Breathing Meditation
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Kiff Aarau We Keep You in the Loop
MAR.17 America EINSCHLAUFEN Betrifft: Der Rückbau der westlichen Zivilisation Impressum Nº 02.17 Bis zuletzt hoffte man noch auf eine Art um- wird weiter am Rückbau der westlichen Zivilisa- DER MUSIKZEITUNG LOOP 20. JAHRGANG gekehrten Al-Gore-Effekt. Die Wahlnacht war tion arbeiten – mit noch kruderen Plänen, quen- längst zu einer Abfolge sich zusehends ver- geligen Tweets und ordentlich Gepolter. Es ist P.S./LOOP Verlag düsternder Stunden erstarrt, den eigenen Au- ein Albtraum, der sich permanent fortsetzt. Al- Langstrasse 64, 8004 Zürich gen mochte man längst nicht mehr trauen und lerdings nicht ohne Gegenwehr von Menschen, Tel. 044 240 44 25, Fax. …27 schüttelte nur noch den Kopf. Dann die Flucht die mit Vernunft, Umsicht und fortschrittlichem www.loopzeitung.ch in ruhelosen Schlaf, nach dessen Ende sich spä- Denken die freiheitlichen Werte verteidigen. Sie ter eben doch das grösste anzunehmende Unheil bleiben im Fokus, ebenso wie dieses Land zwi- Verlag, Layout: Thierry Frochaux bestätigte: Die USA haben ihren 45. Präsidenten schen Pazifik und Atlantik, zwischen Kanada [email protected] gewählt – einen Mann mit ungesunder Gesichts- und Mexiko. farbe, bedenklicher Frisur und kruden, gefährli- Etliche der Musikerinnen und Musiker, denen Administration, Inserate: Manfred Müller chen Ansichten. die folgenden Seiten gewidmet sind, haben sich [email protected] Inzwischen sind weitere Monate ins Land der bereits zu Wort gemeldet, oftmals als Stimmen unbegrenzten Möglichkeiten gezogen, wer je- der Vernunft, die Gewicht haben, auch wenn Redaktion: Philippe Amrein (amp), doch darauf spekulierte, das Regierungsamt sie singen. Sie sind ein integraler Bestandteil Benedikt Sartorius (bs), Koni Löpfe werde den Immobilienmogul-in-Chief zur Räson der Unterhaltungsbranche, die eine Verteidi- bringen, sah und sieht sich getäuscht. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Hip Hop in the Language Arts Classroom B Cord Mckeithen Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Play it loud: hip hop in the language arts classroom B Cord McKeithen Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Education Commons Recommended Citation McKeithen, B Cord, "Play it loud: hip hop in the language arts classroom" (2010). LSU Master's Theses. 2696. https://digitalcommons.lsu.edu/gradschool_theses/2696 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PLAY IT LOUD: HIP-HOP IN THE LANGUAGE ARTS CLASSROOM A Thesis Submitted to then Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Education by B. Cord McKeithen B.A., Louisiana State University, 2001 May 2010 Acknowledgements First, I would like to thank my family for supporting my decision to return to graduate school and being more than encouraging in my goal to become a teacher. Next, I would like to thank my close friends who, without, would not have been able to make it through this two year course. I would also like to thank Destiny Cooper, who opened up her classroom to me to do research, as well as her students. Also, thank you to Dr. -
Production in Ontario 2019
SHOT IN ONTARIO 2019 Feature Films – Theatrical A GRAND ROMANTIC GESTURE Feature Films – Theatrical Paragraph Pictures Producers: David Gordian, Alan Latham Exec. Producer: n/a Director: Joan Carr-Wiggin Production Manager: Mary Petryshyn D.O.P.: Bruce Worrall Key Cast: Gina McKee, Douglas Hodge, Linda Kash, Rob Stewart, Rose Reynolds, Dylan Llewellyn Shooting dates: Jun 24 - Jul 19/19 AGAINST THE WILD III – THE JOURNEY HOME Feature Films – Theatrical Journey Home Films Producer: Jesse Ikeman Exec. Producer: Richard Boddington Director: Richard Boddington Production Manager: Stewart Young D.O.P.: Stephen C Whitehead Key Cast: Natasha Henstridge, Steve Byers, Zackary Arthur, Morgan DiPietrantonio, John Tench, Colin Fox, Donovan Brown, Ted Whittall, Jeremy Ferdman, Keith Saulnier Shooting dates: Oct 2 - Oct 30/19 AKILLA'S ESCAPE Feature Films - Theatrical Canesugar Filmworks Producers: Jake Yanowski, Charles Officer Exec. Producers: Martin Katz, Karen Wookey, Michael A. Levine Director: Charles Officer Production Manager: Dallas Dyer D.O.P.: Maya Bankovic Key Cast: Saul Williams, Thamela Mpumlwana, Vic Mensa, Bruce Ramsay, Shomari Downer Shooting dates: May 14 - Jun 6/19 AND YOU THOUGHT YOU WERE NORMAL Feature Films - Streaming Side Three Media Producers: Leanne Davies, Tim Kowalski Exec. Producer: Colin Brunton Director: Tim Kowalski, Kevan Byrne Production Manager: Woody Whelan D.O.P.: Tim Kowalski Key Cast: Gary Numan, Owen Pallett, Tim Hill, Cam Hawkins, Steve Hillage Shooting dates: Jan 28 - Mar 5/19 AWAKE As of January 14, 2019 1 SHOT IN ONTARIO 2019 Feature Films - Streaming eOne / Netflix Producers: Mark Gordon, Paul Schiff Executive Producer: Whitney Brown Director: Mark Raso Production Manager: Szonja Jakovits D.O.P.: Alan Poon Key Cast: Gina Rodrigues Shooting dates: Aug 6 - Sep 27/19 CASTLE IN THE GROUND Feature Films - Theatrical 2623427 Ontario Inc. -
Scholarworks@UNO Lost
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-19-2017 Lost Nathaniel Kostar the university of new orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Poetry Commons Recommended Citation Kostar, Nathaniel, "Lost" (2017). University of New Orleans Theses and Dissertations. 2332. https://scholarworks.uno.edu/td/2332 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Lost A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Poetry by Nathaniel Kostar B.A. Rutgers University, 2008 May 2017 Copyright 2017, Nathaniel Kostar. ii ACKNOWLEDGEMENTS Thank you to John Gery for your advice and mentorship throughout this process, and to Peter Thompson and Kay Murphy for serving on my thesis committee. Thanks also to my family—who never questioned why I roamed, to the musicians I’ve had the chance to work with in New Orleans, and the venues that let us play their stages. -
Making a Killing: on Race, Ritual, and (Re) Membering in Digital Culture
PDT&C 2017; 46(1): 32–40 Tonia Sutherland* Making a Killing: On Race, Ritual, and (Re) Membering in Digital Culture DOI 10.1515/pdtc-2017-0025 astonishing numbers of men, women, and children of color have been killed at the hands of police officers and Abstract: This paper investigates cultural, social, and armed citizens who have evaded justice on the basis of a technological issues created by the increasingly wide- socially constructed and culturally enacted “right to be spread circulation of digital records documenting the afraid of blackness” (Noble, “Teaching Trayvon,” p. 12). As deaths of black Americans in the United States. This re- with so many horrific and senseless scenes depicting vio- search takes as its foundation questions about ritual, lent loss of life, the shooting deaths of Alton Sterling in embodiment, memorialization, and oblivion in digital Baton Rouge, Louisiana, and Philando Castile in St. An- spaces. Further, it examines the interplay between the thony, Minnesota, on consecutive days in July 2016 were permanence of the digital sphere and the international recorded by bystanders on cell phones. These digital re- human rights concept of the “right to be forgotten,” pay- cords were subsequently shared on social media and other ing particular attention to black and brown bodies as re- digital platforms—and then shared again, and again— cords and as evidence. Methodologically, the work en- taking on a digital life that has come to be known as gages critical race theory, performance studies, archival “going viral.” studies, and digital culture studies, asking how existing As feminist writer and scholar Roxanne Gay has ex- technologies reflect the wider social world offline, how pressed, these viral encounters with violent death on the they create new cultural interactions, and how those new Internet have begun to occupy a familiar place in Amer- interactions reshape the real (non-virtual) world. -
African Orality and Post-Colonial Preoccupations in Selected Examples of Contemporary Performance Poetry
Speaking Out: African Orality and Post-Colonial Preoccupations in Selected Examples of Contemporary Performance Poetry Mabel Thandeka Mnensa Submitted in fulfilment of the requirements for the degree Magister Artium in the Faculty of Arts at the Nelson Mandela Metropolitan University Supervisor: Dr Mary West Co-Supervisor: Prof Tlhalo Radithlalo January 2010 DECLARATION BY CANDIDATE FULL NAME: Mabel Thandeka Mnensa STUDENT NUMBER: 204044065 QUALIFICATION: Magister Artium (Arts) TITLE OF PROJECT: Speaking Out: African Orality and Post-Colonial Preoccupations in Selected Examples of Contemporary Performance Poetry DECLARATION: In accordance with Rule G4.6.3, I hereby declare that Speaking Out: African Orality and Post- Colonial Preoccupations in Selected Examples of Contemporary Performance Poetry is my own work and that it has not previously been submitted for assessment to another University or for another qualification. Mabel Thandeka Mnensa 7 January 2010 i Contents Page Acknowledgments ii Abstract iii Introduction: The Context: Rap, Hip-hop and African Oral Traditions 1 The Politics of Performance 12 Outline 15 Chapter One: Negotiating the Main Influences 1.1 Introduction 17 1.2 Staging the Revolution 18 1.3 Negotiating Race Politics in ‗Black Stacey‘ 30 1.4 Negotiating Race Identities in ‗Riding the Victim Train‘ 43 Chapter Two: Race and Class 2.1 Introduction 54 2.2 Sarah Jones: Speaking against the Silences 55 2.3 The Role of the Poet 63 2.4 Mxolisi Nyezwa‘s Exploration of Class Issues 71 Chapter Three: Race and Gender 3.1 Introduction 76 3.2 Black Masculinity in South Africa 77 3.3 Rewriting Samson and Deli(e)lah 84 3.4 Rescuing Eve 89 Chapter Four: Re-Imagining Past and Present 4.1 Introduction 96 4.2 Race and Class in ―Eli‖ and ―76‖ 97 4.3 Dennis Brutus and Trauma 101 4.4 Re-Constructing and Re-Imagining Jozi 106 Conclusion 113 Bibliography 117 Addenda ii Acknowledgements I would like to thank my supervisors, Mary West and Tlhalo Radithlalo for their guidance, patience and support. -
2013 2013At Bam’S Mission Is to Be the Home for Adventurous Artists, Audiences, and Ideas
BAM ANNUAL REPORT 2013 2013AT BAM’S MISSION IS TO BE THE HOME FOR ADVENTUROUS ARTISTS, AUDIENCES, AND IDEAS. 3—6 34—37 GREETINGS PAST AND FUTURE Chair Letter, 4 Digital Media, 35 President & Executive Producer’s Letter, 5 BAM Hamm Archives, 36 BAM Campus, 6 Membership, 37 7—33 38—44 WHAT WE DO WHO WE ARE 2012 Next Wave Festival, 8–10 BAM Board List, 39 2013 Winter/Spring Season, 11–13 BAM Supporters, 40–42 BAM Rose Cinemas, 14–19 BAM Staff, 43–44 First-run Films, 15 BAMcinématek, 16–17 45—47 BAMcinemaFest, 18 HD Screenings, 19 NUMBERS BAM Financial Statements, 46–47 BAMcafé Live, 20–21 Get It Out There, 22 Education & Humanities, 23–28 48—52 Education / BAMkids, 24 THE TRUST Humanities, 25–27 BET Chair Letter, 49 Professional Development Program, 28 BET Donors, 50 Community, 29–31 BET Financial Statements, 51–52 DanceMotion USASM, 32 Visual Art, 33 2013 ANNUAL REPORT 2 Table of Contents Cover: Einstein on the Beach | Photo: Stephanie Berger THE BAM FISHER BUILDING’S INAUGURAL NEXT WAVE FESTIVAL began in the fall of 2012 with 15 widely varying productions. This new venue— which opened without a hitch—nearly doubled the number of productions in the fall, for a total of 32. The fall season also marked the end of BAM’s 150th anniversary celebration which began in September of 2011. This report covers July 2012—June 2013. All That Fall | 2012 Next Wave Festival | Photo: Ros Kavanagh GreetingsGREETINGS DEAR FRIENDS, The 30th Next Wave Festival was a landmark is a new home for the BAM Education & event, and Mr. -
Slam Poetry: Ambivalence, Gender, and Black Authenticity in Slam
Text, Practice, Performance III (2001): 37-63 37 Slam Poetry: Ambivalence, Gender, and Black Authenticity in‘Slam1 Susan B.A. Somers-Willett One of the things that struck me when I came out of the construction worker mode into the poetry scene was the falseness of a lot of the work because it had nothing to do with what everyday people do. — Marc Smith, originator of the poetry slam, Slamnation You will not hear highbrow poetic structure over here I do not proscribe to nor do I give a fuck about iambic pentameter I laugh at the alphabetical order of the Shakespearean sonnet A sestina? Is a bitch I used to date I write what I feel and I spit what I know I am the rose bloomed fresh in the midst of ghetto con- fusion I am ghetto angst personified I am a street poet — from “Street Poet” by GNO Poetry slams, competitive versions of local poetry readings, have emerged in the late 20th century as a literary-performative genre of protest and celebration. Although its roots are traced by poets from troubadours, griots, and the “dozens” (Algarín 1994:16), its 20th-century predecessors and most immediate influences include the Beat Movement, the Black Arts Movement, jazz, early rap, and hip- hop. The poetry slam as we know it today originated in the mid- 1980’s as the brainchild of Marc Smith, a Chicago poet and ex- 38 Text, Practice, Performance construction worker who wanted to liven up local poetry readings. Today, poetry slams are held not only in urban centers like New York, Chicago, and Los Angeles, but also in areas as distant as Sweden and the U.K. -
Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies.