Spatio-Temporal Frequency Analysis of Motion Blur Reduction on Lcds

Total Page:16

File Type:pdf, Size:1020Kb

Spatio-Temporal Frequency Analysis of Motion Blur Reduction on Lcds SPATIO-TEMPORAL FREQUENCY ANALYSIS OF MOTION BLUR REDUCTION ON LCDS F. H. van Heesch and M.A. Klompenhouwer Philips Research Laboratories, High Tech Campus 36, Eindhoven, The Netherlands ABSTRACT and MCU [8]. In this paper, the latter two motion blur reduction meth- Liquid Crystal Displays (LCDs) are known to suffer from mo- ods are analyzed and discussed in more detail, as they are tion blur. In this paper, motion blur on LCDs is analyzed by most suitable for TV applications [9]. A frequency analysis examining the spatio-temporal spectrum of the perceived pic- of motion blur on LCDs is given in Section 2. This analysis ture. This analysis is used to examine the performance of two is used to discuss the performance of SFI, in Section 3, and motion blur reduction techniques: Smooth Frame Insertion MCU, in Section 4. Advantages and disadvantages of both (SFI) and Motion Compensated Up-conversion (MCU). The methods are compared in Section 5 and final conclusions are performance of both techniques is compared for TV applica- drawn in Section 6. tions. Index Terms — Dynamic resolution, frame rate conver- 2. MOTION BLUR sion, LCDs, motion blur, video enhancement, video process- ing. In order to appreciate how the temporal response of video re- construction on a display causes a perceived spatial attenua- I (x, t) 1. INTRODUCTION tion of high frequencies, consider a video signal c that is sampled and reconstructed, as indicated in Eq. 1 and ex- The picture quality of motion pictures, shown on a display, plained in detail in [10]. is the product of processing a light signal through a cascade Id(x, t)=(Ic(x, t) · Λ(x, t)) ∗ A(x, t), (1) of signal capturing, storing, transmission, and reconstruction. The Human Visual System (HVS), however, determines the where Id(x, t) is the displayed (or reconstructed) video sig- perceived quality of the displayed motion pictures. For op- nal, Λ(x, t) the spatio-temporal sampling grid, and A(x, t) timal perception, i.e. indistinguishable from the original, the the reconstruction aperture of the display. Furthermore, video HVS should be the limiting factor in all process stages for all containing a motion v is denoted as: quality aspects such as resolution, brightness, and colorful- ness. Im(x, t)=Ic(x + vt, t), or (2) For TV applications, spatial (static) resolution has seen a f f Im(fx,ft)=Ic (fx,ft − v· fx) (3) recent jump in performance with the introduction of HDTV and the availability of large format LCDs at consumer price in the time and frequency domain, respectively. The pursuit of levels. LCDs, however, are known to perform poorly with this motion by the HVS, known as eye-tracking, corresponds respect to temporal resolution, causing visible spatial blur to a transformation of coordinates of the reconstruction sig- whenever video contains motion [1]. This low temporal reso- nal, yielding the video signal after eye-tracking, Ie(x, t),as lution is a result of the temporal response of the display, de- indicated in Eq. 4. fined by the LC material response, the hold characteristic of I (x, t)=I (x − vt, t) the active matrix, and the backlight. e d or (4) f f In order to reduce motion blur on LCDs its temporal res- Ie (fx,ft)=Id (fx,fv), (5) olution needs to be improved. This is achieved by reducing the response time of LCDs and by reducing the hold time of with fv = ft + v· fx. Combining the above, yields Eq. 6: the display. As such, in the past, improvements have been f f f f developed in the area of LC switching behavior [2], pixel lay- Ie (fx,ft)= Ic (fx,ft) ∗ Λ (fx,fv) A (fx,fv). (6) outs, and driving schemes [3], yielding a reduction of the re- sponse time to a few milliseconds. Also several hold time It illustrates that the temporal component of the aperture, Af , reduction methods have been reported in literature including is a function of motion v. scanning backlight [4], black frame insertion [5], gray frame Ie(x, t) equals the signal on the retina. The perceived insertion [6] (also known as pseudo impulse driving), SFI [7], video signal, however, is approximated by taking into account 1-4244-1437-7/07/$20.00 ©2007 IEEE IV - 401 ICIP 2007 that the HVS is only sensitive to low temporal and spatial fre- SFI alternates a blurred and a sharpened image fast enough to If (f ) quencies. As such, the perceived motion blur can be modeled perceive its average. The blurred image equals LP x . The as the spatial response on the retina (i.e. ft =0), yielding sharpened image is chosen such that the perceived average f f Ip (fx), as indicated in Eq. 7. equals Ic (fx), i.e.: f f f f f I (fx)=I (fx), Ip (fx)=Ic (fx)A (fx,v· fx), (7) blur LP f 1 f f Ic (fx)= I (fx)+I (fx) , and (11) f f 2 blur sharp with Ip (fx) the perceived spectrum and Ic (fx) a single im- f f f f f f I (fx)=2Ic (fx) − I (fx)=I (fx)+2· I (fx). age of the video signal Ic (fx,ft). sharp LP LP HP For LCDs the spatial and temporal component of the aper- f As I (fx) is displayed only every other sub-frame, its hold- ture is assumed independent, i.e. HP time is halved and the temporal aperture equals A(x, t)=As(x)At(t). (8) 1 Th Af (f )= π f . t,HP t 2sinc 2 v (12) Furthermore, by approximating the temporal response of the LCD by a ”hold”, which is true for infinitely fast respond- The temporal aperture for low spatial frequencies and the spa- ing LC-material, the perceived spectrum on such a display is tial display apertures are not altered. described by Eq. 9, in case the HVS tracks the motion v. Combining the above yields the perceived spectrum when If (f ) applying SFI, p,SFI x , as described by Eq. 13. f f f Ip (fx)=Ic (fx)As (fx)sinc(πThv· fx), (9) 1 If (f )= If (f )+If (f ) p,SFI x 2 p,blur x p,sharp x (13) sin(x) where Th is the hold-time and sinc(x)= . 1 x = 2 · If (f )Af (f )Af (vf )+ LP x s x t,LP x This attenuation is also indicated in Fig. 1 where the spa- 2 tial dimension is indicated as a 1D signal for clarity reasons. f f f 2 · I (fx)As (fx)At, (vfx) The spatio-temporal normalized frequency spectrum of a static HP HP image is depicted in Fig. 1a. The spectrum shears in case of If (f )Af (f ) (πT vf ), |f | <f = c x s x sinc h x x c motion (recall Eq. 2) as illustrated in Fig. 1b. Temporal sam- f f Th I (fx)A (fx)sinc(π vfx), |fx| >fc pling of the motion picture yields repeats of the spectrum, c s 2 while the spatio-temporal aperture results in an attenuation as Eq. 13 shows that the attenuation caused by the temporal indicated for an “ideal hold” LCD in Fig. 1c. The perceived aperture is reduced for frequencies above the spatial cut-off spectrum, in case of eye-tracking by the HVS, is illustrated in frequency fc. Therefore, by choosing fc sufficiently close Fig. 1d. In this figure, also the limits of the HVS are sketched, to fx =0, more of the image spectrum profits from a re- assuming TV applications. Comparing Fig. 1a with Fig. 1d duced hold time. This is also seen in Fig. 2, where the spatio- shows that the perceived image differs from the original: high temporal frequency spectrum of the perceived image is illus- spatial frequencies are attenuated, hence motion blur is visi- trated for the signal of Fig. 1b after applying SFI, again as- ble, and repeats are introduced, causing detail flicker. suming eye-tracking. It shows that high spatial frequencies In the next two sections this analysis is extended for the are attenuated less compared to Fig. 1d. Fig. 2 also shows motion blur reduction methods SFI and MCU. that the low spatial frequencies of the first repeats are still significantly reduced, preventing large area flicker. Although f 3. SMOOTH FRAME INSERTION choosing c too close to zero will increase this flicker. Sofar, the limited dynamic range for Isharp(x, t) has been I (x, t)+2· I (x, t) SFI doubles the frame rate of the video and redistributes spa- ignored. In practice, LP HP requires an ex- I (x, t) tial frequencies, such that high spatial frequencies are dis- tended dynamic range compared to c . For the upper ex- played for one of the two sub-frames, while low spatial fre- tension, this would be physically feasible by reserving head- quencies are displayed at both sub-frames. Therefore, SFI room, but the lower extension would require negative light I (x, t) alternates sharp and blurred images. This is done such that intensities. As such, sharp needs to be clipped. This re- the average of the sub-frame pair is identical to the original sults in a reduced contrast or a limited motion blur reduction. frame. In Section 5, the advantages and disadvantages of SFI will be To comprehend that this frequency split reduces motion compared with MCU. blur, let us investigate the Fourier transform of the perceived f image. Assume Ic (fx) is split at a spatial frequency fc into 4. MOTION COMPENSATED UP-CONVERSION low (LP) and high (HP) spatial frequencies, such that: In order to reduce motion blur, the hold time must be reduced.
Recommended publications
  • Video Quality Assessment Using Spatio-Velocity Contrast Sensitivity Function
    IEICE TRANS. INF. & SYST., VOL.Exx–??, NO.xx XXXX 200x 1 PAPER Video Quality Assessment using Spatio-Velocity Contrast Sensitivity Function Keita HIRAI †a) , Jambal TUMURTOGOO †, Student Members , Ayano KIKUCHI †, Nonmember , Norimichi TSUMURA †, Toshiya NAKAGUCHI †, and Yoichi MIYAKE †† , Members SUMMARY Due to the development and popularization of ever the cost of a subjective evaluation is expensive high-definition televisions, digital video cameras, Blu-ray discs, and it is not an appropriate way for a versatile VQA digital broadcasting, IP television and so on, it plays an impor- method. On the other hand, an objective VQA method tant role to identify and quantify video quality degradations. In this paper, we propose SV-CIELAB which is an objective video is not expensive compared with subjective methods. In quality assessment (VQA) method using a spatio-velocity con- general, factors of image quality in objective evalua- trast sensitivity function (SV-CSF). In SV-CIELAB, motion in- tions are quantified by the criteria such as sharpness, formation in videos is effectively utilized for filtering unnecessary color reproduction, tone reproduction and noise char- information in the spatial frequency domain. As the filter to apply videos, we used the SV-CSF. It is a modulation trans- acteristics. The simplest and most widely used image fer function of the human visual system, and consists of the re- quality assessment (IQA) method is the mean square lationship among contrast sensitivities, spatial frequencies and error (MSE) or peak signal to noise ratio (PSNR). But velocities of perceived stimuli. In the filtering process, the SV- they are not very well correlated with perceived visual CSF cannot be directly applied in the spatial frequency domain quality [1-5].
    [Show full text]
  • User Manual 1.8 MB
    USER MANUAL Gaming Monitor C49HG90DM* The color and the appearance may differ depending on the product, and the specifications are subject to change without prior notice to improve the performance. The contents of this manual are subject to change without notice to improve quality. © Samsung Electronics Samsung Electronics owns the copyright for this manual. Use or reproduction of this manual in parts or entirety without the authorization of Samsung Electronics is prohibited. Trademarks other than that of Samsung Electronics are owned by their respective owners. • An administration fee may be charged if either ‒ (a) an engineer is called out at your request and there is no defect in the product (i.e. where you have failed to read this user manual). ‒ (b) you bring the unit to a repair center and there is no defect in the product (i.e. where you have failed to read this user manual). • The amount of such administration charge will be advised to you before any work or home visit is carried out. Table of contents Before Using the Product Connecting and Using a Source Device Game Securing the Installation Space 4 Pre-connection Checkpoints 21 Picture Mode 27 Precautions for storage 4 Connecting and Using a PC 21 Refresh Rate 28 Safety Precautions 4 Connection Using the HDMI Cable 21 Black Equalizer 28 Symbols 4 Connection Using the DP Cable 21 Cleaning 5 Connection Using the MINI DP Cable 22 Response Time 28 Electricity and Safety 5 Connecting to Headphones 22 Installation 6 Connecting to Microphone 22 FreeSync 29 Operation 7 Connection Using
    [Show full text]
  • Mobile Tv: a Technical and Economic Comparison Of
    MOBILE TV: A TECHNICAL AND ECONOMIC COMPARISON OF BROADCAST, MULTICAST AND UNICAST ALTERNATIVES AND THE IMPLICATIONS FOR CABLE Michael Eagles, UPC Broadband Tim Burke, Liberty Global Inc. Abstract We provide a toolkit for the MSO to assess the technical options and the economics of each. The growth of mobile user terminals suitable for multi-media consumption, combined Mobile TV is not a "one-size-fits-all" with emerging mobile multi-media applications opportunity; the implications for cable depend on and the increasing capacities of wireless several factors including regional and regulatory technology, provide a case for understanding variations and the competitive situation. facilities-based mobile broadcast, multicast and unicast technologies as a complement to fixed In this paper, we consider the drivers for mobile line broadcast video. TV, compare the mobile TV alternatives and assess the mobile TV business model. In developing a view of mobile TV as a compliment to cable broadcast video; this paper EVALUATING THE DRIVERS FOR MOBILE considers the drivers for future facilities-based TV mobile TV technology, alternative mobile TV distribution platforms, and, compares the Technology drivers for adoption of facilities- economics for the delivery of mobile TV based mobile TV that will be considered include: services. Innovation in mobile TV user terminals - the We develop a taxonomy to compare the feature evolution and growth in mobile TV alternatives, and explore broadcast technologies user terminals, availability of chipsets and such as DVB-H, DVH-SH and MediaFLO, handsets, and compression algorithms, multicast technologies such as out-of-band and Availability of spectrum - the state of mobile in-band MBMS, and unicast or streaming broadcast standardization, licensing and platforms.
    [Show full text]
  • Interchangeable-Lens Digital Camera
    Interchangeable-lens digital camera ©Sony Corporation July 2020 Imagination in Motion The process of turning ideas into images that others can experience is the essence of visual content creation. Sony’s goal is to give creators the tools they need to achieve their goals as efficiently and as intuitively as possible, and with the highest possible quality. The incredible α7S III is an outstanding example. It refines legendary S-series sensitivity and dynamic range to unprecedented levels, while boosting speed and processing power for supreme expression and workflow efficiency. And all of this is achieved while maintaining the compact portability that is a cornerstone of the α series. The images, whether movies or stills, are simply stunning, with all the depth and nuance required to deliver creative ideas with maximum impact. Bring your imagination to life with the α7S III. * ** *1 *2 *3 *3 4K Optical 0.64 / 9.44 Dual Slot ISO Real-time Real-time 4:2:2 MPEG-H 16bit RAW Million Type CFexpress Type A 40-409600 759 120p/100p HDMI Output SteadyShot dots 12.1 Eye AF Tracking 10 bit HEVC/H.265 SDXC UHS-II (NTSC / PAL) (Active Mode) EVF * No. 1 image sensor manufacturer for digital cameras and video recorders. Based on Sony research – April 2019 to March 2020 (Over 50% market share). *1 Standard ISO sensitivity 80-102400. Expandable to 40-409600 for stills, and 80-409600 for movies. *2 QFHD (3840 x 2160 pixels) *3 For movies ** No.1 electronic viewfinder (EVF) device manufacturer for digital still cameras which employ EVF.
    [Show full text]
  • Factors to Consider in Improving the Flat Panel TV Display User's
    Universidad CEU San Pablo CEINDO – CEU Escuela Internacional de Doctorado PROGRAMA en COMUNICACIÓN SOCIAL Factors to consider in improving the flat panel TV display user’s experience on image quality terms TESIS DOCTORAL Presentada por: Dª Berta García Castiella Dirigida por: Dr. Luis Núñez Ladeveze and Dr. Damián Ruiz Coll MADRID 2020 ACKNOWLEDGEMENTS A Damián, por creer en mi proyecto y en su proyección. A Luis, por permitirme comenzar y ayudarme pese a las dificultades. A Lucas, por cada detalle, por cada apoyo, esta tesis es de ambos. A Natalia, por ayudarme sin cuestionarme. A Gonzalo, por poner orden en el caos. A mi madre, por darme todos los ánimos. A Teresa, por darme su tiempo, a pesar de no tener. A Roger, por sus palabras, que han sido muchas. A Belén y a Fredi, por cuidar a mi hijo con todo su cariño mientras yo investigaba. A mis amigos y familiares por estar ahí, a veces es lo que más se necesita. Y, por último, quería pedir disculpas. A mi hijo Max. Porque cada página de esta tesis son horas que no he estado a tu lado cuando tú me necesitabas, perdón de corazón. ABSTRACT In the constantly changing world of image technology, many new tools have emerged since flat panels appeared in the market in 1997. All those tools went straight to the TV sets without any verification from the filmmaking or advertising industry of their contribution to the improvement of the image quality. Adding to this situation the fact that each tool received a different name according to the manufacturer, this new outlook has become complex and worrisome to those industries that see their final products modified and have no option of action.
    [Show full text]
  • Advanced Liquid Crystal Displays with Supreme Image Qualities
    ADVANCED LIQUID CRYSTAL DISPLAYS WITH SUPREME IMAGE QUALITIES by HAIWEI CHEN B.S. Beihang University, 2013 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Optics and Photonics at the University of Central Florida Orlando, Florida Fall Term 2017 Major Professor: Shin-Tson Wu ©2017 Haiwei Chen ii ABSTRACT Several metrics are commonly used to evaluate the performance of display devices. In this dissertation, we analyze three key parameters: fast response time, wide color gamut, and high contrast ratio, which affect the final perceived image quality. Firstly, we investigate how response time affects the motion blur, and then discover the 2-ms rule. With advanced low-viscosity materials, new operation modes, and backlight modulation technique, liquid crystal displays (LCDs) with an unnoticeable image blur can be realized. Its performance is comparable to an impulse-type display, like cathode ray tube (CRT). Next, we propose two novel backlight configurations to improve an LCD’s color gamut. One is to use a functional reflective polarizer (FRP), acting as a notch filter to block the unwanted light, and the other is to combine FRP with a patterned half-wave plate to suppress the crosstalk between blue and green/red lights. In experiment, we achieved 97.3% Rec. 2020 in CIE 1976 color space, which is approaching the color gamut of a laser projector. Finally, to enhance an LCD’s contrast ratio, we proposed a novel device configuration by adding an in-cell polarizer between LC layer and color filter array. The CR for a vertically-aligned LCD is improved from 5000:1 to 20,000:1, and the CR for a fringe field switching LCD is improved from 2000:1 to over 3000:1.
    [Show full text]
  • Ma-L1.8: Utilizing Hdtv Displays to Its Full Potential and Its Impact
    UTILIZING HDTV DISPLAYS TO ITS FULL POTENTIAL AND ITS IMPACT ON VIDEO COMPRESSION A.A.S. (Seyno) Sluyterman, W.H.A. (Fons) Bruls Philips Lighting, Philips Research, Eindhoven, The Netherlands ABSTRACT the consequences for video coding and transmission and the conclusions. For HDTV there should be a balance between spatial and temporal resolution. For obtaining this balance, while 2. MOTION BLUR AND HOLD EFFECT avoiding flicker and stroboscopic effects, the frame rate should be increased. A frame rate of 75 Hz is a good When an object moves over the screen, the eye will tend to starting point. This is now possible, because the design rules follow that object. Often a display is used that emits light for digital transmission are different from those of analogue during the entire frame period, like an LCD with a transmission and there are options to remain compatible continuous backlight. Assuming that the panel uses a fast with the existing frame rate infrastructure. response LC material, the hold time of the display is approximately equal to the frame period time. In camera Index Terms— HDTV, Displays, Motion analysis, Image systems, the hold time is equal to the shutter time. de-blurring, Frequency The cause of display motion blur is that, due to the hold 1. INTRODUCTION time of the display, the displayed motion is not continuous but staircase like [1]. The eye however, can not make a For HDTV the resolution of the TV image is increased. staircase like motion, because the eye-ball makes a more However, in the present HDTV systems only the spatial continuous motion.
    [Show full text]
  • Perceptual Artifacts Associated with Novel Display Technologies by Paul Vincent Johnson a Dissertation Submitted in Partial Sati
    Perceptual artifacts associated with novel display technologies by Paul Vincent Johnson A dissertation submitted in partial satisfaction of the requirements for the degree of Jt. Doctor of Philosophy in Bioengineering in the Graduate Division of the University of California, Berkeley and University of California, San Francisco Committee in charge: Professor Martin S. Banks, UC Berkeley, Chair Professor Christoph Schreiner, UCSF Associate Professor David Whitney, UC Berkeley Spring 2015 Perceptual artifacts associated with novel display technologies Copyright 2015 by Paul Vincent Johnson 1 Abstract Perceptual artifacts associated with novel display technologies by Paul Vincent Johnson Jt. Doctor of Philosophy in Bioengineering University of California, Berkeley and University of California, San Francisco Professor Martin S. Banks, UC Berkeley, Chair Stereoscopic 3D displays are able to provide an added sense of depth compared to tra- ditional displays by sending slightly different images to each eye. Although stereoscopic displays can provide a more immersive viewing experience, existing methods have draw- backs that can detract from image quality and cause perceptual artifacts. In this thesis I investigate perceptual artifacts associated with displays, and propose novel techniques that can improve viewing experience compared to existing methods. Chapter 1 presents a broad introduction to the various types of artifacts that can occur in displays, including motion artifacts, depth distortion, flicker, and color breakup. In Chapter 2, I describe a novel dis- play technique, \spatiotemporal interlacing," that combines spatial and temporal interlacing. I demonstrate using psychophysics that this method provides a better viewing experience than existing methods, and I present a computational model that confirms the psychophysi- cal data.
    [Show full text]
  • Quality-Driven Variable Frame-Rate for Green Video Coding In
    IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMS FOR VIDEO TECHNOLOGY - ACCEPTED VERSION 1 Quality-driven Variable Frame-Rate for Green Video Coding in Broadcast Applications Glenn Herrou, Charles Bonnineau, Wassim Hamidouche, Member, IEEE, Patrick Dumenil, Jer´ omeˆ Fournier and Luce Morin Abstract—The Digital Video Broadcasting (DVB) has proposed 2 specification enables to increase the video frame-rate from to introduce the Ultra-High Definition services in three phases: 50/60 frames per second (fps) in phase 1 to 100/120 fps. UHD-1 phase 1, UHD-1 phase 2 and UHD-2. The UHD-1 Several papers [5]–[11] have investigated the HFR1 video phase 2 specification includes several new features such as High Dynamic Range (HDR) and High Frame-Rate (HFR). It has signal and shown its impact to enhance the viewing experience been shown in several studies that HFR (+100 fps) enhances the by reducing temporal artifacts specifically motion blur and perceptual quality and that this quality enhancement is content- temporal aliasing [5]. Authors in [9] have conducted subjective dependent. On the other hand, HFR brings several challenges evaluations and shown that the combination of HFR (100 to the transmission chain including codec complexity increase fps) and high resolution (4K) significantly increases the QoE and bit-rate overhead, which may delay or even prevent its deployment in the broadcast echo-system. In this paper, we when the video is coded at high bit-rate. The subjective propose a Variable Frame Rate (VFR) solution to determine the evaluations conducted in [10] have also demonstrated the minimum (critical) frame-rate that preserves the perceived video impact of HFR (up to 120 fps) to increase the perceived video quality of HFR video.
    [Show full text]
  • What Is This Display Handbook About? DISPLAYS What Is a Human Machine Interface (HMI)?
    DESIGNING WITH DISPLAYS INTRODUCTION TABLE OF CONTENTS What is this Display Handbook About? DISPLAYS What is a Human Machine Interface (HMI)? ....................................................... 04 This handbook’s purpose is to help engineers select and implement proper technologies for the panel, touch panel, controller and display accessories to fit their application. Leveraging What is in a Display? ...................................................................................... 05 the collective engineering and marketing expertise of Future Display Solutions, the provided Cover Glass and Films ..................................................................................... 06 - 09 specifications take into account current and future availability, commitment to longevity, and Bonding ......................................................................................................... 10 pricing competitiveness for each element of the solution. The handbook begins with explanations and illustrations of the basic theory for each technology and follows with suggesting relevant Touch Panels ................................................................................................. 11 - 19 questions to consider when selecting display and associated parts. To advance to a specific Touch Controller ............................................................................................. 20 section, colored tabs have been provided. Image Layer ..................................................................................................
    [Show full text]
  • DVB-SCENE Issue 19.Indd
    Edition No.19 September 2006 DVB-SCENE Tune in to Digital Convergence Tune 19 The Standard for the Digital World This issue’s highlights Small Screen > Frequency plans > Commercialising DVB-H > Mobile TV in Finland > The technology of HDTV displays Big Business > The BBC’s HD Trials > Mobile DTV Alliance in the US > Market Watch The Best of Both Worlds aacPlus DVB-SCENE : 02 DTS and Coding Technologies introduce the surround sound audio coding solution for all broadcast and broadband networks. Propel your new services off the beaten track with the Get your personal demonstration at IBC 2006 in combined MPEG-4 aacPlus DTS audio coding solution to Amsterdam, September 8 – 12, in demo room H nearby the Europa Restaurant/hall 2, or at the DVB Pavillion in • Maximise the number of programmes in your multiplex, hall 1, stand # 1.481. • Provide premium quality surround sound to your customers, • Instantly reach the installed base of 60 + million surround sound AV receivers and any stereo recipient. www.both-worlds.biz 1 1 3.0 .01010101111 . 00000000000000000 1 3.0 .010101011111B3.0. 3.0 .01010101111 00000000000000000 . 1011111DVB3.0. 3.0 .01010 FINDING ANSWERS . A word from the DVB Project Office Executive Director Peter MacAvock, 00000000000000000 Welcome to yet another packed issue - a topic which will occupy the pages of DVB-SCENE. As digital television of DVB- SCENE for some time to 3.0 .010101011111DVB3.0. continues its march - and issues such come: what should we standardise 1 as analogue switch-off, handheld if anything? when does it need to 3.0 .01010101111 .
    [Show full text]
  • Guide to the Use of the ATSC Digital Television Standard, Including Corrigendum No
    Doc. A/54A 4 December 2003 Corrigendum No. 1 dated 20 December 2006 Recommended Practice: Guide to the Use of the ATSC Digital Television Standard, including Corrigendum No. 1 Advanced Television Systems Committee 1750 K Street, N.W. Suite 1200 Washington, D.C. 20006 www.atsc.org ATSC Guide to Use of the ATSC DTV Standard 4 December 2003 The Advanced Television Systems Committee, Inc., is an international, non-profit organization developing voluntary standards for digital television. The ATSC member organizations represent the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. Specifically, ATSC is working to coordinate television standards among different communications media focusing on digital television, interactive systems, and broadband multimedia communications. ATSC is also developing digital television implementation strategies and presenting educational seminars on the ATSC standards. ATSC was formed in 1982 by the member organizations of the Joint Committee on InterSociety Coordination (JCIC): the Electronic Industries Association (EIA), the Institute of Electrical and Electronic Engineers (IEEE), the National Association of Broadcasters (NAB), the National Cable and Telecommunications Association (NCTA), and the Society of Motion Picture and Television Engineers (SMPTE). Currently, there are approximately 160 members representing the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor
    [Show full text]