Lahore Music House

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+91-8068441077 Lahore Music House https://www.indiamart.com/lahoremusichouse/ Lahore Music House is one of the leading organizations for manufacturing, exporting and supplying of Music Instruments. About Us Founded in 1948, Lahore Music House is the leading manufacturer, supplier and exporter of Portable Harmoniums, Wooden Guitar, Wooden Dholak, Bhangra Dhol, Professional Copper Tabla, Necked Lute Sarangi, Fiber Bongo Drum, Brass Trumpet, Snake Charmer Been, Electronic Tanpura, Wooden Flute, Electronic Synthesizer, Electronic Organs, Teak Wood Sitar, Banjira Tanpura, Acoustic Violin, Shruti Box and Banjira Sarod. Our products are enormously well-liked due to their top features and nominal prices. These products are developed by experts team employing the advanced techniques and optimum quality material, which is bought from dependable retailers of market. Professionals develop these products as per worldwide industry parameters. Being a client’s centric firm, experts also make these products according our customers necessities and requirements. We are the member of Govt. Regd. Export House. Owing to fair business polices, huge distribution network and quality centric approach, we have gained trust of our customers. Apart from, we work under the leadership of our mentor Mr. Jaspal Singh. Under his direction our firm has achieved heights of achievement. We also provide numerous facilities to the customers to put their demands forward and get them solve timely and as per their necessities. For more information, please visit https://www.indiamart.com/lahoremusichouse/profile.html PORTABLE HARMONIUMS O u r P r o d u c t s Wooden Naal Dholak White Harmonium Classical Harmonium Changer Harmonium WOODEN GUITAR O u r P r o d u c t s Spanish Guitar Stylish Guitar Classical Guitar Fancy Guitar WOODEN DHOLAK O u r P r o d u c t s Wooden Dholak Professional Dholak Naal Drum Dholak BHANGRA DHOL O u r P r o d u c t s Punjabi Bhangra Dhol Bhangra Dhol Wooden Bhangra Dhol O u r OTHER PRODUCTS: P r o d u c t s Folding Harmonium Attractive Guitar Teak Wood Sitar Dilruba O u r OTHER PRODUCTS: P r o d u c t s Fiber Electronic Organ Wooden Electronic Organ Shruti Box Banjira Tanpura F a c t s h e e t Year of Establishment : 1948 Nature of Business : Exporter and Manufacturer Total Number of Employees : Upto 10 People CONTACT US Lahore Music House Contact Person: Sardar Randhir Singh Number 3705, Netaji Subhash Marg New Delhi - 110002, Delhi, India +91-8068441077 https://www.indiamart.com/lahoremusichouse/.

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Indian Music I INTRODUCTION
Indian Music I INTRODUCTION Classical Dance of South India The southern Indian kathakali is a dance drama that dates from the 17th century. Several schools of acting have since developed around the framework established for the kathakali, which also borrows from the martial arts tradition of kalaripayat. Aside from performances for tourists in kathakali clubs, the dance drama is performed during ceremonies for religious offerings. The music of the kathakali is based on the art music tradition of southern India; the rhythmic cycle and melodic scale direct the dancer’s movements. "Kathakali Dance Theater" from Ritual Music and Theater of Kerala (Cat.# Le Chant du Monde LDX 274 010) (p)1989 Le Chant du Monde. All rights reserved./Photo Researchers, Inc. Indian Music, vocal and instrumental music of India, making up a mosaic of different genres and levels of sophistication. At one extreme, classical music is performed in the urban concert halls for purely artistic reasons, and, at the other, many kinds of functional rural musics accompany life-cycle and agricultural rites. In between are many other musical genres of different regions of the country, reflecting the diversity of its peoples, their lifestyles, and their languages. II CLASSICAL MUSIC The origins of Indian classical music can be traced to the Natya Shastra (about 2nd century AD), a Sanskrit treatise on drama that also describes the music of the theater, probably a forerunner of present-day concert music. Two classical traditions are now recognized: Hindustani in north India and Karnāṭak (also referred to as Karnatic or Carnatic) in the south. This division was probably accentuated in the 16th century as a result of the influence of Muslim invaders in the north.
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Jagdish Prasad Sunil Kumar
+91-9811192425 Jagdish Prasad Sunil Kumar https://www.indiamart.com/jpskmusicalstore/ Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Naal Drums and Shruti Box. About Us Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Harmonium Musical Instrument, Dhol Musical Instrument, Dholak Musical Instrument, Swarmandal Musical Instruments, Santur Musical Instruments, Tanpura Musical Instruments, Khanjari Musical Instruments, Electronic Banjos, Pakhawaj Drums, Djembe Drums, Khol Drums, Naal Drums and Shruti Box. Our products are extremely well-liked owing to their top features and nominal prices. These products are made by professional’s team employing the advanced techniques and best quality material, which is bought from trustworthy sellers of market. Professionals manufacture these products as per universal industry parameters. Being a customer’s centric organization, professionals also make these products according our client’s requirements and necessities. Due to huge distribution network, fair business polices and quality-centric approach, we have gained trust of our patrons. Apart from, we work under the leadership of our mentor Ashish Verma. Under his supervision our firm has attained heights of success. We also provide many facilities to the patrons to put their demands forward and get them solve timely and as per their requirements. For more information, please visit https://www.indiamart.com/jpskmusicalstore/profile.html
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Lakshman Sruthi Musicals Private Limited
+91-8048372597 Lakshman Sruthi Musicals Private Limited https://www.indiamart.com/lakshman-sruthi/ We are a renowned Wholesale Sellers of various kinds of Percussion Musical Instruments, Wind Instruments, Shruti Boxes, Dance Equipment, etc. Our instruments are easy to use and produce excellent quality sound. About Us We are a renowned Wholesale Sellers of various kinds of Percussion Musical Instruments, Wind Instruments, Shruti Boxes, Dance Equipment, etc. Our instruments are easy to use and produce excellent quality sound. For more information, please visit https://www.indiamart.com/lakshman-sruthi/profile.html DANCE EQUIPMENTS P r o d u c t s & S e r v i c e s Kolattam Dandiya Sticks 2 Thattukali Dance Equipment Pairs Natuvangam Dance Brass Thalam Dance Equipment Equipment MUSICAL INSTRUMENTS GIFT ITEMS P r o d u c t s & S e r v i c e s Sitar Miniature Showpiece Acoustic Guitar Harmonium Tabla WIND INSTRUMENTS P r o d u c t s & S e r v i c e s Baby Dholak Bamboo Flute Carnatic Wind Instrument Nut and Bolt Dholak Dholak PERCUSSION MUSICAL INSTRUMENTS P r o d u c t s & S e r v i c e s Urumi Melam Ghatam Musical Instrument Electric Drum with Bell 15 Udukkai Wood Musical inches Instrument SARASWATI VEENA P r o d u c t s & S e r v i c e s Joint Plain Veena Joint Veena Plain Fibre Case For Veena ELECTRIC GUITAR P r o d u c t s & S e r v i c e s Electric Guitar Acoustic Guitar Ukulele Guitar DRUM SET P r o d u c t s & S e r v i c e s Drum Set Drums Sets Infinity 5 Pcs Junior Drum Set SHRUTI BOXES P r o d u c t s & S e r v i c e s Manual Shruti Box Swar Sudha Electronic Shruti Box Swarangini Digital Electronic Tanpura F a c t s h e e t Year of Establishment : 2003 Nature of Business : Wholesale Sellers Total Number of Employees : 11 to 25 People CONTACT US Lakshman Sruthi Musicals Private Limited Contact Person: Santhosh No.
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Instrumental Music Department (Sitar)
Instrumental Music Department (Sitar) In 1966 Maharani Laxmi Bai Government College started new course of Instrumental Music in Madhya Pradesh. 1. Dr Sudha Bhandari laid the foundation of Instrumental Music Department in 1970. Department is built in area of 20 x 15 feet. On 15th January 1970, LokSevaAyog appointed Dr. Ramesh Jagde as faculty of Violin and Sita. While working in the college Dr.Jadge was honoured with “Surmani” and “Ratna Shiromani”. In 1985 administration started course for post-graduation degree in Instrumental Music in which post for co-musician (Tabla) was allotted. At that time Prof.Rupshree Dubey was appointed for Sitar, who provided best guidance for graduates and post graduates. After the retirement of Dr.Jagde, Prof Rupshree Dubey and Prof Harshwardhan Thakur, who was appointed from Govt P. G. College Jawara in 2006, jointly guided the students with setting up timely classes for them. 2. After transfer of Prof.Rupshree Dubey in July 2012, Prof. Vinita Verma was appointed from Govt. Girls College Khandawa and took the position of Head of Instrumental Music Department in this college. Mr ShivshankarRavwas appointed as Tabla accompanist in the same department who helped students in Music Practice. 3. Students were taught through lectures and were encouraged to actively participate in group discussions. They were evaluated on basis of class test. 4. Currently there are two posts approved in Instrumental Music Department and 1 Post for Tabla accompanist is also approved. 5. In Instrumental Music Department, both the assistant professor positions are having weekly time fill of 18 hours each. 6. Through all these effort, continuous teaching is going on for graduation and post-graduation at present.
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Rules for Music (Vocal/Instrumental/Percussion) and Dance Competitions at the DFW Hindu Temple. General Rules
Rules for Music (Vocal/Instrumental/Percussion) and Dance Competitions at the DFW Hindu Temple. General Rules: 1. Time Limit: a. SubJunior (under 8 yrs) Maximum 4 mins b. Junior (911 yrs) Maximum 5 mins c. Intermediate (12 14 yrs) Maximum 6 minutes d. Senior (15 yrs 17 yrs) Maximum 6 minutes 2. Registration: A confirmation email will be sent once your application has been received processed. Please bring a copy (on your phone or on paper) of the confirmation to the venue on the day of the competition 3. Payment: Please pay at the Temple office by way of cash/check/credit card when you submit your entry form. Alternatively, you may also also fill out your application online and pay by credit card over the phone. Please mention the name of the participant/s as mentioned on the application while making the payment. 4. Last date for registration is April 15th, 2015. Please note that Walkins will not be permitted. 5. Students can participate in multiple categories according to their age group as a vocalist, instrumentalist or as a group performer representing a school/ group. Please note that participants have to register separately for every category and also pay the registration fee for each category. Also if the Teacher or Parent feels that a child is ready for the category senior to her current age then they may register the child in the older group with a note to the organizer. 6. Group participants may kindly note that the age group that they will have to register will be according to age of the oldest participant of the group.
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Sarali Varisai
Sarali varisai Raga: Mayamalavagowla (15th Melakartha Ragam) Arohana: S R1 G3 M1 P D1 N3 S Avarohana: S N3 D1 P M1 G3 R1 S Talam: Adi Notation Courtesy: Rani, www.karnatic.com and Chitraveena Ravi Kiran's book Notes from Chitra Veena Ravi Kiran's book (with some additions): Getting Started: Sustaining Notes - KARVAI The first step is to have a tanpura or shruti box, which will provide the basic note "Sa" and the fifth note from it, which is "Paa". You can seek your guru's help in determining your ideal pitch, which enables you to traverse at least two octaves (from Paa in the lower octave to Paa in the higher octave) comfortable over a period of time. It is equally vital to learn to tune either of these instruments from one's master. Then listen to it carefully and try to register the notes (sa - pa - sa) in your mind. Then try to sing these two constant notes tunefully, making an effort to understand the relationship between the frequencies that "Sa" and "Pa" are sung at. Subsequently, the teacher will introduce the rest of the notes, and here again, you should try to make yourself aware of where (in terms of frequency) they are, with respect to "Sa". Singing in tune is the primary source of joy. Now the teacher can introduce a raga, say Mayamalavagowla, for the basic exercises. Mayamalavagowla is the 15th melakartha with the notes: S R1 G3 M1 P D1 N3 S. Most teachers prefer to use this raga because it has different intervals.
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The Arunachal Pradesh Gazette EXTRAORDINARY PUBLISHED by AUTHORITY
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Aquarius Website Development
+91-9899912345 Aquarius Website Development https://www.indiamart.com/aquarius-website-developmentdelhi/ Pioneers in Making Finest Quality Harmoniums in Standard, Portable, Scale Changer and Pedal Harmoniums was established over Thirty years ago About Us Pioneers in Making Finest Quality Harmoniums in Standard, Portable, Scale Changer and Pedal Harmoniums was established over Thirty years ago. A Legacy started by S.Gian Singh more than Fifty years ago. Inni Singh started at an early age in business and has already 18 years of experience of producing finest Quality Harmoniums as well as other Musical Instruments and has already provided finest quality instruments to many professional musicians as well as music lovers. Apart from having such experience in producing Finest Quality Indian Musical Instruments, he took the training for Indian Classical Music (Vocal) and from the early years kept on learning Tabla from various teachers and is now getting the training under the World renowned Tabla Player: Ustad Rafiuddin Sabri. For more information, please visit https://www.indiamart.com/aquarius-website-developmentdelhi/aboutus.html DMS INSTRUMENTS P r o d u c t s & S e r v i c e s Harmoniums Standard Harmonium Model 'DMS- 18Teak Pedal Harmonium Harmoniums Basic Professional Quality by DMS SITAR ACCESORIES P r o d u c t s & S e r v i c e s Portable/Studio Sitars String Instruments String Instruments Dilruba Tanpuras ELECTRONIC SHRUTI BOX P r o d u c t s & S e r v i c e s Shruti Box Tabla Pairs Sitar Professional OTHER PRODUCTS P r o d u c t s & S e r v i c e s Professional Dholaks Rudra Veena Ghungroo OTHER SERVICES: P r o d u c t s & S e r v i c e s Electronic Tanpura Surbahar Harmonium 'Dulcetina Special -3s F a c t s h e e t Nature of Business :Service Provider CONTACT US Aquarius Website Development Contact Person: Manager Delhi Delhi - 110085, India +91-9899912345 https://www.indiamart.com/aquarius-website-developmentdelhi/.
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Aos3 Knowledge Organiser
Knowledge organiser AoS3: Music of the Indian subcontinent Key ideas and concepts Key terms 1.Indian The Indian subcontinent is a vast and culturally diverese area. The 1. Guru A master performer classical classical music we have looked at comes from the north music (Hindustani). The music is largely improvised based around ragas and talas, and usually contains three separate sections. 2. Bhangra Bhangra started in the Punjab region of Indi (now slit between 2. Improvise Making up music during a Indai and Pakistan) from the 14th Century. Normally performed at performance, rather than festivals. Modern bhangra is a fusion of traditional bhangra and referring to a pre-existing western pop influences. melody or part. Music of the Indian subcontinent 3. Raga A set of pitches, similar to a scale. 1. Indian 1. Performers play entirely by ear and from memory, and learn 4. Drone A repeated note or set of notes classical from a master performer called a guru. repeated throughout a piece. music 2. Performers (and often the audience) sit crossed legged on the 5. Tala A cycle of beats that repeat. floor during performances. 3. Performances can last several hours and are of indeterminate 6. Alap The opening section of a piece of length. Indian classical music. 4. The vast majority of the music is improvised, and the 7. Gat The main, middle section of a performers are constantly communicating and responding to each piece of Indian classical music. It other with their playing. is a fixed composition. 5. Raga - a set of pitches, similar to a scale or mode.
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How to Shop the Catalog
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An Inquiry Into Contextualized Christian Expression in North India
© 2011 M. J. Gracin ii ABSTRACT AN INQUIRY INTO CONTEXTUALIZED CHRISTIAN EXPRESSION IN NORTH INDIA M. J. Gracin Liberty University The riches of India’s ancient and diverse culture are proclaimed from the music that communicates the heart of Bharat Mata – Mother India. This sentiment resounds across the vast geographical area of India in songs from Hindus, Muslims, Sikhs, Buddhists, Christians and Bollywood composers. The question of how Christians might express their faith in light of societal, historical and religious amalgamations is the topic of discussion for this project. The inquiry will focus on the music culture of North India, specifically as it is expressed in the city of B_____, Uttar Pradesh. A six week field study was conducted in India to interview Hindu musicians and non-musicians. Audio and video recordings were made of the interviews, and photographs and recordings were made of various performances. The analysis endeavors to fill the gap concerning an understanding of the need for contextualized Christian expression and recommendations are presented for carrying out the task. iii CONTENTS CHAPTER I: INTRODUCTION ................................................................................................5 Project Significance ...............................................................................................................5 Definition of Purpose .............................................................................................................9 Intended Outcomes .............................................................................................................
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