DOCSLIB.ORG

MANGAN HISTORIA Japanilainen Sarjakuva, Sen Kehittyminen, Merkitys Ja Valinta Kirjastojen Kokoelmiin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MANGAN HISTORIA Japanilainen Sarjakuva, Sen Kehittyminen, Merkitys Ja Valinta Kirjastojen Kokoelmiin Jani Nyman MANGAN HISTORIA Japanilainen sarjakuva, sen kehittyminen, merkitys ja valinta kirjastojen kokoelmiin MANGAN HISTORIA Japanilainen sarjakuva, sen kehittyminen, merkitys ja valinta kirjastojen kokoelmiin Jani Nyman Opinnäytetyö Syksy 2015 Kirjasto- ja tietopalvelu Oulun ammattikorkeakoulu TIIVISTELMÄ Oulun ammattikorkeakoulu Kirjasto- ja tietopalvelun koulutusohjelma Tekijä(t): Jani Nyman Opinnäytetyön nimi: Mangan historia Työn ohjaaja: Juho-Antti Tuhkanen Työn valmistumislukukausi- ja vuosi: Syksy 2015 Sivumäärä: 83 + 28 Tämän opinnäyetyön aiheena on mangan historia ja kehittyminen Japanissa, sekä tarkemmin, mikä sen historia on Suomessa. Sen on tarkoitus myös antaa ohjeita kirjastonhoitajille mangan valinnassa kirjastoihin. Opinnäytetyön toimeksiantajana toimii Oulun ammattikorkeakoulu. Opinnäytetyön pääasiallinen tehtävä on kertoa mangan pitkästä historiasta maailmalla ja Suo- messa, sekä ohjeistaa kirjastonhoitajia mangan valinnassa kirjastojen kokoelmiin. Tästä syystä opinnäytetyöhön on liitetty kirjastojen käytettäviksi mangasuositus-listat lapsille, nuorille ja nuorille aikuisille, sekä ohjeet mangan valintaan. Tämän lisäksi sen tarkoituksena on selvittää ihmisille, mitä manga tarkalleen ottaen on ja mitä syitä löytyy sen suosiolle ja ihmisten kiinostukselle siihen. Opinnäytetyön materiaalina toimivat aiemmin suoritetut tutkimukset, artikkelit ja videot. Lähteinä toimivat sekä kirjat, että Internet. Opinnäytetyö sisältää aiheestaan johtuen paljon vieraskielisiä sanoja ja termistöä, minkä vuoksi opinnäytetyöhön on liitetty mukaan sanasto. Työn tutkimukselli- sessa osuudessa nousee esille miten pitkä historia mangalla on ja miten pienestä se alun perin lähti liikkeelle Japanissa. Sen käytännöllisessä osuudessa taas listataan kirjastoon suositeltavia mangoja ikäluokittain, ja annetaan ohjeita kirjastojen manganvalintaan. Asiasanat: mangat, historia, Suomi, Japani, sarjakuvat, kokoelmatyö 3 ABSTRACT Oulu University of Applied Sciences Library and information service program Author(s): Jani Nyman Title of thesis: The history of manga Supervisor(s): Juho-Antti Tuhkanen Term and year when the thesis was submitted: Fall 2015 Number of pages: 83 + 28 The subject of this thesis is the history of manga and its development in Japan and more closely its history in Finland. It also gives advice to librarians in regards to what manga should be added into library collections. The client of this thesis is the Oulu University of Applied Sciences. This thesis’ main objective is to explain the long history of manga, its history in Finland and also what to take in consideration when choosing what manga to add in library collections. That is why this thesis has attached to it manga recommendation lists for children, youngsters and young adults. Its other objectives are to explain what manga actuelly is, why it is so popular and why people enjoy it so much. The materials for this thesis were previously done research, articles and videos. Both books and Internet were used as source material. Because of its topic, the thesis contains lots of foreign and manga associated words, which is why it also includes a vocabulary. The study part of the thesis brings up how long history manga has and from how small it actually started all those years ago in Japan. The practical portion of the thesis on the other hand lists recommendable manga to add into library collections for different age groups, and gives advice to how choose what manga to add. Keywords: manga, history, Finland, Japan, comics, collection work 4 SISÄLLYS 1 JOHDANTO .................................................................................................................................6 2 MITÄ MANGA ON .......................................................................................................................8 3 MANGAN ESIHISTORIA: 600-LUVULTA JAPANIN AVAUTUMISEEN 1853 ....................... 17 3.1 Chojugigasta ja muista emakimonoista kuviin............................................................. 17 3.2 Ezoshi ja ukiyo-e ........................................................................................................... 19 4 JAPANILAINEN SARJAKUVA SYNTYY: JAPANIN AVAUTUMISESTA 1853 TOISEN MAAILMANSODAN LOPPUUN ............................................................................................... 23 4.1 Länsimaiset mangan isät ja ensimmäiset japanilaiset sarjakuvan piirtäjät ................ 24 4.2 Mangan japanilainen isä aloittaa työnsä ja lasten mangan synty .............................. 29 4.3 Japanin militarisoituminen ja mangan marssi sotaan ................................................. 33 4.4 Kamishibai eli paperiteatteri ......................................................................................... 37 5 MANGA TOISEN MAAILMANSODAN JÄLKEEN ................................................................... 41 5.1 Nykyaikaisen mangan synty ja ensimmäinen mangabuumi ....................................... 41 5.2 Gekiga ........................................................................................................................... 48 5.3 Japanin taloudellinen kasvu ja toinen mangabuumi ................................................... 50 5.4 Shojo-mangan ja naismangakoiden nousu ................................................................. 52 5.5 Shojo-mangan kehittyminen ja uudet genret ............................................................... 54 5.6 Doujinshi ja erikoiset hautajaiset .................................................................................. 58 6 KOLMAS MANGABUUMI 1980-LUVULLA JA MANGAN HISTORIA SIITÄ ETEENPÄIN ... 61 6.1 Hentai-mangan kehittyminen ja otaku-murhat............................................................. 63 6.2 1990-luvun lama ja länsimarkkinoiden kasvu .............................................................. 64 6.3 Mangalehtien myynnin lasku Japanissa ja keskittyminen mangan ulkomaan markkinoihin .................................................................................................................. 66 6.4 Mangapiratismi .............................................................................................................. 68 6.5 Sendain maanjäristys ja mangan tulevaisuus ............................................................. 69 7 MANGAN HISTORIA SUOMESSA.......................................................................................... 71 8 MIKÄ MANGASSA VIIHDYTTÄÄ ............................................................................................ 74 9 POHDINTA ............................................................................................................................... 76 LÄHTEET ........................................................................................................................................... 77 LIITTEET ............................................................................................................................................ 84 5 1 JOHDANTO Opinnäytetyöni tarkoituksena on käsitellä japanilaisen sarjakuvan eli mangan, historiaa ja kehit- tymistä, ja sekä sen historiaa Suomessa. Tarkoitukseni on tuoda työssäni esille se, mitä manga tarkalleen ottaen on, mikä tekee siitä niin puoleensavetävää ja antaa ohjeita mangan valintaan kirjastoon. Nostan esille muutaman merkittävän mangan tekijän, joilla oli suuri merkitys mangan alkutaipaleella. Työni tarkoituksena on käsitellä vain mangaa, minkä takia en käsittele muita sarjakuvia, jotka ovat saaneet siitä vaikutteita, kuten eteläkorealainen sarjakuva, manhwa. Tämän lisäksi pitäydyn historian käsittelyssä pääasiassa Japanin ja Suomen mangahistoriassa, enkä aio seikkaperäises- ti kertoa miten manga vaikutti ja levisi esimerkiksi Yhdysvalloissa tai Kiinassa. Yhtenä syynä aiheen valintaan on se, että tällaista tutkimusta on tehty Suomessa vain vähän. Animesta eli japanilaisesta animaatiosta on paljon tutkimuksia suomeksikin, mutta mangasta ne ovat harvinaisempia. Työni tarkoituksena on täyttää tätä tyhjiötä ja samalla selventää mangan taustoja, alkuperää ja olemusta. Työni on Hanna Vilkan ja Tiina Airaksisen kirjan Toiminnallinen opinnäytetyön ohjeiden avulla tehty toiminnallinen opinnäytetyö, johon kuuluu historiallinen tutki- mus ja käytännöllisenä osuutena mangan valintaohjeet (LIITE 2) ja mangasuosituslistat kirjastoil- le (LIITE 3, LIITE 4, LIITE 5). Suoritin työni tutkimalla mangan ja japanilaisen kuvataiteen histori- aa käsittelevää kirjallisuutta, verkkosivuja ja artikkeleja. Materiaaliksi valitsin sellaisia lähteitä, jotka ovat tunnettuja, tunnettujen tutkijoiden tekemiä ja joihin viitataan usein muissa tutkimuksis- sa. Työni tärkeimmät lähteet olivat kirjallisia, joista sain suurimman osan tarvitsemistani tiedoista, sekä rungon työlleni. Verkkolähteistä sain pääasiassa täydentäviä tietoja. Työssäni on myös pal- jon havainnollistavia kuvia joista monet ovat niin vanhoja, että niistä on tullut tekijänoikeudetto- mia. Opinnäytetyöni tarjoaa hyvät alkutiedot kaikille, jotka haluavat tulevaisuudessa tehdä omia tutkimuksia mangasta tai siihen liittyvistä aiheista. Opinnäytetyöstäni tekee ajankohtaisen se, että vaikka mangan suosio on aina vain kasvussa Suomessa, ihmiset mangaharrastuksen ulkopuolella eivät välttämättä ymmärrä, mitä manga oi- keastaan on ja miten se on syntynyt. Tämä johtaa helposti väärinkäsityksiin ja virheellisten ste- reotypioiden pitämiseen totena. Monet mangaa tuntemattomat esimerkiksi luulevat, että kaikki 6 manga on pelkkää seksiä tai väkivaltaa, tai että kaikki sarjakuvat
Load more

Recommended publications
  • The Inferiority Complex of Homunculus in Hiromu Arakawa's
    The Inferiority Complex of Homunculus in Hiromu Arakawa’s Fullmetal Alchemist Thenady, T.P.1 and Limanta, L.S.2 1,2) English Department, Faculty of Letters, Petra Christian University, Siwalankerto 121-131, Surabaya 60236, East Java, INDONESIA e-mails: [email protected]; [email protected] ABSTRACT This article explores the causes and effects of inferiority complex in a character of a manga created by Hiromu Arakawa, Fullmetal Alchemist. Commonly seen as a child’s play and underestimated by the society of literature, comic book or manga actually has the same quality as those considered as literary arts and stands equally with them. It embraces issues freely without the restriction of social rules and individual or group and uncontaminated by social, personal, or political influences. One of the issues most people think will not be in a comic book is psychology. Started from comparing himself to humans, the main antagonist, Homunculus, suffers from an inferiority complex caused by several factors such as parental attitude, physical defects, and envy. Furthermore, as the effect of suffering inferiority complex, Homunculus develops psychological defenses to ease his inferiorities: compensation and superiority complex. He tries to compensate his inferior feelings by excelling in another area and covers up the inferiorities by striving for superiority and omnipotence. Keywords: Manga, Alchemist, Homunculus, Inferiority Complex, Compensation, Superiority Complex Hiromu Arakawa is a Hokkaido-born manga artist whose career began with Stray Dog in 1999. One of her most successful works is Fullmetal Alchemist. This manga had won numerous awards such as 49th Shogakukan Manga Award for shounen category, 15th Tezuka Osamu Cultural Prize “New Artist” category, and 9th 21st Century Shounen Gangan Award (Shogakukan).
    [Show full text]
  • O(S) Fã(S) Da Cultura Pop Japonesa E a Prática De Scanlation No Brasil
    UNIVERSIDADE TUIUTI DO PARANÁ Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL CURITIBA 2011 GIOVANA SANTANA CARLOS O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Dissertação apresentada no Programa de Mestrado em Comunicação e Linguagens na Universidade Tuiuti do Paraná, na Linha Estratégias Midiáticas e Práticas Comunicacionais, como requisito parcial para obtenção do título de Mestre, sob orientação do Prof. Dr. Francisco Menezes Martins. CURITIBA 2011 2 TERMO DE APROVAÇÃO Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Esta dissertação foi julgada e aprovada para a obtenção do título de Mestre em Comunicação e Linguagens no Programa de Pós-graduação em Comunicação e Linguagens da Universidade Tuiuti do Paraná. Curitiba, 27 de maio de 2011. Programa de pós-graduação em Comunicação e Linguagens Universidade Tuiuti do Paraná Orientador: Prof. Dr. Francisco Menezes Martins Universidade Tuiuti do Paraná Prof. Dr. Carlos Alberto Machado Universidade Estadual do Paraná Prof. Dr. Álvaro Larangeira Universidade Tuiuti do Paraná 3 AGRADECIMENTOS Aos meus pais, Carmen Dolores Santana Carlos e Vilson Antonio Carlos, e à Leda dos Santos, por me apoiarem durante esta pesquisa; À minha irmã, Vivian Santana Carlos, por ter me apresentado a cultura pop japonesa por primeiro e por dar conselhos e ajuda quando necessário; Aos professores Dr. Álvaro Larangeira e Dr. Carlos Machado por terem acompanhado desde o início o desenvolvimento deste trabalho, melhorando-o através de sugestões e correções. À professora Dr.ª Adriana Amaral, a qual inicialmente foi orientadora deste projeto, por acreditar em seu objetivo e auxiliar em sua estruturação.
    [Show full text]
  • Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2015 Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Harada, Kazue, "Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender" (2015). Arts & Sciences Electronic Theses and Dissertations. 442. https://openscholarship.wustl.edu/art_sci_etds/442 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages & Cultures Dissertation Examination Committee: Rebecca Copeland, Chair Nancy Berg Ji-Eun Lee Diane Wei Lewis Marvin Marcus Laura Miller Jamie Newhard Japanese Women’s Science Fiction: Posthuman Bodies and the Representation of Gender by Kazue Harada A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 St. Louis, Missouri © 2015, Kazue Harada
    [Show full text]
  • Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation
    Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Tuomas Sibakov Master’s Thesis East Asian Studies Faculty of Humanities University of Helsinki November 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Faculty of Humanities East Asian Studies Opintosuunta – Studieinriktning – Study Track East Asian Studies Tekijä – Författare – Author Tuomas Valtteri Sibakov Työn nimi – Arbetets titel – Title Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Master’s Thesis year 83 November 2020 Tiivistelmä – Referat – Abstract In this work I examine how imōto-moe, a recent trend in Japanese animation and manga in which incestual connotations and relationships between brothers and sisters is shown, contributes to the sexualization of girls in the Japanese society. This is done by analysing four different series from 2010s, in which incest is a major theme. The analysis is done using visual analysis. The study concludes that although the series can show sexualization of drawn underage girls, reading the works as if they would posit either real or fictional little sisters as sexual targets. Instead, the analysis suggests that following the narrative, the works should be read as fictional underage girls expressing a pure feelings and sexuality, unspoiled by adult corruption. To understand moe, it is necessary to understand the history of Japanese animation. Much of the genres, themes and styles in manga and anime are due to Tezuka Osamu, the “god of manga” and “god of animation”. From the 1950s, Tezuka was influenced by Disney and other western animators at the time.
    [Show full text]
  • TEAM Ling 01 080252 Ffirs.Qxp 1/2/07 9:34 PM Page I
    TEAM LinG 01_080252 ffirs.qxp 1/2/07 9:34 PM Page i Manga FOR DUMmIES‰ by Kensuke Okabayashi TEAM LinG 01_080252 ffirs.qxp 1/2/07 9:34 PM Page ii Manga For Dummies® Published by Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2007 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permit- ted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317-572-3447, fax 317-572-4355, or online at http:// www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book.
    [Show full text]
  • 11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
    11eyes A­Channel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub Ben­To Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokuro­chan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba D­Frag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon Enma­Kun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! Juuden­Chan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes Ga­Rei Zero Gatchaman Crowds Genshiken Getbackers Ghost
    [Show full text]
  • Hayao Miyazaki: Exploring the Early Work of Japan’S Greatest Animator
    Greenberg, Raz. "Bibliography." Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator. New York: Bloomsbury Academic, 2018. 159–164. Animation: Key Films/Filmmakers. Bloomsbury Collections. Web. 25 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:45 UTC. Copyright © Raz Greenberg 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. B I B L I O G R A P H Y A b d e l R a h i m , L a y l a . Children’s Literature, Domestication and Social Foundation: Narratives of Civilization and Wilderness . New York : Routledge , 2015 . A k a m a t s u , Yo s h i k o . “ J a p a n e s e R e a d i n g s o f A n n e o f G r e e n G a b l e s ,” i n L.M. Montgomery and Canadian Culture , e d i t e d b y I r e n e G a m m e l a n d E l i z a b e t h Epperly , 201–212 . Toronto : University of Toronto Press , 1999 . A k i m o n o , D a i s u k e . “War and Peace” in Studio Ghibli Films: Director Hayao Miyazaki’s Messages for World Peace . S a a r b u c k e n : L a m b e r t A c a d e m i c Publishing , 2014 .
    [Show full text]
  • ©Copyright 2012 Sachi Schmidt-Hori
    1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power.
    [Show full text]
  • I. Early Days Through 1960S A. Tezuka I. Series 1. Sunday A
    I. Early days through 1960s a. Tezuka i. Series 1. Sunday a. Dr. Thrill (1959) b. Zero Man (1959) c. Captain Ken (1960-61) d. Shiroi Pilot (1961-62) e. Brave Dan (1962) f. Akuma no Oto (1963) g. The Amazing 3 (1965-66) h. The Vampires (1966-67) i. Dororo (1967-68) 2. Magazine a. W3 / The Amazing 3 (1965) i. Only six chapters ii. Assistants 1. Shotaro Ishinomori a. Sunday i. Tonkatsu-chan (1959) ii. Dynamic 3 (1959) iii. Kakedaze Dash (1960) iv. Sabu to Ichi Torimono Hikae (1966-68 / 68-72) v. Blue Zone (1968) vi. Yami no Kaze (1969) b. Magazine i. Cyborg 009 (1966, Shotaro Ishinomori) 1. 2nd series 2. Fujiko Fujio a. Penname of duo i. Hiroshi Fujimoto (Fujiko F. Fujio) ii. Moto Abiko (Fujiko Fujio A) b. Series i. Fujiko F. Fujio 1. Paaman (1967) 2. 21-emon (1968-69) 3. Ume-boshi no Denka (1969) ii. Fujiko Fujio A 1. Ninja Hattori-kun (1964-68) iii. Duo 1. Obake no Q-taro (1964-66) 3. Fujio Akatsuka a. Osomatsu-kun (1962-69) [Sunday] b. Mou Retsu Atarou (1967-70) [Sunday] c. Tensai Bakabon (1969-70) [Magazine] d. Akatsuka Gag Shotaiseki (1969-70) [Jump] b. Magazine i. Tetsuya Chiba 1. Chikai no Makyu (1961-62, Kazuya Fukumoto [story] / Chiba [art]) 2. Ashita no Joe (1968-72, Ikki Kajiwara [story] / Chiba [art]) ii. Former rental magazine artists 1. Sanpei Shirato, best known for Legend of Kamui 2. Takao Saito, best known for Golgo 13 3. Shigeru Mizuki a. GeGeGe no Kitaro (1959) c. Other notable mangaka i.
    [Show full text]
  • Hikaru No Go, Volume 17
    XO2OLQ7XHLSY « Book # Hikaru No Go, Volume 17 Hikaru No Go, V olume 17 Filesize: 8.84 MB Reviews Complete guide! Its such a good go through. It is rally fascinating throgh reading period of time. Its been written in an extremely basic way and is particularly only after i finished reading through this publication through which really changed me, change the way i really believe. (Mrs. Macy Stehr) DISCLAIMER | DMCA UK3MTZ9Z8LLT \\ PDF « Hikaru No Go, Volume 17 HIKARU NO GO, VOLUME 17 Viz Media. Paperback / soback. Book Condition: new. BRAND NEW, Hikaru No Go, Volume 17, Yumi Hotta, Takeshi Obata, An ancient ghost possesses Hikaru and unleashes his hidden genius! R to L (Japanese Style). A Familiar FaceFrom the moment he began playing go, Hikaru relied on Sai's supernatural support. Now that his mentor has vanished into thin air, will he be able to handle the demands of life as a pro? Meanwhile, Hikaru's archrival Akira is playing so well even veteran players tremble at the mention of his name. And now, at long last, the two boys will play each other. Aer stumbling across a haunted Go board, irresponsible Hikaru Shindo discovers that the spirit of a master player has taken up residence in his consciousness. In his pursuit of the "Divine Move," Fujiwara-no-Sai awakens in Hikaru an untapped genius for the game, and soon the schoolboy is chasing his own dream--defeating the famed Go prodigy Akira Toya!. Read Hikaru No Go, Volume 17 Online Download PDF Hikaru No Go, Volume 17 C2DQOLQWTZWQ \ Book > Hikaru No Go, Volume 17 You May Also Like My Life as an Experiment: One Man s Humble Quest to Improve Himself by Living as a Woman, Becoming George Washington, Telling No Lies, and Other Radical Tests SIMON SCHUSTER, United States, 2010.
    [Show full text]
  • Animes E Desenhos Ordem Alfabetica Código Valor .Hack Legend of The
    Planilha1 Animes e Desenhos Ordem Alfabetica Código Valor .Hack Legend of the Twilight Dublado P7-02 R$ 7,00 .hack//ROOTS P7-01 R$ 13,00 .hack//Sign P4-15 R$ 13,00 101 Dálmatas Dublado P4-14 R$ 28,00 11 Eyes P3-06 R$ 7,00 18IF P7-30 R$ 7,00 2x2 Shinobuden P2-27 R$ 7,00 30-Sai no Hoken Taiiku P4-04 R$ 7,00 5-Toubun no Hanayome G8 R$ 7,00 801 TTS Airbats P1-27 R$ 7,00 91 Days p7-20 R$ 7,00 Filmes .Hack G.U. Trilogy Filme P7-09 R$ 7,00 5 Centímetros por Segundo Filme P7-14 R$ 7,00 Letra A Código Valor A Arca Do Zé Colméia Dublado P5-32 R$ 7,00 A Channel P6-05 R$ 7,00 A Coisa Dublado P1-05 R$ 13,00 A Corrida Maluca Dublado P3-03 R$ 20,00 A Formiga e o Tamanduá Dublado P3-11 R$ 7,00 A Lenda de Ellcia Dublado P1-04 R$ 7,00 A Lenda do Zorro Dublado P4-21 R$ 7,00 A Tale Of Melodies P4-11 R$ 7,00 A.D. Police P2-16 R$ 7,00 Abarenbou Kishi!! Matsutarou P5-08 R$ 13,00 Absolute Duo P1-25 R$ 7,00 ACCA: 13-ku Kansatsu-ka P7-19 R$ 7,00 Accel World P5-11 R$ 13,00 Acchi Kocchi P7-18 R$ 7,00 Action Heroine Cheer Fruits P7-30 R$ 7,00 Active Raid Kidou Kyoushuushitsu p7-20 R$ 7,00 Afro Samurai Dublado P6-06 R$ 7,00 After War Gundam X P7-13 R$ 28,00 Agatha Christie no Meitantei P5-26 R$ 20,00 Agente 009-1 Dublado P4-19 R$ 7,00 Agente Aika P4-19 R$ 7,00 Ah! Megami-Sama P5-14/P6-10 R$ 28,00 Ah! Megami-Sama - Mini-Goddess P3-16 R$ 7,00 Aho Girl P8-16 R$ 7,00 Ai Mai Mi P7-15 R$ 7,00 Ai No Kusabi P4-13 R$ 7,00 Ai Tenchi Muyo P7-30 R$ 13,00 Página 1 Planilha1 Ai Yori Aoshi P6-16 R$ 20,00 AIKA R-16 Virgin Mission P6-07 R$ 7,00 AiKa Zero P6-07 R$ 7,00 Air Gear P5-25
    [Show full text]
  • Free Death Note Black Edition, Vol. 3 Pdf
    FREE DEATH NOTE BLACK EDITION, VOL. 3 PDF Tsugumi Ohba,Takeshi Obata | 400 pages | 12 May 2011 | Viz Media, Subs. of Shogakukan Inc | 9781421539669 | English | San Francisco, United States Download [PDF] Death Note Black Edition Vol 3 eBook Full – Get Book Direct Sources, vol. Heath, T. Groundties; Uplink; Harmonies of the Vol. 3 Net Simulation, 2nd ed. Vol. 3 3 ; e-book. The second edition of Blackand - white photos and pictures are interspersed throughout the volume. The Black Death also occupied a central position in the medico - historical publications of August Hirschwho had in overseen a revised reprint of I have cited it from the third editionvol. IIIpp. IIIpp Recognizing that individuals often move rapidly from one area of communication to anotherthe series has enlarged its Thick 8vo19th cent. The Complaint : orsome foldingcon temp. Foliocontemp. London : marginal note. ED CLIP Note no. Volume 3. Written in a heavy gothic script on 92 pages in red and black ink, gold lettering on title-page and dedication leaves, 6 artist's Red wrappers lettered and designed in blacka volume of the publisher's Vigo Cabinet series. Raphael HolinshedThe Chronicles of England2nd edition, vol. Matthew W. Blacked. It chose Ruskin's references are to Black's editionin 10 volumes II, With a brief memoir of his lifeby T. III, Reprinted from Blackwood's Mag. AsLongman Death Note Black Edition, Skip to content Killer 2-for-1 value on the Vol. 3 thriller Death Note! Author : Miranda H. Author : Juneal M. Author : T. Death Note Black Edition, Vol. 3 : Tsugumi Ohba : But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god.
    [Show full text]