Beating a Hasty Retreat

Total Page:16

File Type:pdf, Size:1020Kb

Beating a Hasty Retreat The Winter 2017 Winter Sunday Services Beating a hasty retreat 8 am Eucharist Towards the end of October, the BBC showed Slow television 10 am Parish Eucharist a three-part series entitled ‘Retreat: followed by refreshments Before you start researching how your Meditations from a Monastery’. The series _____________________ television can pick-up Norwegian or Czech was part of what is called ‘slow television’: a channels, let me reassure you that BBC4 has Church Open term used to describe programmes which produced its own slow television. In 2014 it Unfortunately for the time being show ordinary events, at a slow pace with no showed a three-hour tour of London’s the Church has to be kept narrator or music to distract the viewer. This National Gallery, and has since produced a closed except for during phenomenon began in Norway in 2009 with a two-hour canal trip and a series on skills such services. For details please see seven-hour train journey from Bergen to Oslo as glass blowing and the making of similar article on page 2 being screened in objects by hand. _____________________ real time, with no All of these breaks, music or Christenings, programmes keep dialogue. It might to the slow Weddings, sound about as fun television rules of as watching paint Banns of Marriage no music, no dry, but it was please contact voiceover and incredibly popular, The Revd Felix Smith everything shown with 20% of the Telephone: 01903 753653 in real time. _____________________ population of Reviewers were Norway watching at Editor divided on these least part of the The Revd Felix Smith new programmes, programme. St Michael’s Vicarage some described Norwegian 117, Penhill Road them as ‘the most television then developed this theme, with Lancing, BN15 8HD boring television ever’, others made them further train journeys around the country and E: [email protected] their ‘pick of the week’, describing them as even episodes of reindeer migration and a ‘oddly absorbing’ and ‘soothing’. Either way, pork rib being cooked, all in real time! In the www.stmichaelslancing.org.uk they were a ratings hit, and proved to Czech Republic, slow television even has its be some of the most popular programmes own channel, showing such delights as: a tram /stmichaelslancing on BBC4. lubricating rails in Prague, a bird feeder in Cizova, and a runway at Prague airport (the ‘Retreat: Meditations from a Monastery’ was @smaaalancing last being the most popular of the latest on this theme. In three separate its programmes!). episodes, each sixty minutes in length, it The Net 2 showed the inner workings of three Benedictine Abbeys quality which helps people to ‘tune in’ to a more reflective state throughout the UK: Downside, Pluscarden and Belmont. We of mind, and so experience something of God. In our prayers saw the monks go about their daily lives: waking up, eating, and worship we seek to achieve our own version of a retreat, praying, singing and so on. We also saw the beauty of the even if it’s only for an hour on a Sunday, by providing a space Abbeys, the buildings and their grounds; lengthy shots of the for stillness, reflection, joy and prayerfulness which is so sunlight streaming through the windows of the chapels or the desperately needed in our busy and overcrowded lives. flowers being watered. It showed how each monk is involved in a different area of the community’s life, and there were long scenes of Father Christopher making bread and Father Michael carving a prayer desk. I watched the first episode with my hand on the remote, expecting to be so bored that I would want to switch over to something else within the first few minutes. However, within five minutes I was hooked! Watching the slow movements of the monks, their prayerfulness and their silence made me feel calmer, more relaxed and at peace. In a sense, I felt like I had been on retreat with them. Focus on what matters Retreat is a word with mixed meanings. We sometimes hear the Make your own retreat phrase ‘beating a hasty retreat’, meaning running away from So whether you’re into slow television, or you like to live life in something we don’t want to deal with. In the Christian the fast lane, St. Michael’s church is somewhere where you can tradition, however, a retreat is a positive thing. It’s not a retreat from the worries and busyness of everyday life, and find method of running away from the ‘reality’ of our day-to-day a space for silence, solitude and reflection. The church is a lives, but a way of stepping outside the noise, the busyness and wonderful place to visit for silent prayer or just to sit quietly, the distractions of the world around us, to focus on the things and our short midweek services provide a time for prayerful that really matter. Christians believe that, when we do this, we reflection. Sometimes in life we need to ‘beat a hasty retreat’, can often begin to hear our true selves and become more not to escape or run away from something but to put our lives attuned to recognising God’s presence in our lives. into perspective, and to realise once again what has true The monks do this daily, through their reading of scriptures, meaning to us. It’s by doing this singing the prayers of the day (called the Divine Office) and that we can begin to discover who their manual work. For the rest of us, this can be more difficult, we really are and, through this, who as we seek to find a space for quiet reflection in our busy lives. God is too. For Christians, coming to church serves as a chance to have a Father Felix Smith mini-retreat each week. People often say when they come into St. Michael’s church, that they feel a great sense of peace and stillness; there is a sense that the building itself has a special A new heating system for St Michael’s For a number of years the Parochial Church Council (PCC) of St means there will be heat this winter but the church will have to Michael and All Angels, Lancing has looked for the opportunity remain closed outside of service times for safety reasons. This to renew the heating system in the church. It was served by the is not a decision we have taken lightly and we plan to reopen original “John Grundy” system (1924) which was so inefficient the church once the new heating system is installed or we no and noisy that it had to be shut off before the start of a service. longer need the temporary heaters. The building then cooled rapidly, particularly in the cold winter Fundraising has already started and so far the congregation months leaving the congregation extremely cold. have collectively pledged over £11,000 towards the costs of In 2015 the PCC received a legacy from a late member of the this work. We are also actively applying to grant-making bodies congregation of £20,000 which the PCC decided to dedicate to for assistance from them. replacing the heating system. We were advised to bring in a Having a new heating system will make such a difference to the heating consultant to draw up a detailed specification for our church and our community. It will revolutionise the ways in new system to ensure that we got value for money but above which we can use the church building for concerts, recitals, art all to make sure that it would keep us warm. exhibitions, talks and so much more. Plus anyone attending a Our consultant suggested that an asbestos survey focused on service or event in the church will be warm throughout the removal of our old system would be needed. As a result their visit. asbestos was discovered and needs to be removed before any If you would like to make a donation towards the heating fund work on installing a new system can be started. The affected please send a cheque payable to St Michael and All Angels areas are all self-contained and access is now restricted. The c/o St Michael’s Vicarage, 117 Penhill Road, Lancing, BN15 8HD cost of the removal work is around £16,000. Five quotes are or visit https://mydonate.bt.com/charities/ also being obtained for the new system which could be in the stmichaelandallangels where you can donate online. region of £71,000. Unfortunately our old system is no longer usable but we have borrowed Calor-gas space heaters which The Net 3 5 Minutes with…Aedan Kerney My wife Jill and I have lived in North Lancing, just above couple of ladies – one with a very stylish red hat - used to St James the Less Church, for the past 42 years. Before this approach me every week to let me know how little they had we spent five very happy years living in The Paddocks in enjoyed the hymns that week (too slow, too fast, too South Lancing. boring, sung to the wrong tune, etc.) and from then on I have always personally tried to find at least one thing I I love being involved in activities in our village. In the past really like in every piece of church music I play or sing. Now few weeks I have visited Boundstone Nursery School - I genuinely find every piece of music a favourite of mine. where I’m a governor- several times, run a WI Singing Day, given a talk about Lancing 100 years ago using a power- I like the motto of my Scottish Ramsay family: “Ora at point created from old slides and conducted a concert of labora”.
Recommended publications
  • SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
    SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place.
    [Show full text]
  • Ett Spöke Från Förr
    Ett spöke från förr Norsk sakte-TV och den tidiga filmens phantom rides Björn Lindell Institutionen för mediestudier Examensarbete 30 hp Filmvetenskap Filmvetenskap - kandidatkurs Höstterminen 2017 Handledare: Patrick Vonderau English title: A ghost of the past : Norwegian Slow TV and the phantom rides of early cinema Ett spöke från förr Norsk sakte-TV och den tidiga filmens phantom rides Björn Lindell Sammanfattning Denna studie jämför de nya norska tågresefilmerna inom så kallad sakte-TV (eller Slow TV) med den tidiga filmens phantom rides. I båda fallen dominerar ett förstapersonsperspektiv filmat i tågets färdriktning och uppsatsen undersöker hur likheter och skillnader i stilmässiga grepp och paketering relaterar till samtida uppfattningar kring tid och rum. Vidare utforskas om det moderna fenomenet kan ses som en återkomst av en vy-baserad filmestetik, där den så annars vanligt narrativa konstruktionens dominans förflyttas till bakgrunden. Nyckelord Slow TV, sakte-TV, phantom ride, early cinema, cinema of attractions, tågresor, narration, mediearkeologi Innehåll 1. Inledning 1 1.1 Introduktion 1 1.2 Ämnesbeskrivning 2 1.3 Tidigare forskning 3 1.4 Syfte 5 1.5 Frågeställning 5 1.6 Material, metod och begrepp 5 Metod och teoretiska begrepp 5 Upplägg 8 Uppsatsspecifika begrepp 8 2. Phantom rides 9 ​ 2.1 Definition 9 2.2 Bakgrund 10 2.3 Utveckling och stil 11 2.4 Landskap och det natursköna 12 2.5 Filmnarrativets utveckling 13 2.6 The travelling shot 14 ​ 3 Tågresor i sakte-TV 15 3.1 Inledning 15 3.2 Bergensbanen minutt for minutt 16 ​ Programmets inledning och upplägg 17 Hypnotisk framfart och panoramiska vyer 20 Korsande linjer över tid och rum 21 Slutet 22 3.3 Flåmsbana minutt for minutt 22 ​ Programmet och resan 23 3.4 Nordlandsbanen minutt for minutt 25 ​ Programmet och resan 25 4.
    [Show full text]
  • (Culture Corner) Stein Fjell Contacts
    STEIN FJELL LUTEFISK AND MEATBALL DINNER KULTURHJØRNET (CULTURE CORNER) Nancy L. Dunn, Cultural Director It's that time of the year again – when the aroma of lutefisk and meatballs, etc. wafts from Faith Church in A synopsis of all officer positions for Stein Fjell Lodge Loveland, signaling Stein Fjell's wonderful annual will be presented briefly at our October lodge meeting. It Lutefisk Dinner. Some help is is very important for all members to see the value of what still needed for workers and food these office holders do and how they impact our lodge. donations! Sign up at the October The officers plan to explain their functions, activities, and lodge meeting or call Marian the responsibilities involved. In some cases, an office at 970.225.9035. might even be shared among two or more members. It is Members really appreciate the fact that they no up to our office holders to keep our members informed, longer have to make the meatballs, and contributed active, and happy with our lodge. Participating as an office $51.00 toward the meatball fund last month – if you holder assures that our lodge will successfully continue to haven't contributed, you’ll have another opportunity in grow. So, please attend this particular meeting and bring October to help defray the cost of buying our Swedish any ideas you may have for our "stone mountain" lodge, meatballs. ourselves, and our prosperity. STEIN FJELL SCHOLARSHIPS The Scholarship Committee chairman recommends that we give one Member Scholarship and one Communi- ty Scholarship this year, for $750 each, to graduating high school seniors.
    [Show full text]
  • 161894153.Pdf
    Trillo, Derek (2017)‘The flow of life’: photographing architecture as populated spaces. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: http://e-space.mmu.ac.uk/621298/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk ‘The Flow of Life’: Photographing Architecture as Populated Spaces Derek Trillo A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy PAHC Manchester School of Art December 2017 List of Contents iii Abstract iv Acknowledgements v List of Illustrations x Preface 1 Introduction 15 Chapter One: The Craven Image: A Bifurcation of Representations 43 Chapter Two: Drawing with light 65 Chapter Three: Representing temporality and movement in photography 97 Chapter Four: Exploratory practice 126 Chapter Five: Practice-driven critiques 152 Conclusion 163 Bibliography 176 Appendices ii Abstract Many critics have highlighted the gulf between the experience of architecture and its representations via photography, suggesting a more humanistic and temporal portrayal. My research questions whether, in pursuing alternatives to conventional, commercial architectural photography, a more dynamic view can be revealed, one that is closer to the experience of encountering the built environment: episodic, temporal and in flux. I believe temporality and motion are indicative of the life of a building: both habitually omitted from traditional commercial representations. Practical and conceptual challenges directed me to techniques depicting ‘still’ and ‘moving’, that intersect with several of photography’s discourses: the evidential value of images constructed over time, the perception of movement in still photography and negotiations between description and creativity.
    [Show full text]
  • In Real Time. Notes on New Expressions of Slowness Rosanna Gangemi
    Document généré le 1 oct. 2021 01:33 ETC MEDIA --> Voir l’erratum concernant cet article In Real Time. Notes on New Expressions of Slowness Rosanna Gangemi Numéro 102, juin–octobre 2014 URI : https://id.erudit.org/iderudit/72272ac Aller au sommaire du numéro Éditeur(s) Revue d'art contemporain ETC inc. ISSN 2368-030X (imprimé) 2368-0318 (numérique) Découvrir la revue Citer cet article Gangemi, R. (2014). In Real Time. Notes on New Expressions of Slowness. ETC MEDIA, (102), 41–43. © Revue d'art contemporain ETC Media, 2014 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Maija Saksman, Don’t Touch (Sisterhood Series), 2012. Video still. Courtesy of the artist. postmodern philosophical tradition.9 These trans- formations, which engender a slightly provoca- tive radicalism in intellectual pleasure, reveal their coherence only slowly; this is why time- based art, such as video and performance, has a privileged relation to slowness. Defining the scope of what can be increasingly described as a phenomenon provides us with a limited selec- tion of propositions in which time is perceived in its immanence, without speed changes, ruptures or loops: reality exposed as it is, or as it could plausibly be.
    [Show full text]
  • Thomas Hellum Interview FINAL
    “What we do is not art, it is definitely storytelling”: An interview with producer Thomas Hellum on NRK’s Minutt for minutt television series1 A seven-hour train journey from Oslo to Bergen; twenty-four hours of salmon fishing on the first day of the season; a sixty-hour marathon of psalm-singing; 134 hours aboard a coastal ferry. “Slow TV” has emerged as the label for a series of long-duration programmes showcasing Norway’s landscape and traditions, conceived in 2009 as an experiment for NRK, the national public service broadcaster. Most of the shows have attracted over one million viewers, a fifth of the Norwegian population. In 2013, Slow TV (or sakte-tv in Norwegian) was declared Word of the Year by the Norwegian Language Council, and NRK’s international publicity webpage for the series also adopts this term as its title (NRK 2014). As a brand, Slow TV is useful as a marketing tool in an era of slow cinema, slow food, and anglophone fascination with cosy Scandinavian lifestyle concepts such as hygge (see Thomson 2016). However, focusing on the ostensible slowness of the programmes tends to elide what is genuinely radical about the series: the long duration of these televisual events, and the implications of their length for their design, production, broadcasting, consumption and reception. Indeed, the interest of the producers in experimenting with duration as opposed to pace is implicit in the Norwegian name for the series: Minutt for minutt (minute by minute). In this conversation, commissioned for this theme issue of Aniki, producer Thomas Hellum explains the concept, principles and working methods behind Minutt for minutt.
    [Show full text]
  • Media Studies Beyond
    New from University of Toronto Press The Sopranos Digital Currents Born Under a Bad Sign How Technology and the Public are Shaping TV News by Franco Ricci The Sopranos examines the by Rena Bivens groundbreaking HBO series Digital Currents illuminates and its impact as a cultural the behind-the-scenes efforts phenomenon. This is a richly of television newscasters rewarding book for anyone to embrace the public’s interested in the popular participation in news and television drama, both as information gathering and entertainment and social protect the integrity of commentary. professional journalism. OuterSpeares Schooling in Modernity Shakespeare, Intermedia, and The Politics of Sponsored Films in the Limits of Adaptation Postwar Italy edited by Daniel Fischlin by Paola Bonifazio With essays on YouTube Schooling in Modernity and iTunes, as well as investigates the hundreds radio, television, and film, of short films commissioned OuterSpeares presents a by Italian and American unique perspective on government agencies that Shakespeare and promoted a particular vision Shakespearean adaptations. of modernization and industry and functioned as tools to govern the Italian people. utppublishing.com 2015 CONFERENCESCMS PROGRAM Fairmont Queen Elizabeth W Montreal March 25 – March 29, 2015 Letter from the President Dear Colleagues, Welcome to Montreal! On behalf of the SCMS Board of Directors, our new Executive Director, our staff, the Montreal Host Committee, and the volunteers and consultants who have worked assiduously on the conference, I extend our best wishes to you for a productive and fun conference. Special thanks to the Host Committee, chaired by Haidee Wasson, for designing special events to further engage you in your time in the city.
    [Show full text]
  • Voor De Ronde Slow Tv Over Vlaanderens Mooiste
    1 Voor de Ronde Ruben Van Gucht rijdt hele Ronde van Vlaanderen Eerste slow tv op Canvas : vrijdag 31 maart, van 8 tot 20 uur Op vrijdag 31 maart, twee dagen voor de 101ste Ronde van Vlaanderen, fietst Sporza- journalist en wielerfreak Ruben Van Gucht het integrale vernieuwde parcours van de Ronde: van de nieuwe vertrekplaats Antwerpen tot de aankomst in Oudenaarde, over de volle 260 kilometer. Canvas brengt heel zijn ‘ronde’ live in beeld in een rechtstreekse uitzending van 12 uur. Met beelden vanop de motor en de helikopter, maar ook vanop de fiets van Ruben. Zoals het bij een echte wieleruitzending hoort, zijn er ook commentatoren. Hun namen worden later bekendgemaakt. Onderweg ontdekken we het sportieve en culturele erfgoed van De Ronde van Vlaanderen, de schoonheid van het landschap en de dorpen, de traditie, de geschiedenis en de passie van ‘Vlaanderens mooiste’. Het publiek kan gewoon kijken en genieten van het landschap en de cultuur, maar ook interactief participeren: door te supporteren of zelfs een eindje mee te rijden met Ruben, of door reacties of beelden te delen via de sociale media. Voor de Ronde is de eerste echte ‘slow tv’ in Vlaanderen: een genre dat vooral in Noorwegen furore maakt met marathonuitzendingen van de mooiste boot- en treinreizen of ander ‘nationaal erfgoed’. “Het is een fantastische uitdaging om voor het eerst in ons land een slow tv-uitzending van deze omvang te mogen maken”, aldus Ruben Van Gucht. “De Ronde van Vlaanderen is daarvoor een gedroomd onderwerp. Het wordt op 31 maart een huzarenstukje voor de hele ploeg die ondertussen al maanden achter de schermen bezig is, maar ik kijk er erg naar uit.
    [Show full text]
  • Broadcasting
    35 Cents BROADCASTING pl.) {' air university USAF ..^a ranch tY,loC THE BUSINE Library ;eris Unit 147$i ] RADIO b2-7547 (p'_-bUO) Bast,tSrAPR APR` 3 A E'iaxr;ei_ Air orce Montgomery AID. 22, 1963 Off- network shows bring variety to lives KVUE(TV) requests three -year pay -TV test of spot buyers 31 in Sacremento, Calif 72 industry hopes puzzle pieces are in place Last sections fitted into Transcontinent's when ratings probe resumes 33 $40 million sale 62 COMPLETE INDEX PAGE 7 -'f'.'t. Ig baby products? Reach busy mothers who the purchases -even when they are most on the (eep your sales growing in this growing market Spot Radio on these outstanding stations. Albuquerque WTAR... Norfolk- Newport News Atlanta KFAB Omaha Buffalo KPOJ Portland Chicago WRNL Richmond C - Cleveland WROC Rochester Dallas -Ft. Worth KCRA Sacramento Denver KALL Salt Lake City Duluth- Superior WOAI San Antonio Houston KFMB San Diego Kansas City KYA San Francisco Little Rock KMA Shenandoah Los Angeles KREM Spokane Miami WGTO. Tampa- Lakeland -Orlando Minneapolis -St. Paul KVOO Tulsa Intermountain Network RADIO DIVISION : THE ORIGINAL STATION REPRESENTATIVE J YORK CHICAGO ATLANTA BOSTON DALLAS ROIT 'LOS ANGELES SAN FRANCISCO ST. LOUIS Radio to listen to radio by WJR is the kind of radio people pay attention to. This kind of radio does things for commercial messages, WJR radio is foreground radio. With the kind of sports too. Namely, gets them heard and appreciated -in a and fine arts and news and farm shows and homemaking 4 -state 112 -county market, tips and music that thrill, provoke, inform, amuse, 15,312,700 people strong.
    [Show full text]
  • MASARYKOVA UNIVERZITA FILOZOFICKÁ FAKULTA Ústav Hudební Vědy Teorie Interaktivních Médií
    MASARYKOVA UNIVERZITA FILOZOFICKÁ FAKULTA Ústav hudební vědy Teorie interaktivních médií Miriam Cígrová Bakalárska diplomová práca Trochu iné televízne vysielanie Vedúca práce: Mgr. Pavlína Míčová 2017 Čestné prehlásenie Prehlasujem, že som diplomovú prácu vypracovala samostatne s využitím uvedených prameňov a literatúry. .................................................................................................... Podpis autora práce 1 Poďakovanie Vedúcej práce pani Mgr. Pavlíne Míčovej za odborné vedenie a cenné rady a hlavne trpezlivosť. Tim Prevettovi a Thomas Hellumovi za rozhovory a veľmi rýchle reagovanie na moje otázky. 2 Obsah 1. Úvod ................................................................................................................................ 5 2. Slow TV a prvé experimenty .......................................................................................... 6 2.1 História televízneho vysielania ....................................................................................... 10 3. Predchodcovia Slow TV ....................................................................................................... 11 3.1 Andy Warhol a prvé filmové experimenty ..................................................................... 12 3.2 Nam June Paik a prvé video experimenty ...................................................................... 14 4. Typy televízneho vysielania .......................................................................................... 16 4.1 Priamy prenos ................................................................................................................
    [Show full text]
  • Slow Television a Successful Innovation in Public Service Broadcasting
    10.1515/nor-2015-0008 Nordicom Review 36 (2015) 1, pp. 95-108 Slow Television A Successful Innovation in Public Service Broadcasting Roel Puijk Abstract Public-service broadcasters are compelled to seek innovative ways to fulfil their public- service functions in an increasingly competitive environment. The Norwegian Broadcasting Corporation (NRK) has been experimenting with new programme formats and cross-media concepts. The concept of slow television was developed by the regional office in Bergen. On July 16, 2011, they started a five-day live broadcast from one of the cruise ships that sailed up the Norwegian coast from Bergen in southern Norway to Kirkenes near the Rus- sian border. The broadcast was a huge success. I take this programme as a case study and provide an analysis from the perspective of innovation within public-service broadcasting. The article addresses the following questions: 1) In what way was the programme innova- tive? 2) How was the programme accepted and produced? 3) What accounts for the success of the broadcast in terms of number of viewers and popular engagement? Keywords: slow television, public service broadcasting, innovation, production, interactiv- ity, Norway Introduction Television is changing – digitization, new platforms and increased competition are undermining traditional ways of producing television. In the post-television era new ways of reaching and engaging viewers are being sought in order to stand out in the ever-intensifying battle to win viewers’ attention. One of the strategies that commercial channels have used in particular is the introduction of different reality concepts in which ordinary people participate in situations that are often unreal.
    [Show full text]
  • Plutselig Skjedde Det…Ingenting - En Studie Av Publikums Opplevelse Av Sakte-TV
    Plutselig skjedde det…ingenting - en studie av publikums opplevelse av sakte-TV Elisabeth Urdal Masteroppgave i medievitenskap Institutt for informasjons- og medievitenskap Universitetet i Bergen Våren 2017 Sammendrag Sakte-TV er en samlebetegnelse for TV-produksjoner av en reise, tema eller hendelse i reell tid. Uten klipping eller annen inngripen fra produsenter, fanger kameraet det som skjer i den faktiske tiden det tar, minutt for minutt. Siden 2009 har NRK produsert en rekke slike programmer som har fått høye seertall og skapt et stort engasjement hos publikum. Både norske og utenlandske medier har omtalt TV-sjangeren, og noen mener sakte-TV er en motreaksjon på andre ”raske” TV-programmer og på hverdagslivets stress. Denne studien handler om hvilke erfaringer og opplevelser publikum har med og av sakte-TV. Hvorfor velger publikum å se på sakte-TV? Hvordan ser de på sakte-TV? Og hvilke opplevelser får de av å se på sakte-TV? Studiens materiale er basert på tolv intervjuer fordelt i to aldersgrupper. Den yngste aldersgruppen er 18-29 år og den eldste gruppen er i alderen 49+. Studien viser at det er forskjeller mellom aldersgruppene, men også innad i gruppene, spesielt når det gjelder hvordan publikum har sett på sakte-TV. Det er også forskjeller på de ulike programmene. Professor Frank Aarebrots forelesningsmaratoner, som for eksempel 200 år på 200 minutter, skiller seg ut som programmer som publikum ønsker å få med seg hvert minutt av. Flere mener at disse ikke bør regnes som sakte-TV. Ellers hevder noen at jo mer man ser på sakte- TV, jo mer kan man la seg fascinere og like det man ser.
    [Show full text]