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Echoes of Memory Volume 9
Echoes of Memory Volume 9 CONTENTS JACQUELINE MENDELS BIRN MICHEL MARGOSIS The Violins of Hope ...................................................2 In Transit, Spain ........................................................ 28 RUTH COHEN HARRY MARKOWICZ Life Is Good ....................................................................3 A Letter to the Late Mademoiselle Jeanne ..... 34 Sunday Lunch at Charlotte’s House ................... 36 GIDEON FRIEDER True Faith........................................................................5 ALFRED MÜNZER Days of Remembrance in Rymanow ..................40 ALBERT GARIH Reunion in Ebensee ................................................. 43 Flory ..................................................................................8 My Mother ..................................................................... 9 HALINA YASHAROFF PEABODY Lying ..............................................................................46 PETER GOROG A Gravestone for Those Who Have None .........12 ALFRED TRAUM A Three-Year-Old Saves His Mother ..................14 The S.S. Zion ...............................................................49 The Death Certificate That Saved Vienna, Chanukah 1938 ...........................................52 Our Lives ..................................................................................... 16 SUSAN WARSINGER JULIE KEEFER Bringing the Lessons Home ................................. 54 Did He Know I Was Jewish? ...................................18 Feeling Good ...............................................................55 -
A Historical Retrospect of the Nazi Party and Its Leaders," (Set No, I, Set of Fourty)
A historical retrospect of the Nazi Party and its leaders," (Set No, I, set of fourty) 1. November 9th 1923, the Nazi Party with Hitler as its leader felt strong enough to kick the Bavarian G-overnement out of its sad- dle. The marching Nazis when reaching the Odeonsplatz in Munich, were odered to stop. After ignoring the order tostop, they were fired upon and a total of 16 men were killed by machinegun fire. The Nazi Party thereafter was declared as illegal and was forbidden by law. Hitler himself, as the head and leader of the party was cobvicted to spend five years in jail. 2. The"BLOODFLAG", under which the first 16 Nazi victims were killed on November 9th 1923 on the Odeonsplatz at Munich* Later on this flag only was shown to the public when political events of im- portant nature took place. More or less, this flag was considered as a symbol of the party. 3. Hitler in his cell during imprisonment 1924 at Landsberg/Lech The party which had been forbidden, went underground so it couldn't be controlled by governement officials. Fin^llythe Bavarian governe- ment decided to set Hitler free because of J~oo much dangerous un- derground activities of the illegal Nazi party. 4. Adolf Hitler after becoming chancellor of the state, visiting the prison cell at Landsberg/Lech, where he spent nearly ten months. 5. Hitler, holding a speech in Munich on the stairs of the fa- mous " FELDHERRNHALLE ", eleven years after the first 16 members of his party were killed. -
2016 Und So Weiter
Und so weiter... Mitteilungen der Olaf Gulbransson Gesellschaft e.V. Tegernsee Heft 17/2016 Und so weiter... Jahresbericht 2016 Olaf Gulbransson Gesellschaft e.V. Tegernsee Das 28. Internationale Musikfest Kreuth am Tegernsee ist im nächsten Jahr wieder zu Gast in den schönsten Konzertsälen der Region. Wir laden Sie ein, im Rahmen reizvoller Konzerte Begegnungen mit renommierten Solisten, Spitzenensembles und hochbegabten Nachwuchskünstlern zu erleben. Inhalt Vorwort des 1. Vorsitzenden Helmut Nanz .......................... 4 Protokoll über die Mitgliederversammlung ......................... 6 Rückblick auf das Veranstaltungsprogramm 2016 ................ 10 Ausstellung „Horst Janssen“ .......................................... 11 Matinee „Zum 100. Geburtstag von Olaf Andreas Gulbransson“ ....................................... 15 Matinee „Der wissenschaftliche Verlag von Christi Geburt bis in die Zukunft“ ............................... 23 Alle Informationen ab Januar 2017: Rede zur Verleihung der Olaf Gulbransson-Medaille ............. 26 www.musikfest-kreuth.de Matinee „Ludwig Thoma in der Weimarer Republik“ ............. 28 Hinter den Kulissen ...................................................... 32 Matinee „Hitlers Kunstraub“ ........................................... 33 Matinee „Heinrich Kley“ Vom Simplicissimus nach Hollywood ................................ 35 Musikfest Kreuth e.V. Geschäftsstelle: Nördliche Hauptstraße 3 50 Jahre Olaf Gulbransson Museum .................................. 42 D-83708 Kreuth . Telefon 08029 9979080 -
THE POLISH POLICE Collaboration in the Holocaust
THE POLISH POLICE Collaboration in the Holocaust Jan Grabowski The Polish Police Collaboration in the Holocaust Jan Grabowski INA LEVINE ANNUAL LECTURE NOVEMBER 17, 2016 The assertions, opinions, and conclusions in this occasional paper are those of the author. They do not necessarily reflect those of the United States Holocaust Memorial Museum. First printing, April 2017 Copyright © 2017 by Jan Grabowski THE INA LEVINE ANNUAL LECTURE, endowed by the William S. and Ina Levine Foundation of Phoenix, Arizona, enables the Center to bring a distinguished scholar to the Museum each year to conduct innovative research on the Holocaust and to disseminate this work to the American public. Wrong Memory Codes? The Polish “Blue” Police and Collaboration in the Holocaust In 2016, seventy-one years after the end of World War II, the Polish Ministry of Foreign Affairs disseminated a long list of “wrong memory codes” (błędne kody pamięci), or expressions that “falsify the role of Poland during World War II” and that are to be reported to the nearest Polish diplomat for further action. Sadly—and not by chance—the list elaborated by the enterprising humanists at the Polish Foreign Ministry includes for the most part expressions linked to the Holocaust. On the long list of these “wrong memory codes,” which they aspire to expunge from historical narrative, one finds, among others: “Polish genocide,” “Polish war crimes,” “Polish mass murders,” “Polish internment camps,” “Polish work camps,” and—most important for the purposes of this text—“Polish participation in the Holocaust.” The issue of “wrong memory codes” will from time to time reappear in this study. -
American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
Jürgen Habermas and the Third Reich Max Schiller Claremont Mckenna College
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2012 Jürgen Habermas and the Third Reich Max Schiller Claremont McKenna College Recommended Citation Schiller, Max, "Jürgen Habermas and the Third Reich" (2012). CMC Senior Theses. Paper 358. http://scholarship.claremont.edu/cmc_theses/358 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Introduction The formation and subsequent actions of the Nazi government left a devastating and indelible impact on Europe and the world. In the midst of general technological and social progress that has occurred in Europe since the Enlightenment, the Nazis represent one of the greatest social regressions that has occurred in the modern world. Despite the development of a generally more humanitarian and socially progressive conditions in the western world over the past several hundred years, the Nazis instigated one of the most diabolic and genocidal programs known to man. And they did so using modern technologies in an expression of what historian Jeffrey Herf calls “reactionary modernism.” The idea, according to Herf is that, “Before and after the Nazi seizure of power, an important current within conservative and subsequently Nazi ideology was a reconciliation between the antimodernist, romantic, and irrantionalist ideas present in German nationalism and the most obvious manifestation of means ...modern technology.” 1 Nazi crimes were so extreme and barbaric precisely because they incorporated modern technologies into a process that violated modern ethical standards. Nazi crimes in the context of contemporary notions of ethics are almost inconceivable. -
Whose Hi/Story Is It? the U.S. Reception of Downfall
Whose Hi/story Is It? The U.S. Reception of Downfall David Bathrick Before I address the U.S. media response to the fi lm Downfall, I would like to mention a methodological problem that I encountered time and again when researching this essay: whether it is possible to speak of reception in purely national terms in this age of globalization, be it a foreign fi lm or any other cultural artifact. Generally speaking, Bernd Eichinger’s large-scale production Downfall can be considered a success in America both fi nancially and critically. On its fi rst weekend alone in New York City it broke box-offi ce records for the small repertory movie theater Film Forum, grossing $24,220, despite its consider- able length, some two and a half hours, and the fact that it was shown in the original with subtitles. Nationally, audience attendance remained unusually high for the following twelve weeks, compared with average fi gures for other German fi lms made for export markets.1 Downfall, which grossed $5,501,940 to the end of October 2005, was an unequivocal box-offi ce hit. One major reason for its success was certainly the content. Adolf Hit- ler, in his capacity as star of the silver screen, has always been a suffi cient This article originally appeared in Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film, ed. Margrit Frölich, Christian Schneider, and Karsten Visarius (Munich: edition text und kritik, 2007). 1. The only more recent fi lm to earn equivalent revenue was Nirgendwo in Afrika. -
Brienner 45 an Art Project by Benjamin Und Emanuel Heisenberg
Brienner 45 An art project by Benjamin und Emanuel Heisenberg and Elisophie Eulenburg en Brienner 45 – An art project at the NS-Dokumentations - zentrum Munich by Benjamin and Emanuel Heisenberg and Elisophie Eulenburg Countless reports have etched the images and narratives of the Nazi regime into our collective memory. They accompany us and are yet disconnected from our life today. How can we translate the historical past into our present? What do people who lived in extreme situations actually have in common with us? We may speak the same language, but how do we use the concepts from this time and what kind of images do they evoke in us? These are the questions the work “Brienner 45” asks of the viewer. Through the medium of film the distance between the present and history is nullified and the timespan between today and back then ruptured. In how they juxtapose and sequence images and concepts, the films generate a kind of “stream of consciousness” 1 Excerpt from the “Jäger-Report” on mass across time. This method has an emotional impact and enables executions in Lithuania, written on 1 December past experiences and thoughts to be connected directly with the 1941 by Karl Jäger, Commander of ‘Einsatz- viewer’s here and now. One of the concerns of this work is to kommando (Mobile Killing Squad) 3’ establish a relationship – based on critical reflection – between 2 Chaim, the 14-year-old son of Jewish farmers, our experiences today and the accounts drawn from everyday inserted his last letter in the barbed wire life and the ideological tracts and depiction of crimes committed of the Pustków concentration camp in Galicia in the “Third Reich”. -
Nach Hitler Das ›Dritte Reich‹
Das ›Dritte Reich‹ nach Hitler 23 TAGE IM MAI 1945 EINE CHRONIK THE THIRD REICH AFTER HITLER A CHRONICLE OF 23 DAYS IN MAY 1945 KLAUS HESSE ANDREAS NACHAMA [HRSG.] MIT EINEM ESSAY VON GERHARD PAUL Impressum | Credits Herausgeber | Published by: Stiftung Topographie des Terrors | Topography of Terror Foundation Vertreten durch | Represented by: Prof. Dr. Andreas Nachama Konzeption, Texte | Conceptualization, texts: Klaus Hesse Bildrecherche, Bildtexte | Photo research, captions: Klaus Hesse Biographische Texte | Biographical texts: Klaus Hesse Biographische Texte, Mitarbeit | Biographical texts in collaboration with: Prof. Dr. Gerhard Paul Essay: Prof. Dr. Gerhard Paul Englische Übersetzung | English translation: Dr. Pamela Selwyn Redaktion | Editorial: Klaus Hesse Lektorat | Final editorial: Klaus Hesse, Kurt Blank-Markard Gestaltung | Design: Kurt Blank-Markard Lithographie | Lithography: Nova Concept, Berlin Druck | Printing: H. Heenemann, Berlin Gedruckt in | Printed with: Novaton © Stiftung Topographie des Terrors, die Autoren und Urheber- rechteinhaber | Topography of Terror Foundation, the authors and copyright holders Alle Rechte vorbehalten | All rights reserved Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte Daten sind im Internet über portal.dnb.de abrufbar. Hentrich & Hentrich Verlag Berlin Inh. Dr. Nora Pester www.hentrichhentrich.de 1. Auflage 2016 | 1st edition 2016 | Printed in Germany Broschur: ISBN 978-3-941772-24-3 Festeinband: ISBN 978-3-95565-117-6 Für ihre freundliche Unterstützung unser Dank an die beteiligten Institutionen, Archive und Bildagenturen sowie an | We would like to thank the participating institutions, archives and picture agencies and the following individuals for their kind support: Judy Cohen, Washington | Dr. Alfred Gottwaldt, Berlin † Fregattenkapitän Dr. Christian Jentzsch, Mürwik/Potsdam Brigitte Kuhl, Berlin | Bernd Nogli, Potsdam Prof. -
Hitlerjugend Division Looms Over the Graves of Its Crew
Cover Rapid Reads This short ebook is part of the “Rapid Reads” series on the German Army of World War II. This series, when complete, will offer a comprehensive overview of this absorbing topic, covering the key campaigns, tactics, commanders and equipment of the World War II Wehrmacht. We hope you enjoy this Rapid Read and that you will recommend the series to friends and colleagues. You should be able to read one of these handy eBooks in less than an hour. They’re designed for busy people on the go. If you would like to place a review on our website, or with the retailer you purchased it from, please do so. All feedback, positive or negative, is appreciated. All these Rapid Reads plus supplemental materials and ebooks on other military topics are available on our website, www.germanwarmachine.com 0 10 20km Bareur 0 5 10 miles Cherbourg St-Vaast-la-Hogue Siouville-Hague Valognes Le Havre St Mere Eglise Grandcamp Douve Courseulles Portbail Issigny Esque Carentan Bayeux Ouistreham Cabourg Touques Créances St Fromond Cerisy-le-Forêt Vie Caen Lisieux St Lô Odon Vire Drôme Villers Bocage Coutancés Orne St-Pierre- Guilberville Thury Harcourt sur-Dives Villedieu-des-Poêles Vire Falaise Granville A knocked out Panzer IV of the I SS Panzer Corps’ Hitlerjugend Division looms over the graves of its crew. The Hitlerjugend Division held the line north of Caen, but at a terrible price in both men and equipment Carnage at Caen The 12th SS Panzer Division and the defence of Caen. 5 n its billets northwest of Paris, the men of the Hitlerjugend IDivision could clearly hear the waves of Allied bombers passing overhead on the morning of 6 June 1944. -
Buddhism from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search
Buddhism From Wikipedia, the free encyclopedia Jump to: navigation, search A statue of Gautama Buddha in Bodhgaya, India. Bodhgaya is traditionally considered the place of his awakening[1] Part of a series on Buddhism Outline · Portal History Timeline · Councils Gautama Buddha Disciples Later Buddhists Dharma or Concepts Four Noble Truths Dependent Origination Impermanence Suffering · Middle Way Non-self · Emptiness Five Aggregates Karma · Rebirth Samsara · Cosmology Practices Three Jewels Precepts · Perfections Meditation · Wisdom Noble Eightfold Path Wings to Awakening Monasticism · Laity Nirvāṇa Four Stages · Arhat Buddha · Bodhisattva Schools · Canons Theravāda · Pali Mahāyāna · Chinese Vajrayāna · Tibetan Countries and Regions Related topics Comparative studies Cultural elements Criticism v • d • e Buddhism (Pali/Sanskrit: बौद धमर Buddh Dharma) is a religion and philosophy encompassing a variety of traditions, beliefs and practices, largely based on teachings attributed to Siddhartha Gautama, commonly known as the Buddha (Pāli/Sanskrit "the awakened one"). The Buddha lived and taught in the northeastern Indian subcontinent some time between the 6th and 4th centuries BCE.[2] He is recognized by adherents as an awakened teacher who shared his insights to help sentient beings end suffering (or dukkha), achieve nirvana, and escape what is seen as a cycle of suffering and rebirth. Two major branches of Buddhism are recognized: Theravada ("The School of the Elders") and Mahayana ("The Great Vehicle"). Theravada—the oldest surviving branch—has a widespread following in Sri Lanka and Southeast Asia, and Mahayana is found throughout East Asia and includes the traditions of Pure Land, Zen, Nichiren Buddhism, Tibetan Buddhism, Shingon, Tendai and Shinnyo-en. In some classifications Vajrayana, a subcategory of Mahayana, is recognized as a third branch. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.