AP/Dual/Honors English 4 Summer Reading Selections the Following
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Macbeth Silly Shakespeare Sample
ISBN: 978-1-948492-74-4 Copyright 2020 by Paul Murray All rights reserved. Our authors, editors, and designers work hard to develop original, high-quality content. Please respect their efforts and their rights under copyright law. Do not copy, photocopy, or reproduce this book or any part of this book for use inside or outside the classroom, in commercial or non-commercial settings. It is also forbidden to copy, adapt, or reuse this book or any part of this book for use on websites, blogs, or third-party lesson-sharing websites. For permission requests or discounts on class sets and bulk orders contact us at: Alphabet Publishing 1204 Main Street #172 Branford, CT 06405 USA [email protected] www.alphabetpublishingbooks.com For performance rights, please contact Paul Murray at [email protected] Interior Formatting and Cover Design by Melissa Williams Design Summary acbeth (or The Tragedy of Macbeth to give it its full Mtitle), believed to be first performed in 1606, is one of Shakespeare’s most famous and widely performed plays. Some say that the play is cursed because of the way in which it portrays the witches and so tradition has it that the name of the play should not be spoken in theatre; instead it is referred to simply as ‘the Scottish play’. *** The Scottish play begins with the brief appearance of a trio of witches who act as the narrators for this version of the play, appearing between each scene. It then moves to a military camp, where the Scottish King Duncan hears the news that his generals, Macbeth, and Banquo, have defeated two separate invading armies—one from Ireland and one from Norway. -
Charles Marlow the Colonizer, Or, the Ironic Necessity
Teksty Drugie 2014, 1, s. 199-212 Special Issue – English Edition Charles Marlow the Colonizer, or, the Ironic Necessity. Zofia Mitosek Przeł. Jan Pytalski http://rcin.org.pl III ZOflA MITOSEK CHARLES MARLOW THE COLONIZER^ 1 9 9 Zofia Mitosek Charles Marlow the Colonizer, or, the Ironic Necessity ne of the fundamental rules of every ideology is the Zofia Mitosek, Orevision of what has been done in the past, in the professor in the history preceding its emergence. To contradict, however, Institute of Polish Literature of the does not mean to break away. Speaking in the name of University of Warsaw. the truth, ideology attempts to show the illusory cha Visiting p rofessor racter of the former and, at the same time, asses the at the Université de practical dimension of uncovered illusions. The cho M ontréal, C anada; ice of the name post-colonialism is meaningful: even Paris IV-Sorbonne. Dyrektor C entre de though it presents itself not as an ideology but a theory, Civilisation polonaise, researchers who represent this current have a similar Sorbonne. Member critical approach. It is not concerned with resistance, o f the Association with anti-colonialism. It is concerned with reflection, Internationale de an interpretation of the facts, with the “analysis of world Littérature comparée. Her research views constructed from the imperial (hence dominant) interests include point of view”i and checking “how, de facto, it all happe literary theory, ned.” Interestingly, even though post-colonialism was theories of mimesis, created primarily by scholars often coming from for and irony, novel. mer colonies, it is primarly a product of American uni She is the author of among others, versities, a country that, for at least two hundred years Poznanie w powieści, now, feels good about itself, since whatever there was Co z tą ironią?. -
Literary Criticism the 2020-2021 Reading List
University Interscholastic League Student Activities Conference Literary Criticism The 2020-2021 Reading List Joseph Conrad's Heart of Darkness ǀ Arthur Miller's Death of a Salesman ǀ William Wordsworth: selected poems ❖ "I was on the threshold of great things." ~ Kurtz "Dad is never so happy as when he's looking forward to something!" ~ Happy "Dost thou despise the earth where cares abound? / Or, while the wings aspire, are heart and eye / Both with thy nest upon the dewy ground?" ~ Wordsworth ❖ Marlow, Loman, Wordsworth, and the "august light of abiding memories" Conrad's Heart of Darkness In his Heart of Darkness Joseph Conrad offers a framework-story, the central narrative of which is spoken by one of five men who share the "bond of the sea." The framing narrative's unnamed narrator does little more than raise and lower the curtain on the young—now experienced—Charles Marlow, who shares his own story while the five sit on the Nellie, a cruising yawl, on the ebbing Thames in the darkness that hangs at the edge of "the lurid glare" of civilization's principal city, the commercial center of a vast colonial empire. The sharing, a story-telling concept foundational to many of Conrad's stories (as is Charlie Marlow himself), necessarily in- cludes a larger audience, the readers—you and me. The unnamed narrator recounts Marlow's beginning the tell- ing of his story: "'I don't want to bother you much with what happened to me personally,' he beg[ins], showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would best like to hear; 'yet to understand the effect of it on me you ought to know how I got out there, what I saw, how I went up that river to the place where I first met the poor chap. -
Reimagining Shakespeare in the Young Adult Contemporary
REIMAGINING SHAKESPEARE IN THE YOUNG ADULT CONTEMPORARY NOVEL by Jodi Lyn Turchin A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL December 2017 Copyright by Jodi Lyn Turchin 2017 ii ACKNOWLEDGEMENTS The author wishes to express sincere gratitude to her committee members for all of their guidance and support, and special thanks to my advisor for being with me every step of the way during the writing of this manuscript. iv ABSTRACT Author: Jodi Lyn Turchin Title: Reimaginging Shakespeare in the Young Adult Contemporary Novel Institution: Florida Atlantic University Thesis Advisor: Dr. Emily Stockard Degree: Master of Arts Year: 2017 This research focuses on how Young Adult (YA) novelists adapt Shakespeare’s plays to address the concerns of a contemporary teenage audience. Through the qualitative method of content analysis, I examined adaptations of the three most commonly read texts in the high school curriculum: Romeo and Juliet, Macbeth, and Hamlet. The research looked for various patterns in the adaptations and analyzed the choices made by the authors in aligning their texts to or deviating from the original plays. A final chapter addresses practical classroom application in using adaptations to teach the plays to high school students. v REIMAGINING SHAKESPEARE IN THE YOUNG ADULT CONTEMPORARY NOVEL INTRODUCTION ............................................................................................................. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
The Fools of Shakespeare's Romances
Sede Amministrativa: Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari (DISLL) SCUOLA DI DOTTORATO DI RICERCA IN: Scienze Linguistiche, Filologiche e Letterarie INDIRIZZO: Filologie e Letterature Classiche e Moderne CICLO XXVI “Armine... thou art a foole and knaue”: The Fools of Shakespeare’s Romances Direttore della Scuola : Ch.ma Prof.ssa Rosanna Benacchio Supervisore : Ch.ma Prof.ssa Alessandra Petrina Dottoranda : Alice Equestri Abstract La mia tesi propone un’analisi dettagliata dei personaggi comici nei romances Shakespeariani (Pericles, Cymbeline, The Winter’s Tale e The Tempest) in particolare quelli creati appositamente per Robert Armin, attore comico di punta dei King’s Men in quel periodo. Nel primo capitolo traccio la presenza di Armin nei quattro testi, individuando cioè gli indizi che rimandano alla sua figura e alla tipologia di comicità tipica dei suoi personaggi precedenti in Shakespeare e di quelli presenti nelle sue stesse opere. I quattro personaggi creati per lui da Shakespeare vengono analizzati in profondità nei seguenti capitoli, raggruppandoli a seconda dei loro ruoli sociali o professioni. Nel secondo capitolo mi occupo dei fools criminali, considerando Pericles e The Winter’s Tale, dove i personaggi di Boult e Autolycus sono rispettivamente un ruffiano di bordello e un delinquente di strada. Nel terzo capitolo mi concentro invece sui personaggi che esibiscono o vengono discriminati per una reale od imputata deficienza congenita (natural folly): il principe Cloten in Cymbeline e Caliban in The Tempest. Per ciascun caso discuto il rapporto del personaggio con le fonti shakespeariane ed eventualmente con la tradizione comica precedente o contemporanea a Shakespeare, il ruolo all’interno del testo, e il modo in cui il personaggio suscita l’effetto comico. -
The Dark Night of the Soul: the Archetype and Its Occurrence in Modern Fiction
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1973 The aD rk Night of the Soul: the Archetype and Its Occurrence in Modern Fiction. Ibry Glyn-francis Theriot Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Theriot, Ibry Glyn-francis, "The aD rk Night of the Soul: the Archetype and Its Occurrence in Modern Fiction." (1973). LSU Historical Dissertations and Theses. 2577. https://digitalcommons.lsu.edu/gradschool_disstheses/2577 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
From 'Scottish' Play to Japanese Film: Kurosawa's Throne of Blood
arts Article From ‘Scottish’ Play to Japanese Film: Kurosawa’s Throne of Blood Dolores P. Martinez Emeritus Reader, SOAS, University of London, London WC1H 0XG, UK; [email protected] Received: 16 May 2018; Accepted: 6 September 2018; Published: 10 September 2018 Abstract: Shakespeare’s plays have become the subject of filmic remakes, as well as the source for others’ plot lines. This transfer of Shakespeare’s plays to film presents a challenge to filmmakers’ auterial ingenuity: Is a film director more challenged when producing a Shakespearean play than the stage director? Does having auterial ingenuity imply that the film-maker is somehow freer than the director of a play to change a Shakespearean text? Does this allow for the language of the plays to be changed—not just translated from English to Japanese, for example, but to be updated, edited, abridged, ignored for a large part? For some scholars, this last is more expropriation than pure Shakespeare on screen and under this category we might find Kurosawa’s Throne of Blood (Kumonosu-jo¯ 1957), the subject of this essay. Here, I explore how this difficult tale was translated into a Japanese context, a society mistakenly assumed to be free of Christian notions of guilt, through the transcultural move of referring to Noh theatre, aligning the story with these Buddhist morality plays. In this manner Kurosawa found a point of commonality between Japan and the West when it came to stories of violence, guilt, and the problem of redemption. Keywords: Shakespeare; Kurosawa; Macbeth; films; translation; transcultural; Noh; tragedy; fate; guilt 1. -
'Apprentices to Knowledge'
UNIVERSITY OF S T. THOMAS PRESENTS RESEARCH ‘Apprentices to Knowledge’ An apprentice is a person who is learning a skill or trade at the side of someone who is accomplished and recognized in the field. Some teaching styles view students as persons who must be "filled" with knowledge by the professor or mentor, and is more passive. An apprentice helps to construct their own knowledge base and by doing so, they develop ownership of that knowledge. 2013 Research Symposium • Thursday - Saturday, April 11-13 Thursday, April 11 Friday, April 12 Saturday, April 13 Crooker Center Crooker Center & Jerabeck Gymnasium Crooker Center & Jerabeck Gymnasium 4 - 6 p.m. Poster Reception 8 a.m. - 3:45 p.m. Oral Presentations 9 a.m. - 3 p.m. Oral Presentations (Crooker Center) (Crooker Center) 10 a.m. - 5 p.m. Posters on Display 9 a.m. - Noon Posters on Display (Jerabeck Gym) (Jerabeck Gym) 4 - 5 p.m. Honors Colloquium (Scanlan Room, Jerabeck Center) 5:30 - 8:30 p.m. Poster Judging (Jerabeck Gym) 2013 Research Symposium Apprentices to Knowledge “Every year our undergraduate students present educational, interesting and even inspiring topics at our Research Symposium. Their accomplishments reflect the inspirational guidance of their faculty advisors who devote a great amount of time and energy to their students’ research and presentation. The annual Research Symposium is a glimpse of the excellence of a St. Thomas education.” Dr. Robert Ivany President University of St. Thomas “The theme of the 2013 Research Symposium, “Apprentices to Knowledge," describes a way of learning that has a long tradition in Catholic education, and that thrives at the University of St. -
Happy Purim! RABBANIT SHANI TARAGIN on Why Purim Is the Most Zionistic Holiday
ADAR SHEINI 5779 MARCH 2019 TORAT ERETZ YISRAEL • PUBLISHED IN SHUSHAN • DISTRIBUTED AROUND THE WORLD ISRAEL EDITION RABBI BEREL WEIN פורים שמח! living our own purim story PAGE 24 Happy Purim! RABBANIT SHANI TARAGIN on why purim is the most zionistic holiday PAGE 5 RABBI JONATHAN SACKS invites us to be alert to G-d's messages PAGE 14 SIVAN RAHAV-MEIR with advice for a noisy world PAGE 23 RABBI CHAIM NAVON analyzes binge relationships PAGE 22 RABBANIT YEMIMA MIZRACHI with some magical moments for women this issue is dedicated in loving memory of PAGE 21 professor cyril domb by his wife and children Torat HaMizrachi HITLER, HAMAN & HAMAS A Parashat Zachor and Purim Primer bsolute evil has existed for minute. Thousands of years later, Individuals and societies possess both millennia. It constitutes a Hitler declared the same intentions. the passion for altruistic good and single-minded, systematic Tragically, he succeeded in murdering the impulse for self-destructive evil. focusA to destroy all good in the world. one third of the Jewish people, and Israel's mission is chiefly the former; According to Torah tradition, it has a if not for the hand of Providence Amalek's the latter. name. Amalek. The Torah commands guiding the actions of the Allied It was not by chance that Amalek was us to always remember and never Forces, he would have gone much 1 the first nation to attack Israel, as forget what Amalek represents. further. Unstopped and unchecked, this type of evil would, G-d forbid, soon as we came out of Egypt. -
HEART of DARKNESS by JOSEPH CONRAD Afterword by Ulrich Baer
HEART OF DARKNESS by JOSEPH CONRAD Afterword by Ulrich Baer During this difficult time, Warbler Press is pleased to make introductions and afterwords by Ulrich Baer and others available for online learning and the enjoyment of general readers. Frankenstein by Mary Shelley The Scarlet Letter by Nathaniel Hawthorne Heart of Darkness by Joseph Conrad The Call of the Wild by Jack London The Picture of Dorian Gray by Oscar Wilde The Prophet by Kahlil Gibran A Journal of the Plague Year by Daniel Defoe free download available until june 15, 2020 at warblerpress.com companion podcast at ulrichbaer.com Afterword © 2020 by Ulrich Baer All rights reserved. No part of this material may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission from the publisher, which may be requested at [email protected]. isbn 978-1-7344525-4-9 (paperback) isbn 978-1-7344525-3-2 (e-book) Afterword There is much spoken in Joseph Conrad’s Heart of Darkness, a sem- inal 1899 novella about a British sailor named Charles Marlow sent on a mission to locate a rogue European ivory trader named Kurtz, in an unspecified African location. Many things are addressed for the first time by a European writer in ways that still shape our thinking today, including his judgment on the hollow “philanthropic pretense” of “civilizing” the “savages” used by Europeans to justify the economic exploitation of their colonies. Conrad is the first novelist to use this set- ting to interrogate the central conceit of European culture, namely the rightness and universality of its beliefs, and to question whether this blindness necessarily leads to doom. -
The Limner's Art in Shakespeare's Macbeth
The limner’s art in Shakespeare’s Macbeth Sophie Chiari To cite this version: Sophie Chiari. The limner’s art in Shakespeare’s Macbeth. SEDERI , Ana Sáez Hidalgo, 2019, 10.34136/sederi.2019.3. hal-02362253 HAL Id: hal-02362253 https://hal.archives-ouvertes.fr/hal-02362253 Submitted on 15 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Limner’s Art in Shakespeare’s Macbeth Sophie Chiari Université Clermont Auvergne, IHRIM (UMR 5317), France For all its Protestant mistrust of images, Elizabethan and Jacobean England was fascinated by the visual arts and, as Horst Bredekamp puts it, paradoxically “reinforce[d] what it reject[ed]” (2015, 169). While continental treatises like Giovanni Paolo Lomazzo’s A tracte containing the artes of curious paintinge caruinge buildinge, translated by Richard Haydock in 1598, “introduced the English-reading public to the theory of linear perspective” (Elam 2017, 9), the first original texts in English on the arts of drawing and painting began to circulate in print. A man of his time, Shakespeare could hardly ignore these new discourses on pictures, as his frequent and expert use of iconographic references and technical terms testifies (ibid., 10).