EPISODE 3: the Curse! Lesson 2 (Grades 4 & 5) Ghost Lights, Mirrors and “The Scottish Play” Lesson Description: Theat

Total Page:16

File Type:pdf, Size:1020Kb

EPISODE 3: the Curse! Lesson 2 (Grades 4 & 5) Ghost Lights, Mirrors and “The Scottish Play” Lesson Description: Theat EPISODE 3: The Curse! Lesson 2 (Grades 4 & 5) Ghost Lights, Mirrors and “The Scottish Play” Lesson Description: Theatre has a very long history – 2500 years! Even Jay isn’t THAT old! Over the years, theatre has developed legends and lots of superstitions…“don’t whistle in the theatre”…”NEVER say the actual name of ‘The Scottish Play’,” etc. You might raise an eyebrow thinking they aren’t real… but why risk it? Students learn about theatre history, legends and superstitions and create a theatre superstition of their own. Key Concepts - Theatre has a long history going back 2500 years. - Theatre includes legends and superstitions that are passed from one generation to the next. Warm-up Review - Video Episode 3: The Curse o What is a legend? What is a superstition? Do you know any? o What are some of the superstitions and legends mentioned? Main Event Superstitions - Use ‘The Scottish Play’ superstition and identify the three parts of a superstition: o Warning – don’t do something o Consequence – something will happen o Antidote – something to fix what happened - Divide class into working groups of 4-6 students to create theatre superstitions using the Theatre Superstitions worksheet o Remember to incorporate what you know about theatre. o What will your warning be? o What is the consequence? o How can it be fixed? - Each group presents their theatre superstition with the class Options - Students create a series of 3 tableaux to perform their superstition - Students add dialogue to their tableaux to create mini improvised plays Reflection: Discussion o Why are there legends and superstitions in theatre? o Why do you think they get passed along? Debate - Superstitions: fact or fiction? Vocabulary: superstition, legend, consequence, antidote, dialogue, fiction, action, “The Scottish Play” NTS 7: Analyzing and explaining personal preferences and constructing meanings from classroom dramatizations and from theatre, film, TV and electronic media NTS 8: Understanding context by recognizing the role of theatre, film, TV and electronic media in daily life !23.
Recommended publications
  • Macbeth Silly Shakespeare Sample
    ISBN: 978-1-948492-74-4 Copyright 2020 by Paul Murray All rights reserved. Our authors, editors, and designers work hard to develop original, high-quality content. Please respect their efforts and their rights under copyright law. Do not copy, photocopy, or reproduce this book or any part of this book for use inside or outside the classroom, in commercial or non-commercial settings. It is also forbidden to copy, adapt, or reuse this book or any part of this book for use on websites, blogs, or third-party lesson-sharing websites. For permission requests or discounts on class sets and bulk orders contact us at: Alphabet Publishing 1204 Main Street #172 Branford, CT 06405 USA [email protected] www.alphabetpublishingbooks.com For performance rights, please contact Paul Murray at [email protected] Interior Formatting and Cover Design by Melissa Williams Design Summary acbeth (or The Tragedy of Macbeth to give it its full Mtitle), believed to be first performed in 1606, is one of Shakespeare’s most famous and widely performed plays. Some say that the play is cursed because of the way in which it portrays the witches and so tradition has it that the name of the play should not be spoken in theatre; instead it is referred to simply as ‘the Scottish play’. *** The Scottish play begins with the brief appearance of a trio of witches who act as the narrators for this version of the play, appearing between each scene. It then moves to a military camp, where the Scottish King Duncan hears the news that his generals, Macbeth, and Banquo, have defeated two separate invading armies—one from Ireland and one from Norway.
    [Show full text]
  • O-Iwa's Curse
    O-Iwa’s Curse Apparitions and their After-Effects in the Yotsuya kaidan Saitō Takashi 齋藤 喬 Nanzan Institute for Religion & Culture In traditional Japanese theater, ghosts appear in the shadowlands between the visible and the invisible. They often try to approach those who harmed or abused them in life to seek revenge with the aid of supernatural powers. In such scenes, the dead are visible as a sign of impending doom only to those who are the target of their revenge. An examination of the Yotsuya kaidan, one of the most famous ghost stories in all of Japanese literature, is a case in point. The story is set in the Edo period, where the protagonist, O-Iwa, is reputed to have put a curse on those around her with catastrophic results. Her legend spread with such effect that she was later immortalized in a Shinto shrine bearing her name. In a word, so powerful and awe-inspiring was her curse that she not only came to be venerated as a Shinto deity but was even memorialized in a Buddhist temple. There is no doubt that a real historical person lay behind the story, but the details of her life have long since been swallowed up in the mists of literary and artistic imagination. In this article, I will focus on the rakugo (oral performance) version of the tale (translated into English by James S. de Benneville in 1917) and attempt to lay out the logic of O-Iwa’s apparitions from the viewpoint of the narrative. ho is O-Iwa? This is the name of the lady of Tamiya house, which appeared in the official documents of Tokugawa Shogunate.
    [Show full text]
  • Amulets and the Material Interface of Beliefs in Seventeenth-Century Prague Burgher Homes
    chapter 10 Amulets and the Material Interface of Beliefs in Seventeenth-Century Prague Burgher Homes Suzanna Ivanič This chapter shows how amulets were part of a broad arsenal of religious ob- jects that helped early modern men and women negotiate the divine in daily life. The emphasis here is on understanding amulets specifically as ‘religious’ objects, and as artefacts that acted as a material interface between religion, medicine and ‘folk’ belief. Research has shown that from the perspective of the early modern laity stark divisions between religion and magic or superstition were largely absent from daily life.1 Spells have been found bound into French religious prayer books, for example, and ‘popular’ healing rituals in southern Italy incorporated prayers and invocations.2 This chapter builds on these ear- lier studies to explore how small amulets kept at home and used in everyday contexts reveal that these were not just discrete beliefs held simultaneously, but deeply interconnected ones. This material perspective can help recalibrate our understanding of the spiritual world of early modern men and women, and cast light onto a lived belief system that often slips from the textual record. Amulets were exceptionally popular items owned by men and women of all social strata in early modern Europe. However, so far they have only been treat- ed as marginal to history. They form side notes to studies of magic, superstition or enchantment.3 They are referred to in specialist works on so-called ‘magical 1 Geertz H., “An Anthropology of Religion and Magic, I”, Journal of Interdisciplinary History 6 (1975) 71–89 and Thomas K., “An Anthropology of Religion and Magic, II”, Journal of Interdisciplinary History 6 (1975) 91–109; Tambiah S., Magic, Science, Religion, and the Scope of Rationality (Cambridge: 1990) 23, 31; Kieckhefer R., “The Specific Rationality of Medieval Magic”, The American Historical Review 99, 3 (1994) 813–836: 836; Clark S., Thinking with Demons: The Idea of Witchcraft in Early Modern Europe (Oxford: 1997) 458.
    [Show full text]
  • Reimagining Shakespeare in the Young Adult Contemporary
    REIMAGINING SHAKESPEARE IN THE YOUNG ADULT CONTEMPORARY NOVEL by Jodi Lyn Turchin A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL December 2017 Copyright by Jodi Lyn Turchin 2017 ii ACKNOWLEDGEMENTS The author wishes to express sincere gratitude to her committee members for all of their guidance and support, and special thanks to my advisor for being with me every step of the way during the writing of this manuscript. iv ABSTRACT Author: Jodi Lyn Turchin Title: Reimaginging Shakespeare in the Young Adult Contemporary Novel Institution: Florida Atlantic University Thesis Advisor: Dr. Emily Stockard Degree: Master of Arts Year: 2017 This research focuses on how Young Adult (YA) novelists adapt Shakespeare’s plays to address the concerns of a contemporary teenage audience. Through the qualitative method of content analysis, I examined adaptations of the three most commonly read texts in the high school curriculum: Romeo and Juliet, Macbeth, and Hamlet. The research looked for various patterns in the adaptations and analyzed the choices made by the authors in aligning their texts to or deviating from the original plays. A final chapter addresses practical classroom application in using adaptations to teach the plays to high school students. v REIMAGINING SHAKESPEARE IN THE YOUNG ADULT CONTEMPORARY NOVEL INTRODUCTION .............................................................................................................
    [Show full text]
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
    [Show full text]
  • The Fools of Shakespeare's Romances
    Sede Amministrativa: Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari (DISLL) SCUOLA DI DOTTORATO DI RICERCA IN: Scienze Linguistiche, Filologiche e Letterarie INDIRIZZO: Filologie e Letterature Classiche e Moderne CICLO XXVI “Armine... thou art a foole and knaue”: The Fools of Shakespeare’s Romances Direttore della Scuola : Ch.ma Prof.ssa Rosanna Benacchio Supervisore : Ch.ma Prof.ssa Alessandra Petrina Dottoranda : Alice Equestri Abstract La mia tesi propone un’analisi dettagliata dei personaggi comici nei romances Shakespeariani (Pericles, Cymbeline, The Winter’s Tale e The Tempest) in particolare quelli creati appositamente per Robert Armin, attore comico di punta dei King’s Men in quel periodo. Nel primo capitolo traccio la presenza di Armin nei quattro testi, individuando cioè gli indizi che rimandano alla sua figura e alla tipologia di comicità tipica dei suoi personaggi precedenti in Shakespeare e di quelli presenti nelle sue stesse opere. I quattro personaggi creati per lui da Shakespeare vengono analizzati in profondità nei seguenti capitoli, raggruppandoli a seconda dei loro ruoli sociali o professioni. Nel secondo capitolo mi occupo dei fools criminali, considerando Pericles e The Winter’s Tale, dove i personaggi di Boult e Autolycus sono rispettivamente un ruffiano di bordello e un delinquente di strada. Nel terzo capitolo mi concentro invece sui personaggi che esibiscono o vengono discriminati per una reale od imputata deficienza congenita (natural folly): il principe Cloten in Cymbeline e Caliban in The Tempest. Per ciascun caso discuto il rapporto del personaggio con le fonti shakespeariane ed eventualmente con la tradizione comica precedente o contemporanea a Shakespeare, il ruolo all’interno del testo, e il modo in cui il personaggio suscita l’effetto comico.
    [Show full text]
  • From 'Scottish' Play to Japanese Film: Kurosawa's Throne of Blood
    arts Article From ‘Scottish’ Play to Japanese Film: Kurosawa’s Throne of Blood Dolores P. Martinez Emeritus Reader, SOAS, University of London, London WC1H 0XG, UK; [email protected] Received: 16 May 2018; Accepted: 6 September 2018; Published: 10 September 2018 Abstract: Shakespeare’s plays have become the subject of filmic remakes, as well as the source for others’ plot lines. This transfer of Shakespeare’s plays to film presents a challenge to filmmakers’ auterial ingenuity: Is a film director more challenged when producing a Shakespearean play than the stage director? Does having auterial ingenuity imply that the film-maker is somehow freer than the director of a play to change a Shakespearean text? Does this allow for the language of the plays to be changed—not just translated from English to Japanese, for example, but to be updated, edited, abridged, ignored for a large part? For some scholars, this last is more expropriation than pure Shakespeare on screen and under this category we might find Kurosawa’s Throne of Blood (Kumonosu-jo¯ 1957), the subject of this essay. Here, I explore how this difficult tale was translated into a Japanese context, a society mistakenly assumed to be free of Christian notions of guilt, through the transcultural move of referring to Noh theatre, aligning the story with these Buddhist morality plays. In this manner Kurosawa found a point of commonality between Japan and the West when it came to stories of violence, guilt, and the problem of redemption. Keywords: Shakespeare; Kurosawa; Macbeth; films; translation; transcultural; Noh; tragedy; fate; guilt 1.
    [Show full text]
  • Syphilis and Theories of Contagion Curtis V
    Syphilis and Theories of Contagion Curtis V. Smith, Doctoral Candidate Professor of Biological Sciences Kansas City Kansas Community College Abstract Syphilis provides a useful lens for peering into the history of early modern European medicine. Scholarly arguments about how diseases were transmitted long preceded certain scientific information about the etiology or cause of disease in the late 19th century. Compared to the acute and widely infectious nature of bubonic plague, which ravaged Europe in the mid-15th century, syphilis was characterized by the prolonged chronic suffering of many beginning in the early 16th century. This study reveals the historical anachronisms and the discontinuity of medical science focusing primarily on the role of Girolamo Fracastoro (1478-1553) and others who influenced contagion theory. Examination of contagion theory sheds light on perceptions about disease transmission and provides useful distinctions about descriptive symptoms and pathology. I. Introduction Treponema pallidum is a long and tightly coiled bacteria discovered to be the cause of syphilis by Schaudinn and Hoffman on March 3, 1905. The theory of contagion, or how the disease was transmitted, was vigorously debated in Europe as early as the sixteenth century. Scholarly arguments about how diseases were transmitted long preceded scientific information about the etiology or cause of disease. The intense debate about syphilis was the result of a fearsome epidemic in Europe that raged from 1495-1540. Compared to the Black Death, which had a short and sudden acute impact on large numbers of people one hundred and fifty years earlier, syphilis was characterized by the prolonged chronic suffering of many.
    [Show full text]
  • Conflict Between Science and Superstition in Medical and Dental
    Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 25 January 2021 doi:10.20944/preprints202101.0502.v1 Conflict between science and superstition in medical and dental practices Donat Uwayezu (1), Eustache Ntigura (1), Agnes Gatarayiha (1), Sarah Erem (2), Anwarul A. Majumder (3), Mainul Haque (4) & Mohammed S. Razzaque (1, 2, 5) 1Department of Preventive & Community Dentistry, University of Rwanda School of Dentistry, Kigali, Rwanda 2Department of Pathology, Saba University School of Medicine, Saba, Dutch Caribbean 3Medical Education, Faculty of Medical Sciences, Cave Hill Campus, University of the West Indies, Barbados 4Unit of Pharmacology, Faculty of Medicine and Defense Health, Universiti Pertahanan Nasional Malaysia (National Defense University of Malaysia), Kem Sungai Besi, Kuala Lumpur, Malaysia 5Department of Pathology, Lake Erie College of Osteopathic Medicine, Erie, PA, USA Address of correspondence: Mohammed S. Razzaque, MBBS, PhD, Department of Pathology, Lake Erie College of Osteopathic Medicine, 1858 West Grandview Boulevard, Room: B2-306, Erie, PA 16509, USA. E-mails: [email protected] 1 | P a g e © 2021 by the author(s). Distributed under a Creative Commons CC BY license. Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 25 January 2021 doi:10.20944/preprints202101.0502.v1 Abstract Superstition is a belief that is not based on scientific knowledge. Traditional healers usually use superstition in their practices to manage human health problems and diseases; such practices create a conflict with the medical profession and its evidence- based practices. Medical professionals confirm that this kind of practice is not safe to human health as it is done by untrained people (e.g., tradition healers) utilizing unsterilized instruments within unhygienic environments.
    [Show full text]
  • A Qualitative Analysis of Superstitious Behavior and Performance: How It Starts, Why It Works, and How It Works
    Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2015 A Qualitative Analysis of Superstitious Behavior and Performance: How it Starts, Why it Works, and How it Works Alexandra A. Farley Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Health and Physical Education Commons Recommended Citation Farley, Alexandra A., "A Qualitative Analysis of Superstitious Behavior and Performance: How it Starts, Why it Works, and How it Works" (2015). WWU Graduate School Collection. 408. https://cedar.wwu.edu/wwuet/408 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. A Qualitative Analysis of Superstitious Behavior and Performance: How it starts, why it works, and how it works By Alexandra Farley Accepted in Partial Completion of the Requirements for the Degree Masters of Science Kathleen L. Kitto, Dean of Graduate School Advisor Committee ___________________________ Chair, Dr. Linda Keeler ___________________________ Dr. Michelle Mielke ___________________________ Dr. Keith Russell Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non-exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU.
    [Show full text]
  • Sayyids and Shiʽi Islam in Pakistan
    Legalised Pedigrees: Sayyids and Shiʽi Islam in Pakistan SIMON WOLFGANG FUCHS Abstract This article draws on a wide range of Shiʽi periodicals and monographs from the s until the pre- sent day to investigate debates on the status of Sayyids in Pakistan. I argue that the discussion by reform- ist and traditionalist Shiʽi scholars (ʽulama) and popular preachers has remained remarkably stable over this time period. Both ‘camps’ have avoided talking about any theological or miracle-working role of the Prophet’s kin. This phenomenon is remarkable, given the fact that Sayyids share their pedigree with the Shiʽi Imams, who are credited with superhuman qualities. Instead, Shiʽi reformists and traditionalists have discussed Sayyids predominantly as a specific legal category. They are merely entitled to a distinct treatment as far as their claims to charity, patterns of marriage, and deference in daily life is concerned. I hold that this reductionist and largely legalising reading of Sayyids has to do with the intense competition over religious authority in post-Partition Pakistan. For both traditionalist and reformist Shiʽi authors, ʽulama, and preachers, there was no room to acknowledge Sayyids as potential further competitors in their efforts to convince the Shiʽi public about the proper ‘orthodoxy’ of their specific views. Keywords: status of Sayyids; religious authority in post-Partition Pakistan; ahl al-bait; Shiʻi Islam Bashir Husain Najafi is an oddity. Today’s most prominent Pakistani Shiʽi scholar is counted among Najaf’s four leading Grand Ayatollahs.1 Yet, when he left Pakistan for Iraq in in order to pursue higher religious education, the deck was heavily stacked against him.
    [Show full text]
  • Happy Purim! RABBANIT SHANI TARAGIN on Why Purim Is the Most Zionistic Holiday
    ADAR SHEINI 5779 MARCH 2019 TORAT ERETZ YISRAEL • PUBLISHED IN SHUSHAN • DISTRIBUTED AROUND THE WORLD ISRAEL EDITION RABBI BEREL WEIN פורים שמח! living our own purim story PAGE 24 Happy Purim! RABBANIT SHANI TARAGIN on why purim is the most zionistic holiday PAGE 5 RABBI JONATHAN SACKS invites us to be alert to G-d's messages PAGE 14 SIVAN RAHAV-MEIR with advice for a noisy world PAGE 23 RABBI CHAIM NAVON analyzes binge relationships PAGE 22 RABBANIT YEMIMA MIZRACHI with some magical moments for women this issue is dedicated in loving memory of PAGE 21 professor cyril domb by his wife and children Torat HaMizrachi HITLER, HAMAN & HAMAS A Parashat Zachor and Purim Primer bsolute evil has existed for minute. Thousands of years later, Individuals and societies possess both millennia. It constitutes a Hitler declared the same intentions. the passion for altruistic good and single-minded, systematic Tragically, he succeeded in murdering the impulse for self-destructive evil. focusA to destroy all good in the world. one third of the Jewish people, and Israel's mission is chiefly the former; According to Torah tradition, it has a if not for the hand of Providence Amalek's the latter. name. Amalek. The Torah commands guiding the actions of the Allied It was not by chance that Amalek was us to always remember and never Forces, he would have gone much 1 the first nation to attack Israel, as forget what Amalek represents. further. Unstopped and unchecked, this type of evil would, G-d forbid, soon as we came out of Egypt.
    [Show full text]