RADIO PROGRAMS by HOST SATURDAY OPERA CONDUCTOR: Jaap Van Zweden
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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Qbz01gpoggah6xl.Pdf
2018-2019 HD LIVE FROM METROPOLITAN OPERA NEW YORK 2018-2019 SEASON 10 evenings in live from New York including 4 new productions The Metropolitan Opera opens its season with the great Russian diva Anna Netrebko who will sing Aida on October 6th. She will return to the MET stage in Adriana Lecouvreur o n January 12, a new production by Sir David McVicar. Two new productions: La Traviata on December 15 with Diana Damrau and Joan Diego Fló rez and the premiere of Marnie on November 10, based on Alfred Hitchcock's masterpiece. Attentive to the renewal of the lyric repertoire, the MET reserves each season a privileged place for contemporary creation. New titular conductor of the house or chestra, Yannick Nézet-Séguin will lead Francis Poulenc's Dialogues des Carmélites on May 11 at the end of a season that hono urs French opera, notably with the new production of Samson and Dalila on 20 October with two ambassadors of French lyric singing: L aurent Naouri and Roberto Alagna. Alagna will return in Don José in Carmen on February 2nd. France will also be in the pit with Philippe Jordan, musical director of the Paris Opera. He will lead the Walkyrie on March 30, with Eva-Maria Westbroeck as Sieglinde, who will have sung a few months earlier the role of Minnie with Jonas Kaufmann in the Fanciulla del West on October 27, a less known opera by Puccini. Finally Pretty Yende and Javier Camarena will be reunited in The Daughter of the Regiment by Donizetti on March 2nd. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
110991 Bk Menuhin 8/03/2005 02:15Pm Page 4
110991 bk Menuhin 8/03/2005 02:15pm Page 4 Producer’s Note ADD The Mendelssohn D minor concerto, recorded two days after Menuhin gave the world première public performance Great Violinists • Menuhin 8.110991 of the work in Carnegie Hall, was apparently only released in the United States. Fourteen months later, EMI re-recorded it in London, this time with Adrian Boult at the podium. The earlier version (which marked Menuhin’s first conducting credit on records) disappeared, and has not been available in any form since the 1950s. It has been transferred here from the best portions of three first edition RCA LPs. Menuhin’s recording of the composer’s more famous E minor concerto with Furtwängler conducting has been more readily available in the succeeding decades; yet the master tape is fraught with problems that can be heard MENDELSSOHN from its first (1952) LP release on RCA Victor through EMI’s CDs. What sounds like a tape tracking or bias problem during the original recording session causes the highs to go in and out during the tuttis. In addition, Violin Concerto in E minor occasional grittiness and electronic clicks can be heard on all editions. EMI waited two years to release it in Europe, perhaps in the hope that Menuhin and Furtwängler would re-record it with better sonic results. This transfer was Violin Concerto in D minor made from a French EMI LP pressing. While this was Menuhin’s second recording of the Mendelssohn E minor, the version of the Bruch concerto presented here was already his third attempt on disc. -
April 1 & 3, 2021 Walt Disney Theater
April 1 & 3, 2021 Walt Disney Theater FAIRWINDS GROWS MY MONEY SO I CAN GROW MY BUSINESS. Get the freedom to go further. Insured by NCUA. OPERA-2646-02/092719 Opera Orlando’s Carmen On the MainStage at Dr. Phillips Center | April 2021 Dear friends, Carmen is finally here! Although many plans have changed over the course of the past year, we have always had our sights set on Carmen, not just because of its incredible music and compelling story but more because of the unique setting and concept of this production in particular - 1960s Haiti. So why transport Carmen and her friends from 1820s Seville to 1960s Haiti? Well, it all just seemed to make sense, for Orando, that is. We have a vibrant and growing Haitian-American community in Central Florida, and Creole is actually the third most commonly spoken language in the state of Florida. Given that Creole derives from French, and given the African- Carribean influences already present in Carmen, setting Carmen in Haiti was a natural fit and a great way for us to celebrate Haitian culture and influence in our own community. We were excited to partner with the Greater Haitian American Chamber of Commerce for this production and connect with Haitian-American artists, choreographers, and academics. Since Carmen is a tale of survival against all odds, we wanted to find a particularly tumultuous time in Haiti’s history to make things extra difficult for our heroine, and setting the work in the 1960s under the despotic rule of Francois Duvalier (aka Papa Doc) certainly raised the stakes. -
For Immediate Release: Press Contacts: Eileen Chambers, 312-294-3092 Photos Available by Request [email protected]
For Immediate Release: Press Contacts: Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] May 2016 Calendar of Events Symphony Center Presents Sunday, May 1, 2016, 3:00 p.m. Piano Yefim Bronfman, piano PROKOFIEV Sonata No. 6 in A Major, Op. 82 PROKOFIEV Sonata No. 7 in B-flat Major, Op. 83 PROKOFIEV Sonata No. 8 in B-flat Major, Op. 84 Tickets: $29-$95 Prokofiev's ominous and emotional "War Sonatas" are tackled by Yefim Bronfman, one of the most talented virtuosos performing today. His combination of impressive technique and fiery passion is a perfect match for this collection of exciting, emotional works. "A marvel of digital dexterity, warmly romantic sentiment, and jaw-dropping bravura" (Chicago Tribune). ___________________________________________________________________________________ Civic Orchestra of Chicago Sunday, May 1, 2016 3:00 p.m. South Shore Cultural Center Civic Orchestra of Chicago 7059 S. South Shore Dr. Matthew Aucoin, conductor Program to include: MOZART Symphony No. 39 in E-flat Major, K. 543 SCHUBERT Symphony No. 3 in D Major, D.200 Free and open to the public; no tickets are required The Civic Orchestra returns to the historic SSCC for the ninth consecutive season. Last season’s Solti Conducting Apprentice Matthew Aucoin makes his South Shore Cultural Center debut conducting the Civic Orchestra at this special event. No tickets are required for this free concert. Offered in partnership with the Advisory Council of the South Shore Cultural Center and the Chicago Park District. ___________________________________________________________________________________ Civic Orchestra of Chicago Tuesday, May 3, 2016, 8:00 p.m. Civic Orchestra of Chicago Matthew Aucoin, conductor Program to include: MOZART Symphony No. -
Simon O'neill ONZM
Simon O’Neill ONZM Tenor “Simon O'Neill made a tremendous debut in the title-role, giving notice that he is the best heroic tenor to emerge over the last decade.” Rupert Christiansen, The Telegraph, UK. A native of New Zealand, Simon O’Neill is one of the finest helden-tenors on the international stage. He has frequently performed with the Metropolitan Opera, the Royal Opera House, Covent Garden, Berlin, Hamburg and Bayerische Staatsopern, Teatro alla Scala and the Bayreuth, Salzburg, Edinburgh and BBC Proms Festivals, appearing with a number of illustrious conductors including Daniel Barenboim, Sir Simon Rattle, James Levine, Riccardo Muti, Valery Gergiev, Sir Antonio Pappano, Pietari Inkinen, Pierre Boulez, Sir Mark Elder, Sir Colin Davis, Simone Young, Edo de Waart, Fabio Luisi, Donald Runnicles, Sir Simon Rattle, Jaap Van Zweden and Christian Thielemann. Simon’s performances as Siegmund in Die Walküre at the Royal Opera House, Covent Garden with Pappano, Teatro alla Scala and Berlin Staatsoper with Barenboim, at the Metropolitan Opera with Runnicles in the celebrated Otto Schenk production returning with Luisi in the Lepage Ring Cycle and in the Götz Friedrich production at Deutsche Oper Berlin with Rattle were performed to wide critical acclaim. He was described in the international press as "an exemplary Siegmund, terrific of voice", "THE Wagnerian tenor of his generation" and "a turbo-charged tenor". During this season’s engagements Simon makes his debut at: Tanglewood with the Boston Symphony and Andris Nelsons and the Toronto Symphony with Sir Andrew Davis and Orquestra de la Comunitat Valenciana with Henrik Nánási as Siegmund in concert performances of Die Walküre. -
Dossier De Presse
MONOLITHE PRODUCTIONS EN ACCORD AVEC LA VILLE D’ORANGE PRÉSENTE Théâtre Antique d’Orange - Le 10 Août 2016 DOSSIER DE PRESSE ROBERTO ALAGNA GALA D’ANNIVERSAIRE À l’occasion de ses 30 ans de carrière, l’incomparable ténor reprend ses plus grands rôles au Théâtre Antique d’Orange Prenez part à la fête en compagnie des prestigieux artistes invités : Aleksandra Kurzak soprano Béatrice Uria-Monzon mezzo-soprano Seng-Hyoun Ko baryton Giorgio Croci direction musicale Chœur et Orchestre Philharmonique de Prague Ne manquez pas l’évènement lyrique ! Le 10 août à 21h30 au Théâtre Antique d’Orange Au programme airs, duos, trios et grands ensembles extraits des plus célèbres pages du répertoire lyriques de Roberto Alagna : Otello, Cavalleria Rusticana, Trovatore, Rigoletto, Roméo et Juliette, I Pagliacci, Tosca, Faust, Carmen, Traviata Plus de 2 heures d’enchantement au cœur de l’opéra ! mais aussi Roberto Alagna chante Luis Mariano, Sicilien, Autant de puis Pasión sont quelques-uns des nombreux albums qui prestations qui ont composent son catalogue, l’un des plus fournis qui existent. fait de Roberto Il représente des millions d’exemplaires vendus, atteignant Alagna le ténor les certifications « disque d’or », « double disque d’or », français le plus « disque de platine » et même « double platine ». célèbre au monde. Il est aussi le témoignage de l’éclectisme de la riche car- rière de Roberto Alagna qui, profondément animé par la artout, les plus grands lieux et festivals dédiés à l’art passion du chant, s’affranchit volontiers des conventions. lyrique l’accueillent, de l’Opéra National de Paris au P Dépassant les frontières de l’univers lyrique, il s’impose Metropolitan Opera de New York, en passant par le Royal avec réussite dans le domaine de la chanson traditionnelle : Opera House de Londres, les Chorégies d’Orange, le Deutsche crossover entre genres qu’en tant qu’artiste complet de la Oper de Berlin ou la Scala de Milan. -
Riccardo Muti Conductor Michele Campanella Piano Eric Cutler Tenor Men of the Chicago Symphony Chorus Duain Wolfe Director Wagne
Program ONE huNdrEd TwENTy-FirST SEASON Chicago Symphony orchestra riccardo muti Music director Pierre Boulez helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 30, 2011, at 8:00 Saturday, October 1, 2011, at 8:00 Tuesday, October 4, 2011, at 7:30 riccardo muti conductor michele Campanella piano Eric Cutler tenor men of the Chicago Symphony Chorus Duain Wolfe director Wagner Huldigungsmarsch Liszt Piano Concerto No. 1 in E-flat Major Allegro maestoso Quasi adagio— Allegretto vivace— Allegro marziale animato MiChElE CampanellA IntErmISSIon Liszt A Faust Symphony Faust: lento assai—Allegro impetuoso Gretchen: Andante soave Mephistopheles: Allegro vivace, ironico EriC CuTlEr MEN OF ThE Chicago SyMPhONy ChOruS This concert series is generously made possible by Mr. & Mrs. Dietrich M. Gross. The Chicago Symphony Orchestra thanks Mr. & Mrs. John Giura for their leadership support in partially sponsoring Friday evening’s performance. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PhilliP huSChEr ne hundred years ago, the Chicago Symphony paid tribute Oto the centenary of the birth of Franz Liszt with the pro- gram of music Riccardo Muti conducts this week to honor the bicentennial of the composer’s birth. Today, Liszt’s stature in the music world seems diminished—his music is not all that regularly performed, aside from a few works, such as the B minor piano sonata, that have never gone out of favor; and he is more a name in the history books than an indispensable part of our concert life. -
January 19, 2020 Luc De Wit 3:00–4:40 PM
ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J.