Manuscrit Du Roi" Circa 1300
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New Music, Notions of Genre, and the "Manuscrit du Roi" circa 1300 by Judith Ann Peraino B .A. (University of Chicago) 1987 M.A. (University of California at Berkeley) 1990 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the GRADUATE DIVISION of the UNIVERSITY of CALIFORNIA at BERKELEY Committee in charge: Professor Richard L. Crocker, Chair Professor Richard F. Taruskin Professor R. Howard Bloch 1995 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. OMI Number: 9602703 Copyright 1995 by Peraino, Judith Ann All rights reserved. OMI Microform 9602703 Copyright 1995, by OMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation of Judith Ann Peraino is approved: Chair Date University of California at Berkeley 1995 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. New Music, Notions of Genre, and the "Manuscrit du Roi" circa 1300 Copyright 1995 by Judith Ann Peraino Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. i i i Table of Contents Volume I Abstract Abbreviations and Pitch References vii A Note on the Transcriptions in Volume II x Acknowledgements xii Introduction 1 Chapters: I. Notions of Genre, Present and Past 5 Twentieth-Century Scholars 8 Dante's De Vulgari Eloquentia 2 6 Las Leys d'Amors 39 Johannes Grocheio 55 II. Descriptions: The Anthology, the Additions 73 The Contents of fr.844 73 Scholarly Studies of the Additions to fr.844 82 Scholarly Interpretations of Late Thirteenth-Century Music 87 III. Handwriting and Production: Adding to fr.844 92 IV. The Notation of the Additions and Writing Music circa 1300 137 V. Repetitive Melodies: Rondeaux, Virelais, Estampies 164 The Four Rondeaux 168 The Four Virelais 188 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. i v The Instrumental Estampies and Danses 206 VI. Continuous Melodies Part 1: Refrain Quotation and the Motet 218 VII. Continuous Melodies Part 2: Rewriting Past Genres 258 The Descorts 2 60 The Lais 275 The Grandes Chansons and the Pastourelle 284 VIII. Genre and Creativity 3 00 Bibliography 3 04 Volume II Examples IV.1: Donna pos vos 313 IV.2: Incipits for Ki de bons est 314 IV.3: Ki de bons est, Stanza V 315 IV.4: J'aim bele dame 316 IV.5: Se j'ai chante sanz 319 V.1: U despit des envieus 321 V . 2 : A vous douce debonnaire 322 V.3: Se je chant et sui 323 V.4: J'ai bele dame amee 324 V.5: Trop ai este lone 325 V .6: Prendes i garde 326 V.7: Amours me maint 327 V.8: Bonne amourete me tien gai 328 V.9: Dame or sui trais 329 V.10: Mes cuers est / ET PRO 330 V.11: Ben volgra s'esser 332 V .12: Donna pos vos 334 V.13: Ay mi dame de valour 336 V.14: La Quarte Estampie Royal 337 V.15: La Quinte Estampie Real 339 VI.1: Refrains from Renart le Nouvel 341 VI.2: Bone amourete m'a souspris 342 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. VI.3: Or ai je trop demore (fr.845) 343 VI.4: Fifteen Refrains from fr.1593 344 VI.5: En non dieu c'est la rage 346 V I .6: Vous le deffendes l'amer 347 VI.7: J'aim loiaument en espoir 348 VII.1: Sens alegrage, Stanza V 350 VII.2: Sens alegrage, Stanza VII 351 VII.3: Qui la ve en ditz, Stanza I 353 VII.4: Qui la ve en ditz, Stanza III 355 VII.5: Bella donna cara, Stanza IV 356 VII.6: Bella donna cara, Stanza III 358 VII.7: La plus noble emprise, Stanza I 360 VII.8: La plus noble emprise, Stanza III 362 VII.9: Ki de bons est, Stanza I 364 VII.10: Quant je voi plus felons 366 VII. 11: Se j'ai chante sanz (fr.846) 371 VII. 12: Se j ’ai chantd sanz 372 VII. 13: A mon pooir ai, Stanza I & II 374 VII. 14: Hui main par 376 VII. 15: L 'autrier les une fontaine 377 VII.16: Motetus, L ’autrier au douz mois 378 Appendix: Transcriptions of the Thirty-Seven Additions to fr.844 in Folio Order Folio Addition 3 1 U despit des envieus 379 3v 2 Donna pos vos ay chausida 380 3v 3 Pos qu'ieu vey la fualla 382 4v 4 J'aim bele dame et de no[m] 384 4v 5 [Dorme cuer ou n'a nul bien] 385 5 6 He tres douce amouretes 386 5 7 L 'autrier les une fontaine 387 5v 8 Bone amourete m'a souspris 388 5v 9 Vous le deffendes 1 'amer 389 6v 10 J'ai un chapelet d'argent 390 6v 11 Trop ai este lone 392 7 12a [Estampie] 393 7 12b Danse 394 7v 13 Joliement du cuer du cuer 395 7v 14 J'ai bele dame amee 397 7v 15 Se je chant et sui 398 41 16 La plus noble emprise 399 109 17 Bella donna cara 404 129 18 Quant je voi plus felons 411 145v 19 Se j'ai chante sanz 416 170 20 Qui la ve en ditz 418 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. +170 21 Ben volgra s'esser poges 426 +170v 22 Sens alegrage 428 ++170v 23 Amors m'art con fuoc am 438 17 6v 24a Estampie Fragment 440 17 6v 24b La Seconde Estampie Royal 441 177 24c La Tierche Estampie Roial 443 177 24d La Quarte Estampie Royal 445 177v 24e La Quinte Estampie Real 447 177v 24f La Sexte Estampie Real 449 177v 24g La Septime Estampie Real 451 177v 24h La Ultime Estampie Real 453 177v 24i Dansse Real 455 203 25 A mon pooir ai servi 456 204v 26 Jolietement m'en vois 462 204v 27 J'aim loiaument en espoir 464 209 28 Ki de bons est 466 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. v i i Abbreviations and Pitch References The secondary musicological and philological literature uses different systems of sigla according the repertory under discussion. The MS Paris, Bibliotheque Rationale fonds frangais 844 contains three distinct repertories— troubadour chansons, trouvere chansons, and French motets— and scholars refer the each by a different sigla; W, M, and R respectively. For the sake of clarity and consistency, I will refer to chansonniers throughout this dissertation in the manner of the New Grove Dictionary of Music and Musicians (1980). However, because so many manuscripts considered here reside in the Bibliotheque Nationale in Paris, I will refer to these MSS by the abbreviation "fr." for "fonds frangais" or "n.a." for "nouvelle acquisition” followed by their call numbers. Motet MSS other than fr.844 will be referred to by the sigla given below. For the convenience of readers who are familiar with the trouvere and troubadour MS sigla, I provide here a table of those MSS cited in the dissertation. 1. Trouvere MSS Sigla C Berne, Stadtbibliot'nek, 389 I Oxford, Bodleian, Douce 308 K Paris, Bibliotheque de 1 'Arsenal, 5198 k Paris, Bibliotheque Nationale, f.fr. 12786 M Paris, Bibliotheque Nationale, f.fr. 844 N Paris, Bibliotheque Nationale, f.fr. 845 (Cange) 0 Paris, Bibliotheque Nationale f.fr. 846 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. v i i i R Paris, Bibliotheque Nationale f.fr. 1591 T Paris, Bibliotheque Nationale, f.fr.. 12615 U Paris, Bibliotheque Nationale, f . f r.. 20050 V Paris, Bibliotheque Nationale f.fr. 24406 W Paris, Bibliotheque Nationale f . f r. 25566 X Paris, Bibliotheque Nationale, n.a. fr. 1050 z Siena, Biblioteca Comunale, H.X. 36 2. Sigla for F-Pn MSS in Numerical Order fr.844 M fr.845 N fr.846 0 n.a.fr.1050 X fr.1591 R fr.12615 T fr.12786 k fr.20050 U fr.24406 V fr.25566 W 3. Troubadour MSS Sigla C Paris, Bibliotheque Nationale f.fr. 856 D Modena, B. Estense, a, R, 4, 4 E Paris, Bibliotheque Nationale f.fr. 1749 I Paris, Bibliotheque Nationale f.fr. 854 K Paris, Bibliotheque Nationale f.fr. 12473 M Paris, Bibliotheque Nationale f.fr. 12474 N Cheltenham, Library of Mr. T. Fitz-Roy Fenwick, 8335 Q Florence, Biblioteca Riccardiana 2909 R Paris, Bibliotheque Nationale f.fr. 22543 W Paris, Bibliotheque Nationale f.fr. 844 4. Motet MSS Sigla Ba Bamberg, Staatsbibliothek Ed. IV. 6 Bes Besangon, Bibliotheque municipale Ms I, 716 F Florence, Biblioteca Mediceo-Laurenziana, Pluteo 29,1 fr.844 Paris, Bibliotheque Nationale, f.fr. 844 Mo Montpellier, Bibliotheque de l'Ecole de Medecine H 196 MuA Munich, Staatsbibliothek m u s . 4775 Tu Turin, Reale Biblioteca Mss. vari 42 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. IX 5. Abbreviations of Indexes and References Boogaard # Boogaard, Nico. Rondeaux et refrains du XIIe siecle au debut du XIV6. Paris: Klincksieck, 1969. G-mot. Bibliographie der Altesten Franzdsischen und Lateinischen Motetten, ed. Friedrich Gennrich (1969) P-C. Bibliographie der Troubadours, ed. A. Pillet, revised H. Castens (1968). R-Sp. Bibliographie des Alfranzdsischen Liedes, ed. G. Raynauds, revised H. Spanke (1955) The New Grove The New Grove Dictionary of Music and Musicians, (London: MacMillan Publishers Ltd., 1980) 6.