DOCSLIB.ORG

Qflorence/J Poetry the Brownin Gs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Qflorence/J Poetry the Brownin Gs f COPYRIGHT A. C. McCLURo 1904 M W October 5, 1 904 With four exceptions, the photographs reproduced in this work are li r r l r n h em the ate e of the Brothers Alina i, F o e ce, and are used b y rr n ement wi ir r and consent Th special a a g th the app oval . e Casa ” “ ” i armin l r and th Book - Stall in Piazza Guid , the C e C oiste , e San Lorenzo are b y Miss Una Mcmahan ; the Piazza and Church of ” Fl n San Lorenzo is b y Manelli, ore ce. T il l UNIVI RSIT Y P81 88 CAM BRIDGI U . 8. A , , . ANNIE H OW ELL ANNIS L O V E ] ! OF F LO RENC E AND OF B B OW NING C O N T E N T S INTRODUCTION B Y ELIZ ABETH BARRE T T B ROWNIN G CASA GUIDI WINDOWS THE DAN CE B Y ROB ERT BROWNIN G OLD PICTURES IN FLORENCE FRA LIPPO LIPPI ANDREA DEL SARTO TEE STATUE AND THE BUST HE R G THE B K BOOK I T IN AND OO . ONE WORD MORE I L L U S T RA T I O N S Casa Guidi Windows F rontispiece Bridges of the Arno To face page 24 ’ Monument to Giuliano de Medici 26 New Sacristy of San Lorenzo ’ Monument to Lorenzo de Medici New Sacristy of San Lorenzo Martyrdom of Savonarola Museum of San Marco Statue Of Savonarola Palazzo Vecchio Cell of Savonarola Museum of San Marco Church of Santa Maria Novella Fresco of Inferno ndrea r a n , by A O c g a Strozzi Chapel of Santa Maria Novella Madonna Encollai Chapel of Santa Maria Novella rucifixion b ar her tone C , y M g i Church of Santa Croce Portrait of Fra Angelico Academy of Fine Arts The Pitti Palace Loggia dei Lanzi Monument to Dante Church of Santa Croce [ iX ] ILLUSTRATIONS Fresco of Dante Toface page 59 Gate of San Niccolb Gate of San Gallo Bust ofBrutus Piazza in the Caseine View of Florence am anile with athedral and Ba tistr C p , C p y Portrait of Michel Angelo Cfizi Gallery Portrait of Raphael Sanzio Ufliz i Gallery Portrait OfLeonardo da Vinci Uflizi Gallery Statue of Niobe Uflizi Gallery The Dying Alexander or iott and addeo Gaddi P traits of Cimabue, G o, T Spanish Chapel of Santa Maria Novella Statue OfNiccola Pisauo Portico of Ufizi Portrait of Ghiberti Palazzo Vecchio Portrait Of Ghirlandajo Santa Maria Novella Portrait Of Botticelli Ufizi Gallery Portrait Of Filippino Lippi Ufiizi Gallery r n of the Vir in b orenzo onaco Co onatio g , y L M Uffizi Gallery X l ILLUSTRATIONS Madonna and Sain s b Baldovinetti t , y Church of San Spirito The Cloisters of the Carmine ortrait of osimo the Elder b on rm P C , y P to o Ufizi Gallery St. Jerome b Fra Fili o i i , y pp L pp Academy of Fine Arts Church of the Carmine Grou of An els b Giotto p g , y Medici Chapel in Santa Croce Portrait of Masaccio Brancacci Chapel in Church of the Carmine The ri ute one b asaccio T b M y, y M Brancacci Chapel in Church of the Carmine orona ion of the Vir in b Fili o i i C t g , y pp L pp Academy of Fine Arts Portrait of Filippo Lippi Academy of Fine Arts Portrait of Andrea del Sarto and his Wife Pitti Gallery View of Fiesole adonna b Andrea del Sarto M , y Pitti Gallery Palace Riccardi- Mannelli ’ Piazza dell Annunziata Villa Petraja ’ ici Statue of Ferdinand I. de Med ’ Piazza dell Annunz iata Piazza and Church of San Lorenzo Book- stall in Piazza San Lorenzo [ xi ] ILLUSTRATIONS Interior of San Lorenzo Strozzi Palace Piazza Santa Trinita Bridge of Santa Trinita Porta Romans M ’ m rs. Brownings To b Protestant Cemetery Donna Velata Pitti Gallery Madonna del Granduca Pitti Gallery ’ Galileo s Tower The Protestant Cemetery Piazza Donatello I ntr odu ction LTHOUGH n ish e s ir h the ci O a E gl po t by b t , ty f rence in a was the h me of Ro er and Flo , It ly, o b t . Elizabeth Barrett Browning during the fifteen h ir w i e ears e e e . For h his was a eri y Of t dd d l f bot , t p od not only Of supreme happiness but of continual literary r uc i n m s which was r un and ess n ia p od t o , o t Of p ofo dly e t lly influence a ian c n i i ns and a ian a m s here d by It l o d t o It l t o p . The most distinctively lyrical poetry of Robert Browning belongs almost entirely to these years ; whoever would see him as a sin er in is inc i n r m the rama is g , d t t o f o d t t Of his earlier period or the philosophical and religious poet Of his a er i e mus urn to the ems wri en urin l t l f , t t po tt d g this ” ime of li e e and a TO h e s th . e his r t f , lov , It ly bot po t to y, the scener the art rence was a c n inua ins ira y, Of Flo , o t l p tion ; poems and correspondence alike show the supreme place it held in their affections. The most beautiful ” Of t e ci ies e ise man sa s Mrs r wnin in o h . ne t d v d by , y B o g, ” Of her e ers c m e in rence as rence a l tt ; o pl t g Flo Flo It ly, sa s R er r wnin s ea in the cam ani e of the y ob t B o g, p k g Of p l ’ r wnin s i e- n in eres in a ian o i i Mrs. B o g l f lo g t t It l p l t cs and in popular liberty are too well known to need further [ 13 ] INTRODUCT ION ex si i po t on; b ut the large part played by the local color the ci the mu i u e a usi ns the Churches Of ty, lt t d of ll o to , th e iazzas the ic ures the s a ues the ra i i ns p , p t , t t , t d t o of Florence can be understood fully only by a somewhat int imae n w e e the Ci k o l dg of ty . ’ The same is rue of n o r r wnin s ems t ma y of R be t B o g po . Fo r e am e his O i s n rence is c un e x pl , ld P cture i Flo o t d am n o g the most obscure of his shorter poems ; b ut it is s ob cure only because it assumes a larger amount of infor m a i n in the his r f m s rea ers ssess t o to y o art than o t d po . i It s true that nearly every line has some allusion to an ar is t t or an art- principle more or less unknown ; b ut there is n o Obscurity either of thought or expression when we ar e once as well informed as Browning presupposes us all to b e. u ar imse Do btless it was a mistake on his p t . H lf i l ving am n hese hin s which were a ar his ai o g t t g , p t of d ly W a and h u h it was unwise assume an e ua am un lk t o g t, to q l o t O f in eres and n is ea er But t t knowledge o the part of h r d . the err r is en ar nd s irin isi in o both complim t y a in p g . V t g rence one of th firs m i i ns a er r wnin Flo , e t a b t o of lov of B o g ” is to o a u wi ic res in rence and her g bo t th Old P tu Flo , ot ems as a ui - m the hin s es w r h po , g de book to so e Of t g b t o t seein g. But even such a person finds no small difficulty in ca in t n h s he s ecia ic ure or s a ue or sce e. i lo t g p l p t , t t , T book is an attempt to aid him and also the still larger num ber of persons who may never see the city itself. The poems of the Brownings already have been annotated ably and sufficiently as far as words can serve ; the pres ent work aims to set before the eye pictures Of the places [ 1 4 ] or ers ns men i ned so that each reader ma see p o t o , y Flor ' ence for himself as nearly as pom ble as the two poets saw it ma a roach as cl se as ever is ossible to an ut , y pp , o ly p o si er the s urces of oetieal ins ira i d , o p p t on.
Load more

Recommended publications
  • Climbing the Sea Annual Report
    WWW.MOUNTAINEERS.ORG MARCH/APRIL 2015 • VOLUME 109 • NO. 2 MountaineerEXPLORE • LEARN • CONSERVE Annual Report 2014 PAGE 3 Climbing the Sea sailing PAGE 23 tableofcontents Mar/Apr 2015 » Volume 109 » Number 2 The Mountaineers enriches lives and communities by helping people explore, conserve, learn about and enjoy the lands and waters of the Pacific Northwest and beyond. Features 3 Breakthrough The Mountaineers Annual Report 2014 23 Climbing the Sea a sailing experience 28 Sea Kayaking 23 a sport for everyone 30 National Trails Day celebrating the trails we love Columns 22 SUMMIT Savvy Guess that peak 29 MEMbER HIGHLIGHT Masako Nair 32 Nature’S WAy Western Bluebirds 34 RETRO REWIND Fred Beckey 36 PEAK FITNESS 30 Back-to-Backs Discover The Mountaineers Mountaineer magazine would like to thank The Mountaineers If you are thinking of joining — or have joined and aren’t sure where Foundation for its financial assistance. The Foundation operates to start — why not set a date to Meet The Mountaineers? Check the as a separate organization from The Mountaineers, which has received about one-third of the Foundation’s gifts to various Branching Out section of the magazine for times and locations of nonprofit organizations. informational meetings at each of our seven branches. Mountaineer uses: CLEAR on the cover: Lori Stamper learning to sail. Sailing story on page 23. photographer: Alan Vogt AREA 2 the mountaineer magazine mar/apr 2015 THE MOUNTAINEERS ANNUAL REPORT 2014 FROM THE BOARD PRESIDENT Without individuals who appreciate the natural world and actively champion its preservation, we wouldn’t have the nearly 110 million acres of wilderness areas that we enjoy today.
    [Show full text]
  • The Armstrong Browning Library Newsletter God Is the Perfect Poet
    The Armstrong Browning Library Newsletter God is the perfect poet. – Paracelsus by Robert Browning NUMBER 51 SPRING/SUMMER 2007 WACO, TEXAS Ann Miller to be Honored at ABL For more than half a century, the find inspiration. She wrote to her sister late Professor Ann Vardaman Miller of spending most of the summer there was connected to Baylor’s English in the “monastery like an eagle’s nest Department—first as a student (she . in the midst of mountains, rocks, earned a B.A. in 1949, serving as an precipices, waterfalls, drifts of snow, assistant to Dr. A. J. Armstrong, and a and magnificent chestnut forests.” master’s in 1951) and eventually as a Master Teacher of English herself. So Getting to Vallombrosa was not it is fitting that a former student has easy. First, the Brownings had to stepped forward to provide a tribute obtain permission for the visit from to the legendary Miller in Armstrong the Archbishop of Florence and the Browning Library, the location of her Abbot-General. Then, the trip itself first campus office. was arduous—it involved sitting in a wine basket while being dragged up the An anonymous donor has begun the cliffs by oxen. At the top, the scenery process of dedicating a stained glass was all the Brownings had dreamed window in the Cox Reception Hall, on of, but disappointment awaited Barrett the ground floor of the library, to Miller. Browning. The monks of the monastery The Vallombrosa Window in ABL’s Cox Reception The hall is already home to five windows, could not be persuaded to allow a woman Hall will be dedicated to the late Ann Miller, a Baylor professor and former student of Dr.
    [Show full text]
  • Select Letters of Percy Bysshe Shelley
    ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar­ lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain­ ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera­ ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede­ their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry.
    [Show full text]
  • The Leadership Issue
    SUMMER 2017 NON PROFIT ORG. U.S. POSTAGE PAID ROLAND PARK COUNTRY SCHOOL connections BALTIMORE, MD 5204 Roland Avenue THE MAGAZINE OF ROLAND PARK COUNTRY SCHOOL Baltimore, MD 21210 PERMIT NO. 3621 connections THE ROLAND PARK COUNTRY SCHOOL COUNTRY PARK ROLAND SUMMER 2017 LEADERSHIP ISSUE connections ROLAND AVE. TO WALL ST. PAGE 6 INNOVATION MASTER PAGE 12 WE ARE THE ROSES PAGE 16 ADENA TESTA FRIEDMAN, 1987 FROM THE HEAD OF SCHOOL Dear Roland Park Country School Community, Leadership. A cornerstone of our programming here at Roland Park Country School. Since we feel so passionately about this topic we thought it was fitting to commence our first themed issue of Connections around this important facet of our connections teaching and learning environment. In all divisions and across all ages here at Roland Park Country School — and life beyond From Roland Avenue to Wall Street graduation — leadership is one of the connecting, lasting 06 President and CEO of Nasdaq, Adena Testa Friedman, 1987 themes that spans the past, present, and future lives of our (cover) reflects on her time at RPCS community members. Joe LePain, Innovation Master The range of leadership experiences reflected in this issue of Get to know our new Director of Information and Innovation Connections indicates a key understanding we have about the 12 education we provide at RPCS: we are intentional about how we create leadership opportunities for our students of today — and We Are The Roses for the ever-changing world of tomorrow. We want our students 16 20 years. 163 Roses. One Dance. to have the skills they need to be successful in the future.
    [Show full text]
  • What Literature Knows: Forays Into Literary Knowledge Production
    Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism.
    [Show full text]
  • Producing MIDS NAC Dems from MESSENGER Images
    Producing MESSENGER DEMs from MDIS NAC Images MANHEIM1, HENRIKSEN, ROBINSON, AND THE MESSENGER TEAM 1ARIZONA STATE UNIVERSITY, TEMPE AZ—MMANHEIM@SER.ASU.EDU Launched: August 2004 MESSENGER Mercury Orbit: March 2011 Completed: April 2015 Mercury Dual Imaging System (MDIS) 2 framing cameras: a monochrome NAC and a multispectral WAC NAC wasn’t a stereo camera, but off-nadir observations enable the creation of DEMs NACs have 5 m pixel scale at closest approach Mercury Laser Altimeter (MLA) Radial accuracy of < 20 m Only available between 90° N and 18° S Highly Elliptical Orbit Periapsis: 200 – 500 km (near North Pole) Apoapsis: 10,000 – 15,000 km Methodology: Overview Site Selection & Image Selection Illumination Conditions Imaging Geometry DEM Production Using the USGS Integrated Software for Imagers and Spectrometers (ISIS) and SOCET SET 5.6 Error analysis Creating data products for PDS release Image Selection Selecting stereo images requires compromise between finding optimal images and building up desired coverage. These parameters will dictate the precision of the final product. Strength of stereo: parallax between the two images / unit height Illumination compatibility: distance between the tips of shadows in two images / unit height *Guidelines adapted from Becker, et al. 2015. Images Selected for Our DEMs n=49 Selecting Images to Build Mosaics Sander Crater mosaic: 21 images Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Resulting DEMs can be mosaicked together (using ISIS) to create one large-area DEM Processing in SOCET SET: Overview Import into SOCET SET 5.6 Relative Triangulation Registration to MLA tracks DEM Extraction Orthophoto Generation Creating Additional Data Products PDS Release *This process is quite similar to that described for LROC NAC DEMs in Henriksen, et al.
    [Show full text]
  • Draft Programme the Information in This Programme Is Correct As of 19Th February
    The Trollope Society Visit to Florence 1st - 5th April 2020 Draft Programme The information in this programme is correct as of 19th February. For the latest version of the programme visit www.trollopesociety.org/event/trip-florence/ Wednesday 1st April From 5pm Registration and pick up pack Reception, Hotel Ricasoli, Via Delle Mantellate 2, Firenze 6pm – 8pm Welcome to Florence by Dominic Hotel Ricasoli, Via Delle Edwardes, Chair of the Trollope Mantellate 2, Firenze Society Drinks Reception with canapes to include the launch of newly reprinted Fanny Trollope’s The Life and Adventures of Jonathan Jefferson Whitlaw (1836) Thursday 2nd April 10am to 1pm Walking tour of City Centre Meet at the carousel in Piazza della Repubblica, 50123 Firenze 3pm-4pm Talk by Mark Roberts, Consultant to Acton Room, Harold Acton the British Institute on Some 19th- Library, Century Literary Visitors to Florence British Institute, Lungarno Guicciardini, 9, 50125 Firenze See More Information 4.30pm – 6.30pm Visit to the British Institute with The Ferragamo Room, Harold afternoon tea and cake Acton Library, British Institute, Lungarno Guicciardini, 9, 50125 Firenze Friday 3rd April 9.30am Walk to Trollope Villa Trollope Villa, 21 Piazza della Indipendenza 10.15am to 12 Talk by Dominic Edwardes on The noon Life of Fanny Trollope. Talk by Julia Bolton Holloway, Hotel Ricasoli, Via Delle librarian, archivist and custodian of Mantellate 2, Firenze the English Cemetery, on Frances Trollope’s political and social activism The Trollope Society Visit to Florence 2020 – Draft Programme 23rd February 2.00pm Walk to English Cemetery OR English Cemetery, Piazzale 2.30pm Meet at English Cemetery Donatello, 38, 50132 Firenze Followed by refreshments at nearby café 7.00pm Dinner at Gran Caffè San Marco Gran Caffè San Marco, Piazza San Marco, 11/R, 50121 Firenze Included for those who have pre- booked and pre-paid Saturday 4th April 10am - 12 noon Free time or optional visit to the The Stibbert Museum, Via Stibbert Museum.
    [Show full text]
  • Postscripts Fall 2019
    The Jacksonville State University English Department Alumni Newsletter Postscripts Fall 2019 Grand Prismatic Hot Spring in Yellowstone National Park taken by Stephen Kinney & submitted by Jennifer Foster 2-8 JSU’s Adventures Out West 9-12 Hail and Farewell: Dr. Harding Retires 12-14 The Shakespeare Project 15-18 All the World’s a Stage: Spotlight on Emily Duncan 19-20 Miscellany 20 Imagining the Holocaust 21-22 Writers Bowl 23 Writer’s Club 23 Southern Playwrights Competition 23 Sigma Tau Delta 24-31 Postscripts Bios 31 English Department Foundation 32-34 Student Sampler 1 JSU’s Adventures Out West by Jennifer Foster In December of 2017, JSU’s provost and long-time supporter of the American Democracy Project (ADP), Dr. Rebecca Turner, sent out a call for JSU faculty volunteers to attend a week- long seminar, scheduled for May 2018, on the stewardship of public lands in Yellowstone National Park (YNP). I quickly responded with a request to be considered as an attendee because while I had travelled to the park a couple of times, I had never been in the spring, and I had never been to the northern range. My initial justification for going was to experience, yet again, the beauty and diversity of ecosystems and wildlife unique to YNP. I wish I could truthfully write that I had the foresight to envision what would happen over the next year as a result of this trip, but that isn’t the case. I’m still not exactly sure how the ADP’s seminar evolved into a large JSU group returning in 2019 with the potential for subsequent groups to follow, and I have to fight myself not to overly romanticize my experiences.
    [Show full text]
  • High-Resolution Local-Area Digital Elevation Models and Derived Products for Mercury from Messenger Images
    3rd Planetary Data Workshop 2017 (LPI Contrib. No. 1986) 7001.pdf HIGH-RESOLUTION LOCAL-AREA DIGITAL ELEVATION MODELS AND DERIVED PRODUCTS FOR MERCURY FROM MESSENGER IMAGES. Madeleine R. Manheim1, Megan R. Henriksen1, Mark S. Robinson1, and the MESSENGER Team, 1School of Earth and Space Exploration, Arizona State University, 1100 South Cady Mall, Tempe, AZ 85287, mmanheim@ser.asu.edu. Introduction: The Mercury Dual Imaging System acceptable stereo pairs were identified on the basis of (MDIS) on the MErcury Surface, Space ENvironment, common surface coverage, resolution ratio, stereo GEochemistry, and Ranging (MESSENGER) space- strength (parallax/height ratio), and illumination com- craft provided global images of Mercury’s surface. patibility [7]. MDIS consisted of two cameras: a monochrome nar- Pre-Processing. The selected images were ingested row-angle camera (NAC) and a multispectral wide- into ISIS, radiometrically calibrated, and initialized angle camera (WAC) [1]. Although MDIS was not with orientation parameters stored in SPICE kernels. designed as a stereo camera, off-nadir observations These parameters were converted to a format compati- acquired at different times resulted in near-global ste- ble with SOCET SET 5.6, and, along with the images, reo coverage and enabled the creation of digital eleva- imported into SOCET SET [6]. tion models (DEMs) [1]. Low altitude stereo sequences Relative Orientation. Before controlling the images acquired later in the mission allow the creation of local to the geodetically accurate MLA tracks, each image area DTMs with spatial scales more than 8x better than was corrected for relative orientation to the other im- the global product [2]. The local DEMs were computed ages in the stereo model.
    [Show full text]
  • The Natural Environment in the Selected Poems of John Keats and Niyi Osundare: an Eco-Critical Perspective
    THE NATURAL ENVIRONMENT IN THE SELECTED POEMS OF JOHN KEATS AND NIYI OSUNDARE: AN ECO-CRITICAL PERSPECTIVE A Ph.D Thesis By FORTRESS ISAIAH AYINUOLA CUPG040113 SUPERVISOR: DR. (MRS) OLUWATOYIN JEGEDE CO-SUPERVISOR: PROFESSOR CHRISTOPHER AWONUGA Department of Languages, Covenant University, Ota, Nigeria JULY, 2013 1 THE NATURAL ENVIRONMENT IN THE SELECTED POEMS OF JOHN KEATS AND NIYI OSUNDARE: AN ECOCRITICAL PERSPECTIVE By FORTRESS ISAIAH A AYINUOLA CUPG040113 A Thesis Submitted to the Department of Languages, College of Development Studies (CDS) of Covenant University Ota, Nigeria In Partial Fulfilment of the Requirements for the Award of Doctor of Philosophy (Ph.D) Degree in English 2013 2 CERTIFICATION We certify that this work was carried out by Mr. Fortress Isaiah Ayinuola in the Department of Languages, Covenant University, Ota, Nigeria. ------------------------------------------- -------------------------------- Dr. (Mrs.) Oluwatoyin Jegede Professor Christopher Awonuga Supervisor Co-Supervisor ------------------------------------------- ---------------------------------------- Dean, College of Development Studies The External Examiner 3 Fig.1: John Keats from National Portait Gallery, London, and Niyi Osundare, retrieved on 13 Februry 2012 from Wikipedia. John Keats (1795-1821) Niyi Osundare (1947- to date) If Poetry comes not as naturally as the Poetry is what the soft wind musics to the leaves to a tree it had better not come dancing leaf, what the bee hums to the at all (Gittings,1978:46). alluring nectar, what rainfall croons to the lowering eaves (Na‘Allah, 2003:134). 4 ACKNOWLEDGMENTS I give honour, glory and adoration to God who drew me out of the miry clay and a slippery terrain. He brought me into His marvelous light, stood me on the solid rock and fed me with the bread of life.
    [Show full text]
  • Catalogue Number [Of the Bulletin]
    BULLETIN OF WELLESLEY COLLEGE CATALOGUE NUMBER 1967-1968 JULY 1967 CATALOGUE NUMBER BULLETIN OF WELLESLEY COLLEGE July 1967 Bulletins published six times a year by Wellesley College, Green Hall, Wellesley, Massachusetts 02181. January, one; April, one; July, one; Ocober, one; Novem- ber, two. Second-Class postage paid at Boston, Massachusetts and at additional mailing offices. Volume 57 Number 1 CALENDAR Academic Year 1967-1968 Term I Registration of new students, 9:00 a.m. to 11:00 p.m Sunday, September 10 Registration closes for all students, 11:00 p.m Tuesday, September 12 Opening Convocation, 8:30 a.m Wednesday, September 13 Classes begin Thursday, September 14 _, , . C Wednesday, November 22 . after classes iiianksgivmg recess ° <. , ^^ a^ j m i a-r ^ ) to 1:00 A.M Monday, November 27 _, ( from Tuesday, December 12 Exammations: <,, , c i. j rA u ic y through Saturday, December lb Christmas vacation begins after the student's last examination. Term II Registration closes for all students, 1:00 a.m. .Thursday, January 4 „ (after classes Wednesday, February 21 /to 1:00 a.m Monday, February 26 from Tuesday, April 2 Examinations: <., , through Saturday,c i. i Aprila i bc I Spring vacation begins after the student's last examination. Term III Registration closes for all students, 1:00 a.m. .Tuesday, April 16 ^ ( from Monday, May 27 Exammations: <^, , t- j a/t oc ) through Tuesday, May 28 Commencement Saturday, June 1 2 TABLE OF CONTENTS Visitors; Correspondence 5 Board of Trustees . 6 Officers of Instruction and Administration 7 The College 21 The Curriculum 26 Requirements for the Degree of Bachelor of Arts; Exemp- tion; Advanced Placement; Credit Outside the Regular Course Program; Course and Special Examinations; Research or In- dividual Study; Academic Distinctions and Honors; Require- ments for Master of Arts Degree Special Programs and Preparation for Careers .
    [Show full text]
  • Florence: the City of Memories
    _l_ - - .. .·.. •; ,I .. FLORENCE: THE CITY OF MEMORIES - -· E. M. P OMEROY ----'---------. ANY. readers among the English-speaking peoples of the M world, who day by day followed the progress of the war in Italy, sometimes gave at least a passing thought to the historic centres of the past which have become the historic scenes of the present. For a moment or so the war was forgotten, and some centre of art or religion which captured the imagination in the past again stood out clear in all its ancient glory. To the writer such a centre was Florence or, as the Italians write it, Firenze, which means the City of Flowers. It was indeed the City of Flowers when visited during Easter week some years ago, when war clouds seemed far distant. Almost every person met on the street was wearing lilies-of-the-valley; and never to­ be-forgotten were the rose-covered garden walls on the road to Fiesole. Yet even more to the traveller than the City of Flowers did it become The City of Memories. l\!Iemory transformed the humblest city street into holy ground. Perhaps, one mused, from this street, while standing on these very stones, the nine-year-old Dante caught his first glimpse of Beatrice. Perchance he was walking here when, in his mind, were crystallizing some of the imperishable lines of his Vila Nuova. Certain it is that he gazed with tear-dimmed eyes upon the hills of Fiesole and the beautiful valley of the Arno, as he left his native city to pass into exil&-:-never to return! Then one's thoughts turned to that ardent reformer and :fiery orator, Savonarola, who lived a hundred years later.
    [Show full text]