Guide to the Use of the ATSC Digital Television Standard, Including Corrigendum No
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History of the DVB Project
History of the DVB Project (This article was written by David Wood around 2013.) Introduction The DVB Project is an Alliance of about 200 companies, originally of European origin but now worldwide. Its objective is to agree specifications for digital media delivery systems, including broadcasting. It is an open, private sector initiative with an annual membership fee, governed by a Memorandum of Understanding (MoU). Until late 1990, digital television broadcasting to the home was thought to be impractical and costly to implement. During 1991, broadcasters and consumer equipment manufacturers discussed how to form a concerted pan-European platform to develop digital terrestrial TV. Towards the end of that year, broadcasters, consumer electronics manufacturers and regulatory bodies came together to discuss the formation of a group that would oversee the development of digital television in Europe. This so-called European Launching Group (ELG) expanded to include the major European media interest groups, both public and private, the consumer electronics manufacturers, common carriers and regulators. It drafted the MoU establishing the rules by which this new and challenging game of collective action would be played. The concept of the MoU was a departure into unexplored territory and meant that commercial competitors needed to appreciate their common requirements and agendas. Trust and mutual respect had to be established. The MoU was signed by all ELG participants in September 1993, and the Launching Group renamed itself as the Digital Video Broadcasting Project (DVB). Development work in digital television, already underway in Europe, moved into top gear. Around this time a separate group, the Working Group on Digital Television, prepared a study of the prospects and possibilities for digital terrestrial television in Europe. -
Wii2hdmi Specification
Wii2HDMI specification Introduction Wii2HDMI is an upscaling video converter for the Wii console. The converter accepts all standard Wii video modes (NTSC 480i and 480p, PAL 576i) and produces a full high-resolution HDMI signal at 720p or 1080p output. This plug and play solution requires no special software or configuration. Just plug it in and start enjoying hi-res Wii gaming! Features Video and audio in full digital HDMI format, no transmission loss! Supports all Wii display modes (NTSC 480i 480p, PAL 576i). HDMI upscaling to 720p or 1080p high definition output. Provides advanced signal processing with exceptional color reproduction. High quality, state of the art motion adaptive de-interlacing for 480i and 576i input. No power adaptor and no messy cords — just one HDMI cable from your Wii to your HDTV. Hassle free, plug and play installation. Just plug it in and start using it right away! Specifications Dimensions: 1.3" x 2.9" x 0.6" (34 x 73 x 14 mm) Weight: 0.5 oz (15g) Power Consumption: less than 2 watts Supported Video input Mode: Includes all the display modes of the Wii console (480i, 480p, 576i) Supported HDMI output Mode: 720p@60Hz, 1080p@60Hz Input Connector: Wii AV Multi Out Plug Output Connectors: 1x HDMI Connector, 1x 3.5mm Stereo Audio Jack 1 Wii2HDMI specification Connecting to a TV/Monitor with HDMI Input 1. Ensure that both your Wii console and HDTV are powered OFF. 2. Insert the AV Multi Out Plug on the Wii2HDMI adapter into the AV Multi Out jack on the back of the Wii console, as shown below. -
Video Quality Assessment Using Spatio-Velocity Contrast Sensitivity Function
IEICE TRANS. INF. & SYST., VOL.Exx–??, NO.xx XXXX 200x 1 PAPER Video Quality Assessment using Spatio-Velocity Contrast Sensitivity Function Keita HIRAI †a) , Jambal TUMURTOGOO †, Student Members , Ayano KIKUCHI †, Nonmember , Norimichi TSUMURA †, Toshiya NAKAGUCHI †, and Yoichi MIYAKE †† , Members SUMMARY Due to the development and popularization of ever the cost of a subjective evaluation is expensive high-definition televisions, digital video cameras, Blu-ray discs, and it is not an appropriate way for a versatile VQA digital broadcasting, IP television and so on, it plays an impor- method. On the other hand, an objective VQA method tant role to identify and quantify video quality degradations. In this paper, we propose SV-CIELAB which is an objective video is not expensive compared with subjective methods. In quality assessment (VQA) method using a spatio-velocity con- general, factors of image quality in objective evalua- trast sensitivity function (SV-CSF). In SV-CIELAB, motion in- tions are quantified by the criteria such as sharpness, formation in videos is effectively utilized for filtering unnecessary color reproduction, tone reproduction and noise char- information in the spatial frequency domain. As the filter to apply videos, we used the SV-CSF. It is a modulation trans- acteristics. The simplest and most widely used image fer function of the human visual system, and consists of the re- quality assessment (IQA) method is the mean square lationship among contrast sensitivities, spatial frequencies and error (MSE) or peak signal to noise ratio (PSNR). But velocities of perceived stimuli. In the filtering process, the SV- they are not very well correlated with perceived visual CSF cannot be directly applied in the spatial frequency domain quality [1-5]. -
20Mf605t/17 Magnavox
20MF605T 20" LCD TV Memorable performance, super sound! With a sharper, brighter picture, smart features for hassle-free fun and virtual surround high performance audio, the 20MF605T brings new heights to home entertainment and even doubles as a PC monitor. • EDTV and SDTV-compatible • Crisp, clear, ultra-sharp picture • Fast response time panel technology • Multiple Audio/Video inputs (480i/p, 720p, 1080i) • VGA input for use as a PC monitor • Smart picture and sound presets • Virtual Surround Sound for enhanced sound • High-performace audio 20MF605T/17 EDTV and SDTV ready An enhanced definition TV (EDTV) receives any 20" LCD TV digital signal and displays it at 480p. Standard definition TV (SDTV) is a digital television format that includes 480-line resolution in both interlaced and Product specifications progressively scanned formats. Picture/Display • VESA Mount: 100 x 100 mm High quality display • Aspect ratio: 4:3 • Child Protection: Child Lock+Parental Control High quality display delivers the very best in high • Brightness: 450 cd/m² • Picture in Picture: Picture in graphics resolution display through the use of outstanding • Contrast ratio (typical): 500:1 components including a high-end scaler and state-of- • Display screen type: LCD SVGA Active Matrix TFT Tuner/Reception/Transmission the-art 2D combfilter. • Picture enhancement: 2D Combfilter, Automatic • Tuner bands: Hyperband, S-Channel, UHF, VHF skin tone correction, Black stretch, Blue stretch, • TV system: NTSC Fast response time Green enhancement, Motion adaptive de- • Video Playback: Multi-system Faster response time delivers improved display of interlacing, Progressive Scan, White stretch • Aerial Input: 75 ohm F-type video action with faster transitions that dramatically • Screen enhancement: Anti-Reflection coated • Number of channels (cable): 125 reduce visible image artifacts in the display of fast- screen • Number of channels (off-air): 69 moving images. -
DTMB, ATSC, ISDB-T, DVB T/T2) and Radio & Emergency Warning Broadcasting System
Session 3 Broadcasting Standards for digital television (DTMB, ATSC, ISDB-T, DVB T/T2) and radio & Emergency Warning Broadcasting System 2015 Kuala Lumpur, Malaysia Dr AMAL Punchihewa Director ABU Technology Asia-Pacific Broadcasting Union A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) DTMB, ATSC, DVB and ABU working on EWS 2.0 , looking at Asia-Pacific requirements and building a reference model Dr Amal Punchihewa PhD, MEEng, BSC(Eng)Hons, CEng, FIET, FIPENZ, SMIEEE, MSLAAS, MCS Postgraduate Studies in Business Administration Director ABU Technology Asia-Pacific Broadcasting Union Kuala Lumpur, Malaysia A Vice-Chair World Broadcasting Unions Technical Committee (WBU-TC) Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) 2 Outline • Digital Broadcasting • Television Services – Free TV or Pay TV – OTA or Cable • DTV Standards • What are EWS – Content delivered from distance, Live, VOD, …. Dr Amal Punchihewa © Director of Technology ABU & A Vice Chair of World Broadcasting Union Technical Committee (WBU-TC) 3 Traditional TV Traditional Broadcasting • Linear TV – At scheduled times, missed it then catch the delayed version, … • Public or commercial – Funding or business model, FTA, adverting, License fee, subscription, … • Terrestrial, Satellite, Cable – Now cloud, IP etc. … • Return channel – One-to-many service, no return channel -
Register of Journalists' Interests
REGISTER OF JOURNALISTS’ INTERESTS (As at 11 July 2018) INTRODUCTION Purpose and Form of the Register Pursuant to a Resolution made by the House of Commons on 17 December 1985, holders of photo- identity passes as lobby journalists accredited to the Parliamentary Press Gallery or for parliamentary broadcasting are required to register: ‘Any occupation or employment for which you receive over £770 from the same source in the course of a calendar year, if that occupation or employment is in any way advantaged by the privileged access to Parliament afforded by your pass.’ Administration and Inspection of the Register The Register is compiled and maintained by the Office of the Parliamentary Commissioner for Standards. Anyone whose details are entered on the Register is required to notify that office of any change in their registrable interests within 28 days of such a change arising. An updated edition of the Register is published approximately every 6 weeks when the House is sitting. Changes to the rules governing the Register are determined by the Committee on Standards in the House of Commons, although where such changes are substantial they are put by the Committee to the House for approval before being implemented. Complaints Complaints, whether from Members, the public or anyone else alleging that a journalist is in breach of the rules governing the Register, should in the first instance be sent to the Registrar of Members’ Financial Interests in the Office of the Parliamentary Commissioner for Standards. Where possible the Registrar will seek to resolve the complaint informally. In more serious cases the Parliamentary Commissioner for Standards may undertake a formal investigation and either rectify the matter or refer it to the Committee on Standards. -
Digital Television and the Allure of Auctions: the Birth and Stillbirth of DTV Legislation
Federal Communications Law Journal Volume 49 Issue 3 Article 2 4-1997 Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman Covington & Burling Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Communications Law Commons, and the Legislation Commons Recommended Citation Goodman, Ellen P. (1997) "Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation," Federal Communications Law Journal: Vol. 49 : Iss. 3 , Article 2. Available at: https://www.repository.law.indiana.edu/fclj/vol49/iss3/2 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman* I. INTRODUCTION ................................... 517 II. ORIGINS OF THE DTV PRovIsIoNs OF THE 1996 ACT .... 519 A. The Regulatory Process ..................... 519 B. The FirstBills ............................ 525 1. The Commerce Committee Bills ............. 526 2. Budget Actions ......................... 533 C. The Passage of the 1996Act .................. 537 Ill. THE AFTERMATH OF THE 1996 ACT ................ 538 A. Setting the Stage .......................... 538 B. The CongressionalHearings .................. 542 IV. CONCLUSION ................................ 546 I. INTRODUCTION President Clinton signed into law the Telecommunications Act of 1996 (1996 Act or the Act) on February 8, 1996.1 The pen he used to sign the Act was also used by President Eisenhower to create the federal highway system in 1957 and was later given to Senator Albert Gore, Sr., the father of the highway legislation. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
Research on the Safe Broadcasting of Television Program
MATEC Web of Conferences 63, 04002 (2016) DOI: 10.1051/matecconf/20166304002 MMME 2016 Research on the Safe Broadcasting of Television Program Jin Bao SONG1,a, Jin Hong SONG2 and Jian Ping CHAI1 1Information Engineering School, Communication University of China, Beijing, China 2Shandong Gold Mining Jiaojia Gold Mine (Laizhou) co.,LTD Abstract. The existing way of broadcasting and television monitoring has a lot of problems in China. On the basis of the signal technical indicators monitoring in the present broadcasting and television monitoring system, this paper further extends the function of the monitoring network in order to broaden the services of monitoring business and improve the effect and efficiency of monitoring work. The problem of identifying video content and channel in television and related electronic media is conquered at a low cost implementation way and the flexible technology mechanism. The coverage for video content and identification of the channel is expanded. The informative broadcast entries are generated after a series of video processing. The value of the numerous broadcast data is deeply excavated by using big data processing in order to realize a comprehensive, objective and accurate information monitoring for the safe broadcasting of television program. 1 Introduction paper is the development of cheap monitoring hardware devices which can be widely deployed to the village, so The existing way of broadcasting and television the actual situation of the user terminal broadcasting can monitoring has a lot of problems in China. Firstly, the be monitored by the administration of radio, film and existing way of monitoring is the front-end monitoring television. -
DICE Best Practice Guide.Pdf
BEST PRACTICE GUIDE Interactive Service, Frequency Social Business Migration, Policy & Platforms Acceptance Models Implementation Regulation & Business Opportunities BEST PRACTICE GUIDE FOREWORD As Lead Partner of DICE I am happy to present this We all want to reap the economic benefi ts of dig- best practice guide. Its contents are based on the ital convergence. The development and successful outputs of fi ve workgroups and countless discus- implementation of new services need extended sions in the course of the project and in conferences markets, however; markets which often have to be and workshops with the broad participation of in- larger than those of the individual member states. dustry representatives, broadcasters and political The sooner Europe moves towards digital switcho- institutions. ver the sooner the advantages of released spectrum can be realised. The DICE Project – Digital Innovation through Co- operation in Europe – is an interregional network We have to recognise that a pan-European telecom funded by the European Commission. INTERREG as and media industry is emerging. The search for an EU community initiative helps Europe’s regions economies of scale is driving the industry into busi- form partnerships to work together on common nesses outside their home country and to strategies projects. By sharing knowledge and experience, beyond their national market. these partnerships enable the regions involved to develop new solutions to economic, social and envi- It is therefore a pure necessity that regional political ronmental challenges. institutions look across the border and aim to learn from each other and develop a common under- DICE focuses on facilitating the exchange of experi- standing. -
An Embedded Multifunctional Media System for Mobile Devices in Terrestrial DTV Relaying
J Inf Process Syst, Vol.14, No.5, pp.1272~1285, October 2018 ISSN 1976-913X (Print) https://doi.org/10.3745/JIPS.03.0100 ISSN 2092-805X (Electronic) An Embedded Multifunctional Media System for Mobile Devices in Terrestrial DTV Relaying Jun Huang* and Haibing Yin** Abstract The paper presents a novel embedded multifunctional media sever (EMMS) for mobile devices to receive various media programs. Being different from other contemporary system research, the paper mainly studies how to design a reception solution for terrestrial digital television (DTV) on mobile devices and how to enable mobile devices can receive DTV program, enjoy video-on-demand (VOD), achieve video surveillance and relay Internet video program via local Wi-Fi simultaneously. In the system design, we integrate broadcasting-terrestrial DTV tuner, streaming media re-transmission system, VOD disk, video camera and access interface to the Internet into EMMS, which can either receive terrestrial DTV radio signals and demodulate out digital transport stream (TS), or can read streaming media bit-stream from VOD disk, surveillance camera or access interface to the Internet. The experimental results show the proposed system is stable and quality-efficient. Comparing with the other systems, the proposed system has the least packet loss rate and response time. Keywords DTV, Media Relaying, Media Server, Mobile Devices, Terrestrial Broadcasting 1. Introduction Digital broadcasting terrestrial systems, such as DVB-T [1] in European, ISDB-T in Japan and DTMB [2] in China, etc., had been built up and popularized for application in the world today. At the same time, mobile digital TV systems, such as T-DMB [3] in Korea, ISDB-T in Japan and CMMB [4] in China, had also been applied in a wide range. -
User Manual 1.8 MB
USER MANUAL Gaming Monitor C49HG90DM* The color and the appearance may differ depending on the product, and the specifications are subject to change without prior notice to improve the performance. The contents of this manual are subject to change without notice to improve quality. © Samsung Electronics Samsung Electronics owns the copyright for this manual. Use or reproduction of this manual in parts or entirety without the authorization of Samsung Electronics is prohibited. Trademarks other than that of Samsung Electronics are owned by their respective owners. • An administration fee may be charged if either ‒ (a) an engineer is called out at your request and there is no defect in the product (i.e. where you have failed to read this user manual). ‒ (b) you bring the unit to a repair center and there is no defect in the product (i.e. where you have failed to read this user manual). • The amount of such administration charge will be advised to you before any work or home visit is carried out. Table of contents Before Using the Product Connecting and Using a Source Device Game Securing the Installation Space 4 Pre-connection Checkpoints 21 Picture Mode 27 Precautions for storage 4 Connecting and Using a PC 21 Refresh Rate 28 Safety Precautions 4 Connection Using the HDMI Cable 21 Black Equalizer 28 Symbols 4 Connection Using the DP Cable 21 Cleaning 5 Connection Using the MINI DP Cable 22 Response Time 28 Electricity and Safety 5 Connecting to Headphones 22 Installation 6 Connecting to Microphone 22 FreeSync 29 Operation 7 Connection Using