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Dal Sanders President of the S.A.M
JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner -
LISA MENNA a Superstition by Chloe Olewitz PHOTO by JACQUE
LISA MENNA a Superstition By Chloe Olewitz PHOTO BY JACQUE MENNA Lisa, age 17, performing for Muhammad Ali at the 1982 Desert Magic Seminar Lisa Menna was one of the last to compete at the Las Vegas Desert Magic Seminar’s open close- up session in 1982, when she was 17 years old. It was a long day, and she remembers how the checked-out audience had perked up at the sight of a young woman in a white, form-fitting, knit dress. Waiting in the wings before her set, Menna noticed a celebrity sitting in the front row that no one had called on yet. She decided to go for it, and walked straight toward him to ask, “Could you please come help me?” Whatever attention she had gotten for being a gender anomaly in the 20- person close-up competition was dwarfed by the fact that the girl had just picked Muhammad Ali. When he joined her on stage, Menna doubled down on her carefree clown character. “Hi! My name’s Lisa! What’s your name?” She had no idea that her feigned innocence would get such a big reaction. “My name’s Joe,” Ali responded. “Joe Frazier.” More laughter. “Gosh Joe, you sure have big hands,” Menna said. The room erupted. Menna was born in Connecticut in 1964. When she was four years old, her family relocated to St. Louis, where she encountered magical clown Steve “Ickle Pickle” Bender at her older brother’s birthday party. When she was seven, Menna received her first magic set as a gift from her mother, who during her own youth had mailed in 57 Popsicle wrappers collected over the course of a single summer in exchange for a set of multiplying billiard balls. -
Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad -
Attention and Awareness in Stage Magic: Turning Tricks Into Research
PERSPECTIVES involve higher-level cognitive functions, SCIENCE AND SOCIETY such as attention and causal inference (most coin and card tricks used by magicians fall Attention and awareness in stage into this category). The application of all these devices by magic: turning tricks into research the expert magician gives the impression of a ‘magical’ event that is impossible in the physical realm (see TABLE 1 for a classifica- Stephen L. Macknik, Mac King, James Randi, Apollo Robbins, Teller, tion of the main types of magic effects and John Thompson and Susana Martinez-Conde their underlying methods). This Perspective addresses how cognitive and visual illusions Abstract | Just as vision scientists study visual art and illusions to elucidate the are applied in magic, and their underlying workings of the visual system, so too can cognitive scientists study cognitive neural mechanisms. We also discuss some of illusions to elucidate the underpinnings of cognition. Magic shows are a the principles that have been developed by manifestation of accomplished magic performers’ deep intuition for and magicians and pickpockets throughout the understanding of human attention and awareness. By studying magicians and their centuries to manipulate awareness and atten- tion, as well as their potential applications techniques, neuroscientists can learn powerful methods to manipulate attention to research, especially in the study of the and awareness in the laboratory. Such methods could be exploited to directly study brain mechanisms that underlie attention the behavioural and neural basis of consciousness itself, for instance through the and awareness. This Perspective therefore use of brain imaging and other neural recording techniques. seeks to inform the cognitive neuroscientist that the techniques used by magicians can be powerful and robust tools to take to the Magic is one of the oldest and most wide- powers. -
Rare Posters
Public Auction #009 Rare Posters Conjuring, Circus, and Allied Arts For sale at public auction March 26 2011 at 11:00 am Exhibition March 22 - 25 Potter & Potter Auctions, Inc. 3729 N. Ravenswood Ave. -Suite 116- Chicago, IL 60613 Thank you for downloading the digital edition of this catalog. Hard copies can be purhased at our website, www.potterauctions.com. To view detailed, color images of each lot and to place bids online for items in this catalog, please visit our partner website, www.liveauctioneers.com. Introduction Magic is the oldest of the theatrical arts. Its earliest origins was frequently shown with diminutive red devils or imps were in Shamanism and the priesthood. By the time of ancient perched on his shoulder or whispering (presumably arcane Egypt, clever conjurors were using many of the same tricks secrets) in his ear. Some of these portraits include a background performed by magicians today to convince the masses of their which suggests that the person pictured is a magician or the supernatural power. In the thousands of years since its earliest portrait itself is stylized in such a manner as to suggest that recorded beginnings, magic moved from the temples of ancient the person is a mystery worker or, at the very least, an exotic times to the street corners and fairs of the Middle Ages, then personality. Notable in this regard are the portrait lithographs into taverns and drawing rooms and, finally, onto the stage and of Chung Ling Soo, Alexander, and Cater. Also in this category television. are some posters which only vaguely suggest an illusion being When the art of conjuring split from its religious and performed, such as the poster for The Great Rameses. -
THE MAGIC LAWYER® When Law Meets Magic
THE MAGIC LAWYER® When Law Meets Magic By Robert Speer, The Magic Lawyer® Copyright © 2009 Robert H. Speer, Jr., The Magic Lawyer® All rights reserved. No part of this book may be reproduced in any form, without the prior written permission of the author. INTRODUCTION "It’s kind of fun to do the impossible." -- Walt Disney Just who and what is The Magic Lawyer®1? I’m asked that question quite a bit. It is a persona, a brand, and a real person, all in one. It is what happened when law mixed with magic. It is what a perfect stranger remembers when they see my card in their wallet months after we met. It is the hope that my clients have that, no matter how bad their situation is, they know that their lawyer is doing his best “magic” for them in court. It represents a refreshing way to practice law - - a way that reminds the client that life can be fun, no matter what happened to them, or why they are in their current situation. It is also a really cool way to market Robert Speer, Attorney at Law. When I was about ten years old, my dad let me travel with him when he made his sales calls around the southeast. On our travels, we would always look forward to stopping at one of the Stuckey’s gas stations along the road. Stuckey’s gas stations are long gone, but my memory of them, and my dad, are not. In Stuckey’s, you could always find a rack of tricks and pranks made by the S.S. -
Fall Magic Auction
Public Auction #027 Fall Magic Auction Featuring Personal Artifacts and Memorabilia From The Career of Channing Pollock and The Library of James B. Alfredson Complemented by a Selection of Collectible Magicana Auction Saturday, November 1, 2014 v 10:00 Am Exhibition October 29 - 31 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 Channing Pollock Channing West Pollock (1926 – 2006) was one of the most Snow-white birds materialized from the hands of the tall, dark, sophisticated, professional, accomplished—and imitated— and handsome magician. Then they vanished, along with the magicians of his generation. cage that held them. He began studying magic at the age of 21. Upon Pollock’s popularity was not only derived from his sleight of graduation from the Chavez College of Manual Dexterity hand technique, however. Often billed as “the most handsome and Prestidigitation in 1952, he was regarded as its most man in the world,” his appeal to general audiences led him into accomplished pupil and soon held a teaching position at starring roles in European films such as Judex and Rocambole, the school, but quickly moved on to a storied career in show and to regular appearances in American television on a number business. In 1954, he appeared on Ed Sullivan’s famous of popular programs. television variety show. Soon thereafter, Pollock went on to Although Pollock retired from show business completely conquer American stages, and then set his sights abroad to in 1969, he never lost his love for magic. -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The -
Indian Conjuring Branson
UC-NRLF I ^B 517 Tb^ INDIAN CONJURING My old friend SHAH MAHOMMED, aged 87 years, son of GHAUS MAHOMMED, who died aged 75 years, and grandson of NUR MAHOMMED, who died at the age of 78 years. All three were itinerant conjurors and had never seen The Rope Trick. INDIAN CONJURING BY MAJOR L. H. BRANSON M.I.M.C. Indian Army With 8 Illustrations / LONDON GEORGE ROUTLEDGE & SONS LTD. N:ew YORK : K. P. DUTTON & CO. Printed in Great Britain by F. Robinson & Co., at The Library Press, Lowestoft. 7 dedicate this small volume to MY WIFE who has always been yny best audience and my keenest critic at the innumerable sleight-of-hand performances that I have had the pleasure of giving in her presence. Portions oj this hook were published hy the TIMES OF INDIA, ILLUSTRATED ivhose WEEKLY, by kind permission they are reprinted. KSZ V /->T/ -373 CONTENTS 3 CHAPTER PAGE I. A COMPARISON ... .1 II. THE CUP AND BALLS . .16 III. THE BAMBOO-STICKS . .23 THE RING ON THE STICK . 26 IV. THE GLASS BOX .... 32 . 35 THE BUNDER BOAT . • • 39 V. THE BOWL OF RICE . THE COLOURED SANDS . .42 VI. A ROPE TRICK . .46 THE SWASTIKA . .49 THE EGG BAG . .52 VII. THE DANCING DUCK . .54 THE MANGO TREE TRICK . 57 VIII. THE BASKET TRICK . .65 IX. THE INDIAN ROPE TRICK . 76 X. SNAKES AND CROCODILES . 89 XI. GENERALITIES AND OTHER MYTHS . 98 LIST OF ILLUSTRATIONS My old friend Shah Mahommed, aged 87 years, son of Ghaus Mahommed, who died aged 75 years, and grandson of Nur Mahommed who died at the age of 78 years. -
Robert-Houdin. Conjuror, Author, and Ambassador
ROBERT-HOUDIN. CONJUROR, AUTHOR, AND AMBASSADOR. BY HENRY RIDGELY EVANS. ON a certain day in the year 1843, the Count de I'Escalopier, a scion of the old regime of France, and a great lover of curios, was strolling along an unpreten- tious street of the Marais Quarter, of Paris. He stopped to look at /''' some mechanical toys displayed %*^ in the window of a dark little shop, over the door of which was painted the following modest sign: "M. Robert-Houdin, Pendules de Precision." This sign noted the fact that the proprietor was a watchmaker, and that his wares were distinguished for precise run- ning. What particularly attracted the nobleman's attention was a peculiar looking clock of clearest crystal that ran apparently with- out works, the invention of M. Robert-Houdin. The Count, who was a great lover of science amu- sante, or science wedded to recrea- tion, purchased the magic clock, and better than that made the acquaintance of the inventor, the obscure watchmaker, who was l"The cut represents the magic clock invented by Robert-Houdin about sixty years ago. This very remarkable time-piece consists of a dial composed of two juxtaposed disks of glass, one of which is stationary and carries the hours, while the other is movable and serves for the motion of the hands. This latter disk is provided with a wheel or rather a toothed ring con- cealed within the metallic ring forming a dial. The glass column which constitutes the body of 714 THE OPEN COURT. destined to become the greatest of prestidigitateurs, an author and ambassador. -
Vernon Lecture Magic Castle April 1, 1977 L&L
Dai Vernon Lecture at the Magic Castle, April 1 st , 1977 (DVD from L&L Publishing as part of the 2012 commemorative set) Transcription and Notes by Roberto Giobbi, June 2011/February 2012 G = general remarks TH = theory T = technique S = subtlety E = effect A = anecdote P = presentation Category Content Comment G Tape starts without introduction. DV sits at the table in the “Parlour of Prestidigitation” “Be natural” is one of Dai Vernon’s most of the Magic Castle. misunderstood credos. By watching this and He says that in order to fool people you have to be natural and not use fancy moves, other lectures carefully it is easier to understand which are just exhibition of dexterity, not magic. than if reading the books, one of the few advantages of video. E/T Does vanish of a large ball (used as loads) by apparently transferring it from the right This double vanish is wonderful. I’ve never seen hand to his left hand and using the wand as protection. Repeats, but really places ball anybody except DV do this. The timing on the in left hand, then uses Silent Mora wand spin to vanish. This looks impossible, wand spin is incredible – it looks like real magic. absolutely beautiful. This is explained only briefly. E/T Shows a ball vanish used by Nate Leipzig , were a ball is pushed down into the left fist using the right thumb, and when the right hand moves away, it surreptitiously catches the ball falling from the hand – similar dynamics to the wand spin vanish just shown.