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Des Fata Aux Fées Regards Croisés De L’Antiquité À Nos Jours

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Des Fata Aux Fées Regards Croisés De L’Antiquité À Nos Jours Études de lettres 3-4 | 2011 Des Fata aux fées Regards croisés de l’Antiquité à nos jours Martine Hennard Dutheil de la Rochère et Véronique Dasen (dir.) Édition électronique URL : http://journals.openedition.org/edl/130 DOI : 10.4000/edl.130 ISSN : 2296-5084 Éditeur Université de Lausanne Édition imprimée Date de publication : 15 décembre 2011 ISBN : 978-2-940331-26-0 ISSN : 0014-2026 Référence électronique Martine Hennard Dutheil de la Rochère et Véronique Dasen (dir.), Études de lettres, 3-4 | 2011, « Des Fata aux fées » [En ligne], mis en ligne le 15 décembre 2014, consulté le 18 décembre 2020. URL : http://journals.openedition.org/edl/130 ; DOI : https://doi.org/10.4000/edl.130 © Études de lettres Des Fata aux fées : regards croisés de l’Antiquité à nos jours EtudEs dE LEttrEs no 289 Revue de la Faculté des lettres de l’Université de Lausanne fondée en 1926 par la Société des Etudes de Lettres Comité de rédaction Alain Corbellari, président Martine Hennard Dutheil de la Rochère Simone Albonico Dave Lüthi Danielle Chaperon François Vallotton Ute Heidmann Rédaction Administration Florence Bertholet Etudes de Lettres Catherine Chène Secrétariat Revue Etudes de Lettres de la Faculté des lettres Bâtiment Anthropole Bâtiment Anthropole CH-1015 Lausanne CH-1015 Lausanne Tél. +41 (21) 692 29 07 Tél. +41 (21) 692 29 09 Courriel : [email protected] Fax. +41 (21) 692 29 05 Site web : www.unil.ch/edl Courriel : [email protected] Abonnement annuel (4 numéros) Frais de port Plein tarif : 50 CHF Suisse : 9 CHF Allemagne : 18 CHF Tarif étudiant : 30 CHF Europe : 21 CHF Autres pays : 26 CHF Prix des volumes Volume simple : 18 CHF (plein tarif) / 16 CHF (prix étudiant) Volume double : 26 CHF (plein tarif) / 22 CHF (prix étudiant) Les volumes de plus de dix ans sont vendus 5 CHF. Pour les frais de port, voir www.unil.ch/edl, rubrique « commander » Moyens de paiement Par carte de crédit : voir www.unil.ch/edl, rubrique « commander » Par virement : CCP : Université de Lausanne 10-13575-3, avec la mention 2603010000/751 Compte bancaire : 710.09.14, avec la mention 2603010000/751, BCV, Lausanne. IBAN : CH9100767001S07100914 Code SWIFT (RIB ou BIC) : BCVLCH2L Prix de vente de ce numéro : 26 CHF Prochaine parution 2012/1-2 Archéologie dans le bassin de la mer Noire 30 CHF Dernières parutions 2011/1-2 Theatra et spectacula. Les grands monuments des jeux dans l’Antiquité 26 CHF 2010/4 Le client de l’architecte 18 CHF 2010/3 Le diplomate en question 18 CHF des Fata aux fées : regards croisés de l’Antiquité à nos jours Volume édité par Martine Hennard Dutheil de la Rochère Véronique Dasen Revue Etudes de lettres Comité éditorial et scientifique de ce numéro Martine Hennard Dutheil de la Rochère, Université de Lausanne Véronique Dasen, Université de Fribourg Jacqueline Fabre-Serris, Université Charles-de-Gaulle – Lille 3 Michelle Ryan-Sautour, Université d’Angers Couverture Crane, Walter, The Bluebeard Picture Book, London, George Routledge and Sons, 1875. (http://www.archive.org/stream/ sleepingbeautypi00cran#page/n7/mode/2up) Numéro publié avec le soutien de la Société Académique Vaudoise Rédaction et mise en pages : Florence Bertholet et Catherine Chène Graphisme de la couverture : Christophe Vieillard, Ange Créations Sàrl Achevé d’imprimer en « computer to plate » sur les presses de Ange Créations Sàrl à Lausanne en décembre 2011 ISBN 978-2-940331-26-0 ISSN 0014-2026 © Université de Lausanne, Revue Etudes de Lettres, Lausanne 2011. Bâtiment Anthropole, CH-1015 Lausanne www.unil.ch/edl [email protected] Tous droits réservés. Réimpression ou reproduction interdite par n�importe quel procédé, notamment par microfilm, xérographie, microfiche, microcarte, offset, etc. Imprimé en Suisse table des matièRES Michelle Ryan-Sautour Preface 9 Martine Hennard Dutheil de la Rochère, Véronique Dasen Des Fata aux fées : regards croisés de l’Antiquité à nos jours 15 Autour des Moires et des Parques : cultes, rites, représentations Constance Frank « Le fuseau et la quenouille ». Personnalités divines et humaines participant à la naissance de l’homme et à sa destinée en Mésopotamie ancienne 37 Cathie Spieser Meskhenet et les Sept Hathors en Egypte ancienne 63 Vinciane Pirenne-Delforge, Gabriella Pironti Les Moires entre la naissance et la mort : de la représentation au culte 93 Véronique Dasen Le pouvoir des femmes : des Parques aux Matres 115 Des déesses antiques aux fées modernes : réécritures littéraires Jacqueline Fabre-Serris L’histoire de Méléagre vue par Ovide ou de quoi le tison des Parques est-il l’emblème ? 149 Jean-Claude Mühlethaler Translittérations féeriques au Moyen Age : de Mélior à Mélusine, entre histoire et fiction 167 Noémie Chardonnens D’un imaginaire à l’autre : la belle endormie du Roman de Perceforest et son fils 191 Ute Heidmann Tisserandes fatales (Apulée) et Fées de Cour (Perrault) : le sort difficile d’une Belle «née pour être couronnée » 205 Sylvie Ballestra-Puech Du fil des Parques au fil des fées : la fabrique du conte dans « Serpentin vert » de Madame d’Aulnoy 221 Magali Monnier Naissance et renaissance du conte de fées : de Marie-Catherine d’Aulnoy à Angela Carter 243 Cyrille François Fées et weise Frauen : les faiseuses de dons chez Perrault et les Grimm, du merveilleux rationalisé au merveilleux naturalisé 259 Donald Haase Kiss and Tell : Orality, Narrative, and the Power of Words in « Sleeping Beauty » 279 Transmission culturelle et époque contemporaine : paroles, textes, images Philippe Kaenel Féerique et macabre : l’art de Gustave Doré 299 Michel Viegnes La force au féminin dans le conte merveilleux fin-de-siècle 321 Martine Hennard Dutheil de la Rochère Conjuring the Curse of Repetition or « Sleeping Beauty » Revamped : Angela Carter’s Vampirella and The Lady of the House of Love 337 Elizabeth Wanning Harries Old Men and Comatose Virgins : Nobel Prize Winners rewrite « Sleeping Beauty » 359 Sylvie Ravussin La disparition des fées dans El verdadero final de la Bella Durmiente d’Ana María Matute 379 Martine Hennard Dutheil de la Rochère, Géraldine Viret « Sleeping Beauty » in Chelmno : Jane Yolen’s Briar Rose or Breaking the Spell of Silence 399 Adresses des auteurs 425 PREFACE At the center of a recent exhibition by French contemporary artist Jean- Michel Othoniel lies “ My Bed ” (2002-2003), a bed framed on the bot- tom by a mesh of aluminum circles of varying diameter which climb up one side to a wire canopy. Glass baubles of different sizes and colors are attached to this frame, glinting and reflecting shades of light in the room. Upon entering the exhibition hall, I was struck by how this ordi- nary bed had been propelled into the realm of the marvelous. Light fil- tered through the glass and a sense of suspension accentuate an empty mattress, fostering a sense of wonder and an almost magical luminosity which emphasizes the absence of a human figure. Othoniel’s mid-career retrospective, “ My Way ”, ran at the Centre Pompidou in Paris from 2 March-23 May 2011 1. Part of the exhibition was organized in the children’s hall around the theme of Le réel merveilleux (The Marvelous Real) and featured his “ Le Petit Théâtre de Peau d’Ane ” (2004) (The Little Theatre of Donkeyskin) ; tiny figurines inspired by Perrault’s tale, designed at an early age by French novelist Pierre Loti, are staged in set- tings of reflecting glass by Othoniel. The artist’s work with Murano glass explores the frontiers between the world of magical fantasy and reality. “ My Bed ” is enthralling in that its empty mattress tempts the reader to fill the space of the absent body. The fairy tale figure of Sleeping Beauty immediately comes to mind. There are multiple variants of this tale, classified according to the Aarne-Thompson tale-types as category 410, but many readers are . 1 Jean-Michel Othoniel’s retrospective is shown in Seoul until Nov. 27. before moving to Tokyo and New York. See Claudia Barbieri’s article in The Global Edition of the New York Times, October 14, 2011. 10 ÉTUDES DE LETTRES likely to refer back to La Belle au bois dormant by Charles Perrault or Dornröschen by the Grimm brothers to project upon Othoniel’s space the figures of the story. Such projections are critically examined in this collection. Scholars from different academic realms and critical tradi- tions have been brought together to re-investigate “ Sleeping Beauty ” as we know it, multiplying the lenses of investigation with the goal of defamiliarization. The interdisciplinarity privileged by Martine Hennard Dutheil de la Rochère and Véronique Dasen has pushed the collection beyond the limits of folklore and literature, allowing the complex rela- tionship between religious ritual, myth, and tale to govern the princi- ples of the study. The nexus for reflection is the feminine figure, with a particular focus on the genealogy of the fairies of Beauty’s christen- ing, and the link to the concept of destiny and movement in and out of life and death. The feminine position is variously occupied throughout the volume by historical figures, mythical beings, divinities, fictional characters, fairies, and ordinary humans, allowing the sedimented cul- ture around the tale gradually to come to light. Areas of research range from Mesopotamian figures related to birthing, Egyptian divinities, Greek Moirae, Roman Fates, the fairies of the more well-known work of Perrault and Grimm, to the disconcerting “ Madam ” figures in the brothels of Yasunari Kawabata’s stories. The “ Beauty ” character is also revisited through the literature of the Middle Ages, Perrault, Grimm, to contemporary Disney representations, Angela Carter’s postmodern col- lage figure of the Vampire/Sleeping Beauty, and Jane Yolen’s self-con- scious transmutations of “ Briar Rose ” into holocaust narrative. As one reads the collection, the changeable identities of female figures overlap, and even coalesce at moments, resulting in an uncanny effect of a kalei- doscopic palimpsest through which images and concepts emerge, con- verge, change shape and expand.
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