob Dylan, The War On Drugs, Nikka Costa, Chris Stills, and others. As part of its ongoing initiative to help raise awareness of autism, Roland Corporation U.S. donated a dozen musical instruments — ranging from pianos and keyboards, to percussion instruments, to guitar effects and amps — that were hand-signed by the performers, as well as a Rock n’ Roll Fantasy Camp package, tickets to future shows at The Pantages, and autographed Light Up the Blues posters, all of which were included in a silent auction to benefit Autism Speaks. Autism currently affects 1 in 68 children in the United States and millions more worldwide.
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Paul Began Playing at Age 12, on an Acoustic Guitar That His
Paul began playing at age 12, on an acoustic guitar that his dad had “broken in” singing pro-labor and “peoples’ songs” while performing at union rallies and concerts in the late ‘40’s. An entirely self-taught player, Paul used as his early models the music in his dad’s 78 and LP collection- records by Lightnin’ Hopkins, John Lee Hooker, Blind Willie Johnson, Leadbelly, Uncle Dave Macon, Woody Guthrie, Jimmy Driftwood, and Flatt and Scruggs, as well as jazz and gospel discs by Dinah Washington, Sarah Vaughan, The Staple Singers, and Mahalia Jackson. Soon after hearing the music coming out of bars on Chicago’s South Side, howev- er, he single-mindedly started playing electric guitar, trying to evoke the sounds of Buddy Guy and Otis Rush. His career began at age 18 “in the trenches” of Pepper’s Lounge, the 1815 Club, Theresa’s, and other haunts, as a sideman to Otis Rush, Magic Sam, Junior Wells and other fixtures of the Chicago blues scene. Gigs, tours and recordings followed, with legends like John Lee Hooker, Earl Hooker, Lightnin’ Hopkins, Sam Lay, Pops Staples, Donny Hathaway and Lightnin’ Slim. During this time he appeared on the milestone recording “Fathers and Sons” featuring Muddy Waters, Paul Butterfield and Mike Bloomfield and also played on “The London Howlin’ Wolf Sessions” LP, fea- turing Eric Clapton, Steve Winwood and members of the Rolling Stones. In 1971, needing a “spiritual battery recharge” he made the move to rural Vermont. The idea was to go as far from his “urban music roots” as possible- he bought a tiny piece of land in the shadow of breathtaking Camel’s Hump Mountain, built a geodesic dome, and attempted to live “like normal folks who didn’t live the music life 24 hours a day”.
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