The Early Mathematical Education of Ada Lovelace
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BYRON COURTS ANNABELLA MILBANKE, AUGUST 1813-DECEMBER 1814 Edited by Peter Cochran
BYRON COURTS ANNABELLA MILBANKE, AUGUST 1813-DECEMBER 1814 Edited by Peter Cochran If anyone doubts that some people, at least, have a programmed-in tendency to self-destruction, this correspondence should convince them. ———————— Few things are more disturbing (or funnier) than hearing someone being ironical, while pretending to themselves that they aren’t being ironical. The best or worst example is Macbeth, speaking of the witches: Infected be the air whereon they ride, And damned all those that trust them! … seeming unconscious of the fact that he trusts them, and is about to embark, encouraged by their words, on a further career of murder that will end in his death. “When I find ambiguities in your expression,” writes Annabella to Byron on August 6th 1814, “I am certain that they are created by myself, since you evidently desire at all times to be simple and perspicuous”. Annabella (born 1792) is vain, naïve, inexperienced, and “romantic”, but she’s also highly intelligent, and it’s impossible not to suspect that she knows his “ambiguities” are not “created by” herself, and that she recognizes in him someone who is the least “perspicuous” and most given to “ambiguities” who ever lived. The frequency with which both she and she quote Macbeth casually to one another (as well as, in Byron’s letters to Lady Melbourne, Richard III ) seems a subconscious way of signalling that they both know that nothing they’re about will come to good. “ … never yet was such extraordinary behaviour as her’s” is Lady Melbourne’s way of describing Annabella on April 30th 1814: I imagine she’d say the same about Byron. -
Lovelace Mausoleum
Lovelace Mausoleum The mausoleum stands north east of the church, enclosed on two sides by walls which separate the churchyard from land formerly owned by the Earl. The building is hexagonal, with a projecting porch which makes it keyhole- shaped on plan. It is covered by a tiled conical roof capped with a small lead lantern. All the cut-brick and flint patterning would seem quite bizarre if the churchyard walls and other surrounding buildings were not all treated in a similar way. Architect(s) Probably the Earl himself. Listing Grade II (England and Wales) Year Created 1873 History The mausoleum was built by William King-Noel, 1st Earl of Lovelace (1805-1893). His first wife was Byron’s daughter, Augusta Ada (d.1852), a mathematician and pioneer of computing, but she died some years before the mausoleum was built and is buried elsewhere. The Earl was a keen amateur architect. Between 1855 and 1860 he transformed the family house by the addition of an extraordinary collection of flint and brick towers, and then went on to construct castellated gateways, lodges, cottages and miles of elaborately patterned wall in the same polychrome style throughout the village. The date of the mausoleum is not known but was clearly part of the same building campaign. The Earl was laid to rest in the mausoleum in 1893, followed by his second wife, Jane, in 1908. Condition Good. The mausoleum was restored in 2008. Generally open to the public on Heritage Open Days. Sources BoE: Surrey (1971) 204; Burke’s Peerage and Baronetage; S Tudsbery-Turner, ‘William, Earl of Lovelace 1805-1893’, Surrey Archaeological Collections, 70 (reprinted 2001). -
Who Invented the Computer?
Who Invented the Computer? AP This story comes from VOA Special English, Voice of America's daily news and information service for English learners. Read the story and then do the activities in the worksheet at the end. Millions of us use them every day. Some are so large they have to sit on the floor. Others are so small that they fit in our hand. They help us with mathematical problems, store our music and pictures, and are needed to search the Internet. They are, of course, computers. So try this experiment. Ask a friend or just someone you see on the street this question: “Who invented the computer?” Some people cannot live without computers, but we know very little about who invented them. So who did it? Are you ready? The answer is … we do not know for sure. Many people who know a lot about information technology might say computers were invented by Alan Turing. He was a British mathematician who helped solve coded messages from Germany during World War Two. Many people consider him the “father of computer science.” But to find the first person who thought he could make a computing device, we have to go back one hundred eighty years to a man named Charles Babbadge. He also was British. Special English is part of VOA Learning English: voanews.com/learningenglish | December 2011 | 1 Recently, researchers in his home country announced plans to use millions of dollars to build one of Babbadge’s “Analytical Engines.” John Graham- Cumming and Doron Swade are supervising the project at the Science Museum in London. -
1 Byron: Six Poems of Separation
1 Byron: Six Poems of Separation edited by Peter Cochran If one’s marriage were to collapse in humiliating, semi-public circumstances, and if one were in part to blame for its collapse, one’s reaction would probably be to maintain a discreet and (one would hope) a dignified silence, and to hope that the thing might blow over in a year or so. Byron’s reaction was write, and publish, poetry about it while it was still collapsing. The first two of these poems were written in London – the first is to his wife, and the next about and to her friend and confidante Mrs Clermont – before he left England, on Thursday April 25th 1816. The next three were written in Switzerland after his departure, and are addressed to his half-sister Augusta. The last one is again to his wife. They show violent contrasts in style and tone (the Epistle to Augusta is Byron’s first poem in ottava rima), and strange, contrasting aspects of Byron’s nature. That he should wish them published at all is perhaps worrying. The urge to confess without necessarily repenting was, however, deep within him. Fare Thee Well! with its elaborate air of injured innocence, and its implication that Annabella’s reasons for leaving him remain incomprehensible, sorts ill with what we know of his behaviour during the disintegration of their marriage in the latter months of 1815. John Gibson Lockhart was moved, five years later, to protest: … why, then, did you, who are both a gentleman and a nobleman, act upon this the most delicate occasion, in all probability, your life was ever to present, as if you had been neither a nobleman nor a gentleman, but some mere overweeningly conceited poet? 1 Of A Sketch from Private Life , William Gifford, Byron’s “Literary Father”, wrote to Murray: It is a dreadful picture – Caravagio outdone in his own way. -
Byron's Attempts to Reform English Stage in His Historical Dramas 213
Byron's Attempts to Reform English Stage in his Historical Dramas 213 Byron's Attempts to Reform English Stage in his Historical Dramas Mitsuhiro TAHARA I The English Romantic Age has properly been said to be one of the most prosperous and most productive age of the poetry throughout the long history of English literature. Until recently, therefore, most writers of the history of English literature have not paid special attention to the dramas of the age, with the exception of mentioning briefly to the melodramas as a sort of vulgar entertainment on the stage and the closet dramas only for the readers. The dramas composed by the great English Romantic poets, for example, The Borderers by Wordsworth, Remorse by Coleridge, Manfred and Cain by Byron, Prometheus Unbound and The Cenci by Shelley, and Otho the Great by Keats have been defined as 'closet drama' (lese-drama) which are written for the reader in the closet not for the audience in the theatre. They have been read as literary works. Their inappropriateness for the stage might probably come from their subjective style of writing the works by confessing them- selves, whereas the play on the stage should be produced objectively enough to attract a variety of audience on the spot. Here exists an unavoidable con- flict between the subjective way of writing which is based on the spontaneous creativity of the author and the objective way of producing which depends upon the popularity of the audience. Among the five Romantic poets mentioned above, it is evident that Byron 214 Mitsuhiro TAHARA had a greatest and longest interest in drama. -
Explanations
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. CHAPTER 1 Explanations 1.1 SALLIES Language is an instrument of Logic, but not an indispensable instrument. Boole 1847a, 118 We know that mathematicians care no more for logic than logicians for mathematics. The two eyes of exact science are mathematics and logic; the mathematical sect puts out the logical eye, the logical sect puts out the mathematical eye; each believing that it sees better with one eye than with two. De Morgan 1868a,71 That which is provable, ought not to be believed in science without proof. Dedekind 1888a, preface If I compare arithmetic with a tree that unfolds upwards in a multitude of techniques and theorems whilst the root drives into the depthswx . Frege 1893a, xiii Arithmetic must be discovered in just the same sense in which Columbus discovered the West Indies, and we no more create numbers than he created the Indians. Russell 1903a, 451 1.2 SCOPE AND LIMITS OF THE BOOK 1.2.1 An outline history. The story told here from §3 onwards is re- garded as well known. It begins with the emergence of set theory in the 1870s under the inspiration of Georg Cantor, and the contemporary development of mathematical logic by Gottlob Frege andŽ. especially Giuseppe Peano. A cumulation of these and some related movements was achieved in the 1900s with the philosophy of mathematics proposed by Alfred North Whitehead and Bertrand Russell. -
From Monster by Don Zolidis MARY GODWIN, 18 CLAIRE CLAIRMONT
From Monster by Don Zolidis From Monster By Don Zolidis MARY GODWIN, 18 CLAIRE CLAIRMONT, 18, her step-sister 1816. Claire has just told a ghost story and is confiding her pregnancy to her step-sister. (Claire has also had an affair with Mary’s lover, Percy Shelley.) CLAIRE Did you really like it? My story? MARY I did. CLAIRE Lord Byron applauded most vigorously at the end. MARY He was your greatest champion. CLAIRE He was. Percy was silent during the entire telling, you don’t suppose he thought I wrote the story to him? MARY I have no idea. I have not spoken with him. If you are concerned as to his impressions, I suggest you ask him. He is most likely more clear on his own mind than I am. CLAIRE I shall ask him. I don’t mean to inflict pain on him – MARY I don’t believe that’s possible, Claire. CLAIRE What does that mean? MARY I believe you overestimate your impact on Percy, that’s all. CLAIRE Are you jealous? 1 From Monster by Don Zolidis MARY I have nothing to be jealous of. But simply because a man looks tenderly on you once does not mean he will feel that way forever. CLAIRE Are you referring to Byron or Percy? MARY Both. All men. You… CLAIRE Lord Byron has looked on me tenderly more than once. MARY I am sure. CLAIRE As has Percy. I don’t mean to antagonize you as you seem to feel Percy belongs exclusively to you - MARY Claire – let us leave him out of it. -
Proquest Dissertations
The accidental tourist, Wilfrid Scawen Blunt, Islamic reform and the British invasion of Egypt in 1882 Item Type text; Dissertation-Reproduction (electronic) Authors Berdine, Michael Denis Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 02:53:13 Link to Item http://hdl.handle.net/10150/289705 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. in the unliitely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing firom left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
Lovelace & Babbage and the Creation of the 1843 'Notes'
Lovelace & Babbage and the Creation of the 1843 ‘Notes’ John Fuegi and Jo Francis Flare/MITH Augusta Ada Lovelace worked with Charles Babbage to create a description of Babbage’s unbuilt invention, the Analytical Engine, a highly advanced mechanical calculator often considered a forerunner of the electronic calculating computers of the 20th century. Ada Lovelace’s “Notes,” describing the Analytical Engine, published in Taylor’s Scientific Memoirs in 1843, contained a ground-breaking description of the possibilities of programming the machine to go beyond number-crunching to “computing” in the wider sense in which we understand the term today. This article expands on research first presented by the authors in their documentary film, To Dream Tomorrow. What shall we do to get rid of Mr. Babbage and known to have crossed the intellectual thresh- his calculating Machine? Surely if completed it old between conceptualizing computing as would be worthless as far as science is con- only for calculation on the one hand, and on cerned? the other hand, computing as we know it —British Prime Minister Sir Robert Peel, 18421 today: with wider applications made possible by symbolic substitution. The Analytical Engine does not occupy common In an early background interview at the ground with mere ‘calculating machines.’ … In Science Museum (London) for the historical enabling mechanism to combine together gen- documentary film about collaboration between eral symbols, in successions of unlimited variety Lovelace and Babbage, To Dream Tomorrow,3 and extent, a uniting link is established between Babbage authority Doron Swade mentioned the operations of matter and the abstract mental that he thought Babbage and Lovelace had processes of the most abstract branch of mathe- “very different qualities of mind.” Swade’s matical science. -
Lady Caroline Lamb and Her Circle
APPENDIX Lady Caroline Lamb and her Circle Who’s Who Bessborough, Lord (3rd Earl). Frederick Ponsonby. Father of Lady Caroline Lamb. Held title of Lord Duncannon until his father, the 2nd Earl, died in 1793. Bessborough, Lady (Countess). Henrietta Frances Spencer Ponsonby. Mother of Lady Caroline and her three brothers, John, Frederick, and William. With her lover, Granville Leveson-Gower, she also had two other children. Bruce, Michael. Acquaintance of Byron’s who had an affair with Lady Caroline after meeting her in Paris in 1816. Bulwer-Lytton, Edward. Novelist and poet, he developed a youthful crush on Lady Caroline and almost became her lover late in her life. Byron, Lord (6th Baron). George Gordon. Poet and political activist, he had many love affairs, including one with Lady Caroline Lamb in 1812, and died helping the Greek revolutionary movement. Byron, Lady. Anne Isabella (“Annabella”) Milbanke. Wife of Lord Byron and cousin of Lady Caroline’s husband, William Lamb. Canis. (see 5th Duke of Devonshire) Cavendish, Georgiana. (Little G, or G) Lady Caroline Lamb’s cousin, the elder daughter of Georgiana, Duchess of Devonshire. Later Lady Morpeth. 294 Lady Caroline Lamb Cavendish, Harriet Elizabeth. (Harryo) Lady Caroline Lamb’s cousin, the younger daughter of Georgiana, Duchess of Devonshire. Later Lady Granville. Churchill, Susan Spencer. Illegitimate daughter of Harriet Caroline Spencer, a relative of Lady Caroline’s, who became the ward of William and Lady Caroline Lamb. Colburn, Henry. Publisher of Lady Caroline’s most famous novel, Glenarvon (1816). Colburn ran a very active business that published a great quantity of British women’s fiction of the early nineteenth century. -
Who Was Charles Babbage?
Click here for Full Issue of EIR Volume 27, Number 20, May 19, 2000 EIRBooks Who Was Charles Babbage? by Lyndon H. LaRouche, Jr. of the Analytical Engine that was under construction at the time of Babbage’s death, all he ever built of that The Cogwheel Brain revolutionary machine. Its modest size gives little clue by Doron Swade to the monumental intellectual accomplishment of its London: Little, Brown, 2000 conception and its much publicized role as the symbolic 342 pages, hardbound, £14.99 antecedent of the modern computer.” That part of Swade’s account, covering the period from May 11, 2000 the launching of the Science Museum’s Babbage project, from May 20, 1985 through the public demonstration of No- The specific merit in Doron Swade’s new assessment of vember 29, 1991, occupies the concluding, third section of his Charles Babbage’s role in the development of modern mathe- book, which is subtitled: “A Modern Sequel.” For qualified matical computing machines, lies in Swade’s notable part in specialists familiar with earlier standard sources on Bab- the actual construction of a machine according to Babbage’s bage’s life and work, the useful contribution of Swade’s book, own designs. Swade describes the circumstances leading into lies almost entirely in the content of that third section. the first public demonstration, which was made in London, The misleading elements in the earlier part of Swade’s on Friday, November 29, 1991, three days after inventor Bab- book as a whole, lie in his fallacy of composition. Instead of bage’s 200th birthday. -
AUGUSTUS DE MORGAN and the LOGIC of RELATIONS the New Synthese Historical Library Texts and Studies in the History of Philosophy
AUGUSTUS DE MORGAN AND THE LOGIC OF RELATIONS The New Synthese Historical Library Texts and Studies in the History of Philosophy VOLUME 38 Series Editor: NORMAN KRETZMANN, Cornell University Associate Editors: DANIEL ELLIOT GARBER, University of Chicago SIMO KNUUTTILA, University of Helsinki RICHARD SORABJI, University of London Editorial Consultants: JAN A. AERTSEN, Free University, Amsterdam ROGER ARIEW, Virginia Polytechnic Institute E. JENNIFER ASHWORTH, University of Waterloo MICHAEL AYERS, Wadham College, Oxford GAIL FINE, Cornell University R. J. HANKINSON, University of Texas JAAKKO HINTIKKA, Boston University, Finnish Academy PAUL HOFFMAN, Massachusetts Institute of Technology DAVID KONSTAN, Brown University RICHARD H. KRAUT, University of Illinois, Chicago ALAIN DE LIBERA, Ecole Pratique des Hautes Etudes, Sorbonne DAVID FATE NORTON, McGill University LUCA OBERTELLO, Universita degli Studi di Genova ELEONORE STUMP, Virginia Polytechnic Institute ALLEN WOOD, Cornell University The titles published in this series are listed at the end of this volume. DANIEL D. MERRILL Department of Philosophy, Oberlin College, USA AUGUSTUS DE MORGAN AND THE LOGIC OF RELATIONS KLUWER ACADEMIC PUBLISHERS DORDRECHT I BOSTON I LONDON Library of Congress Cataloging. in·Publication Data Merrill, Daniel D. (Daniel Davy) Augustus De Morgan and the lOglC of relations / Daniel D. Merril. p. cm. -- <The New synthese historical library; 38) 1. De Morgan, Augustus, 1806-1871--Contributions in logic of relations. 2. Inference. 3. Syllogism. 4. Logic, Symbolic and mathematical--History--19th cenTury. I. Title. II. Series. BC185.M47 1990 160' .92--dc20 90-34935 ISBN·13: 978·94·010·7418·6 e-ISBN -13: 978-94-009-2047-7 DOl: 10.1007/978-94-009-2047-7 Published by Kluwer Academic Publishers, P.O.