MARCH 26, 1981 30¢ PER COPY B'nai B'rith Names Rhode Island Miriam Hospital Defends Man to Anti-Defamation League WAS HI NGTON -Leste R A

Total Page:16

File Type:pdf, Size:1020Kb

MARCH 26, 1981 30¢ PER COPY B'nai B'rith Names Rhode Island Miriam Hospital Defends Man to Anti-Defamation League WAS HI NGTON -Leste R A • R. I . Jewish Historica l As s o ciation 11 1 3 0 Ses s i ons Stre e t P ro v ide n ce , RI 029 0 6 Support Read Jewish By More Than Agencies 40,000 With Your People Membershi p THE ONLY ENGLISH-JEW/SH WEEKLY IN R. I. AND SOUTHEAST MASS., VO LUME LXVI II , NUMB ER 18 THURSDAY MARCH 26, 1981 30¢ PER COPY B'nai B'rith Names Rhode Island Miriam Hospital Defends Man To Anti-Defamation League WAS HI NGTON -Leste r A. Macktez of Last summer Macktez was e lected to the Cardiac Surgery Program Cranston has been appointed to the B' nai B' nai B' rith Board of Governors, the hospital. " B' rit h I n t e rnat ional Anti-Defamation organization's highest policy- making body. Patient Care Improved, Among the defi cie ncies in the program League Commissio n by Jack J. Spitzer, B' nai Macktez1 who is in the trave l-incentive which led to the d ecision to suspe nd surge ry, B' rit h president . business, has been a leader in B' nai B' rith Mortality Rate Down, the lette r states, was lack of a cohesive team . since he was the teenage president of his Trustees Say Instead, the hospita l had eleven cardiac sur­ Ale ph Zadik Aleph (AZA) chapter of the geons in fou r separate groups, each function­ B' nai B' rith Youth O rganization in 1935. He The Miriam Hospital C hairma n of the ing independently," Gree nwald writes. joined the adult group afte r his W orld War II Board of Trustees, in a lette r circulated .. Many of the surgeons couldn' t possibly service in the Ai r Force, during which he was among sta ff ph ys ic ians and hospita l o perate with the freq uency necessary to awarded seven battle stars a nd the Air associates this week, defends the reorganiza­ maintain the desired level of competence." Medal. ti on of the hospital's cardiac surgery program T he opinions of about 40 d irectors of cardiac From 1974 to 1980, Macktez was chairman and stresses that a lthough the program is surgical programs were soli cited in wri t­ of B'nai B' rith's National Tours Committee. reduced in scope, care is be tt er and the mor­ ing, a nd th_ey concluded, the letter says, tha t He also se rved on the 8' nai B' rith Inter­ talit y rate has been reduced . the number of surgeons at Miriam (in car­ national Board of Governors during that Sidney F. Greenwald explains in the letter diac surgery) far exceeded the number war­ time. that the board decided last July to suspend ranted by the number of patients." He was a lso president of District One, an scheduling of cardiac surgery because Also affecting the qualit y of patient care, area covering New York State and New " programmatic de fi ciencies" had mad e it ··a the le tt er states, was the fact that surgeons England, and vice chairman of the National program in name only.'' The deficiencies are may not have been available to their patients Youth Commiss ion. H e was e lected a he ing corrected , the le tt er states, by the new after surgery "because many had other un­ d elegate to B' nai B' rith's last seven inte r­ cardiac surgery program impleme nted last related responsibilities e lsewhe re ... national conventi ons. fa ll which stresses a " team approach." T he most drastic proble m was the ''t111ac­ In addition to his B' na i B' rith activities, .. 'vVe are ha ndling fewer cases, of course .. , ceptably high" mortality rate in all the car­ Mackt ez has served as vice cha irman of the Greenwald writes. ·· But, in the surgery we diac surgical groups. " Whereas the national Jewish Fede ration of Rhode Island and is a have pe rformed to date, patie nt care has LESTER A. MACKTEZ trend in mortality rates was downward, ours mem ber of the executive committees of the been markedly improved and the mortality was rising, and rising at an increasing rate," Rhode Island Jewish Home for the Aged and rate has been substantiall y reduced ." Greenwa ld states. Mortalit y rates had in ­ Knesset Rejects Bid the Rhod e Island Israel Bonds Committee. The letter was a res ponse to "unfavorable creased progressively from 10.5 percent in He is also a corporator of Woonsocket publi city" regarding the open heart surgery 1977, to 11. 2 perc~nt in 1978, to 1-5.3 percent To Annex Golan Hospital -a nd the \Voonsocket Savings and program, Greenwald said, and aimed to in 1979, Greenwald says, in sharp contrast to TEL AV IV - Israel's Knesset has re­ Trust. For many years he was a member of "correct some misi nforma tion and misim­ a stud y showing that mortality rates should jected a bill call ing fo r the annexation of the Board of Directors of Congregation B' nai pressions. decrease with an increasing num ber of cases. the Golan Heights. Israel. T h e le tt e r said th e controversial .. Ours clearl y were increasing to an in­ T he vote on the bill, which was in troduced Among the awards presented to Macktez reorganization, which has resulted in a suit tolerable level," Greenwald says. by hard-li ne opposition membe rs , was 45 to in recognition of his effort s is the Be n-Gurion against the hospit al by eight surgeons, is" a T he plan fo r reinstituting cardiac surgery, 14 , with fiv e abstentions. T he seats of 56 Award from the State of Israel Bonds serious and d ivisive iss ue that goes to the very recommended by the Chiefs of Se rvice and de puties, including most mem bers of the Organization. root of our ability to function effectively as a Government coalition, were vacant during adopted by the trustees last fa ll, reduced the the roll call. numbe r of surgeons but "permitted and an­ T here was strong sentiment in favor of an­ ticipated the need fo r fu rther negotiation on nexation, but the Cabinet decided to ki ll the the actual worki ng a rrange me nts among the bill fo r tactical reasons. Some coalit io n mem­ new team ," the letter states. bers of the Knesset, including Agri cultu re " W itho ut p rejudice or pre fe re n ce," Ministe r Ari el Sharon, voted fo r the bill, ri sk­ Greenwald says, "every cardiac surgeon on ing expulsion from the party. the hospital' s staff. was invited to apply to p a rti ci p a te in the n e w p rogram - including all of the eight (currently plain­ Emanu-EI Sponsors tiff) surgeons involved. W e were disap- , pointed that · on advice of counsel,' all eight Benefit Art Auction refused our invitation. they boycotted the Temple Emanu-EI Sisterhood and Men's program. C lub wi ll sponsor a Benefit Art Auct ion on Greenwa ld emphasizes that the program is Sunday evening, April 5, in the Alperin designed "for and aroQnd the private prac­ Meeti ng House of the Tem ple, Morri s ti ce of cardiac surgery," that it "was. never a Avenue and Sessions Street. cond ition ... that the practicing surgeons be T his art coll ection, which has been coor­ in the em ploy of the hospital," and that the dinated by Park West Gall eri es of Southfield, team approach is used for all patients, with a Michigan, will include lithographs, e tchings, "closely knit team," worki ng togethe r "har­ woodcuts, serigraphs, paintings and water­ moniously." colors of outstanding cali ber and qua lity. The letter further states that all the cardiac A gala dessert preview at 6:30 p.m. will Committee members for Temple Emanu•El's Benefit Art Auction are: (From left, surgeons, inci uding those involved in the precede the auction, which will take place at standing) Gary Cramer, Joslin Presser, Ed Fin k, Dick Kumins,-Steven Blazer and Abe lawsuit, "continue to function as staff sur­ 7:30 p.m. Both preview and auction a re open Gershman; (from left, seated) Sani Stein, Marilyn Presser, Jani Rosen and Anita Stein. geons at the hospital and have the oppor­ to the publi c with a donation fo $2.50 for ad­ Also assisting on the committee are Dorothy Scribner, Lila Winograd, Mervin Bolusky, tunity to pe rform surgery here in all areas ex­ mission. Gloria Stern and Ann Feit. cept cardiac surgery. " Fina ll y, the le tte r acknowled ges the benefits of the hospital' s relationship with the Brown University Program in Medicine, Auschwitz Survivor Sues For Prize but says that no decisions have yet been made about the fu ture re lationship with In Dispute Over Gassing By Nazis Brown. LOS AN G ELES - Whether or not Nazi ages. would be weighed, the 1nstitute said , using inside:-----. Germa ny used gas to murd er Je ws a t According to most historians of World War the same standards as would be used in a Auschwit z is the main question in a legal con­ II, as m any as three m illion Jews d ied at criminal court. Crime Of Violence frontation under way in the Superior Court Auschwitz and six m illion we re ;nurdered in T wo claims were m ade, by Nazi hunter page 8 of Los Angeles County.
Recommended publications
  • University Musical Society Oslo Philharmonic
    UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener­ cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise.
    [Show full text]
  • Biografie Shlomo Mintz & Sander Sittig
    Critici, colleghi e pubblico sono concordi nel considerare Shlomo Mintz uno dei maggiori violinisti del nostro tempo, stimato per la sua impeccabile musicalità, versatilità stilistica e padronanza tecnica. Nato a Mosca nel 1957, due anni dopo è emigrato con la famiglia in Israele dove ha iniziato a studiare con Ilona Feher. A undici anni ha debuttato con la Israel Philharmonic Orchestra e a sedici anni ha debuttato alla Carnegie Hall di New York con la Pittsburgh Symphony Orchestra, suo mentore fu il grande violinista Isaac Stern. Ha poi continuato gli studi con Dorothy DeLay alla Julliard School of Music di New York. Ha collaborato con direttori storici come Sergiu Celibidache, Pablo Casals, Eugene Ormandy, Claudio Abbado, Lorin Maazel, Mistislav Rosptropovich, Carlo Maria Giulini e continua a collaborare con le orchestre più celebri e i direttori più noti della scena internazionale. Ha vinto numerosi premi di prestigio, quali il Premio Accademia Musicale Chigiana di Siena, il Diapason d’Or, il Grand Prix du Disque, il Gramophone Award e l’Edison Award. Nel 2006 ha ricevuto la laurea honoris causa dall’Università Ben –Gurion di Beersheba. Oltre ad essere violinista e violista Shlomo Mintz ha aggiunto al suo curriculum artistico il ruolo di direttore d’orchestra dirigendo le più importanti orchestre internazionali. Ha fatto parte della giuria di importanti concorsi internazionali di violino, come il Tchaikovsky di Mosca e il Queen Elisabeth International Music Competition di Bruxelles. Sander Sittig, nato a Rotterdam nel 1961, ha studiato al Conservatorio di Amsterdam con Jan Wijn e dopo il diploma ha continuato con Naum Grubert, Willem Brons, Eugene Indjic.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • Concerts and Master Classes
    SUMMER SEASON Concerts and Master Classes From 3rd to 17th August 2013 www. cmclassics.ch In Crans-Montana music is in harmony with the beauty and the silence of the Valais’ mountains. « Silence is the most beautiful, the mightiest and the most rewarding music. The greatest music comes out of silence. » Philippe Jordan 2 3 Music has been the language of life par excellence In a world of turbulence and conflict it is more than throughout the ages, unfettered by time and space. ever the responsibility of each and every one of us For its 2013 summer edition, Crans-Montana Classics to promote culture and the arts, which are forces for is proposing a series of remarkable and original musi- harmony and peace. cal encounters, connecting classical and world music In the life of a musician, serving the great composers and bringing together experienced artists and young is an immense privilege and sharing musical emotions talents for a unique musical event. Setting the tone with the audience is an immense joy. But I also feel with the opening concert on 3 August, the artistic that passing on the love of music to future generations director Maestro Shlomo Mintz will combine his mu- Professor Jean Bonvin Maestro Shlomo Mintz is a noble mission, a natural commitment and an im- sical expertise with the talents of young violinists, all President Artistic Director portant duty. This is why I place so much importance prizewinners of major international competitions, in on the influence of the Crans-Montana Master Classes, an exciting and eclectic programme.
    [Show full text]
  • Renowned As a Musical Pioneer, Cellist Matt Haimovitz Is Praised By
    Matt Haimovitz (Cello / Israel) BIOGRAPHY Renowned as a musical pioneer, cellist Matt Haimovitz is praised by The New York Times as a “ferociously talented cellist who brings his megawatt sound and uncommon expressive gifts to a vast variety of styles” and by The New Yorker as “remarkable virtuoso” who “never turns in a predictable performance.” He has inspired classical music lovers and countless new listeners by bringing his artistry to concert halls and clubs, outdoor festivals and intimate coffee houses – any place where passionate music can be heard. He brings a fresh ear to familiar repertoire, champions new music, and initiates groundbreaking collaborations, as well as creating innovative recording projects. Besides his relentless touring schedule, he mentors an award-winning studio of young cellists at McGill University’s Schulich School of Music in Montreal. Haimovitz made his debut in 1984, at the age of 13, as soloist with Zubin Mehta and the Israel Philharmonic. At 17 he made his first recording with James Levine and the Chicago Symphony Orchestra, for Deutsche Grammophon. He has gone on to perform on the world’s most esteemed stages, with such orchestras and conductors as the Berlin Philharmonic with James Levine, the New York Philharmonic with Zubin Mehta, the English Chamber Orchestra with Daniel Barenboim, the Boston Symphony Orchestra with Leonard Slatkin, and the Orchestre symphonique de Montréal with Kent Nagano. Haimovitz made his Carnegie Hall debut when he substituted for his teacher, the legendary Leonard Rose, in Schubert’s String Quintet in C, alongside Isaac Stern, Shlomo Mintz, Pinchas Zukerman and Mstislav Rostropovich.
    [Show full text]
  • Approaches to the Performance of Musical and Extra-Musical References in Shostakovich’S Viola Sonata
    Approaches to the Performance of Musical and Extra-musical References in Shostakovich’s Viola Sonata By John David Roxburgh Exegesis Submitted to Massey University and Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Musical Arts In Performance New Zealand School of Music 2013 i Abstract Approaches to the Performance of Musical and Extra-musical References in Shostakovich’s Viola Sonata by John David Roxburgh Supervisor: Professor Donald Maurice Secondary Supervisor: Dr David Cosper This paper is an examination of Shostakovich’s Viola Sonata, op. 147, for developing a stylistically informed performance practice. It is divided into three parts: The first is an investigation of symbolism present within the work itself; the second a comparative analysis of recordings; and the third a discussion of how the author uses these approaches to make performance decisions. The first aspect looks to the score itself to identify quotations of and allusions to other works, and considers the reasoning for this. The second analyses string choice and tempo of recordings to consider how these might reflect symbolic considerations. The third part discusses specific performance decisions, and the reasons on which they are based. ii Table of Contents Title Page i Abstract ii Table of Contents iii List of Recording Examples iv Introduction 1 Part I: Investigation of Musical and Extra-Musical References 4 Part II: Comparative Analysis of Recordings 23 Part III: Discussion of Performance Decisions 36 Conclusion 39 Bibliography 42 Appendix I: String Choice Analysis 45 Appendix II: Tempo Analysis 91 iii List of Recording Examples (on audio CD attached) Track No.
    [Show full text]
  • Acknowledgments Edited (Chiaroscuro Azzurro) and Mastered (Entire CD) by Judith Sherman with Editing Assistant Jeanne Velonis
    Acknowledgments Edited (Chiaroscuro Azzurro) and mastered (entire CD) by Judith Sherman with editing assistant Jeanne Velonis. Sound editor (Esprimere) Pascal Shefteshy; Additional production credits include: Matt Haimovitz (Esprimere); Recording day producer, Laura Schwendinger (Chiaroscuro Azzurro and Esprimere); Recording Engineer, Lance Ketterer (Chiaroscuro Azzurro, Esprimere, Waking Dream); Contractor (Chiaroscuro Azzurro) Molly Carlson; Assistant (Esprimere), Thomas Lang. All music available direct from the composer. Made possible with the generous support of the Copland Foundation, the University of Wisconsin, and the Wisconsin Alumni Research Foundation. Special thanks to Judith Sherman for her excellent ear and patience, Sally Chisholm for her energy and musicianship, my parents Betty and Bob Schwendinger, my husband Menzie Chinn, the amazing Matt Haimovitz, the incredible Curtis Macomber, the sparkling Christina Jennings, the magnificent Nicole Paiement, and Sebastian Currier. www.albanyrecords.com TROY1390 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd tel: 01539 824008 © 2012 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. The Composer Notable Women (described as a “hidden gem” in the UK Guardian), received great critical praise. The first composer to win the American Academy in Berlin Prize Fellowship, Laura Elise William Zagorski (Fanfare) wrote of it “it evokes a sense of serene mystery and infinite beauty.” John Schwendinger, Professor of Composition at the University of Wisconsin Madison and Director of the Van Rhein wrote of Eighth Blackbird’s performance of High Wire Act (Chicago Tribune) “it evinced Contemporary Chamber Ensemble there, was born in Mexico.
    [Show full text]
  • 2008 Newsletter
    A DREAM FOR ISRAEL America-Israel Cultural Foundation, Inc. Board of Directors CHAIRMAN IN MEMORIAM Isaac Stern CHAIR EMERITA Vera Stern OFFICERS William A. Schwartz, PRESIDENT Youth to Youth Margalit Meidar, VICE PRESIDENT Ronnie Ackman, SECRETARY Creating New Cultural Harvey E. Rothenberg, TREASURER Ties For Our Children BOARD OF DIRECTORS Among the most important Ronnie Ackman Sanford L. Batkin Jewish concepts we pass along Diane Belfer to our children is tzedakah, Ann Bialkin generally translated as giving Samuel Biscay Amira Chadwick* or charity, but whose meaning Renée Cherniak* is more the obligation to live Lonny Darwin Debby B. Edelsohn* a righteous and charitable life. Jonathan E. Goldberg Equally important is ensuring Charlotte S. Hattenbach* that the arts and culture of Joseph E. Hollander Jane Stern Lebell our people be taught and Bradley Lubin strengthened. Many grandparents Wendy Marks have expressed to AICF that Marguerite Perkins-Mautner* Margalit Meidar they see this next generation David A. Oestreich more focused on social, political, Helen Sax Potaznik Harvey E. Rothenberg Tamar Rudich Linda Schonfeld Renée Schreiber “If 1,000 young William A. Schwartz Romie Shapiro Jewish Americans Dorit Straus Ralph Tornberg supported 1,000 *Chapter President young Israeli kids, EXECUTIVE DIRECTORS ties could be David Homan, USA strengthened that Orit Naor, Israel “ would last forever.” ARTS ADVISORY COMMITTEE Jacques d’Amboise Milton Babbitt Menashe Kadishman Joseph Kalichstein and environmental issues than Pearl Lang culture and the arts. They fear Zubin Mehta their grandchildren will grow Above: (Top) Gabe Katz Napoli on the cover of Henry W. Meyer Cleveland Jewish News June 2008 Bar/Bat Mitzvah Itzhak Perlman up without strong ties to their magazine reproduced with permission from the Dina Recanati cultural heritage.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    ~^I7^ TanglewGDci erau Wednesday, August 11, at 8:30 K^ LES ARTS FLORISSANT WILLIAM CHRISTIE, Director CHRISTINE BRANDES, soprano HIRO KUROSAKI, violin CLAIRE BRUA, soprano MIHOKO KIMURA, violin VERONIQUE GENS, soprano SIMON HEYERICK, viola SOPHIE MARIN-DEGOR, soprano PAUL CARLIOZ, cello STEVE DUGARDIN, countertenor WILLIAM CHRISTIE, harpsichord MARK PADMORE, tenor JEROME CORREAS, baritone JEAN-CLAUDE SARRAGOSSE, bass ^<^^: MARC-ANTOINE ACTEON CHARPENTIER (1634-1704) Acteon Mark Padmore Diane Sophie Marin-Degor Arthebuze Veronique Gens Junon Claire Brua Hyale Christine Brandes Daphne Claire Brua INTERMISSION •?'.' HENRY PURCELL DiDO AND y^NEAS v'f^ (1659-1695) Dido Veronique Gens Belinda Sophie Marin-Degor vEneas Jerome Correas The Sorceress Claire Brua First Witch /Second Woman Christine Brandes Second Witch Sophie Marin-Degor The Spirit/The Sailor Mark Padmore Les Arts Florissants is funded by the French Ministry of Culture, the town of Caen/Region Basse-Normandie, and the Pechiney Corporation. Week 6 . Acteon Scene premiere Scene I Dans la vallee de Gargaphie In the vale ofGargaphy Bruit de chasse Hunting sounds CHOEUR DES CHASSEURS CHORUS OF HUNTERS Allons, marchons, courons, Let us go, march, run, hastens nos pas . hasten our steps . Quelle ardeur du soleil qui brusle How fiery the sun that beats down noscampagnes; upon our fields; Que le penible acces des plus Let not the arduous way to hautes montagnes the highest peaks Dans un dessein si beau ne nous In so fair a view cause us retarde pas. to tarry. ACTEON ACTEON Deesse par qui je respire, Goddess who grants me breath, Aimable Reyne des forets, Amiable Queen of the forests.
    [Show full text]
  • The Israelchamberorchestra
    The Rubinstein International Music Society THE ISRAEL CHAMBER ORCHESTRA Founded by Gari Bertini Music Director: Yoav Talmi The 22nd Season 1987 — 8 Mim Cuma ffflM FOUNDED BY GARI BERTINI MUSIC DIRECTOR: YOAV TALMI In cooperation with The Arthur Rubinstein International Music Society HOMMAGE TO ARTHUR RUBINSTEIN Christoph Eschenbach conductor and pianist Tzimon Barto conductor and pianist “Tones and Voices”- Concert no. 1 Haifa, Haifa Auditorium Monday, 7 September 1987 Jerusalem, Jerusalen Theatre Tuesday, 8 September 1987 Tel-Aviv, The Fredric R. Mann Auditorium All Series: Thursday, 10 September 1987 at 8.30 p.m. ARTHUR RUBINSTEIN by Emanuel Krasovsky Photo by Lotte Meitner-Graf, London In the Jerusalem forest, near Kennedy memorial, aptitude, inimitable mastery of the sound, sincere there is a breathtaking spot overlooking the and profound feeling, crystalline clarity and majestic Judean Hills and, at a distance, the healthy fortitude blended into interpretations Golden City itself. This is where - after long, directed at the very hearts of the listeners. glorious life as a veritable citizen of the world - Indeed, playing from the heart and to the heart Arthur Rubinstein was laid to eternal rest. He had was the quintessence of Rubinstein’s optimistic, willed it so. life-loving art. During his last visit here, the 92- Hardly an artist on our century’s musical scene year-old pianist gave a master-class to his young had enjoyed so towering a position in his lifetime. Israeli colleagues. “Play simply, from your His playing has been studied, admired, extolled - heart”, was his insistent, oft-repeated advice. but so was the work of numerous other The music lovers never failed to respond.
    [Show full text]
  • Rachel and Dov Gottesman to Receive King Solomon Award
    CAmerica-Israel Cultural Foundation FOCUS Summer 2005 AICFS 66TH ANNUAL GALA Youre Invited! AMERICA-ISRAEL CULTURAL FOUNDATION is celebrating its 66th anniversary! ± Annual Gala Concert at Frederick P. Rose Hall Home of Jazz at Lincoln Center Broadway @ 60th Street New York City ± Rachel and Dov Gottesman to Sunday November 20, 2005 3:00 p.m. Receive King Solomon Award ± Rachel and Dov Gottesman are dedicated citizens of Israel, and patrons of Master of Ceremonies Israeli arts and culture, whose interests extend worldwide from Tel Aviv, to Jonathan Light Geneva, to London and to New York. Emigrating with his family from Vienna to Palestine in 1932, Dov fought for Israel in the Palmach and the War of Independence and served in the Israeli Defense Forces until 1955. Aviv Award His wife of over 50 years, Rachel, was born in Israel and trained as a teacher. Together, they have become highly respected leaders in Israeli cultural life. Astute collectors of Israeli and international art, Rachel and Dov have been in the vanguard of philanthropic support for the creative arts in Israel, devoting themselves to the encouragement of Israeli artists. Since June 2001, Dov has served as president of the Israel Museum. Both in the museum and in many other cultural endeavors in Israel, Dovs efforts are enhanced immeasurably by Rachels graciousness, quiet elegance, and keen aesthetic sense. Rachel and Dov became closely involved with the America-Israel Cultural Foundation at the 2003 Aviv Competitions for young Israeli musi- cians. Since then, they have become loyal followers and supporters of the competitions and the competitors.
    [Show full text]
  • Week 24 2016–17 Season Shostakovich Tchaikovsky Takemitsu
    2016–17 season andris nelsons music director week 24 shostakovich tchaikovsky takemitsu season sponsors seiji ozawa music director laureate bernard haitink conductor emeritus lead sponsor supporting sponsor thomas adès artistic partner INSPIRATION IS EVERYWHERE MEMBERS SEE IT FREE Through July 9 mfa.org/matisse The exhibition is organized by the Museum of Fine Arts, Boston, and the Royal Academy of Arts, in partnership with the Musée Matisse, Nice. Sponsored by Bank of America. Presented with additional support from the Betty L. Heath Paintings Fund for the Art of Europe, and the Alexander M. Levine and Dr. Rosemarie D. Bria-Levine Exhibition Fund. This project is supported in part by an award from the National Endowment for the Arts. Media sponsor is WCVB Boston. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Henri Matisse, Interior with Egyptian Curtain, 1948. Oil on canvas. The Phillips Collection, Acquired 1950. © 2017 Succession H. Matisse / Artists Rights Society (ARS), New York. Table of Contents | Week 24 7 bso news 1 7 on display in symphony hall 18 bso music director andris nelsons 2 0 the boston symphony orchestra 23 when the shadow fell: shostakovich’s re-inventive art by thomas may 3 2 this week’s program Notes on the Program 34 The Program in Brief… 35 Shostakovich “Festive Overture” 43 Pyotr Ilyich Tchaikovsky 53 Toru Takemitsu 61 Shostakovich Symphony No. 6 69 To Read and Hear More… Guest Artist 75 Anne-Sophie Mutter 7 8 sponsors and donors 96 future programs 98 symphony hall exit plan 99 symphony hall information program copyright ©2017 Boston Symphony Orchestra, Inc.
    [Show full text]