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Baird, Alison 2019
IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE INFAMOUS RED VELVET ROPE CULTURE AT STUDIO 54 A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Alison P. Baird Washington, D.C. April 15, 2019 IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE NOTORIOUS RED VELVET ROPE CULTURE AT STUDIO 54 Alison P. Baird Thesis Adviser: Ellen Gorman, Ph.D. ABSTRACT Studio 54, the infamous New York City discotheque open from 1977 to 1980, was a notorious site in New York City for not only being one of the most sought-after venues in nightlife, but also for its ruthless red velvet rope culture. Disco was a defining artifact in American culture in the 1970s and greatly reflected the social and political atmosphere across the country. With the culmination of various political upheavals such as the Vietnam War and the Watergate Scandal, many Americans simply wanted to party, use drugs, and openly explore their sexuality. Studio 54 was, arguably, the most influential and well-known of the many discos— admired and loathed by those within and on the outside of the disco scene. Many outsiders and eager spectators observed the club as exclusionary and dictator-like. This thesis deconstructs the red velvet rope culture and analyzes the innate behavior and qualities of the clubbers with the aim to understand how these people contributed to the tremendous popularity of Studio 54. Gossip columns, newspapers, tabloids and archived footage offers compelling insight to the way of the disco-door as well as the qualities and behaviors that club goers possessed as such to gain admission. -
Law À La Mode Editoriallaw À La Mode Rings in the New Year in the Heart of New York City
LAW ÀLA MODE Edition 4 – Winter 2011 Idiosyncrasies of the Spanish Fashion Market The Louboutin – YSL Shoe Saga Continues No Proof Shoes Shaping You Up, Says FTC Ring in the New Year à la Mode A Word from the Industry’s Mouth Tom Notte and Bart Vandebosch New Global Rules for Digital Interactive Marketing Does Social Media Clash with Luxury Brands? Are You Ready for the Next Shopping Channel? Don’t Let Genericide Happen to You Fashion, Retail and Design Group Contents THE DebAte FOR AdwORDS OwneRSHIP IN CYbeRSPAce COntINUES 04 Perspective on cyberspace’s latest trademark frontier DON’T Let GeneRICIde HAPPen TO YOU 05 Tips on how to protect the value of your trademark ARE YOU ReADY FOR THE NEXT SHOPPIng CHAnnel? 06 Expert real estate advice that keeps all parties satisfied IdIOSYncRASIES OF THE SPANISH FASHION MARKet 08 Insight for how to deal with a unique retail marketplace U.S. FASHION COPYRIGHT PROtectION StIll IN A StAte OF LImbO 09 A fresh perspective on the fashion design copyright debate FOR THE LOve OF Red . SOleS 10 The Louboutin – YSL shoe saga continues EdwIN CO. v. ELIO FIORUccI 12 A designer and company sharing a name? Be careful of the pitfalls! GLOBAL DevelOPmentS RegARDIng THE AntI-COUnteRFEITIng TRAde AgReement 13 The latest on a global initiative NO PROOF SHOES SHAPIng YOU UP, SAYS FTC 14 Best practices for marketing products with health and fitness claims New GLOBAL RUleS FOR DIGITAL InteRActIve MARKetIng 17 Expert advice regarding the ICC’s new Code A WORD FROM THE IndUSTRY’S MOUTH: TOM NOtte And BART VAndebOSCH 18 Insight directly from the design duo behind Les HOMMes DOES SOCIAL MedIA CLASH WITH LUXURY BRAndS? 20 How luxury brands have dealt with the changing social media landscape BUSIneSS ROUnd-UP 22 The latest in industry news RIng IN THE New YeAR À LA MOde 23 How are you celebrating? CAlendAR 24 Our round-up of what’s on this season 02 | Law à la Mode EditorialLaw à la Mode Rings in the New Year in the Heart of New York City igns of the holiday season abound, from the world’s goods. -
Labelling Fashion
Issue 6 | AUGUST 2015 ‘WITH THE GODS’ Mainstream fashion A capital with football clubs A local trend industry Branding at London A look at the legacy Fashion Week of textile mills Editor’s note AUGUST 2015 Contents Marketing: elcome to the a merging market; male sports fans August edition with a penchant for style. A look at of Labelling If you have a burning question branding Fashion, the or industry interest that you’d like at London 04 onlineW magazine that reaches to see covered in our magazine, Fashion Week beyond fashion, textiles and or you would like to contribute to future editions, please email apparel to explore exactly News: [email protected]. All what’s going on in the industry interesting and relevant content Stories and from a marketing and labelling will be considered. We also have comments perspective. advertising space available, so from the This month’s edition has two if you’re in the fashion, textiles industry 06 main themes; Fashion Weeks and apparel industry, why not and the hybrid world of Football book a space and see how far Case Study: fashion. We have an interesting your audience reaches? To see case study exploring a new niche what’s going on between issues Fashion with in terrace fashion and style. A new of our magazine, follow us on football clubs: brand WITH THE GODS is the social media: WITH THE brainchild of two ex-footballers – GODS 08 well worth keeping an eye on these guys and waiting for them to come Review: to a club shop near you. -
Andy at a Sell out of a Closed Shoe Warehouse in the Late 1970S
AndyUaMt PI OFFICIAL EXHIBITION CATALOGUE Reed Fine Art Gallery University of Maine at Presque Isle September 5 – October 11, 2008 Generous sponsorship for this exhibition from the Presque Isle Savings Bank of Maine. A special thank you to our UMPI arts alumna, JANE CAULFIELD, owner of Morning Star Art & Framing of Presque Isle. The University of Maine at Presque Isle is grateful for their support. COVER IMAGE : “Shoe, (Women’s Single) 1980” Polaroid Unless otherwise noted, all images © Andy Warhol Foundation for the Visual Arts, Inc. Catalogue by Linda Zillman, M.A., History of Photography; Design & Layout: Dick Harrison The Warhol Photographs The Owl Undated 5” x 7” black and white print It is sheer luck that we received this photo, UMPI’s owl mascot, from the Warhol Foundation. We have made the pairing of The Owl and The Pussycat in honor of Edward Lear’s poem and with the thought that it is just the kind of association Warhol would have made. In 1978 Martha Graham created a dance entitled The Owl and the Pussycat using the words from Lear’s famous poem. Rudolph Nureyev danced and Liza Minnelli was the narrator. The Owl and the Pussycat played at Covent Garden and in New York City. ( Diaries, p. 229-230) Andy was present at the Covent Garden opening on July 23, 1979. ( Diaries, p. 230) Both The Owl and The Pussycat share the same white background as well as interesting shadows in the photographs. Not exactly dancing “by the light of the moon,” as Lear wrote, but use your imagination! The Warhol Photographs The Pussycat Undated 5” x 7” black and white print In 1976, Andy Warhol did an acrylic and silkscreen ink on canvas portrait of a cat. -
Chapter 11 ) CENTURY 21 DEPARTMENT STORES LLC, Et Al.,1 ) Case No
20-12097-scc Doc 660 Filed 02/18/21 Entered 02/18/21 13:58:36 Main Document Pg 1 of 209 UNITED STATES BANKRUPTCY COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ) In re: ) Chapter 11 ) CENTURY 21 DEPARTMENT STORES LLC, et al.,1 ) Case No. 20-12097 (SCC) ) Debtors. ) (Jointly Administered) ) AFFIDAVIT OF SERVICE I, Victoria X. Tran, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned cases. On February 9, 2021, at my direction and under my supervision, employees of Stretto caused the following documents to be served via first-class mail on the service list attached hereto as Exhibit A, and via electronic mail on the service list attached here as Exhibit B: • Disclosure Statement for Debtors’ Joint Plan Pursuant to Chapter 11 of the Bankruptcy Code (including Debtors' Joint Plan Pursuant to Chapter 11 of the Bankruptcy Code as Exhibit A) (Docket No. 615) • Debtors’ Motion for Entry of an Order (I) Approving (A) the Adequacy of Information in the Disclosure Statement, (B) Solicitation and Voting Procedures, and (C) Certain Dates with Respect to Plan Confirmation, and (II) Granting Related Relief (Docket No. 616) • Notice of Debtors’ Motion for Entry of an Order (I) Approving (A) the Adequacy of Information in the Disclosure Statement, (B) Solicitation and Voting Procedures, and (C) Certain Dates with Respect to Plan Confirmation, and (II) Granting Related Relief (Docket No. 617) [THIS SPACE INTENTIONALLY LEFT BLANK] ___________________________ 1 The Debtors in these chapter 11 cases (the “Chapter 11 Cases”), along with the last four digits of each Debtor’s federal tax identification number, as applicable, are Century 21 Department Stores LLC (4073), L.I. -
PRESENTS MARI POLA X MARIPOLA X Maripol Le Livre Art Publishing
PRESENTS MARI POLA X MARIPOLA X Maripol LE LIVRE ART PUBLISHING limited edition 600 copies, numbered and signed by the artist hard cover with uv selective varnish 152 pages 173 color photographs 69 poems texts English and French size 8.43 x 10.2 inches release february 2014 prix $90 isbn 978-0-615-85155-6 ABOUT THE BOOK Maripol, the iconic 70’s-era Polaroid artist, opens up her personal collection of erotic photographs and poetry diaries for the first time in MARIPOLA X, a limited edition art and literary collectible. Roughly 200 Polaroid photo- graphs compose a colorful set of sensual and erotic visual memories, and reveal with much joy and innocence what happened behind closed doors in 1980s New York City. Maripol also shares a selection of 69 of her po- ems, written over the course of two decades, presented here in French and in English. The world they reveal is not far removed from the narrative of her images. Both the photographs and poems explore and expose the elements that constitute and shape the artist’s creative nerve center, where love, hope, innocence, sexuality, fantasy, friendship and community merge in the intimate story the artist invites us to discover. A precious and exclusive limited edition of 600, numbered and signed by the artist, MARIPOLA X will be released in Fall 2013, and will be available at llapnyc.com/shop and in Marc Jacobs’ Bookmarc stores in Paris, New York, London, Los Angeles, and Tokyo. ABOUT MARIPOL Maripol landed onto the effervescent New York art scene in 1976 straight after her studies at the Beaux-Arts in France. -
ITALIANA Italy Through the Lens of Fashion 1971
ITITALIANAALIANA IIttaally Ty Thhrroouuggh th thhe Le Leennss oof Ff Faasshhiioon 1n 1997711 — 22000011 ITALIANA. Italy Through the Lens of Fashion 1971-2001: an exhibition pro- moted by the City of Milan - Culture - Labor Policies, Business, Fashion 2 222 . 00 22 —— 0 606 . 00 55 . 22 00 1 88 and Design - Palazzo Reale and the Camera Nazionale della Moda Italia- PPalazzalazzoo RRealeeale,, Milano na with the support of the Ministry of Economic Development and PPiazzaiazza Duomo 12 ICE Agenzia, thanks to YOOX-NET-A-PORTER GROUP, the main partner, and in collaboration with Pomellato and La Rosa Mannequins. A prA projectoject conceivconceiveded and dirdirectedected bbyy Italiana. Italy Through the Lens of Fashion 1971-2001 is a project in the Maria Luisa Fuisa and Stefano Tonchi form of an exhibition and a book, conceived and curated by Maria Luisa Frisa and Stefano Tonchi, whose aim is to celebrate and tell the story of Italian Exhibition Press Office Karla Otto fashion during a seminal period, focusing on the gradual definition and Paola Giannini assertion of the Italian fashion system in the grand season of the Made in Italy [email protected] style. It was a marvelous period of cultural creativity that consolidated T. +39 02 65569826 relationships and exchanges among the exponents of that Italian generation of artists, architects, designers, and intellectuals that paved the way for Marsilio international culture. The exhibition also intends to celebrate the important Valeria Regazzoni [email protected] sixtieth anniversaryof the Camera Nazionale della Moda Italiana (Italian T. +39 348 3902070 National Chamber of Fashion). -
The Resurrection of Disco-Inspired Spaces Incites a 'Night Fever' Epidemic SPACES 119
RETAIL, HOSPITALITY, SHOW The resurrection of disco-inspired spaces incites a 'night fever' epidemic SPACES 119 DISCO WAS A FLASH in time, albeit a bright one. The neon lights and polyester pantsuits ripped through the seventies and - like glit• ter that just won't come off - left an influence on contemporary design. In recent years, however, examples of disco are showing up with a fervour that suggests the movement's resurgence is more than just nostalgia. Consider Fiorucci, an Italian clothing label founded in 1967 that became synony• mous with the.youth movement. Its New York City store'was even dubbed the 'daytime Studio 54'. But with the end of the eighties came the end of Fiorucci. Until now, that is. Last year the brand triumphantly opened a Brinkworth-designed store in London's Soho district. Teeming with neon lights, toxic- yellow curtains, a round bed - and hosting an occasional roller-disco event - the space harkens to the past while making 2Ist-century waves. Why is now the right time for Fiorucci to bloom again? Because of'the optimism', according to Stephen and lanie Schaffer, the brand's new owners, as reported in The Guardian. 'When you look at the news you think: God, we need it... There's a desire for escapism.' Fashion was a first responder to the disco trend, as exemplified by Bob Mackie's psychedelic-hustler costumes for Elton John. The sartorial memorialization of two highly prolific maximalists, David Bowie and Prince, appeared in Spring/Summer 2018 collections from the likes of Gucci and Dolce&Gabbana, who showed apparel rich in Lycra and sequins. -
Trade Mark Opposition Decision (O/509/02)
TRADE MARKS ACT 1994 IN THE MATTER OF Application No 2219833 by The Lunan Group Limited to register a trade mark in Class 25 and IN THE MATTER OF Opposition thereto under No 52204 by Edwin Co. Limited Background 1. On 20 January 2000, Orton Pty Limited applied to register the mark “FIORELLI”, for the following specification of goods: Class 25 Clothing; footwear; headgear. 2. Following an assignment, the application is now in the name of The Lunan Group Limited. The application was accepted and published, and on 2 March 2001 Edwin Co. Limited filed notice of opposition. The earlier trade marks upon which the opponent’s rely are shown as an annex to this decision. The grounds of opposition are in summary: a) under section 5(2)(b) of the Trade Marks Act 1994, in that the mark applied for is similar to the opponent’s earlier marks-“FIORUCCI” AND “ELIO FIORUCCI” and is applied for in respect of identical/similar goods. Therefore there exists a likelihood of confusion, on the part of the public including a likelihood of association with the opponent’s earlier marks. The opponent also claims that their marks qualify as a well-known mark under the terms of the Paris Convention by virtue of the significant use made of the trade mark “FIORUCCI” and the goodwill and reputation attached. b) under section 5(4)(a) of the Act in that the opponent’s marks have acquired an extensive reputation as a result of the use made of their marks and the publicity these have received. -
Art, Space, Display and the Building of Luxury Fashion Markets Through Retail Design
Forthcoming in Progress in Human Geography Placing fashion: art, space, display and the building of luxury fashion markets through retail design Professor Louise Crewe, School of Geography, University of Nottingham, University Park, Nottingham NG7 2RD e: [email protected] Abstract This paper explores the performative and affective affordances enshrined in contemporary fashion space. Fashion markets need to be placed in a much more serious conceptual way. Whilst much critical attention has been focused on the geographies of fashion production, it is also important to explore the spaces in which fashion is displayed, consumed, exhibited and performed and thus to understand how fashion markets are ordered, regulated and maintained in space and through time. In order to ‘place’ fashion space within the contemporary city the paper focuses on a set of alliances between art and fashion in the making of current consumption space. It is argued that the collaboration between art and fashion opens up a means to critically explore how representational worlds are brought into being and offers new ways to understand how creative activity can be rooted in (and reflective of) broader social, economic and cultural concerns. Such collisions and collusions represent a key means of making and shaping value and reveal the significance of visuality, singularity and judgement in determining commodity and brand meaning and value Keywords Fashion, art, space, luxury, brands, design, Louis Vuitton I Introduction “Aesthetic battles are at the heart of an economic war for the control of emotions and affections” (Assouly 2008) Since Wrigley and Lowe’s (1996, 2002) and Miller’s (1995) path-breaking interventions, there has been significant interest in the geographical underpinnings of retailing and consumption. -
Studio 54: Night Magic
NIGHT MAGI C EN TLISG CRISRANH PT #Studio54AGO Irina Moore West Studio 54: Night Magic Known for its celebrity-studded parties, extravagant décor, and dazzling disco nights, the nightclub Studio 54 offered a magical escape from the turbulent 1970s in America. At Studio 54, political scandal, financial collapse, and the aftermath of the Vietnam War could be forgotten; race, sexuality, and creed didn’t matter. People from all walKs of life—from ordinary people to A-list celebrities—gathered together to dance the night away. This exhibition tells the story of how two Brooklyn-born entrepreneurs transformed a former Manhattan opera house and television studio into one of the world’s most legendary nightclubs. The innovative scenery and soundscapes of this disco hotspot are represented here in couture and street fashion, photographs, films, and ephemera. Though its doors were open for less than three years (from April 1977 to February 1980), Studio 54 left a glittering impression on popular culture and changed nightlife forever. Studio 54: Night Magic is organized by the BrooKlyn Museum. It is curated by Matthew YokobosKy, Senior Curator of Fashion and Material Culture, BrooKlyn Museum. Bypass instructions and content warning: To help stop the spread of COVID-19 we are limiting the number of visitors in the exhibition. Please use the Bypass Lanes, indicated with arrows on the floor, if you would liKe to move through the space quicKly. This exhibition contains some photographs and films which contain brief scenes of nudity, some references to illicit drug use, and other adult content. This exhibition contains images that include out-dated cultural depictions and examples of cultural appropriation Warning: this exhibition contains flashing lights, which may affect visitors with photosensitivity. -
Design Classics Fashion Timeline & Fashion Designers
Design and Market Influences Advanced Level Product Design: Textiles Fashion Design Classics Fashion Timeline & Fashion Designers Name: "The truly fashionable are beyond fashion." 1904-1980 Cecil Beaton, English fashion photographer and costume designer Mary Quant It is given to a fortunate few to be born at the right time, in the right place, with the right talents. In recent fashion There are three: Chanel, Dior and Mary Quant Ernestine Carter - Sunday Times Technically she's not a model, but if you ever wore a miniskirt, or if you ever admired someone who was wearing one, thank Mary Quant; she's the British fashion designer who made the mini the decade's defining fashion statement. She was born in '34, so she hit the decade at 26. Her exotic birthplace: Kent, England. Mary Quant’s impact on the 1960’s was……...fab and fun, the fashions of the '60s were the products of a determined revolution. In the '50s, young people had dressed in slightly modified versions of the conserva- tive clothes their parents owned: Pop singers wore gowns, actresses wore gloves, and the most daring thing a guy could wear was a T-shirt, a la Brando and Dean. But then came the '60s and a revolution not just in the clothes, but also in the people who created them. A new breed of fashion designers, inspired by the energy in the streets, drawing on influences from Op and Pop Art, and watching the triumphs of the space age, invented styles that were more daring, more colorful, and more exciting than ever be- fore.