J2 Jazz Preview J3-J5 FM Program Listings J6 FM Program Grid 2 J a Z Z 9 1 P R E V I E W J a N U a R Y 2 0 1 8 3
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Airwaves (1985-08 And
/ AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 2 Spring 2013 Invisible Woman: Vi Redd’s Contributions as a Jazz Saxophonist By Yoko Suzuki, University of Pittsburgh The story of alto saxophonist Vi Redd illustrates yet another way in which women jazz instrumentalists have been excluded from the dominant discourse on jazz history. Although she performed with such jazz greats as Count Basie, Max Roach, Dizzy Gillespie, and Earl Hines, she is rarely discussed in jazz history books except for those focusing specifically on female jazz musicians. One reason for her omission is that jazz historiography has heavily relied on commercially produced recordings. Despite her active and successful career in the 1960s, Redd released only two recordings as a bandleader, in 1962 and 1964. Reviews of these recordings, along with published accounts of her live performances and memories of her fellow musicians illuminate how Redd’s career as a jazz instrumentalist was greatly shaped by the established gender norms of the jazz world. Elvira “Vi” Redd was born in Los Angeles in 1928. Her father, New Orleans drummer Alton Redd, worked with such jazz greats as Kid Ory, Dexter Gordon, and Wardell Gray. Redd began singing in church when she was five, and started on alto saxophone around the age of twelve, when her great aunt gave her a horn and taught her how to play. Around 1948 she formed a band with her first husband, trumpeter Nathaniel Meeks. She played the saxophone and sang, and began performing professionally. -
Jazz Faculty and Friends
Kennesaw State University Upcoming Music Events Thursday-Sunday, November 5-8 Kennesaw State University Opera Theatre Dean Joseph D. Meeks The Medium dean The Stoned Guest Howard Logan Stillwell Theatre School of Music Tuesday, November 10 Kennesaw State University presents Student Mixed Chamber Ensembles 8:00 pm • Bailey Performance Center Performance Hall Wednesday, November 11 Kennesaw State University Jazz Combos Kennesaw State University 8:00 pm • Bailey Performance Center Performance Hall Jazz Faculty and Friends Thursday, November 12 Kennesaw State University Jazz Ensembles 8:00 pm • Bailey Performance Center Performance Hall Sam Skelton, woodwinds Trey Wright, guitar Tuesday, November 17 Wes Funderburk, trombone Kennesaw State University Tyrone Jackson, piano Women’s Choral Day concert 7:30 pm • Bailey Performance Center Performance Hall Marc Miller, bass Justin Varnes, drums Wednesday, November 18 Kennesaw State University Jazz Guitar Ensemble 8:00 pm • Bailey Performance Center Performance Hall Wednesday, November 4, 2009 For the most current information, please visit http://www.kennesaw.edu/arts/events/ 8:00 pm Dr. Bobbie Bailey & Family Performance Center We welcome all guests with special needs and offer the following services: accessible seating, easy access, companion restroom locations, assisted listening devices. Please contact an audience services representative to request services Twentieth Concert of the 2009-2010 season Kennesaw State University (Harry Connick, Jr.), Aaron Goldberg (Joshua Redman), Wessell Anderson, School of Music Wycliffe Gordon, Marcus Printup, Steve Kirby (Cyrus Chestnut), Peter Bernstein, and Eric Lewis (Wynton Marsalis). Performance Hall Currently residing in Atlanta, Mr. Varnes performs regularly with the Christian Tamburr Quartet, as well as Bob Reynolds, Kevin Bales, Joe Gransden and Gary Motley. -
M|K|Frec0rd5ywe5 / \UJ LBYWO/ADI
*\ LADTlirrTK M|K|fREC0RD5yWE5 / \UJ LBYWO/ADI 5UMEr\ rALL,W8 ICATALO G T REVIEWS LADYSLIPPER MGSIC LADYSLIPPER MUSIC is the collective project of several women who are interested in expanding the scope and availability of Women's music, in exploring and sharing the herstory of women in music, and in working with and for other women to make a living. We want to be able to build a catalog of records and tapes by women that reflects our pasts, our presents and our futures. We want to discover and share with you music by women of all races, ages and classes...Women's music (written, performed and produced by women, on women's labels, for women)... music by, for and about lesbians... records documenting the herstory of women in music... music for children that doesn't insult their intelligence or bore them... political and non-sexist music... recordings by women from around the world and in foreign (to us) languages...recordings of women with non- traditional styles and instruments... music that reflects innovative contributions by women... and some hard-to-get and cut-out LPs. Many of the records we offer have been made by predominantly male record companies and include the work of male musicians, engineers, producers, etc. Until recently women musicians didn't have the idea to or couldn't afford to produce their own records or tapes, or didn't have access to the equipment or technology to do it. But their work laid the foundations of Women's music and was a source of inspiration and strength for many women throughout the years before we started taking our music into our own hands. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
Firstchoice Wusf
firstchoice wusf for information, education and entertainment • noVemBer 2008 Rolling On the River with Burt Wolf Each week, WUSF TV/DT viewers join Burt Wolf, the genial host of Burt Wolf: Travels & Traditions, on his journeys around the world. Wolf has traveled by plane, train and automobile — but a river cruise is his favorite way to see Europe. This month, on November 12, during a two-hour special, Wolf takes us through the heart of Europe on three voyages along the winding Danube River. In Cruising the Danube, Wolf kicks off his leisurely journey in Budapest and then stops off at the fairy tale castles and hidden streets of Burt Wolf’s two- Bratislava, Dürnstein, Melk, Grein, Linz hour river cruise and Passau before coming full circle to Budapest. On his second expedition, special airs Christmas in Vienna, Wolf sets shore November 12 in Vienna, Austria, exploring ancient Christmas traditions (some edible!) at 8 p.m. and festivities at locations ranging WUSF TV/DT from the magnificent Habsburg castle to Vienna’s celebrated outdoor Channel 16 Christmas markets. On the last leg of the voyage, Austrian Monasteries, Wolf takes us inside the abbeys at Melk and Klosterneuburg — each a fascinating realm of history, tradition and treasure. Wolf concludes his journey with lunch at the restaurant of one of Europe’s most talented chefs. Intrigued? If you’re more than an armchair traveler, you can join Burt Wolf in July 2009 on a Danube River cruise with other WUSF friends. Find more information about this once-in-a-lifetime voyage inside! wusf: FIRST choice WUSF Public WUSF TV/DT Broadcasting: November Highlights A range of media choices WORLDFOCUS brings American audiences a deeper understanding WUSF 89.7 of the stories shaping the world provides NPR news and today. -
30-Minute Big Band Performance + 15-Minute Clinic • Jazz Combos
37TH ANNUAL UNC WILMINGTON DEPARTMENT OF MUSIC UNCW JAZZFEST Friday, March 29, 2019 · 10 a.m. - 9 p.m. OPEN TO MIDDLE AND HIGH SCHOOL JAZZ COMBOS AND BIG BANDS Terri Lyne Carrington DRUMS GUEST ARTIST / CLINICIAN Three-time Grammy Award-winning drummer, producer and educator, Terri Lyne Carrington has worked with artists such as Herbie Han- cock, Wayne Shorter, Al Jarreau, Stan Getz, David Sanborn, Woody Shaw, Cassandra Wil- son, Dianne Reeves, John Scofield, Esperanza Spalding, Yellowjackets and countless others. Carrington is also the first female artist to win a Grammy for Best Jazz Instrumental Album. Carrington has released eight albums; most recently The Mosaic Project: Love and Soul, which features a leading cast of superb female instrumentalists and vocalists including Natalie Cole, Chaka Khan, Nancy Wilson, Ledisi, Lalah Hathaway, Lizz Wright, Ingrid Jensen, Meshell Ndegoecello, Linda Oh, Patrice Rushen, Regina Carter and others. JAZZFEST OVERVIEW Activities take place on the UNCW campus: Cultural Arts Building or Kenan Auditorium Awards for top soloists in each category Scholarship opportunities to attend REGISTRATION DEADLINE: FOR MORE INFORMATION UNCW Summer Jazz Workshop POSTMARKED BY MARCH 7, 2019 Dr. Natalie Boeyink UNCW JAZZ STUDIES COORDINATOR Big bands $125 Post-performance clinic with [email protected] UNCW jazz faculty and Terri Lyne Carrington 30 minute big band performance 15 minute clinic 910.962.7440 Master class with Terri Lyne Carrington Performance by UNCW Big Band, Combos $50 20 minute combo performance conducted by Natalie Boeyink 15 minute clinic Guest artist performance by Registration includes concert tickets for participants. Terri Lyne Carrington with UNCW Jazz Faculty Online registration will be available shortly. -
Communitas, Vol. 1, No. 5
COMMUNITAS Official PH,hlication of the Bard ColIe:;c Communit~.. ================= ======- ._=.------- Vol. 1, No.5 ANNANDALE-ON-HUDSON, NEW YORK Resignations Point Divisional Panels, Case Speech Mark Out EPC Crisis ALBEE SOCIAL, May 11 - After quite a bit of introspective analysis. Bard's Sucessful Student Conference the top blew off EPC's lid. The sen ---------- - ...• ---.--- . _--_._---_.. ---_ .. _.. timent of EPC Chairman Louise Odes and Science division repre Student's' Conference sentative George Waltuch that EPC Case's Address To Students Bard Arts Festival should resign en masse was punctu Statistics ated by notification of their resigna Schools Represented 32 tions. Dan Klublock who became Stresses Need Of Education Students ... ....... ............... .. ... ....... ..... 52 In New York May 17 President James H. Case Jr. opened the Admission Day proceedings An arts festival featuring work in acting·-chairman in the course of Teachers 7 events, suggested that the fate 01 by speaking on the subject "What Good Is A College Education?" At Parents 22 music, drama, dance and art by Bard students, will be presented by this academic body be brought to the start he warned us that the question was unanswerable. It would be Total Guests 81 the YM-YWHA, Lexington Avenue the attention of the Community and equally impossible to say what values health, love and life itself contain. Students came from the following' at 92nd Street, New York, on Mon to let the decision rest with Con But if we cannot define the worth of a college education, we can at least E'astern States; Massachusetts, Con day. -
Zzcalifornia Aconservatory
a conservatory california zz EDITION 14.0 2014 – 2015 general catalog California Jazz Conservatory Academic Calendar 2014 – 2015* Spring Semester 2014 Auditions for Spring 2014 By Appointment Academic and Administrative Holiday Jan 20 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Jan 31 Academic and Administrative Holiday Feb 17 Spring Recess March 24 – March 30 Auditions for Fall 2014 By Appointment Last Day of Instruction May 11 Final Examinations and Juries May 12 – 16 Commencement May 17 Fall 2014 Enrollment Deposit Due On or before June 1 Fall 2014 Registration On or before August 4 Fall Semester 2014 Auditions for Fall 2014 By Appointment New Student Orientation Aug 14 First Day of Fall Instruction Aug 18 Academic and Administrative Holiday Sept 1 Last Day to Add/Drop a Class Sept 2 Academic and Administrative Holiday Nov 24 – Nov 30 CJC academic calendar Spring 2015 Enrollment Deposit Due On or before Dec 1 Spring 2015 Registration Jan 5 – 9 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 8 – 14 Commencement Dec 20 Winter Recess Dec 15 – Jan 19 Spring Semester 2015 Auditions for Spring 2015 By Appointment Academic and Administrative Holiday Jan 19 First Day of Spring Instruction Jan 20 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 16 Spring Recess March 23 – March 29 Auditions for Fall 2015 By Appointment Last Day of Instruction May 10 Final Examinations and Juries May 11 – 15 Commencement May 16 A Z Z C J O N A S Fall 2015 Enrollment Deposit Due On or before June 1 I E Fall 2015 Registration August 3 – 7 N R R V O A D F S T E E I V * Please note: Edition 14 of the CJC 2014–2015 General Catalog C O L E N L R O E A I covers the time period of July 15, 2014 – July 14, 2015. -
Firing the Canon: Multiple Insularities in Jazz Criticism
FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities.