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The Fascination of Evil: Mental Malpractice in Shakespearean Tragedy
THE FASCINATION OF EVIL: MENTAL MALPRACTICE IN SHAKESPEAREAN TRAGEDY by JEFFREY CALLAWAY STEELE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute Department of English School of Humanities The University of Birmingham September 2006 Resub: October 2008 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The first part of this thesis offers a study of the phenomenon of fascination as it was understood in early modern England—specifically in its relation to magic, demonology and witchcraft. It examines fascination’s place within cultural traditions, and its operation within perception theory and the psychophysiology of the early modern medical understanding. It also examines some ways in which fascination operates within a theatrical context, and encounters the discourse of early modern “anti-theatricalists.” The second part of the thesis is an analysis of the Shakespearean tragic hero’s encounter with elements of fascinating bewitchment, and the problems of discerning reality through the mesmeric pull of misperception. The specific subjects of the dramatic analysis are Othello and Macbeth. For Chrissy, … without whose continued faith, support, and encouragement, as well as some timely and persistent prodding, I should never have finished this. -
Dal Sanders President of the S.A.M
JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner -
Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad -
Scepticism and Belief in English Witchcraft Drama, 1538–1681
SCEPTICISM AND BELIEF IN ENGLISH WITCHCRAFT DRAMA, 1538–1681 Scepticism and belief in English witchcraft drama, 1538–1681 ERIC PUDNEY Lund University Press Copyright © Eric Pudney 2019 The right of Eric Pudney to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Lund University Press The Joint Faculties of Humanities and Theology P.O. Box 117 SE-221 00 LUND Sweden http://lunduniversitypress.lu.se Lund University Press books are published in collaboration with Manchester University Press. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 978 9 1983 7686 9 hardback ISBN 978 9 1983 7687 6 open access First published 2019 This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, thanks to the support of Lund University, which permits non-commercial use, distribution and reproduction provided the author(s) and Lund University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/ licenses/by-nc-nd/4.0/ The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Lund University Press gratefully acknowledges publication assistance from the Thora Ohlsson Foundation (Thora Ohlssons -
Cotton Mathers's Wonders of the Invisible World: an Authoritative Edition
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 1-12-2005 Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition Paul Melvin Wise Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Wise, Paul Melvin, "Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition." Dissertation, Georgia State University, 2005. https://scholarworks.gsu.edu/english_diss/5 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. COTTON MATHER’S WONDERS OF THE INVISIBLE WORLD: AN AUTHORITATIVE EDITION by PAUL M. WISE Under the direction of Reiner Smolinski ABSTRACT In Wonders of the Invisible World, Cotton Mather applies both his views on witchcraft and his millennial calculations to events at Salem in 1692. Although this infamous treatise served as the official chronicle and apologia of the 1692 witch trials, and excerpts from Wonders of the Invisible World are widely anthologized, no annotated critical edition of the entire work has appeared since the nineteenth century. This present edition seeks to remedy this lacuna in modern scholarship, presenting Mather’s seventeenth-century text next to an integrated theory of the natural causes of the Salem witch panic. The likely causes of Salem’s bewitchment, viewed alongside Mather’s implausible explanations, expose his disingenuousness in writing about Salem. Chapter one of my introduction posits the probability that a group of conspirators, led by the Rev. -
The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The -
Robert-Houdin. Conjuror, Author, and Ambassador
ROBERT-HOUDIN. CONJUROR, AUTHOR, AND AMBASSADOR. BY HENRY RIDGELY EVANS. ON a certain day in the year 1843, the Count de I'Escalopier, a scion of the old regime of France, and a great lover of curios, was strolling along an unpreten- tious street of the Marais Quarter, of Paris. He stopped to look at /''' some mechanical toys displayed %*^ in the window of a dark little shop, over the door of which was painted the following modest sign: "M. Robert-Houdin, Pendules de Precision." This sign noted the fact that the proprietor was a watchmaker, and that his wares were distinguished for precise run- ning. What particularly attracted the nobleman's attention was a peculiar looking clock of clearest crystal that ran apparently with- out works, the invention of M. Robert-Houdin. The Count, who was a great lover of science amu- sante, or science wedded to recrea- tion, purchased the magic clock, and better than that made the acquaintance of the inventor, the obscure watchmaker, who was l"The cut represents the magic clock invented by Robert-Houdin about sixty years ago. This very remarkable time-piece consists of a dial composed of two juxtaposed disks of glass, one of which is stationary and carries the hours, while the other is movable and serves for the motion of the hands. This latter disk is provided with a wheel or rather a toothed ring con- cealed within the metallic ring forming a dial. The glass column which constitutes the body of 714 THE OPEN COURT. destined to become the greatest of prestidigitateurs, an author and ambassador. -
Vernon Lecture Magic Castle April 1, 1977 L&L
Dai Vernon Lecture at the Magic Castle, April 1 st , 1977 (DVD from L&L Publishing as part of the 2012 commemorative set) Transcription and Notes by Roberto Giobbi, June 2011/February 2012 G = general remarks TH = theory T = technique S = subtlety E = effect A = anecdote P = presentation Category Content Comment G Tape starts without introduction. DV sits at the table in the “Parlour of Prestidigitation” “Be natural” is one of Dai Vernon’s most of the Magic Castle. misunderstood credos. By watching this and He says that in order to fool people you have to be natural and not use fancy moves, other lectures carefully it is easier to understand which are just exhibition of dexterity, not magic. than if reading the books, one of the few advantages of video. E/T Does vanish of a large ball (used as loads) by apparently transferring it from the right This double vanish is wonderful. I’ve never seen hand to his left hand and using the wand as protection. Repeats, but really places ball anybody except DV do this. The timing on the in left hand, then uses Silent Mora wand spin to vanish. This looks impossible, wand spin is incredible – it looks like real magic. absolutely beautiful. This is explained only briefly. E/T Shows a ball vanish used by Nate Leipzig , were a ball is pushed down into the left fist using the right thumb, and when the right hand moves away, it surreptitiously catches the ball falling from the hand – similar dynamics to the wand spin vanish just shown. -
DOMENICO DANTE FISM International President Dear
DOMENICO DANTE FISM International President Dear President, Dear Friend in Magic, My philosophy has always been this: “facts speak for themselves”. You can check what I did in these three/six years, with the precious help of the Int. Vice Presidents and the Consultancy Groups, in my triennial report that will be sent to you soon. There is still a lot to do of course and this is why I am asking for the re-election (according to our Statutes for the last period of three years possible,) to accomplish something that is very important to me, since one of the main goals of FISM is to improve Magic and to raise the level of Magicians: - FISM Competition Compliance System (CCS) that will provide rules and services to Associated Societies to better Qualify their Competition and promote them as FISM Compliance Competition. - FISM Jury Qualification System (JQS) selecting and training qualified Judges to assure uniformed and high-quality judging all over the World. - To go on promoting FISM also outside the world of magic (including Academies and Universities). The Fism Board is already working on this matter and the success of the project matters to me. I want to thank you all for the support you gave to me and the Board during these years. It is a great reward for the really hard job we did. Kindest regards Domenico Dante DOMENICO DANTE FISM International President Dear President, Dear Friend in Magic, Ma philosophie a toujours été celle-ci : « Les faits parlent d’eux-mêmes ». Vous pourrez vérifier tout ce que j’ai accompli durant ces trois/six ans, avec la précieuse collaboration de mes deux vice-présidents et des Consultancy Groups, dans mon rapport triennal que vous recevrez sous peu. -
The Occult, Witchcraft and Magic an Illustrated History 1St Edition Download Free
THE OCCULT, WITCHCRAFT AND MAGIC AN ILLUSTRATED HISTORY 1ST EDITION DOWNLOAD FREE Christopher Dell | 9780500518885 | | | | | The Occult, Witchcraft & Magic Simply put, the Great Chain concept states that everything is interconnected, from God on high down to the inanimate objects, with humankind somewhere in the middle. Want to Read Currently Reading Read. I mean come on, how did that slip through all the editing stages? Seller Inventory HUK The classic Photofile series brings together the best work of the world's greatest photographers in Dell draws links between the various world and historical cultures and makes it feel like there are similarities and links between their magicks. Previous The Art of the Bible. This timeline of magic is a history of the performing art from B. But still, overall an excellent book for those interested in this subject or A good overall look to the history of witchcraft, the occult and magic. New Hardcover Quantity Available: 1. No mean feat. Lots of interesting photos and pictures, with a text that supports them. Enlightenment Magic 8. Written by Professor Louis Hoffmann — Real name Angelo John Lewisit was a definitive work on the state of the art of that time. I mean, it is an illustrated history and all. It felt a little like taking a guided tour through a museum at exactly the right speed and I found The Occult of names, rituals and objects that I recognized from books and movies. But for every genuine magus there is an impostor. Some love spells can be shockingly unsentimental, such as this one The Occult the Greek Magical Papyri: 'remain in her heart and burn her guts, her breast, her liver, her breath, her bones, her marrow, until she comes The Occult me. -
Tommy Wonder & Stephen Minch)
Downloaded from www.vanishingincmagic.com by Ray Hyman EDITED by Joshua Jay Cover designed by Vinny DePonto Layout by Andi Gladwin Downloaded from www.vanishingincmagic.com by Ray Hyman Magic in Mind was prepared in cooperation with the Society of American Magicians, and the ebook will be made available for free to all members worldwide. www.vanishingincmagic.com All rights reserved. The essays in this book are copyrighted by their respective authors and used with permission. No portion may be reproduced without written permission from the authors. Downloaded from www.vanishingincmagic.com by Ray Hyman AcknowledgEments Magic in Mind started out as a project intended expressly for serious young magicians, but the first of many lessons I learned during my two-year endeavor is this: age has little to do with learning. It was evident, early on, that this collection would benefitanyone serious about getting serious in magic. So here we are. Thanks to all the generous magicians who have allowed me to include their work in this collection. I am overwhelmed by the support they have shown. In particular, I wish to single out Darwin Ortiz, whose writings I admire greatly, and who went against a personal policy, and agreed to participate. I consider it a favor to me, and a favor to all those who will learn from his writings. Thanks, Darwin, for being flexible and generous. Thanks to Stephen Minch, whose encouragement and “pull” helped initiate the project. Irving Quant helped with the translation of “Fundamentals of Illusionism” by Juan Tamariz. Denis Behr suggested a few essays I was not familiar with. -
God Magisk Fortsättning
NR 246 | 1 - 2017 EN BRA HÖST FÖR JUNIORERNA Succé på Magic Castle SWEDISH HOUSE MAGIC Ravn Playing Cards EN BARNDOMSDRÖM I UPPFYLLELSE GOD MAGISK FORTSÄTTNING Informationsskrift för Svensk Magisk Cirkel Box 16190, 102 24 Stockholm 1 MÅNADSMÖTEN ÅRSMÖTE 7 februari: Magiska apparater i trä HÄRMED KALLAS DU TILL ÅRSMÖTE Det finns många som samlar på olika FÖR SVENSK MAGISK CIRKEL. magiska artefakter av olika slag. Doz- zie har valt att samla på rekvisita i DEN 5 MARS 2017 KLOCKAN 12.30 omålat trä av. Välkommen på SMC- PÅ HOTELL ROYAL CORNER, VÄXJÖ (I SAMBAND MED SM) möte för att se delar av samlingen presenteras och visas. Dozzie kommer att berätta om Dagordning hur det kommer sig att han började samla. Det blir framförande av trick 1. Öppnande och Dozzie kommer att berätta hur 2. Parentation olika lösningar fungerar. Välkommen 3. Val av ordförande, sekreterare och två till ett annorlunda, roligt och lärorikt justeringsmän för årsmötet. månadsmöte. 4. Styrelsen redogör för verksamheten - Du kommer att få se äldre saker. under året och föredrar räkenskaperna. - Du kommer att få se roliga saker. 5. Revisorerna avger sin gransknings- - Du kommer att få se läskiga saker. berättelse. - Du kommer att få se geniala saker. 6. Fråga om ansvarsfrihet för styrelsen för - Du kommer att få se saker som du 2016. aldrig vill se igen. 7. Valberedningens förslag. 8. Val av president. 7 mars: 9. Val av styrelseledamöter och supple- Att studera Trolleri anter (i de fall omval eller nyval föreligger) I mars bjuder vi in till medlemsmöte 10. Val av 2 revisorer och 1 revisors- med Erik Nordvall.