Pakistani-Origin Muslim Youth in Higher Education
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By Beheshta Jaehori B.Sc. (Hon.), University of Toronto, 2001 A
AFGHAN WOME,N'S EXPERIENCESDURNG THE TALIBAN REGIME by BeheshtaJaehori B.Sc.(Hon.), University of Toronto,2001 A THESISSUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FORTHE DEGREEOF MASTEROF ARTS in The Facultyof GraduateStudies (CounsellingPsychology) THE LINIVERSITY OF BRITISH COLLMBIA (Vancouver) August,2009 @ BeheshtaJaghori, 2009 Abstract A plethoraof researchhas depictedAfghan women during the Talibanreign in a varietyof ways,ranging from oppressed"victims of the burqa" to heroic "social actors." In this study, I examinedthe lived experiencesof women in Afghanistanunder the Talibanregime, as articulatedby ordinarywomen themselves.Data from 11 women were gatheredthrough the use of individual interviews,and analyzedusing Miles and Hubermans'(1994) analytic framework. Themes emerged that describedthe Taliban regime'spolicies regarding Afghan women,the overallresponses of women to the policies,including the impactof thosepolicies at the time (1996-2001),the ongoing impact,and the situationof women in the post-Talibanera. The Talibanregime's anti-women policies denied women education,employment, and freedomof movement.Those who committedany infractionswere met with severe punishment.The impact of thesepolicies led to variouspsychological effects, including: anxiety,fear, and synptoms of depressionand posttraumatic stress. Despite the condemnablerestrictions, Afghan women's agency,no matterhow limited, was present andcontinuously exercised on differentoccasions. Despite the gainsfor somewomen, eightyears after the removalof the Talibanregime, Afghan women still do not appearto havemade substantive progress with regardto oppressivecustoms, violence, and their positionin Afghan society.The studyresults and their analysisis especiallytimely, given the increasingTaliban insurgencyin Afghanistan,and the looming possibility of a resurrectedTaliban rule in the countrv. 111 Table of Contents Abstract .........ii Tableof Contents.. ....iii Acknowledgments.... ......viii ChapterOne: Introduction. .........1 Situatingthe Researcher .....2 Summary.... -
CAPSTONE 20-1 SWA Field Study Trip Book Part II
CAPSTONE 20-1 SWA Field Study Trip Book Part II Subject Page Afghanistan ................................................................ CIA Summary ......................................................... 2 CIA World Fact Book .............................................. 3 BBC Country Profile ............................................... 24 Culture Gram .......................................................... 30 Kazakhstan ................................................................ CIA Summary ......................................................... 39 CIA World Fact Book .............................................. 40 BBC Country Profile ............................................... 58 Culture Gram .......................................................... 62 Uzbekistan ................................................................. CIA Summary ......................................................... 67 CIA World Fact Book .............................................. 68 BBC Country Profile ............................................... 86 Culture Gram .......................................................... 89 Tajikistan .................................................................... CIA World Fact Book .............................................. 99 BBC Country Profile ............................................... 117 Culture Gram .......................................................... 121 AFGHANISTAN GOVERNMENT ECONOMY Chief of State Economic Overview President of the Islamic Republic of recovering -
Recoding Life; Information and the Biopolitical
Recoding Life This book addresses the unprecedented convergence between the digital and the corporeal in the life sciences and turns to Foucault’s biopolitics in order to understand how life is being turned into a technological object. It examines a wide range of bioscientific knowledge practices that allow life to be known through codes that can be shared (copied), owned (claimed, and managed) and optimised (remade through codes based on standard language and biotech engineering visions). The book’s approach is captured in the title, which refers to ‘the biopolitical’. The authors argue that through discussions of political theories of sovereignty and related geopolitical conceptions of nature and society, we can understand how crucially important it is that life is constantly unsettling and disrupting the established and familiar ordering of the material world and the related ways of thinking and acting politically. The biopolitical dynamics involved are conceptualised as the ‘metacode of life’, which refers to the shifting configurations of living materiality and the merging of conventional boundaries between the natural and artificial, the living and non-living. The result is a globalising world in which the need for an alternative has become a core part of its political and legal instability, and the authors identify a number of possible alternative platforms to understand life and the living as framed by the ‘metacodes’ of life. This book will appeal to scholars of science and technology studies, as well as scholars of the sociology, philosophy, and anthropology of science, who are seeking to understand social and technical heterogeneity as a characteristic of the life sciences. -
Deporting Immigrants After 9/11 Tore Families Apart and Shattered Communities
Worlds Apart: How Deporting Immigrants After 9/11 Tore Families Apart and Shattered Communities Published December 2004 THE AMERICAN CIVIL LIBERTIES UNION is the nation’s premier guardian of liberty, working daily in courts, legislatures and communities to defend and preserve the individual rights and freedoms guaranteed by the Constitution and the laws of the United States. OFFICERS AND DIRECTORS Nadine Strossen, President Anthony D. Romero, Executive Director Kenneth B. Clark, Chair, Executive Advisory Council Richard Zacks, Treasurer NATIONAL HEADQUARTERS 125 Broad Street, 18th Fl. New York, NY 10004-2400 (212) 549-2500 www.aclu.org Paid for by the ACLU Foundation. Cover: Benamar Benatta at the Buffalo Federal Detention Center, Buffalo News Photo. Table of Contents Introduction . .1 Ahmed Abualeinen . .3 Ansar Mahmood . .4 Anser Mehmood . .6 Charities . .6 Benamar Benatta . .8 Shattered Communities . .10 Khaled Abu-Shabayek . .13 Khaled Albitar . .15 Khurram Altaf . .15 Mohamed Elzaher . .17 Naeem Sheikh . .18 Noor Hussain Raza . .19 Sadek Awaed . .20 Conclusion . .21 WORLDS APART An ACLU Report WORLDS APART: How Deporting Immigrants After 9/11 Tore Families Apart and Shattered Communities States filed a petition with the United Nations Introduction Working Group on Arbitrary Detention. The petitioners alleged that: heir stories vary widely: some men • drove cabs, some delivered pizzas and The United States detained petitioners as Tstill others pumped gas. Some spoke suspected terrorists even where there was Urdu and others Arabic. Some came from tiny no evidence– let alone credible evidence – villages, others from major, cosmopolitan that they had engaged in criminal activity cities. Some had children who attended public of any sort. -
Introduction
INTRODUCTION The wuxia film is the oldest genre in the Chinese cinema that has remained popular to the present day. Yet despite its longevity, its history has barely been told until fairly recently, as if there was some force denying that it ever existed. Indeed, the genre was as good as non-existent in China, its country of birth, for some fifty years, being proscribed over that time, while in Hong Kong, where it flowered, it was gen- erally derided by critics and largely neglected by film historians. In recent years, it has garnered a following not only among fans but serious scholars. David Bordwell, Zhang Zhen, David Desser and Leon Hunt have treated the wuxia film with the crit- ical respect that it deserves, addressing it in the contexts of larger studies of Hong Kong cinema (Bordwell), the Chinese cinema (Zhang), or the generic martial arts action film and the genre known as kung fu (Desser and Hunt).1 In China, Chen Mo and Jia Leilei have published specific histories, their books sharing the same title, ‘A History of the Chinese Wuxia Film’ , both issued in 2005.2 This book also offers a specific history of the wuxia film, the first in the English language to do so. It covers the evolution and expansion of the genre from its beginnings in the early Chinese cinema based in Shanghai to its transposition to the film industries in Hong Kong and Taiwan and its eventual shift back to the Mainland in its present phase of development. Subject and Terminology Before beginning this history, it is necessary first to settle the question ofterminology , in the process of which, the characteristics of the genre will also be outlined. -
Playful Subversions: Hollywood Pirates Plunder Spanish America NINA GERASSI-NAVARRO
Playful Subversions: Hollywood Pirates Plunder Spanish America NINA GERASSI-NAVARRO The figure of the pirate evokes a number of distinct and contrasting images: from a fearless daredevil seeking adventure on the high seas to a dangerous and cruel plunderer moved by greed. Owing obedience to no one and loyal only to those sharing his way of life, the pirate knows no limits other than the sea and respects no laws other than his own. His portrait is both fascinating and frightening. As a hero, he is independent, audacious, intrepid and rebellious. Defying society's rules and authority, sailing off to the unknown in search of treasures, fearing nothing, the pirate is the ultimate symbol of freedom. But he is also a dangerous outlaw, known for his violent tactics and ruthless assaults. The social code he lives by inspires enormous fear, for it is extremely rigid and anyone daring to disobey the rules will suffer severe punishments. These polarized images have captured the imagination of historians and fiction writers alike. Sword in hand, eye-patch, with a hyperbolic mustache and lascivious smile, Captain Hook is perhaps the most obvious image-though burlesque- of the dangerous fictional pirate. His greedy hook destroys everything that crosses his hungry path, even children. On a more serious level, we might think of the tortures the cruel and violent Captain Morgan inflicted upon his enemies, hanging them by their testicles, cutting their ears or tongues off; or of Jean David Nau, the French pirate known as L 'Ollonais (el Olonés in Spanish), who would rip the heart out of his victims if they did not comply with his requests; 1 or even the terrible Blackbeard who enjoyed locking himself up with a few of his men and shooting at them in the dark: «If I don't kill someone every two or three days I will lose their respect» he is said to have claimed justifyingly. -
A Case Study of Mahsud Tribe in South Waziristan Agency
RELIGIOUS MILITANCY AND TRIBAL TRANSFORMATION IN PAKISTAN: A CASE STUDY OF MAHSUD TRIBE IN SOUTH WAZIRISTAN AGENCY By MUHAMMAD IRFAN MAHSUD Ph.D. Scholar DEPARTMENT OF POLITICAL SCIENCE UNIVERSITY OF PESHAWAR (SESSION 2011 – 2012) RELIGIOUS MILITANCY AND TRIBAL TRANSFORMATION IN PAKISTAN: A CASE STUDY OF MAHSUD TRIBE IN SOUTH WAZIRISTAN AGENCY Thesis submitted to the Department of Political Science, University of Peshawar, in partial fulfillment of the requirements for the Award of the Degree of DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE (December, 2018) DDeeddiiccaattiioonn I Dedicated this humble effort to my loving and the most caring Mother ABSTRACT The beginning of the 21st Century witnessed the rise of religious militancy in a more severe form exemplified by the traumatic incident of 9/11. While the phenomenon has troubled a significant part of the world, Pakistan is no exception in this regard. This research explores the role of the Mahsud tribe in the rise of the religious militancy in South Waziristan Agency (SWA). It further investigates the impact of militancy on the socio-cultural and political transformation of the Mahsuds. The study undertakes this research based on theories of religious militancy, borderland dynamics, ungoverned spaces and transformation. The findings suggest that the rise of religious militancy in SWA among the Mahsud tribes can be viewed as transformation of tribal revenge into an ideological conflict, triggered by flawed state policies. These policies included, disregard of local culture and traditions in perpetrating military intervention, banning of different militant groups from SWA and FATA simultaneously, which gave them the raison d‘etre to unite against the state and intensify violence and the issues resulting from poor state governance and control. -
Film Flight: Lost Production and Its Economic Impact on California
I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe. -
Warsi 4171.Pdf
Warsi, Sahil K. (2015) Being and belonging in Delhi: Afghan individuals and communities in a global city. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/22782/ Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Being and Belonging in Delhi: Afghan Individuals and Communities in a Global City Sahil K. Warsi Thesis submitted for the degree of PhD 2015 Department of Anthropology and Sociology SOAS, University of London 1 Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Northern Style Powwow Music: Musical Features and Meanings Anna Hoefnagels
Northern Style Powwow Music: Musical Features and Meanings Anna Hoefnagels Abstract: Modern powwows are important social rituals closely linked to expressing affirmations of Native identities. Based on her fieldwork in southwestern Ontario and Southern Alberta, Anna Hoefnagels explores methods of classifying powwow music that may serve as pedagogical tools, and ways of teaching and understanding Northern- style powwow music._____________________________________________________________________________ Music is the central feature of contemporary powwows, around which other activities—including dancing, socializing, and shopping—revolve. Physically, the musicians and their drums, called drum groups or Drums, are at the centre of the powwow, with a series of concentric circles emanating from the Drums in the form of dance area, audience, vendors and the camping area. The Drums provide the music that accompanies the dancers, which is the central and most spectacular aspect of the powwow. Powwow songs have common features with one another; yet when one listens closely to these songs, one realizes that the songs are quite distinct from one another. There are regional differences in powwow singing, due to the geographical and tribal origins of both the songs and the musicians. However, to the uninitiated, powwow songs may all sound the same. Fortunately, as Tara Browner (2000) indicates, “pow-wow music exists in a Pan-tribal (as opposed to tribal-specific) context, [so] the vocabulary its musicians use when talking about song making and performance is almost entirely in English...” (p. 215). Despite potential political conflicts regarding language and terminology, this shared vocabulary makes conversations with musicians about their music much easier than they would be if there were different or specific descriptive vocabulary. -
Cultural Simulation and the Applications of Culturally Enabled
CULTURAL SIMULATION AND THE APPLICATIONS OF CULTURALLY ENABLED GAMES AND TECHNOLOGY by Jumanne K. Donahue APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Marjorie Zielke, Chair ___________________________________________ Dean Terry ___________________________________________ Frederick Turner ___________________________________________ Habte Woldu Copyright 2017 Jumanne K. Donahue All Rights Reserved This dissertation is dedicated to the civilized, humane, rational, and creative people of the world. May you increase in number. Your wise actions are sorely needed. CULTURAL SIMULATION AND THE APPLICATIONS OF CULTURALLY ENABLED GAMES AND TECHNOLOGY by JUMANNE K. DONAHUE, BS, MFA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN ARTS, TECHNOLOGY, AND EMERGING COMMUNICATION THE UNIVERSITY OF TEXAS AT DALLAS December 2017 ACKNOWLEDGMENTS To begin, I would like to like to thank my supervisor, Dr. Marjorie Zielke. I appreciate your support and guidance given the unorthodox confluence of ideas in my dissertation as well as your confidence in me and your leadership of The First Person Cultural Trainer project. I would also like to think the members of my committee: Dr. Frederick Turner, Dean Terry, and Dr. Habte Woldu. Dr. Turner, you are a gentleman, scholar, and writer of the first order and your work on epic narrative has been enlightening. Dean Terry, your knowledge of avant-garde cinema and role as an innovator in social technology has always made our conversations stimulating. Your example encourages me to take risks with my own endeavors and to strive for the vanguard. Dr. Woldu, you introduced me to the concept of quantifying cultural values. -
Representation of Pashtun Culture in Pashto Films Posters: a Semiotic Analysis
DOI: 10.31703/glr.2020(V-I).29 URL: http://dx.doi.org/10.31703/glr.2020(V-I).29 Citation: Mukhtar, Y., Iqbal, L., & Rehman, F. (2020). Representation of Pashtun Culture in Pashto Films Posters: A Semiotic Analysis. Global Language Review, V(I), 281-292. doi:10.31703/glr.2020(V-I).29 Yusra Mukhtar* Liaqat Iqbal† Faiza Rehman‡ p-ISSN: 2663-3299 e-ISSN: 2663-3841 L-ISSN: 2663-3299 Vol. V, No. I (Winter 2020) Pages: 281- 292 Representation of Pashtun Culture in Pashto Films Posters: A Semiotic Analysis Abstract: Introduction The purpose of the research is to investigate It is in the nature of human beings to infer meaning out of every the representation or misrepresentation of word they hear, every object they see and every act they observe. Pashtun culture through the study of It is because whatever we hear, see or observe may suggest different signs and to inspect that how these deeper and broader interpretation than its explicit signs relate to Pashtun culture by employing representation. All of these can be taken as distinct signs, semiotics as a tool. To achieve the goal, which is anything that indicates or is referred to as something twelve distinct Pashto film posters that were other than itself. Signs hold the meaning and convey it to the published during 2011-2017 were selected and categorized under poster design, interpreter for inferring meaning out of it; for example, the dressing, props and titles, as these aspects traffic lights direct the traffic without using verbal means of act as signs for depicting cultural insights.