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The Integrated Nature of Metamemory and Memory
The Integrated Nature of Metamemory and Memory John Dunlosky and Robert A. Bjork Introduction Memory has been of interest to scholars and laypeople alike for over 2,000 years. In a rather gruesome example from antiquity, Cicero tells the story of Simonides (557– 468 BC), who discovered the method of loci, which is a powerful mental mnemonic for enhancing one’s memory. Simonides was at a banquet of a nobleman, Scopas. To honor him, Simonides sang a poem, but to Scopas’s chagrin, the poem also honored two young men, Castor and Pollux. Being upset, Scopas told Simonides that he was to receive only half his wage. Simonides was later called from the banquet, and legend has it that the banquet room collapsed, and all those inside were crushed. To help bereaved families identify the victims, Simonides reportedly was able to name every- one according to the place where they sat at the table, which gave him the idea that order brings strength to our memories and that to employ this ability people “should choose localities, then form mental images of things they wanted to store in their memory, and place these in the localities” (Cicero, 2001). Tis example highlights an early discovery that has had important applied impli- cations for improving the functioning of memory (see, e.g., Yates, 1997). Memory theory was soon to follow. Aristotle (385–322 BC) claimed that memory arises from three processes: Events are associated (1) through their relative similarity or (2) rela- tive dissimilarity and (3) when they co-occur together in space and time. -
The American Poetry Review
“As soon as we subscribe to a hierarchy, we circumscribe ourselves within a value system. This is perhaps the great conundrum AMERICAN of art—once we define a term, we impose a limit, thereby inviting both orthodoxy and transgression. Our concept of ‘art’ or ‘poem’ or ‘novel’ is, then, always in flux, and I think we’d agree that this is how art renews itself—through those who dare to challenge those terms. The making of art, and the evaluation of it, is always an act POETRY REVIEW of self-definition.” —KITANO, p. 37 MAY/JUNE 2021 VOL. 50/NO. 3 $5 US/$7 CA MEGAN FERNANDES MAGICAL REALISM IN AMERICA & OTHER POEMS FORREST GANDER OWNING YOURSELF: AN INTERVIEW WITH JACK GILBERT SALLY WEN MAO PARIS SYNDROME & OTHER POEMS ALSO IN THIS ISSUE: ALISON C. ROLLINS MAGGIE SMITH NATALIE EILBERT PHOTO: APRWEB.ORG RIVKAH GEVINSON 2 THE AMERICAN POETRY REVIEW The American Poetry Review (issn 0360-3709) is published bimonthly by World Poetry, Inc., a non-profit corporation, and Old City Publishing, Inc. Edi torial offices: 1906 Rittenhouse Square, Philadelphia, PA 19103-5735. Subscription rates: U.S.: 3 years, $78.00; 2 years, $56.00; 1 year, $32.00. Foreign rates: 3 years, $129.00; 2 years, $92.00; 1 year, $49.00. Single copy, $5.00. Special classroom adoption rate per year per student: MAY/JUNE 2021 VOL. 50/NO. 3 $14.00. Free teacher’s subscription with classroom adoption. Subscription mail should be addressed to The American IN THIS ISSUE Poetry Review, c/o Old City Publishing, 628 N. -
Investigating the Roles of Memory and Metamemory in Trauma-Related Outcomes
ABSTRACT A PTSD ANALOGUE STUDY: INVESTIGATING THE ROLES OF MEMORY AND METAMEMORY IN TRAUMA-RELATED OUTCOMES Ban Hong (Phylice) Lim, Ph.D. Department of Psychology Northern Illinois University, 2016 Michelle M. Lilly, Director Trauma survivors who develop posttraumatic stress disorder (PTSD) often display symptoms of memory fragmentation such as an impaired ability to recall trauma memories. These observations are consistent with prominent theories of PTSD, which consider memory fragmentation as a central feature of PTSD. Correspondingly, most empirically supported interventions for PTSD focus on addressing dysfunctional thoughts and behaviors and integrating fragmented memories of the event. More recently, this assumption has been challenged by research indicating that metamemory – one’s subjective beliefs about one’s memory functioning and quality – may partially account for reported memory fragmentation among individuals with PTSD. Memory underconfidence, regardless of whether or not it is founded or wholly accurate, may lead to feelings of anxiety, especially in the process of recalling and making sense of one’s trauma memory. Despite the intertwined nature of their relationship, the association between memory and metamemory has been understudied in the trauma literature. This dissertation investigated whether PTSD is a disorder of memory fragmentation, perceived memory fragmentation, or both by examining the association between memory and metamemory. A trauma analogue between-subjects experimental design was employed. Eighty- four healthy participants were randomly assigned to receive either positive feedback or negative feedback after completing a standardized memory assessment. Despite the use of randomization, the manipulation groups systematically differed on both baseline memory ability and baseline memory confidence. Contrary to the first hypothesis, after controlling for the effect of baseline metamemory beliefs, the groups did not differ on their recall task performance, F(1,80) = .34, p = .56. -
Transposition, 6 | 2016 Copying Machines 2
Transposition Musique et Sciences Sociales 6 | 2016 Lignes d’écoute, écoute en ligne Copying machines Unconscious musical plagiarism and the mediatisation of listening and memory John Shiga Electronic version URL: http://journals.openedition.org/transposition/1569 DOI: 10.4000/transposition.1569 ISSN: 2110-6134 Publisher CRAL - Centre de recherche sur les arts et le langage Electronic reference John Shiga, « Copying machines », Transposition [Online], 6 | 2016, Online since 20 March 2017, connection on 30 July 2019. URL : http://journals.openedition.org/transposition/1569 ; DOI : 10.4000/ transposition.1569 This text was automatically generated on 30 July 2019. La revue Transposition est mise à disposition selon les termes de la Licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International. Copying machines 1 Copying machines Unconscious musical plagiarism and the mediatisation of listening and memory John Shiga 1 Introduced into musical copyright discourse in the early twentieth century, the notion of cryptomnesia or unconscious plagiarism highlights a key tension in copyright law. On the one hand, copyright acts as a recognizing authority for claims to authorship and originality, thus providing economic incentives to authors whose work is “original,” which in turn encourages cultural innovation. On the other hand, copyright facilitates ownership and control of cultural works by institutions rather than by authors, since its minimal notion of “originality” and extended period of protection encourage the production -
The Digital Expansion of the Mind: Implications of Internet Usage For
Journal of Applied Research in Memory and Cognition 8 (2019) 1–14 Contents lists available at ScienceDirect Journal of Applied Research in Memory and Cognition journa l homepage: www.elsevier.com/locate/jarmac The Digital Expansion of the Mind: Implications of Internet Usage for Memory and Cognition a,∗ b Elizabeth J. Marsh , Suparna Rajaram a Duke University, United States b Stony Brook University, United States The internet is rapidly changing what information is available as well as how we find it and share it with others. Here we examine how this “digital expansion of the mind” changes cognition. We begin by identifying ten properties of the internet that likely affect cognition, roughly organized around internet content (e.g., the sheer amount of information available), internet usage (e.g., the requirement to search for information), and the people and communities who create and propagate content (e.g., people are connected in an unprecedented fashion). We use these properties to explain (or ask questions about) internet-related phenomena, such as habitual reliance on the internet, the propagation of misinformation, and consequences for autobiographical memory, among others. Our goal is to consider the impact of internet usage on many aspects of cognition, as people increasingly rely on the internet to seek, post, and share information. Keywords: Memory, Cognition, Internet, External memory, Metacognition, Social memory General Audience Summary The internet is rapidly changing what information is available to us as well as how we find that information and share it with others. Here we ask how this “digital expansion of the mind” may change cognition. -
Cognitive Psychology Psychology 363-002 (CRN: 35773) Spring 2017
Cognitive Psychology Psychology 363-002 (CRN: 35773) Spring 2017 Arlo Clark-Foos, Ph. D. Lecture Instructor Location: 1042 CB Office: 4056 CB Time: MW, 11:00 AM - 1:45 PM Office Hours: By Appointment Email: [email protected] Required Materials and/or Technology Required Textbook: Reed, S. K. (2012). Cognition (9th ed.). Thompson/Wadsworth. Traditional Hard Cover Book (9th ed.: $212.99), ISBN : 1111834547 (Older editions are encouraged) CogLab: COGLAB 5: Instant Access, 5th ed: www.cengagebrain.com, ISBN: 1285461088 In some cases (e.g., the new edition), this access code can be packaged with the textbook. Course Website (also on Canvas): http://www-personal.umd.umich.edu/~acfoos/Courses/363.html Course Description (from University Catalog): “Analysis of human perceptual and cognitive functioning from an information- processing point of view. Emphasis will be placed on attention, pattern-recognition, memory, problem solving and other cognitive processes.” There will be several methods of instruction used in this course, including textbook, listening to lectures, participating in class discussions, and participating in laboratory experiments. I have intentionally attempted to keep the amount of readings to a minimum for this course. For those pursuing careers as cognitive psychologists, you will receive more in-depth information in specialized classes and seminars (e.g., perception, biopsychology, learning and memory). I hope to provide you with the foundational principles in cognitive psychology so that you may put the more contemporary findings in perspective. Course Objectives: Understand the scientific approach to the study of thinking, learning, and behavior. Understand the abilities and limitations in how organisms acquire information from their environments and bodies (i.e., the information processing perspective). -
Show #1321 --- Week of 5/4/20-5/10/20
Show #1321 --- Week of 5/4/20-5/10/20 HOUR ONE--SEGMENTS 1-3 SONG ARTIST LENGTH ALBUM LABEL________________ SEGMENT ONE: "Million Dollar Intro" - Ani DiFranco :55 in-studio n/a "Can You Get to That"-Funkadelic 2:45 Maggot Brain Westbound "Grew Apart"-Donovan Woods 2:50 single only Meant Well "Stay Away"-Randy Newman 2:00 single only Nonesuch "Cloak Of The Night"-EOB w/Laura Marling 2:30 Earth Capitol "Held Down"-Laura Marling (in-studio) 3:50 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** USA Songwriting Competition/"Registration" (:30) Outcue: " Songwriting.net." TOTAL TRACK TIME: 17:30 ***PLAY CUSTOMIZED STATION ID INTO: SEGMENT TWO: "Devil May Care"-Kandace Springs 3:00 The Women Who Raised Me Blue Note ***INTERVIEW & MUSIC: SIERRA HULL (at home in Nashville) ("25 Trips," "Everybody’s Talking") in-studio interview/performance n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** The Ark/"COVID-19 Update" (:30) Outcue: " TheArk.org." TOTAL TRACK TIME: 19:10 SEGMENT THREE: "A Couple Broken Windows"-Aaron Burdett (USASC winner) 4:25 Refuge self-released "I Want You To Love Me"-Fiona Apple 4:00 Fetch The Bolt Cutters Epic "I Contain Multitudes"-Bob Dylan 4:35 single only Columbia "Count On Me"-The Lone Bellow (in-studio) 3:00 in-studio n/a ***MUSIC OUT AND INTO: ***NATIONAL SPONSOR BREAK*** Leon Speakers/"The Leon Loft" (:30) Outcue: " at LeonSpeakers.com." TOTAL TRACK TIME: 18:21 TOTAL TIME FOR HOUR ONE - 55:01 acoustic café · p.o. box 7730 · ann arbor, mi 48107-7730 · 734/761-2043 · fax 734/761-4412 [email protected] -
What Is the Self? No One Can Easily Give a Perfect Answer to This Eternal Question
Introduction In the beginning of Song of Myself, Walt Whitman declares: I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. (1-3) What is the self? No one can easily give a perfect answer to this eternal question. Walt Whitman, in his poem Song of Myself, offers a poetic interpretation of the mysterious human self. To the child‘s question ―What is the grass?‖ the wise poet replied, ―I do not know what it is any more than he. Or I guess the grass is itself a child, the produced babe of the vegetation‖ (99, 105). Here he combines his nature-based (biologically-based) ―guess‖ with the totally open-minded attitude of the philosopher, the attitude of ―not-knowing‖ as something positive and healthy, a childish curiosity, an active ―guessing‖ (rather than as a negative skepticism or agnosticism). Similarly, he (like us) could only guess what a human ―self‖ is. For a human being has an ―identity‖ in several senses of the term, including the biological, psychological and socio-cultural-political. Whitman is interested in all of these, and in other senses as well. But above all he is interested in the question: How does one see oneself? How does one define oneself, the nature of one‘s own existence, within the larger universe and larger culture-society, and within the flux of (natural and socio-cultural) phenomena? Of course, in attempting to identify ourselves we all experience the process of being-a-self, for the self is for Whitman above all a process, a movement-through- time. -
22Nd Century Man by Ryan Ridge.Pdf
22nd century man ryan ridge boston : chicago 22nd Century Man by Ryan Ridge © 2013 by Ryan Ridge FIRST EDITION Cover art: "Your Favorite Nuclear Physicist" Jacob Heustis oil, graphite, collage on paper 84 x 60 in. T is h book was printed in an edition of 100. Book design and printing by Sixth Finch Books. Titles are set in Futura (Paul Renner, 1927). Text is set in Adobe Jenson (Robert Slimbach, 1996, based on typeface cut by Nicolas Jenson, 1470). T e hcover is printed on Wausau Royal Linen. T e htext is laser printed on Neenah Howard linen. For more info, visit sixthfinch.com or email us at [email protected] AUTHORʼS NOTE Padgett Powell’s Interrogative Mood (HarperCollins 2009) is a novel in questions. By posing Powell’s original questions to a trio of internet chatbots: Cleverbot, Brother Jerome, & Sensation Bot respectively, I have created a book of answers, a pithy poetic reply to Mr. Powell’s book. However, chatbots being chatbots––and not yet human! T ank God!––the majority of the replies contained herein are non sequiturs which bear barely any resemblance to the original source questions but instead create a series of kinetic monologues. “Robots will make great aphorists. T ey like to communicate in short sentences.” — Aleksandar Krzavac “It is always the same: once you are liberated, you are forced to ask who you are.” — Jean Baudrillard “Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes.” — Walt Whitman to the future 22nd Century Man MY EMOTIONS ARE dry cleaning. -
International Readings on Theory, History and Philosophy of Culture 19
International Readings on Theory, History and Philosophy of Culture 19 ÄÈÔÔÅÐÅÍÖÈÀÖÈß È ÈÍÒÅÃÐÀÖÈß ÌÈÐÎÂÎÇÇÐÅÍÈÉ: ÔÈËÎÑÎÔÑÊÈÉ È ÐÅËÈÃÈÎÇÍÛÉ ÎÏÛÒ DIFFERENTIATION AND INTEGRATION OF WORLDVIEWS: PHILOSOPHICAL & RELIGIOUS EXPERIENCE ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐà ÁÁÊ 87 ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐÃÑÊÎÅ ÎÒÄÅËÅÍÈÅ ÐÎÑÑÈÉÑÊÎÃÎ ÈÍÑÒÈÒÓÒÀ ÊÓËÜÒÓÐÎËÎÃÈÈ ÊÀÔÅÄÐÀ ÞÍÅÑÊÎ ÏÎ ÊÎÌÏÀÐÀÒÈÂÍÛÌ ÈÑÑËÅÄÎÂÀÍÈßÌ ÄÓÕÎÂÍÛÕ ÒÐÀÄÈÖÈÉ ÔÈËÎÑÎÔÑÊÎ-ÊÓËÜÒÓÐÎËÎÃÈ×ÅÑÊÈÉ ÈÑÑËÅÄÎÂÀÒÅËÜÑÊÈÉ ÖÅÍÒÐ ÝÉÄÎÑ (ÑÀÍÊÒ-ÏÅÒÅÐÁÓÐÃÑÊÈÉ ÑÎÞÇ Ó×ÅÍÛÕ) ÌÎÑÊÎÂÑÊÎÅ ÁÞÐÎ ÞÍÅÑÊÎ ÌÅÆÄÓÍÀÐÎÄÍÛÅ ×ÒÅÍÈß ÏÎ ÒÅÎÐÈÈ, ÈÑÒÎÐÈÈ È ÔÈËÎÑÎÔÈÈ ÊÓËÜÒÓÐÛ ¹ 19 èçäàåòñÿ ïîä ýãèäîé ÞÍÅÑÊÎ ÄÈÔÔÅÐÅÍÖÈÀÖÈß È ÈÍÒÅÃÐÀÖÈß ÌÈÐÎÂÎÇÇÐÅÍÈÉ: ÕÓÄÎÆÅÑÒÂÅÍÍÛÉ È ÝÑÒÅÒÈ×ÅÑÊÈÉ ÎÏÛÒ Èçäàíèå îñóùåñòâëåíî ïðè ôèíàíñîâîé ïîääåðæêå ÐÔÔÈ è Ìèíèñòåðñòâà êóëüòóðû ÐÔ Ãëàâíûé ðåäàêòîð: Ëþáàâà Ìîðåâà Ðåäàêöèîííàÿ êîëëåãèÿ: Àëèíà Âåíêîâà, Àëåêñàíäð Ãîãèí, Òàòüÿíà Äåãòÿðåâà, Àííà Êîíåâà, Ëåâ Ëåòÿãèí, Äìèòðèé Ñïèâàê, Âèêòîðèÿ ×åðâà, Áîðèñ Øèôðèí, Alessia Dagnino, Skye Burn Äèçàéí îáëîæêè: Èãîðü Ïàíèí Ðåäàêöèÿ ñåðäå÷íî áëàãîäàðèò Ìåæäóíàðîäíóþ Àññîöèàöèþ «Ðóññêàÿ êóëüòóðï» çà äðóæåñêóþ ïîääåðæêó è ñîäåéñòâèå â ïîäãîòîâêå íàñòîÿùåãî èçäàíèÿ ê ïóáëèêàöèè ISBN 5-88607-026-5 © ÔÊÈÖ «ÝÉÄÎÑ», 2004 ST. PETERSBURG BRANCH OF THE RUSSIAN INSTITUTE FOR CULTURAL RESEARCH THE RUSSIAN FEDERATION MINISTRY OF CULTURE UNESCO CHAIR ON COMPARATIVE STUDIES OF SPIRITUAL TRADITIONS THE PHILOSOPHICAL AND CULTURAL RESEARCH CENTRE «EIDOS» (ST. PETERSBURG ASSOCIATION OF SCIENTISTS AND SCHOLARS) UNESCO MOSCOW OFFICE INTERNATIONAL READINGS ON THEORY, HISTORY AND PHILOSOPHY OF CULTURE ¹ 19 under UNESCO -
Dylan Review, Summer 2020
DYLAN REVIEW, SUMMER 2020 MASTHEAD CO-EDITORS Raphael Falco, University of Maryland, Baltimore County Paul Haney, University of Massachusetts, Boston Lisa O'Neill Sanders, Founder DR, Saint Peter's University Shelby Nathanson, Digital Editor Nicole Font, Assistant to the Editors EDITORIAL BOARD Mitch Blank, New York City Michael Gilmour, Providence University College (Canada) Nina Goss, Fordham University Charles O. Hartman, Connecticut College Jonathan Hodgers, Trinity College, Dublin Robert Reginio, Alfred University Christopher Rollason, Luxembourg Richard Thomas, Harvard University Dylan Review 2.1 (Summer 2020) DYLAN REVIEW, SUMMER 2020 TABLE OF CONTENTS SPECIAL TOPIC: CALL FOR SUBMISSIONS………………….……………………………..2 REVIEWS Charles O. Hartman, Rough and Rowdy Ways: Containing History….………....3 John Hunt and Tim Hunt, Travelin’ Thru ...…………………..……………………....16 THE DYLANISTA………………………………………………………………………………28 ARTICLES Richard F. Thomas, “And I Crossed the Rubicon”: Another Classical Dylan....35 Graley Herren, Young Goodman Dylan: Chronicles at the Crossroads..……..65 SONG CORNER Anne Margaret Daniel, “Murder Most Foul”….…………………………………….83 INTERVIEWS Mark Davidson…………………………………………………………………………... 95 LETTERS………………………………………………………………………………….…...106 CONTRIBUTORS…………………………………………………………………….………107 BOOKS RECEIVED………………………………………………………………………….109 BOB DYLAN LYRICS, COPYRIGHT INFORMATION……………………………………110 1 Dylan Review 2.1 (Summer 2020) SPECIAL TOPIC: CALL FOR SUBMISSIONS THE COPS DON’T NEED YOU AND MAN THEY EXPECT THE SAME For the next issue of the Dylan Review, Winter 2.2, the Editors invite articles and Song Corner essays on the special topic of political authority and race in Dylan’s work. Up on Housing Project Hill It’s either fortune or fame You must pick one or the other Though neither of them are to be what they claim If you’re lookin’ to get silly You better go back to from where you came Because the cops don’t need you And man they expect the same This familiar stanza from “Just Like Tom Thumb’s Blues” sets the tenor for the Editors’ special topic. -
Aging and the Seven Sins of Memory Benton H
Advances in Cell Aging and Gerontology Aging and the seven sins of memory Benton H. Pierce1,*, Jon S. Simons2 and Daniel L. Schacter1,* 1Department of Psychology, Harvard University, William James Hall, 33 Kirkland St., Cambridge, MA 02138 2Institute of Cognitive Neuroscience, University College London, Alexandra House, 17 Queen Square, London WC1N 3AR, UK Contents 1. Sins of omission 2 1.1. Transience 2 1.2. Absent-mindedness 4 1.3. Blocking 8 2. Sins of commission 12 2.1. Misattribution 12 2.2. Suggestibility 18 2.3. Bias 21 2.4. Persistence 24 2.5. Conclusions 26 Acknowledgements 29 References 29 Memory serves many different functions in everyday life, but none is more important than providing a link between the present and the past that allows us to re-visit previously experienced events, people, and places. This link becomes increasingly significant as we age: recollections of past experiences serve as the basis for a process of life review that assumes great importance to many older adults (Coleman, 1986; Schacter, 1996). Not surprising, then, a common worry among older adults is that forgetfulness, which may seem to be increasingly pervasive as years go by, will eventually result in the loss of the precious store of memories that has been built up over a lifetime. While much evidence suggests that various aspects of memory do decline with increasing age, it is clear that performance on some memory tasks remains relatively preserved (Naveh-Benjamin et al., 2001). *Corresponding author. Tel.: 617-495-3855; fax: 617-496-3122. E-mail address: [email protected] (D.L.