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2014–2015 Season Sponsors
2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr. -
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan .................................................................................................................................. -
I Love Lucy® Coming Soon: Live on Stage Ghost January 14 – February 25 – February 2, 2014 March 2, 2014
I Love Lucy® ComIng Soon: Live on Stage ghost January 14 – February 25 – February 2, 2014 March 2, 2014 I LOVE LUCY ® & © 2013 CBS Broadcasting Inc. All Rights Reserved. Grand Avenue takes me everywhere. — DON MACLACHLAN Tennessee Titans, Executive Vice President One Contact. 450 Cities Worldwide. Download OUR APP Call us today at 615.714.5466 or toll-free at 866.455.2823 to book on the go! or visit G RANDA VENUEW ORLDWIDE.COM GAT 127.13 | NA&E 7/13 GAT GAT127.13-NashvilleArtsAd_7.125x10.875_FINAL.indd 1 7/2/13 9:42 AM EVOLVED ESSENTIAL EPIC APPLE • ATHLETA • BURBERRY • THE CHEESECAKE FACTORY DAVID YURMAN • FREE PEOPLE • GUS MAYER • JIMMY CHOO KATE SPADE NEW YORK • LOUIS VUITTON • MAC COSMETICS MICHAEL KORS • OMEGA • RESTORATION HARDWARE • SEPHORA STUART WEITZMAN • TIFFANY & CO. • TORY BURCH NORDSTROM • DILLARD’S • MACY’S OVER 100 SPECIALTY SHOPS & RESTAURANTS HILLSBORO PIKE, I-440 EXIT 3 • NASHVILLE, TN • SHOPGREENHILLS.COM GH170.PlaybillFullPage.indd 1 6/12/13 12:42 PM At Bridgestone Americas, performance is in our blood. That’s why we’re proud to call Nashville home. You’ll fi nd more than 2,300 Bridgestone teammates hard at work and play in Nashville’s communities. Being involved is an important part of our business. It’s our passion. It’s our home. Find out more at www.BridgestoneAmericas.com Nashville’s Rising Star Meet Music City’s newest star. The stunning Omni Nashville Hotel. Located in the heart of downtown and connected to the Country Music Hall of Fame & Museum, this Four Diamond hotel will dazzle guests with luxurious accommodations, amazing amenities and legendary service. -
Of the Blues Aesthetic
Skansgaard 1 The “Aesthetic” of the Blues Aesthetic Michael Ryan Skansgaard Homerton College September 2018 This thesis is submitted for the degree of Doctor of Philosophy Skansgaard 2 Declaration: This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. At 79,829 words, the thesis does not exceed the regulation length, including footnotes, references and appendices but excluding the bibliography. This work follows the guidelines of the MLA Handbook for Writers of Research Papers. Acknowledgements: This study has benefitted from the advice of Fiona Green and Philip Coleman, whose feedback has led to a revitalised introduction and conclusion. I am also indebted to Donna Akiba Sullivan Harper, Robert Dostal, Kristen Treen, Matthew Holman, and Pulane Mpotokwane, who have provided feedback on various chapters; to Simon Jarvis, Geoff Ward, and Ewan Jones, who have served as advisers; and especially to my supervisor, Michael D. -
BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov. -
Before the U.S
Before the U.S. DEPARTMENT OF COMMERCE Office of the Secretary; National Telecommunications and Information Administration; International Trade Administration; National Institute of Standards and Technology In the Matter of ) ) Global Free Flow of Information ) Docket No. 100921457-0457-01 On the Internet ) ) COMMENTS OF THE COPYRIGHT ALLIANCE The Copyright Alliance hereby submits its comments in the above captioned proceeding.1 We are a nonprofit, nonpartisan 501(c)(4) educational organization dedicated to promoting copyright as an engine for creativity, jobs, and growth. The Copyright Alliance also has created the Copyright Alliance Education Foundation, a nonprofit, nonpartisan 501(c)(3) educational organization dedicated to providing free curricula on copyright and digital citizenship to educators and students in the U.S. K-12 education system. The Copyright Alliance is a membership organization comprised of individual artists and institutions, including guilds and unions, corporations, trade associations, and sports leagues. Our members come from a full range of creative industries including musical composition, music publishing, performing rights organizations and sound recordings; book, magazine and newspaper publishing; business 1 See Federal Register, Vol. 75, No. 188, Wednesday, September 29, 2010, pp. 60068-60073 -- http://edocket.access.gpo.gov/2010/2010-24385.htm . and entertainment software; visual arts, including illustration, graphic arts and photography; and motion pictures and broadcasting.2 INTRODUCTION In this proceeding, the U.S. Department of Commerce has initiated a Notice of Inquiry (“NOI”) as part of its Internet Policy Task Force examination of key policy issues related to the Internet. We applaud the Department for seeking information on the important topic of the free flow of information on the Internet.3 There is no real conflict between copyright and the free flow of information on the Internet. -
Janis-Press Notes 10 26 15
JANIS: LITTLE GIRL BLUE Written and Directed by Amy J. Berg FilmRise NY Publicity LA Publicity Digital Publicity 34 35th Street Donna Daniels David Magdael Lee Meltzer Brooklyn, NY 11232 [email protected] dmagdael@tcdm- [email protected] 718.369.9090 et associates.com 212.373.6142 [email protected] 347.694.4650 213.624.7827 www.filmrise.com **** Official Selection 2015 Venice Film Festival 2015 Toronto International Film Festival 2015 DOC NYC 2015 BFI London Film Festival 2015 International Documentary Film Festival Amsterdam **** PBS and Content Media Corporation Present A FilmRise Release A Production of Disarming Films, Jigsaw Productions and THIRTEEN PRODUCTIONS LLC’s American Masters In association with Sony Music Entertainment and Union Entertainment Group Written and Directed by Amy J. Berg Narrated by Chan Marshall Produced by Alex Gibney Produced by Amy J. Berg Jeffrey Jampol Katherine LeBlond Running Time: 105 Minutes TAGLINE Oscar-nominated documentarian Amy Berg examines the meteoric rise and untimely fall of one of the most revered and iconic rock ‘n’ roll singers of all time: Janis Joplin. Joplin’s life story is Oscar-nominated documentarian Amy Berg examines the meteoric rise and untimely fall of one of the most revered and iconic rock ‘n’ roll singers of all time: Janis Joplin. Joplin’s life story is revealed for the first time on film through electrifying archival footage, revealing interviews with friends and family and rare personal letters, presenting an intimate and insightful portrait of a bright, complicated artist who changed music forever. SYNOPSIS Janis Joplin is one of the most revered and iconic rock and roll singers of all time, a tragic and misunderstood figure who thrilled millions of listeners and blazed new creative trails before her death in 1970 at age 27. -
OH Completed List
OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A. -
Against Jawboning Derek E
University of Minnesota Law School Scholarship Repository Minnesota Law Review 2015 Against Jawboning Derek E. Bambauer Follow this and additional works at: https://scholarship.law.umn.edu/mlr Part of the Law Commons Recommended Citation Bambauer, Derek E., "Against Jawboning" (2015). Minnesota Law Review. 182. https://scholarship.law.umn.edu/mlr/182 This Article is brought to you for free and open access by the University of Minnesota Law School. It has been accepted for inclusion in Minnesota Law Review collection by an authorized administrator of the Scholarship Repository. For more information, please contact [email protected]. Article Against Jawboning Derek E. Bambauer† Introduction ............................................................................... 52 I. The Rise of Jawboning .......................................................... 61 A. The Net’s Libertarian Trend .................................... 61 B. Backpage: The Internet’s Seedy Side ....................... 65 C. Data Retention: Building Your Permanent File ...... 69 D. Six Strikes: “The Cajole Set of Issues” ..................... 74 E. Network Neutrality: “I Am Not a Dingo” ................. 78 II. A Taxonomy of Government Pressures and Their Legitimacy ........................................................................ 83 A. Knuckling Under ...................................................... 84 B. A Taxonomy of Pressures ......................................... 87 C. Assessing Legitimacy ................................................ 92 1. First -
JUN–JUL 2017 SEASON 50, ISSUE 8 with the SYMPHONY
SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY JUN–JUL 2017 SEASON 50, ISSUE 8 with the SYMPHONY TICKETS START AT JULY 2017 $15* The Music of John Williams From Star Wars JULY 6–7 JULY 8 JULY 13–14 JULY 15–16 JULY 16 to The Music A Night at the JurassicJaws: Feature Film Pixar in Concert Jalisco Philharmonic of John Williams: Moulin Rouge withPark with the SF Symphony with Live Orchestra Orchestra From Star Wars the SF Symphony to Jurassic Park Featuring Storm Large JULY 20 JULY 21 JULY 22 JULY 27 JULY 28–29 Gershwin & Bernstein Ben Folds with Holst’s The Planets A Beethoven Celebration Mussorgsky’s Pictures with the SF Symphony the SF Symphony with the SF Symphony at an Exhibition Featuring Rhiannon Giddens SUMMER WITH THE SYMPHONY SPONSORS SEASON PARTNERS SFSYMPHONY.ORG/SUMMER 415-864-6000 BUY TICKETS TO 3 OR MORE CONCERTS AND SAVE 25%!* Concerts at Davies Symphony Hall. Programs,artists, and prices subject to change. *Restrictions apply. Subject to availability. Lead Sponsor Summer Radio Partners Box Office Hours Mon–Fri 10am–6pm, Sat noon–6pm, Sun 2 hours prior to concerts Walk Up Grove Street between Van Ness and Franklin EAP full-page template.indd 1 5/3/17 4:23 PM My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. -
2015 Spring Newsletter
CELEBRATING 40 YEARS OF NotationsNEWSLETTER MAKING MUSIC GROW SPRING 2015 ISSUE JOAN BAEZ, GARTH BROOKS, BILLY JOEL, STEPHEN SONDHEIM AND STEVIE WONDER RECEIVE ASCAP CENTENNIAL AWARDS FIVE MUSIC GREATS RECEIVE HONORS AND STAR-STUDDED TRIBUTE AT WALDORF ASTORIA GALA BENEFITTING THE ASCAP FOUNDATION Pictured from (left to right): Sting, Bernadette Peters, event underwriter, ASCAP Board member and Sony ATV Chairman and CEO Martin Bandier, ASCAP Foundation Executive Director and event producer Karen Sherry, ASCAP Centennial Award Honorees Billy Joel, Stevie Wonder, Joan Baez, Garth Brooks, ASCAP EVP of Membership John Titta, ASCAP Foundation President Paul Williams and former ASCAP CEO John LoFrumento. ASCAP presented its singular, once-in-a-lifetime ASCAP Centennial Awards to Joan Baez, Garth Brooks, Billy Joel, Stephen Sondheim and Stevie Wonder on Monday, November 17th, at a gala party at the Waldorf Astoria in New York City celebrating ASCAP’s historic 100th anniversary and benefi ting The ASCAP Foundation. The event, hosted by ASCAP President and Chairman Paul Williams, fea- tured the Centennial Award recipients as well as special guest artists who performed in tribute to the honorees. Sting and Chris Botti teamed up for an energetic performance of “Big Man on Mulberry Street,” before introducing the evening’s fi rst honoree, Billy Joel. Joel expressed his gratitude for the Award and then delighted the crowd with a performance of “New York State of Mind.” Trisha Yearwood paid tribute to her husband Garth Brooks before proceeding with a loving performance of “If Tomorrow Never Comes.” Garth humbly accepted his award before performing his new song “I Am A Song,” for the fi rst time. -
32,600,000 Shares Common Stock Goldman, Sachs & Co. Morgan
QuickLinks -- Click here to rapidly navigate through this document Filed Pursuant to Rule 424(b)(4) Registration No. 333-123249 PROSPECTUS 32,600,000 Shares Common Stock This is the initial public offering of shares of common stock of Warner Music Group Corp. Warner Music Group Corp. is offering 32,600,000 shares of common stock. We intend to use all of the net proceeds from the sale of the shares being sold by us in this offering and an amount of cash resulting from a decrease in the cash dividend to be paid to our existing stockholders in connection with this offering and a reduction in the purchase price of the Three-Year Warrants to redeem certain indebtedness of our subsidiaries and to pay the related premiums and interest obligations thereon. See "Use of Proceeds." Prior to this offering, there has been no public market for the common stock. Warner Music Group Corp. has been approved to list the common stock on the New York Stock Exchange under the symbol "WMG". See "Risk Factors" on page 13 to read about factors you should consider before buying shares of the common stock. Neither the Securities and Exchange Commission nor any state securities commission has approved or disapproved of these securities or passed upon the accuracy or adequacy of this prospectus. Any representation to the contrary is a criminal offense. Per Share Total Initial public offering price $ 17.0000 $ 554,200,000 Underwriting discount $ 0.8075 $ 26,324,500 Proceeds, before expenses, to Warner Music Group Corp. $ 16.1925 $ 527,875,500 To the extent that the underwriters sell more than 32,600,000 shares of common stock, the underwriters have the option to purchase up to an additional 4,890,000 shares from the selling stockholders at the initial public offering price, less the underwriting discount.