Finding Aid for the Henry Clay Frick Papers, Series IV
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Helen Frick and the True Blue Girls
Helen Frick and the True Blue Girls Jack E. Hauck Treasures of Wenham History, Helen Frick Pg. 441 Helen Frick and the True Blue Girls In Wenham, for forty-five years Helen Clay Frick devoted her time, her resources and her ideas for public good, focusing on improving the quality of life of young, working-class girls. Her style of philanthropy went beyond donating money: she participated in helping thousands of these girls. It all began in the spring of 1909, when twenty-year-old Helen Frick wrote letters to the South End Settlement House in Boston, and to the YMCAs and churches in Lowell, Lawrence and Lynn, requesting “ten promising needy Protestant girls to be selected for a free two-week stay ”in the countryside. s In June, she welcomed the first twenty-four young women, from Lawrence, to the Stillman Farm, in Beverly.2, 11 All told, sixty-two young women vacationed at Stillman Farm, that first summer, enjoying the fresh air, open spaces and companionship.2 Although Helen monitored every detail of the management and organization, she hired a Mrs. Stefert, a family friend from Pittsburgh, to cook meals and run the home.2 Afternoons were spent swimming on the ocean beach at her family’s summer house, Eagle Rock, taking tea in the gardens, or going to Hamilton to watch a horse show or polo game, at the Myopia Hunt Club.2 One can only imagine how awestruck these young women were upon visiting the Eagle Rock summer home. It was a huge stone mansion, with over a hundred rooms, expansive gardens and a broad view of the Atlantic Ocean. -
Reading Guide in Sunlight, in a Beautiful Garden
Reading Guide In Sunlight, in a Beautiful Garden By Kathleen Cambor ISBN: 9780060007577 Johnstown, Pennsylvania 1889 So deeply sheltered and surrounded was the site that it was as if nature's true intent had been to hide the place, to keep men from it, to let the mountains block the light and the trees grow as thick and gnarled as the thorn-dense vines that inundated Sleeping Beauty's castle. Perhaps, some would say, years later, that was central to all that happened. That it was a city that was never meant to be. IntroductionOn May 31, 1889, the unthinkable happened. The dam supporting an artificial lake at the South Fork Fishing and Hunting Club, playground to wealthy and powerful financiers Andrew Carnegie, Henry Clay Frick, and Andrew Mellon, collapsed. It was one of the greatest disasters in post-Civil War America. Some 2,200 lives were lost in the Johnstown, Pennsylvania, flood. In the shadow of the Johnstown dam live Frank and Julia Fallon, devastated by the loss of two children; their surviving son, Daniel, a passionate opponent of industrial greed; Grace McIntyre, a newcomer with a secret; and Nora Talbot, a lawyer's daughter, who is both bound to and excluded from the club's society. As Frank and Julia, seemingly incapable of repairing their marriage, look to Grace for solace and friendship, Daniel finds himself inexplicably drawn to Nora, daughter of a wealthy family from Pittsburgh. James, Nora's father, struggles with his conscience after bending the law to file the club's charter and becomes increasingly concerned about the safety of the dam. -
FORM a - AREA Assessor’S Sheets USGS Quad Area Letter Form Numbers in Area
FORM A - AREA Assessor’s Sheets USGS Quad Area Letter Form Numbers in Area 031-0001 Marblehead G See Data MASSACHUSETTS HISTORICAL COMMISSION North Sheet ASSACHUSETTS RCHIVES UILDING M A B 220 MORRISSEY BOULEVARD BOSTON, MASSACHUSETTS 02125 Photograph Town/City: Wenham Place (neighborhood or village): Name of Area: Iron Rail Vacation Home Present Use: Recreation; Community House; Water Tower; Maintenance Facility; Burial Ground Construction Dates or Period: ca. 1880-2009 Overall Condition: Poor to Very Good Major Intrusions and Alterations: see continuation sheet Photo 1. Gymnasium (left) and barn (right). View Acreage: 79.6 acres looking north. Recorded by: Stacy Spies Organization: Wenham Historical Commission Date: June 2017 Locus Map see continuation sheet 4 /1 1 Follow Massachusetts Historical Commission Survey Manual instructions for completing this form. INVENTORY FORM A CONTINUATION SHEET WENHAM IRON RAIL VACATION HOME MASSACHUSETTS HISTORICAL COMMISSION Area Letter Form Nos. 220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125 G See Data Sheet Recommended for listing in the National Register of Historic Places. If checked, you must attach a completed National Register Criteria Statement form. Use as much space as necessary to complete the following entries, allowing text to flow onto additional continuation sheets. ARCHITECTURAL DESCRIPTION Describe architectural, structural and landscape features and evaluate in terms of other areas within the community. The Iron Rail Vacation Home property at 91 Grapevine Road is comprised of buildings and landscape features dating from the multiple owners and uses of the property over the 150 years. The extensive property contains shallow rises surrounded by wetlands. Woodlands are located at the north half of the property and wetlands are located at the northwest and central portions of the property. -
Chapter 7 Interact with History
The port of New Orleans, Louisiana, a major center for the cotton trade 1820 James Monroe is 1817 reelected president. 1824 John Construction 1819 U.S. Quincy Adams begins on the acquires Florida 1820 Congress agrees to is elected Erie Canal. from Spain. the Missouri Compromise. president. USA 1815 WORLD 1815 1820 1825 1815 Napoleon 1819 Simón 1822 Freed 1824 is defeated at Bolívar becomes U.S. slaves Mexico Waterloo. president of found Liberia on becomes Colombia. the west coast a republic. of Africa. 210 CHAPTER 7 INTERACT WITH HISTORY The year is 1828. You are a senator from a Southern state. Congress has just passed a high tax on imported cloth and iron in order to protect Northern industry. The tax will raise the cost of these goods in the South and will cause Britain to buy less cotton. Southern states hope to nullify, or cancel, such federal laws that they consider unfair. Would you support the federal or state government? Examine the Issues • What might happen if some states enforce laws and others don't? • How can Congress address the needs of different states? •What does it mean to be a nation? RESEARCH LINKS CLASSZONE.COM Visit the Chapter 7 links for more information about Balancing Nationalism and Sectionalism. 1838 1828 Removal of Andrew 1836 Martin the Cherokee 1840 William Jackson 1832 Andrew Van Buren along the Henry Harrison is elected Jackson is elected Trail of Tears is elected president. is reelected. president. begins. president. 1830 1835 1840 1830 France 1833 British 1837 Victoria 1839 Opium invades Algeria. -
The Frick Building
THE FRICK BUILDING 437 GRANT STREET | PITTSBURGH, PA HISTORIC BUILDING. PRIME LOCATION. THE FRICK BUILDING Located on Grant Street across from the Allegheny County court house and adjacent to Pittsburgh City Hall, the Frick Building is just steps away from many new restaurants & ongoing projects and city redevelopments. The Frick Building is home to many creative and technology based fi rms and is conveniently located next to the Bike Pittsburgh bike rental station and Zipcar, located directly outside the building. RESTAURANT POTENTIAL AT THE HISTORIC FRICK BUILDING Grant Street is becoming the city’s newest restaurant district with The Commoner (existing), Red The Steak- house, Eddie V’s, Union Standard and many more coming soon Exciting restaurants have signed on at the Union Trust Building redevelopment, Macy’s redevelopment, Oliver Building hotel conversion, 350 Oliver development and the new Tower Two-Sixty/The Gardens Elevated location provides sweeping views of Grant Street and Fifth Avenue The two levels are ideal for creating a main dining room and private dining facilities Antique elevator, elegant marble entry and ornate crown molding provide the perfect opportunity to create a standout restaurant in the “Foodie” city the mezzanine AT THE HISTORIC FRICK BUILDING 7,073 SF available within a unique and elegant mezzanine space High, 21+ foot ceilings Multiple grand entrances via marble staircases Dramatic crown molding and trace ceilings Large windows, allowing for plenty of natural light Additional space available on 2nd floor above, up to 14,000 SF contiguous space Direct access from Grant Street the mezzanine AT THE HISTORIC FRICK BUILDING MEZZANINE OVERALL the mezzanine AT THE HISTORIC FRICK BUILDING MEZZANINE AVAILABLE the details AT THE HISTORIC FRICK BUILDING # BIGGER. -
Dear Friends, Tom Sullivan Founder
AMERICA’S PREMIER CIGAR WHOLESALER Fast - Fresh - Friendl y Dear Friends, Our August 2021 Alliance Cigar Wholesale catalog features a number of new exciting brand extensions of great classic brands from Altadis. Aging Room Quattro Nicaragua received our industry’s most prestigious distinction last year “Cigar of the Year from Cigar Aficionado” and continues to lead the way for the exciting Aging Room brand family. We have excellent stock and this blend in all 4 sizes is a must have for all retailers. Romeo Reserva Real Nicaragua; 100% Nicaraguan puro made by AJ Fernandez. An extension of Reserva Real, one of the most trusted and respected cigar brands. It is well-balanced and complex profile with a rich aroma Competitive price positioning: MSRP $8.77-$9.96. Montecristo Espada gets its third blend, a Nicaraguan puro with a rather dark wrapper and produced at the Plasencia Cigars S.A. factory in Estelí, Nicaragua. The very popular Romeo by Romeo blend gets a new size; the 6x60 Magnum in 20ct boxes! The best seller blend in the Montecristo family, the “White” series finally gets a small cigar of its own; the Montecristo White in Mini Tins of 20 small cigars. The Romeo y Julietta “Eternal” is a very limited edition that celebrates the brand’s 145 years of passion for cigars.Exclusive blend made by the famous Plasencia family with luxurious tobaccos from the private reserve in Nicaragua. With a stunning caramel toned wrapper that has been double fermented and aged for 26 months. Packed in a standing box of 11 cigars, one of them featuring a golden ring that symbolizes the strong bonds between cigar aficionados and Romeo y Julieta. -
Liinen Nttontlon of Rnrihaien Invited I'lnnoi Rented, Sill for Tlirco Month'
I 'Jf "Mf " Tina Washington crime, sathhpay bvkninc, may s, isbs. WASHINGTON OIMTIO AT Till: THUiYTltnS. MAflOS. Allmtigb's "Indian." -- DecottatiVe GO,. n city sii?oiaij9. Next neck llio AlcCaull Opera Com- &- hows this INDEPENDENT ICE llrM lit 'flftt fUMi WC"! Cnlf. pany will give the production tills 90'flAn' i UeliU' riiioHlinon.ln Kangnrnniiml opera All tlio Inlrnt stylos. We cnll nttontlon to city of Auilrim's lalct combine, mir $5 lino of KniiRKroo Hhpcs as being otra "Indiana," nt Albnugh's, presenting the FOR lllCC. OAt'.TIIKLL'f. 1)00 "til at. work wlllt tho tame strong cast, with one exception, with which It Is now giving . r Clguritl Cigars! I UlRiirslli "llclunnii." Dighy llcll. a great favorite lillM& Is approaching poor I0,(xx Henry Clay Cigars, hero, appears In tho leading comedy role, 'JJ The Mnion now whoti the slei, the well, the Heli, an4 the nre nil In a box, tiOo. n bo. deeply Intctcetcd In tho QUALITY, ns well w the SUl'I'LY of IOE. Greatest Imrcnln In Clears ever offered tho In plnrc of Do WolT Hopper, wlio.goo to nnil Six packnsos New York for tho production of "Tho yubllo. Call boo them. -F- UOlI- Tlo ,051(9 some Idea 6f the rcqulrcil by this Company Legal-Tend- Tiger." ? fyclowwjll giro fho roader Plant Unoqunled in Tone, Touch, Durham SmoklnaTolmeoo.'.fio. Lndy or the "IJollnmn" hastlotie FACTS St. A 1'. Mtrrrocn, n good week's business, nml tho growing to keep lis ninny ratrens supplied with the best nnd pdreH Ice brought to tills market. -
Andrew Carnegie: the Richest Man in the World Program Transcript
Page 1 Andrew Carnegie: The Richest Man in the World Program Transcript Narrator: For 700 years Scottish Bishops and Lords had reigned over Skibo Castle. In 1899 it passed to an American who had fled Scotland penniless. To Andrew Carnegie Skibo was "heaven on earth." "If Heaven is more beautiful than this," he joked, "someone has made a mistake." When Carnegie left Scotland at age 12, he was living with his family in one cramped room. He returned to 40,000 acres. And he wasn't yet the richest man in the world. Andrew Carnegie's life seemed touched by magic. Owen Dudley Edwards, Historian: Carnegie was more than most people. Not only more wealthy, not only more optimistic. In his case it goes almost to the point of unreality. Carnegie is still right throughout his life, the little boy in the fairy story, for whom everything has to be alright. Narrator: Carnegie was a legendary figure in his own time. A nineteenth century icon. He embodied the American dream - the immigrant who made it from rags to riches. Whose schoolhouse was the library. The democratic American whose house guests included Mark Twain, Booker T. Washington, Helen Keller, Rockefellers and royalty and the ordinary folks from his childhood. He would entertain them all together. Although he loved Scotland, he prized America as a land free from Britain's monarchy -- and inherited privilege. After King Edward VII visited Skibo, Carnegie told a friend all Americans are kings. But everyone knew there was only one king of steel. Harold Livesay, Historian: He set out literally to conquer the world of steel, and that he did and became the largest steel producer not only in the United States, but Carnegie Steel by 1900 produced more steel than the entire steel industry of Great Britain. -
El Meadows Museum Y La Formación De Las Colecciones De Arte Español En Los Estados Unidos 1
DE ESPAÑA A TEXAS: EL MEADOWS MUSEUM Y LA FORMACIÓN DE LAS COLECCIONES DE ARTE ESPAÑOL EN LOS ESTADOS UNIDOS 1 Amanda W. Dotseth Assistant Curator, Meadows Museum Southern Methodist University, USA RESUMEN Entre las colecciones más importantes de arte español en los Estados Unidos destaca la del Meadows Museum de la Southern Methodist University en Dallas, Texas, cuya colección fue adquirida durante la segunda mitad del siglo XX por el millonario tejano Algur H. Meadows. En este artículo se tratan sus hábitos de coleccionar dentro de un amplio contexto en el que se trata la formación de significativas colecciones de arte español en los Esta - dos Unidos por coleccionistas de los siglos XIX y XX, incluyendo Henry Clay Frick (1849-1919), William Randolph Hearst (1863-1951), Samuel H. Kress (1863-1955) y, sobre todo, Archer M. Huntington (1870-1955). Una breve historia del Meadows Museum sirve para demostrar su relación con las colecciones y los museos precursores así como su papel en los estudios hispánicos de los Estados Unidos en la actualidad. Palabras clave: arte español, museología, coleccionismo, Henry C. Frick, Samuel H. Kress, Archer M. Huntington, Algur H. Meadows, Meadows Museum, Dallas ABSTRACT Among the most important collections of Spanish art in the United States of America is that of the Meadows Museum at Southern Methodist University in Dallas , Texas, whose collection was primarily purchased in the sec - ond half of the 20 th century by the Texas millionaire Algur H. Meadows. His collecting practices are here consid - ered within a broader context of the formation of significant collections of Spanish art in the United States by such 19 th and 20 th -century collectors as Henry Clay Frick (1849-1919), William Randolph Hearst (1863-1951), Samuel H. -
The Business Career of Henry Clay Frick
2 T «\u25a0 •8 Pittsburgh History, Spring 1990 as functioning parts ofa nationwide economic organ- isation. The United States became the world's biggest economy and then, for the first time, a major factor in the direction of commercial operations beyond its own boundaries. Inshort, Prick's career covered both the nationalising and the internationalising ofAmeri- can business. Athis birth the U.S. economy was still small compared to the United Kingdom's; bythe end ofhis life itwas far ahead. (Appendix, page 14, Table I)This growth was uneven, for the pace ofeconomic development varies over time.(The parts ofthenation where it occurs most intensely also vary, of course, over time.) Such development originates with the actions of human beings, and while few individuals can do more than respond to it,in doing so they to some extent guide and help tolocalise it. American growth at its various stages depended on different types of activities, which for a range of reasons were conducted in different regions; it was the good fortune of Frick and his close associates that the phase of development with which their lives coincided was par- ticularly suited to the physical en- dowment and location of Western Pennsylvania. Circumstances pro- vided the opportunities; successful regional entrepreneurs recognized and seized them. Consider for a moment economic historian Walt Rostow's model of national devel- opment, described inhis The Stages ofEconomic Growth: a 'Ron-Com- munist Manifesto (1971 ), in which the take-off stage involves textiles and the early railway age, and is above all focused in New England been unkind tohim. -
Medicean Aspirations in America: the Impact of William H
Medicean Aspirations in America: The Impact of William H. Vanderbilt’s New York Drawing- room on American Palace Décor Edward James Heimiller Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2011 ©2011 Edward James Heimiller All Rights Reserved Contents Plate List i Introduction 1 1. William H. Vanderbilt’s Drawing-room at 640 Fifth Avenue 10 2. The Venetian Princess Across the Street 31 3. A Return to the Past & Further Publication: The Morgan Drawing-room 47 4. The Conspicuous Southern Rebels: The Garrett’s Social Rise 58 5. William H. Vanderbilt’s Maven ‘Medicean’ Part as American Royalty 75 Notes 83 Bibliography 106 Plates 112 Plate List 1 An interior view of the 1851 Crystal Palace Exhibition, London 2 View of Chatsworth in Derbyshire from the South Lawn in winter 3 Chatsworth‟s sculpture gallery 4 Alnwick Castle 5 Alnwick Castle, Saloon 6 Chateau-sur-Mer 7 Chateau-sur-Mer, Ballroom 8 Chateau-sur-Mer, Dining room 9 Chateau-sur-Mer, Library 10 Chateau-sur-Mer, Dining room (Artistic Houses) 11 Chateau-sur-Mer, Library (Artistic Houses) 12 William H. Vanderbilt Drawing-room at 640 Fifth Avenue (Artistic Houses) 13 William H. Vanderbilt 14 Cornelius Vanderbilt (The Commodore) 15 Marble Row 16 Rebecca Colford Jones townhouses 17 Cosimo de‟Medici (1389 -1464) 18 Palazzo de Medici, Florence 19 Alexander T. Stewart House 20 Maria Louisa Kissman (1821-1896) 21 William B. -
Chicago No 16
CLASSICIST chicago No 16 CLASSICIST NO 16 chicago Institute of Classical Architecture & Art 20 West 44th Street, Suite 310, New York, NY 10036 4 Telephone: (212) 730-9646 Facsimile: (212) 730-9649 Foreword www.classicist.org THOMAS H. BEEBY 6 Russell Windham, Chairman Letter from the Editors Peter Lyden, President STUART COHEN AND JULIE HACKER Classicist Committee of the ICAA Board of Directors: Anne Kriken Mann and Gary Brewer, Co-Chairs; ESSAYS Michael Mesko, David Rau, David Rinehart, William Rutledge, Suzanne Santry 8 Charles Atwood, Daniel Burnham, and the Chicago World’s Fair Guest Editors: Stuart Cohen and Julie Hacker ANN LORENZ VAN ZANTEN Managing Editor: Stephanie Salomon 16 Design: Suzanne Ketchoyian The “Beaux-Arts Boys” of Chicago: An Architectural Genealogy, 1890–1930 J E A N N E SY LV EST ER ©2019 Institute of Classical Architecture & Art 26 All rights reserved. Teaching Classicism in Chicago, 1890–1930 ISBN: 978-1-7330309-0-8 ROLF ACHILLES ISSN: 1077-2922 34 ACKNOWLEDGMENTS Frank Lloyd Wright and Beaux-Arts Design The ICAA, the Classicist Committee, and the Guest Editors would like to thank James Caulfield for his extraordinary and exceedingly DAVID VAN ZANTEN generous contribution to Classicist No. 16, including photography for the front and back covers and numerous photographs located throughout 43 this issue. We are grateful to all the essay writers, and thank in particular David Van Zanten. Mr. Van Zanten both contributed his own essay Frank Lloyd Wright and the Classical Plan and made available a manuscript on Charles Atwood on which his late wife was working at the time of her death, allowing it to be excerpted STUART COHEN and edited for this issue of the Classicist.