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Music Initiative Jka Peer - Reviewed Journal of Music
VOL. 01 NO. 01 APRIL 2018 MUSIC INITIATIVE JKA PEER - REVIEWED JOURNAL OF MUSIC PUBLISHED,PRINTED & OWNED BY HIGHER EDUCATION DEPARTMENT, J&K CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in EDITOR DR. ASGAR HASSAN SAMOON (IAS) PRINCIPAL SECRETARY HIGHER EDUCATION GOVT. OF JAMMU & KASHMIR YOOR HIGHER EDUCATION,J&K NOT FOR SALE COVER DESIGN: NAUSHAD H GA JK MUSIC INITIATIVE A PEER - REVIEWED JOURNAL OF MUSIC INSTRUCTION TO CONTRIBUTORS A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines. JK Music Initiative is a quarterly publication of MANUSCRIPT GUIDELINES Higher Education Department, Authors preparing submissions are asked to read and follow these guidelines strictly: Govt. of Jammu and Kashmir (JKHED). Length All manuscripts published herein represent Research papers should be between 3000- 6000 words long including notes, bibliography and captions to the opinion of the authors and do not reect the ofcial policy illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures. of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors Format are responsible for the originality and genuineness of the work Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc. -
Rabindra Bharati University
RABINDRA BHARATI UNIVERSITY 56A, B. T. ROAD, KOLKATA-700050 Guideline for submission of Video clippings of their performance for Phase-I of Admission Test i.e. Practical Test for admission to the different PG programmes under the Faculty of Fine Arts. This is for information of all concerned that the following instructions should be followed for submitting the video clippings of performance: I. Rabindra Sangeet i) Candidate has to send a simple Mobile Video recording of a Rabindra sangeet sung by him/her. ii).The recording should be sent with the tune of Manual Tanpura, Electronic Tanpura, Downloaded Mobile app Tanpura or by playing only Sa- Pa tune ( not full song) of Harmonium as per his/ her scale. iii) Those who have not any type of these Tanpura or Harmonium may sing the song in bare voice (without help of any instruments.) iv) Any type of studio recording or edited recording through microphone, mobile phone editing system will not be accepted for practical examination. v) Duration of performance should not be more than 5 minutes II. Vocal Music: 1. Dhrupad : In any one Raga and any one Tala along with different Layakari , Upege etc. 2. Kheyal : In any one Raga and in any Tala along with Vilambit and Drut tempo. 3. Kirtan :. Any one Mahajoni Padavali in Teot , Chhoto Daskoshi ,. Daspahira , Lofa etc. 4. Folk Song : Any one Traditional Folk Song in any Tala. 5. Bengali Song : Any one Najrul Geeti , Atulprasadi , Dwijendra Geeti , Rajanikant , Puratani in Jat , Addha , Tritala , Ektala , Dhamar , Teora and Jhamptala. Tanpura or Sur -Pancham and Tala Vadya ( Tabla / Pakhwaj / ShriKhol ) accompaniment is mandatory at the time of performance . -
Indian Music I INTRODUCTION
Indian Music I INTRODUCTION Classical Dance of South India The southern Indian kathakali is a dance drama that dates from the 17th century. Several schools of acting have since developed around the framework established for the kathakali, which also borrows from the martial arts tradition of kalaripayat. Aside from performances for tourists in kathakali clubs, the dance drama is performed during ceremonies for religious offerings. The music of the kathakali is based on the art music tradition of southern India; the rhythmic cycle and melodic scale direct the dancer’s movements. "Kathakali Dance Theater" from Ritual Music and Theater of Kerala (Cat.# Le Chant du Monde LDX 274 010) (p)1989 Le Chant du Monde. All rights reserved./Photo Researchers, Inc. Indian Music, vocal and instrumental music of India, making up a mosaic of different genres and levels of sophistication. At one extreme, classical music is performed in the urban concert halls for purely artistic reasons, and, at the other, many kinds of functional rural musics accompany life-cycle and agricultural rites. In between are many other musical genres of different regions of the country, reflecting the diversity of its peoples, their lifestyles, and their languages. II CLASSICAL MUSIC The origins of Indian classical music can be traced to the Natya Shastra (about 2nd century AD), a Sanskrit treatise on drama that also describes the music of the theater, probably a forerunner of present-day concert music. Two classical traditions are now recognized: Hindustani in north India and Karnāṭak (also referred to as Karnatic or Carnatic) in the south. This division was probably accentuated in the 16th century as a result of the influence of Muslim invaders in the north. -
Jagdish Prasad Sunil Kumar
+91-9811192425 Jagdish Prasad Sunil Kumar https://www.indiamart.com/jpskmusicalstore/ Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Naal Drums and Shruti Box. About Us Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Harmonium Musical Instrument, Dhol Musical Instrument, Dholak Musical Instrument, Swarmandal Musical Instruments, Santur Musical Instruments, Tanpura Musical Instruments, Khanjari Musical Instruments, Electronic Banjos, Pakhawaj Drums, Djembe Drums, Khol Drums, Naal Drums and Shruti Box. Our products are extremely well-liked owing to their top features and nominal prices. These products are made by professional’s team employing the advanced techniques and best quality material, which is bought from trustworthy sellers of market. Professionals manufacture these products as per universal industry parameters. Being a customer’s centric organization, professionals also make these products according our client’s requirements and necessities. Due to huge distribution network, fair business polices and quality-centric approach, we have gained trust of our patrons. Apart from, we work under the leadership of our mentor Ashish Verma. Under his supervision our firm has attained heights of success. We also provide many facilities to the patrons to put their demands forward and get them solve timely and as per their requirements. For more information, please visit https://www.indiamart.com/jpskmusicalstore/profile.html -
Vocal Grade 4
VOCAL GRADE 4 Introduction Welcome to Grade 4 You are about to start the wonderful journey of learning to sing, a journey that is challenging, but rewarding and enjoyable! Whether you want to jam with a band or enjoy singing solo, this series of lessons will get you ready to perform with skill & confidence. What will you learn? Grade 4 covers the following topics : 1) Guruvandana and Saraswati vandana 2) Gharanas in Indian Classical Music 3) Pandit Vishnu Narayan Bhatkhande 4) Tanpura 5) Lakshan Geet 6) Music & Psychology 7) Raag Bhairav 8) Chartaal 9) Raag Bihag 10) Raag and Time Theory 11) Raag Kafi 12) Taal Ektaal 13) Bada Khyal 14) Guessing a Raag 15) Alankar 1 What You Need Harmonium /Synthesizer Electronic Tabla / TablaApp You can learn to sing without any of the above instruments also and by tapping your feet, however you will get a lot more out of this series if you have a basic harmonium and a digital Tabla to practice. How to Practice At Home Apart from this booklet for level 1, there will be video clippings shown to you for each topic in all the lessons. During practice at home, please follow the method shown in the clippings. Practice each lesson several times before meeting for the next lesson. A daily practice regime of a minimum of 15 minutes will suffice to start with. Practicing with the harmonium and the digital Tabla will certainly have an added advantage. DigitalTablamachinesorTablasoftware’sareeasilyavailableandideallyshould beusedfor daily practice. 2 Lesson 1 GURUVANDANA SARASWATI VANDANA & Guruvandana Importance of Guruvandana : The concept of Guru is as old as humanity itself. -
AKHIL BHARTIYA SHASTRIYA SANGEET PRATIYOGITA Being Organized by VISHVAS SANGEET SAMITI (REGD.)
AKHIL BHARTIYA SHASTRIYA SANGEET PRATIYOGITA Being Organized by VISHVAS SANGEET SAMITI (REGD.) RULES AND REGULTIONS (1.) Age: Junior- 10 to 16 Yr. Senior- 16+ to 22 Yr. Super Senior- 22+ to 28Yr. (2.) Entry Fee: Juniors-Rs.300/- Seniors-Rs.400/-. Super Seniors-Rs.500/-. (3.) Music Competition will start at 10.00 AM everyday. (4.) Last date for receipt of applications - 5.02.2020 upto 5.00 P.M. (6.) NO LATE ENTRY WILL BE ENTERTAINED. For more information please contact: Ms.Indu Garg (Mob) 9896343325 Mr.Vimal Kashyap (Mob. 9896679861) Mr Jitendra Rai (Mob. 9255192056) GENERAL RULES FOR ANNUAL MUSIC COMPETITION: The Annual Music Competition will be held from 6th February To 8th February and Grand finale will be held on the 9th February followed by the Concert and the declaration of final Awards 1) There are Five Categories for the competition namely: Vocal – Khayal Gayan Or Dhrupad Gayan Light Vocal – Thumri, ghazal bhajan Geet Gayan Instrumental (Non-Percussion – Swar Vadya) Instrumental (Percussion – Taal Vadya) – Tabla and Pakhawaj Vadan Classical Dance – Kathak 2) There are Three Age Groups namely: Juniors (From 10+ to 16 years) Seniors (From 16+ to 22 years) Super Senior (From 22+ to 28 years) 3) There are Three Prizes in each category namely: Group/Prize Juinior Senior Super Senior First 2100 3100 5100 Second 1100 2100 3100 Third 750 1100 2100 In addition, the First Prize holders of all the categories and Second prize holders of senior and super senior categories will compete again for the Final Award of Rs.11000 in each category .The Award winners will be initiated as ‘Performing Artists’ during the next year's Vishvas Sangeet Mahotsav Sangeet Sammelan. -
Lakshman Sruthi Musicals Private Limited
+91-8048372597 Lakshman Sruthi Musicals Private Limited https://www.indiamart.com/lakshman-sruthi/ We are a renowned Wholesale Sellers of various kinds of Percussion Musical Instruments, Wind Instruments, Shruti Boxes, Dance Equipment, etc. Our instruments are easy to use and produce excellent quality sound. About Us We are a renowned Wholesale Sellers of various kinds of Percussion Musical Instruments, Wind Instruments, Shruti Boxes, Dance Equipment, etc. Our instruments are easy to use and produce excellent quality sound. For more information, please visit https://www.indiamart.com/lakshman-sruthi/profile.html DANCE EQUIPMENTS P r o d u c t s & S e r v i c e s Kolattam Dandiya Sticks 2 Thattukali Dance Equipment Pairs Natuvangam Dance Brass Thalam Dance Equipment Equipment MUSICAL INSTRUMENTS GIFT ITEMS P r o d u c t s & S e r v i c e s Sitar Miniature Showpiece Acoustic Guitar Harmonium Tabla WIND INSTRUMENTS P r o d u c t s & S e r v i c e s Baby Dholak Bamboo Flute Carnatic Wind Instrument Nut and Bolt Dholak Dholak PERCUSSION MUSICAL INSTRUMENTS P r o d u c t s & S e r v i c e s Urumi Melam Ghatam Musical Instrument Electric Drum with Bell 15 Udukkai Wood Musical inches Instrument SARASWATI VEENA P r o d u c t s & S e r v i c e s Joint Plain Veena Joint Veena Plain Fibre Case For Veena ELECTRIC GUITAR P r o d u c t s & S e r v i c e s Electric Guitar Acoustic Guitar Ukulele Guitar DRUM SET P r o d u c t s & S e r v i c e s Drum Set Drums Sets Infinity 5 Pcs Junior Drum Set SHRUTI BOXES P r o d u c t s & S e r v i c e s Manual Shruti Box Swar Sudha Electronic Shruti Box Swarangini Digital Electronic Tanpura F a c t s h e e t Year of Establishment : 2003 Nature of Business : Wholesale Sellers Total Number of Employees : 11 to 25 People CONTACT US Lakshman Sruthi Musicals Private Limited Contact Person: Santhosh No. -
Instrumental Music Department (Sitar)
Instrumental Music Department (Sitar) In 1966 Maharani Laxmi Bai Government College started new course of Instrumental Music in Madhya Pradesh. 1. Dr Sudha Bhandari laid the foundation of Instrumental Music Department in 1970. Department is built in area of 20 x 15 feet. On 15th January 1970, LokSevaAyog appointed Dr. Ramesh Jagde as faculty of Violin and Sita. While working in the college Dr.Jadge was honoured with “Surmani” and “Ratna Shiromani”. In 1985 administration started course for post-graduation degree in Instrumental Music in which post for co-musician (Tabla) was allotted. At that time Prof.Rupshree Dubey was appointed for Sitar, who provided best guidance for graduates and post graduates. After the retirement of Dr.Jagde, Prof Rupshree Dubey and Prof Harshwardhan Thakur, who was appointed from Govt P. G. College Jawara in 2006, jointly guided the students with setting up timely classes for them. 2. After transfer of Prof.Rupshree Dubey in July 2012, Prof. Vinita Verma was appointed from Govt. Girls College Khandawa and took the position of Head of Instrumental Music Department in this college. Mr ShivshankarRavwas appointed as Tabla accompanist in the same department who helped students in Music Practice. 3. Students were taught through lectures and were encouraged to actively participate in group discussions. They were evaluated on basis of class test. 4. Currently there are two posts approved in Instrumental Music Department and 1 Post for Tabla accompanist is also approved. 5. In Instrumental Music Department, both the assistant professor positions are having weekly time fill of 18 hours each. 6. Through all these effort, continuous teaching is going on for graduation and post-graduation at present. -
Classification of Indian Musical Instruments with the General
Classification of Indian Musical Instruments With the general background and perspective of the entire field of Indian Instrumental Music as explained in previous chapters, this study will now proceed towards a brief description of Indian Musical Instruments. Musical Instruments of all kinds and categories were invented by the exponents of the different times and places, but for the technical purposes a systematic-classification of these instruments was deemed necessary from the ancient time. The classification prevalent those days was formulated in India at least two thousands years ago. The first reference is in the Natyashastra of Bharata. He classified them as ‘Ghana Vadya’, ‘Avanaddha Vadya’, ‘Sushira Vadya’ and ‘Tata Vadya’.1 Bharata used word ‘Atodhya Vadya’ for musical instruments. The term Atodhya is explained earlier than in Amarkosa and Bharata might have adopted it. References: Some references with respect to classification of Indian Musical Instruments are listed below: 1. Bharata refers Musical Instrument as ‘Atodhya Vadya’. Vishnudharmotta Purana describes Atodhya (Ch. XIX) of four types – Tata, Avnaddha, Ghana and Sushira. Later, the term ‘Vitata’ began to be used by some writers in place of Avnaddha. 2. According to Sangita Damodara, Tata Vadyas are favorite of the God, Sushira Vadyas favourite of the Gandharvas, whereas Avnaddha Vadyas of the Rakshasas, while Ghana Vadyas are played by Kinnars. 3. Bharata, Sarangdeva (Ch. VI) and others have classified the musical instruments under four heads: 1 Fundamentals of Indian Music, Dr. Swatantra Sharma , p-86 53 i. Tata (String Instruments) ii. Avanaddha (Instruments covered with membrane) iii. Sushira (Wind Instruments) iv. Ghana (Solid, or the Musical Instruments which are stuck against one another, such as Cymbals). -
North India English
OPERATION MANUAL The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. All product and company names are ™ or ® trademarks of their respective owners. Operation Manual written by Nicki Marinic Version: 1.0 (04/2009) Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Germany Native Instruments GmbH Schlesische Str. 28 D-10997 Berlin Germany [email protected] www.native-instruments.de USA Native Instruments North America, Inc. 5631 Hollywood Boulevard Los Angeles, CA 90028 USA [email protected] www.native-instruments.com MASSIVE was designed and developed entirely by Native Instruments GmbH. Solely the name Massive is a registered trademark of Massive Audio Inc, USA. © Native Instruments GmbH, 2009. All rights reserved. 1. Welcome to NORTH INDIA! Thank you for purchasing NORTH INDIA. On behalf of the entire Native Instruments team, we hope that this KORE SOUNDPACK will truly inspire you. NORTH INDIA adds 30 new sounds to your collection of instantly usable KORE SOUNDS®. These KORE SOUNDS have been designed to integrate seamlessly into your KORE SOUND database. Also, like the KORE 2/KORE PLAYER factory content, all KORE SOUNDPACKS utilize the KORE 2/KORE PLAYER’s Integrated Engines: You only need KORE 2 or KORE PLAYER to make full use of their sonic capabilities. -
Rules for Music (Vocal/Instrumental/Percussion) and Dance Competitions at the DFW Hindu Temple. General Rules
Rules for Music (Vocal/Instrumental/Percussion) and Dance Competitions at the DFW Hindu Temple. General Rules: 1. Time Limit: a. SubJunior (under 8 yrs) Maximum 4 mins b. Junior (911 yrs) Maximum 5 mins c. Intermediate (12 14 yrs) Maximum 6 minutes d. Senior (15 yrs 17 yrs) Maximum 6 minutes 2. Registration: A confirmation email will be sent once your application has been received processed. Please bring a copy (on your phone or on paper) of the confirmation to the venue on the day of the competition 3. Payment: Please pay at the Temple office by way of cash/check/credit card when you submit your entry form. Alternatively, you may also also fill out your application online and pay by credit card over the phone. Please mention the name of the participant/s as mentioned on the application while making the payment. 4. Last date for registration is April 15th, 2015. Please note that Walkins will not be permitted. 5. Students can participate in multiple categories according to their age group as a vocalist, instrumentalist or as a group performer representing a school/ group. Please note that participants have to register separately for every category and also pay the registration fee for each category. Also if the Teacher or Parent feels that a child is ready for the category senior to her current age then they may register the child in the older group with a note to the organizer. 6. Group participants may kindly note that the age group that they will have to register will be according to age of the oldest participant of the group. -
Sarali Varisai
Sarali varisai Raga: Mayamalavagowla (15th Melakartha Ragam) Arohana: S R1 G3 M1 P D1 N3 S Avarohana: S N3 D1 P M1 G3 R1 S Talam: Adi Notation Courtesy: Rani, www.karnatic.com and Chitraveena Ravi Kiran's book Notes from Chitra Veena Ravi Kiran's book (with some additions): Getting Started: Sustaining Notes - KARVAI The first step is to have a tanpura or shruti box, which will provide the basic note "Sa" and the fifth note from it, which is "Paa". You can seek your guru's help in determining your ideal pitch, which enables you to traverse at least two octaves (from Paa in the lower octave to Paa in the higher octave) comfortable over a period of time. It is equally vital to learn to tune either of these instruments from one's master. Then listen to it carefully and try to register the notes (sa - pa - sa) in your mind. Then try to sing these two constant notes tunefully, making an effort to understand the relationship between the frequencies that "Sa" and "Pa" are sung at. Subsequently, the teacher will introduce the rest of the notes, and here again, you should try to make yourself aware of where (in terms of frequency) they are, with respect to "Sa". Singing in tune is the primary source of joy. Now the teacher can introduce a raga, say Mayamalavagowla, for the basic exercises. Mayamalavagowla is the 15th melakartha with the notes: S R1 G3 M1 P D1 N3 S. Most teachers prefer to use this raga because it has different intervals.