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Contribution of Public Service Media in Promoting Social Cohesion
COUNCIL CONSEIL OF EUROPE DE L’EUROPE Contribution of public service media in promoting social cohesion and integrating all communities and generations Implementation of Committee of Ministers Recommendation Rec (97) 21 on media and the promotion of a culture of tolerance Group of Specialists on Public Service Media in the Information Society (MC-S-PSM) H/Inf (2009) 5 Contribution of public service media in promoting social cohesion and integrating all communities and generations Implementation of Committee of Ministers’ Recommendation Rec (97) 21 on media and the promotion of a culture of tolerance Report prepared by the Group of Specialists on Public Service Media in the Information Society (MC-S-PSM), November 2008 Directorate General of Human Rights and Legal Affairs Council of Europe Strasbourg, June 2009 Édition française : La contribution des médias de service public à la promotion de la cohésion sociale et a l’intégration de toutes les communautés et générations Directorate General of Human Rights and Legal Affairs Council of Europe F-67075 Strasbourg Cedex http://www.coe.int/ © Council of Europe 2009 Printed at the Council of Europe Contents Executive summary . .5 Introduction . .5 Key developments . .6 Workforce . 6 Requirements . .11 Content and services . 13 Conclusions, recommendations and proposals for further action . 18 Conclusions . .18 Recommendations and proposals for further action . .20 Appendix A. Recommendation No. R (97) 21 . 22 Recommendation No. R (97) 21 on Appendix to Recommendation No. R the media and the promotion of a (97) 21 . .22 culture of tolerance . .22 Appendix B. Questionnaire on public service media and the promotion of a culture of tolerance . -
Czech Republic Represents 21,3 %
Questionnaire - Revision of the Communication from the Commission on the application of State aid rules to public service broadcasting 1. GENERAL 1.1. A number of significant legal developments have taken place in the public broadcasting area since 2001, namely the adoption of the Audiovisual Media Services Directive, the adoption of the Decision and Framework on compensation payments as well as Commission decision-making practice. Do you think that the Broadcasting Communication should be up-dated in light of these developments? Alternatively, do you consider that these developments do not justify the adoption of a new text? There is no need for revision or change of the Communication at the moment. The Communication on the application of State aid rules to public service broadcasting (OJ 2001/C 320/4) lays down flexible principles which have made it possible to resolve a number of cases by taking due account of the specificity of the public service broadcasting sector. The Audiovisual Media Services Directive (OJ 2007/C 332/27) takes into account the emergence of new media and recalls the importance of the coexistence of public and private providers of audiovisual media services and the firm need for the public service broadcasting remit to continue to benefit from technological progress (Recital 9). Public service broadcasters consider that there is no particular pressing need to revise the current Communication. Any updating which may take place needs to ensure stability for public service broadcasters while maintaining the flexibility of the current system, a system which makes it possible to offer legal solutions to organizations of various sizes and operating on various markets which have a remit to offer public service output responding to the needs and choices of their respective societies. -
Jazz London Radio
Issue 2 October 2017 Jazz London Radio London’s Internet Jazz Station Thank you for checking out the second edition of our newsletter. Our newsletter is designed to keep our listeners abreast of new developments and new features, plus what’s been happening with our Presenters. Laurie Burnette: Founder and Programme Director I am a music and sports fan who writes articles on the game of tennis as well as interview the top musicians in the world of jazz and alternative music. I hope to bring something different to British radio based on a more continental model. Jazz London Radio began broadcasting in June 2014 and was born from the inspiration of listening to a variety of different stations via satellite and internet radio. In the early 2000s I lis- tened extensively to Radio France (FIP) broadcasting from Paris and Radio Monte Carlo from Milan Italy. Later on I discov- ered TSF Jazz which also broadcasts out of Paris. As a music fan, I loved how many of these stations would mix jazz with other styles of music, seamlessly and without apology. This appealed to me as a person who listened to a lot of John Peel shows on BBC Radio 1 during my student years. As a result I have set up Jazz Lon-don radio as primarily a jazz station with the liberty to showcase other styles of music which may not Newsletter Spotlight strictly be called jazz but is in the spirit of jazz in terms of crea- tivity and content. Station outputs in high level sound quality Jazz London Radio has nine Present- ers playing a wide range of jazz and related music. -
Watching Socialist Television Serials in the 70S and 80S in the Former Czechoslovakia: a Study in the History of Meaning-Making1
Watching socialist television serials in the 70s and 80s 299 Watching socialist television serials in the 70s and 80s in the former Czechoslovakia: A study in the history of meaning-making1 Irena Reifová Abstract The aim of this chapter is to map out and analyze how the viewers of the communist-governed Czechoslovak television understood the propagandist television serials during so-called “normalization”, the last two decades of the communist party rule after the Prague Spring. It strives to show peculiarities of the research on television viewers’ capabilities to remember the meanings and details of hermeneutic agency which took place in the past. The role of reproductive memory in remembering the viewers’ experience buried under the grand socio-political switchover is also illuminated and used to coin the concept of “memory over dislocation”. Keywords: popular culture, television serials, Czechoslovak normalization, life-story research, collective memory, post-socialism Reifová, I. (2016) ‘Watching socialist television serials in the 70s and 80s in the former Czecho- slovakia: a study in the history of meaning-making’, pp. 297-309 in L. Kramp/N. Carpentier/A. Hepp/R. Kilborn/R. Kunelius/H. Nieminen/T. Olsson/P. Pruulmann-Vengerfeldt/I. Tomanić Tri- vundža/S. Tosoni (Eds.) Politics, Civil Society and Participation: Media and Communications in a Transforming Environment. Bremen: edition lumière. 1 This chapter is a shortened version of the article “Watching socialist television serials in the 70s and 80s in the former Czechoslovakia: a study in the history of meaning-making” pub- lished in European Journal of Communication, 30(1). 300 Irena Reifová 1 Introduction This chapter seeks to challenge a tacit assumption that instrumental and in- terpretive autonomy of media use can only be looked for in the democratic environment. -
130213 Press Release Czech Radio´S Statement Regarding An
Press Release Prague, February 13, 2013 Czech Radio’s statement regarding an application from BBC Radiocom (Praha) On 17 December 2012, BBC Radiocom (Praha) s.r.o., licenced to operate the BBC station in the Czech Republic, applied to the Council for Radio and Television Broadcasting (CRTB) for prior approval of the transfer of a 100% stake from the British public service BBC station to Lagardere Active ČR, a.s. The management of Czech Radio would like to express considerable concern regarding the application submitted by BBC Radiocom (Praha) s.r.o., which would result in a commercial entity taking control of two public service radio stations. Czech Radio hopes that this plan will not be implemented. Czech Radio does not agree with the change in ownership of the BBC station from the British public service BBC to the French media group Lagardere that provides, among others, commercial radio broadcasting in the Czech Republic. Czech Radio also does not agree with the potential change in the valid licence terms and conditions according to which the BBC station has to present the BBC World Service programmes in English (news, reports, education and sports) and programmes supplied by Czech Radio. Czech Radio states that it is ready to continue the cooperation with the BBC and broadcast its programme under the existing licence terms and conditions. For the above-mentioned reasons, Czech Radio submitted a motion to the Council for Radio and Television Broadcasting demanding that the CRTB acknowledge Czech Radio as a party to the proceedings and, at the same time, asking CRTB not to approve the transfer of the share in the operator’s company from BRITISH BROADCASTING CORPORATION to Lagardere Active ČR . -
2019 List of Awards
List of Awards PRIX EUROPA Best European TV Documentary of the Year 2019 The Raft Sveriges Television - SVT, Sweden Author and Director: Marcus Lindeen, Producer: Erik Gandini 2nd Maelstrom Omroep Human, The Netherlands 3rd The Trial of Ratko Mladic WDR, Germany / International Co-production PRIX EUROPA IRIS Best European TV Programme of the Year 2019 about Cultural Diversity But When Mommy Is Coming? Radiotelevisione svizzera - RSI / SRG SSR, Switzerland Author and Director: Stefano Ferrari, Producer: Michael Beltrami 2nd Back to Rwanda De Chinezen, Belgium 3rd The Sit-in Cinelandia, Sweden PRIX EUROPA Best European Radio Music Programme of the Year 2019 The Man Who Sings From the Heart Polskie Radio S.A., Poland Author and Director: Agnieszka Czyzewska Jacquemet 2nd Ask the Music Professor SR, Sweden 3rd Misia VRT, Belgium 1 List of Awards PRIX EUROPA Best European Radio Investigation of the Year 2019 The Puppet Master BBC, United Kingdom Author, Director and Producer: Neal Razzell 2nd Documentary On One: The Case of Majella Moynihan RTÉ, Ireland 3rd Painkillers NDR, Germany PRIX EUROPA Best European TV Investigation of the Year 2019 MISSION INVESTIGATE: Deceptive Diplomacy SVT, Sweden Author: Ali Fegan, Director and Producer: Axel Gordh Humlesjö 2nd ENVOYÉ SPECIAL: Monsanto Papers, Manufacturing Doubt France Télévisions, France 3rd GREEN WARRIORS: Paraguay’s Poisoned Fields Premières Lignes Télévision, France PRIX EUROPA Best European Radio Documentary Series of the Year 2019 Lord of the Ring Pulls NRK, Norway Author and Director: Grete -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Liste Des Candidats Sélectionnés Appel CTA Toulouse CP Du 06-12-17
APPEL AUX CANDIDATURES FM DANS LE RESSORT DU CTA DE TOULOUSE (décision n° 2017-238 du 19 avril 2017) Liste des candidats sélectionnés Dans le cadre de la procédure d’appel aux candidatures FM du 19 avril 2017, le Conseil supérieur de l’audiovisuel, réuni le 6 décembre 2017, a décidé de sélectionner les candidats suivants : ARIEGE (09) Zone : Ax-les-Thermes 2017-TO-D008 SA SERC (Fun Radio) Fréquence : 91,9 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 95,6 MHz 2017-TO-D024 SAS RFM Entreprises (RFM) Fréquence : 99,0 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,0 MHz 1 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Foix 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 103,7 MHz Zone : Pamiers 2017-TO-C002 SARL FM Graffiti (RTL 2 Toulouse) Fréquence : 88,6 MHz 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 90,3 MHz 2017-TO-B006 SAS Toulouse FM (Toulouse FM) Fréquence : 102,9MHz 2017-TO-E002 SAS RTL France Radio (RTL) Fréquence : 104,0 MHz Zone : Saint-Girons 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 88,5 MHz Zone : Saverdun 2017-TO-A008 Association Maison des jeunes et de la culture (Oxygène FM) Fréquence : 102,2 MHz Zone : Tarascon-sur-Ariège 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 89,2 MHz 2 Appel aux candidature s CTA de Toulouse – Liste des candidats sélectionnés Zone : Vicdessos 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 102,0 MHz AVEYRON (12) Zone : Millau 2017-TO-E004 SAS Sud Radio (Sud Radio) Fréquence : 101,4 MHz Zone : Nant 2017-TO-A019 -
Le 21 Janvier 2003
PRESS RELEASE Levallois, 20th July 2021 MEDIAMETRIE 126 000 RADIO ILE DE FRANCE SURVEY Radio Audience in Ile de France: April – June 2021 Mediametrie publishes radio audience results, in metropolitan France over the March 29th 2021 to June 27th 2021 period, measured on a population of 3,889 individuals aged of 13 years and over. This period is marked by a national lockdown in April and a progressive lifting of restrictions between May and June. From April 3, travel restrictions are extended to the entire territory, with the maintenance of a curfew from 7 p.m. and generalized teleworking, the closure of day care centers and all schools for 3 weeks, the unification of the calendar of school vacations for all areas, and a week of distance learning for all colleges and high schools. From May 3, a gradual lockdown easing is taking place with a first lifting of travel restrictions and a gradual return to class. From May 19th, businesses and public places reopen with a curfew postponed to 9 p.m. From June 9, restaurants opened in turn with a curfew pushed back to 11 p.m. and a relaxation of teleworking. June 20 marks the lifting of the curfew (see events p.7). During this period, the pace of French life remained exceptional with reduced mobility and unusual activity conditions. The activity rate, which was low in April with a large proportion of the working population in unusual working conditions, increased as the restrictions were lifted in May and June. Activity rate in IDF according to working conditions (Monday-Friday excluding LAD) (Share of employed persons who were working on the day of the interview) Source : 126 000 Île-de-France, Lundi-Vendredi, activity rate (excluding LAD). -
Radiodays Europe 2015
Radiodays Europe 2015 Passion meets Progress Milan, Italy, 15-17 March 2015 Programme Monday 16 March 9.00-10.20 Plenary Passion meets Progress Opening of Radiodays Europe 2015 Luigi Gubitosi (Director General, RAI, Italy) Mathieu Gallet (CEO and Chairman, Radio France) Kristian Kropp (CEO, bigFM/RPR 1, Germany) Cilla Benkö (Director General, Swedish Radio, Sweden) Benvenuti a Milano! On behalf of the radio industry in Italy, the Director General of RAI, Italy’s national public broadcaster, welcomes radio stations across the world to Milan, the “Radio City”. In this opening plenary, radio leaders from across Europe share their views on radio, its current role and its future - setting the context and the agenda for Radiodays Europe 2015. This is where Passion meets Progress: the not- to-miss start of Radiodays Europe 2015 in Milan. Welcoming hosts: Paul Robinson (UK) and Gioia Marzocchi (Italy) + The Z100 Morning Show Elvis Duran and Dennis Clark (iHeart Radio, USA) “Elvis Duran and the Z100 Morning Show” wakes up New York City every morning! The programme is also heard in over 70 markets across the USA, making its host, Elvis Duran, one of America’s most popular radio personalities. How do you create a show that consistently delivers huge audiences, and what are the ingredients that make this programme the most listened to Top 40 Morning Show in the US? For one day only, Elvis will be in the building! Joining him on stage is the Vice President of Talent Development for iHeartMedia, Dennis Clark. Dennis’ role is to nurture the best and most talented radio people in the industry and he works directly with key radio personalities, such as Elvis Duran and Ryan Seacrest. -
An Analysis of the Czechoslovak Media Following the Act of Jan Palach’S Self-Immolation
Master of Arts Thesis Euroculture Palacky University in Olomouc, Czech Republic Georg-August University in Göttingen, Germany May 2014 An Analysis of the Czechoslovak Media Following the Act of Jan Palach’s Self-immolation Submitted by: Mariana Olšarová Student number home university: F12056 Student number host university: 11332047 [email protected] Supervised by: PhDr. Petr Blažek, Ph.D. Prof. Dr. Petra Terhoeven Göttingen, 28. 5. 2014 Signature 1 MA Programme Euroculture Declaration I, Mariana Olšarová hereby declare that this thesis, entitled “An Analysis of the Czechoslovak Media Following the Act of Jan Palach’s Self-immolation”, submitted as partial requirement for the MA Programme Euroculture, is my own original work and expressed in my own words. Any use made within this text of works of other authors in any form (e.g. ideas, figures, texts, tables, etc.) are properly acknowledged in the text as well as in the bibliography. I hereby also acknowledge that I was informed about the regulations pertaining to the assessment of the MA thesis Euroculture and about the general completion rules for the Master of Arts Programme Euroculture. Signed ………………………………….. Date 28. 5 2014 2 Table of Contents Table of Contents .............................................................................. 3 Preface .............................................................................................. 5 1. Introduction ................................................................................... 8 1.1 General Introduction .............................................................................................. -
Présentation Powerpoint
Jean-Luc Oboman FILLON The Jazz Oboe “Do not listen to Jean-Luc Fillon and think that he is playing an instrument which is not really used in Jazz. He does not need this kind of “indulgence”. His talent as a composer and improviser means that the instrument is quickly forgotten. “ Martial Solal Oboman is one of the rare musicians whose artistic career is marked by a multitude of original creations. A composer and multi-instrumentalist, endowed with a solid knowledge of classical music, he has taken, with a discerning mixture of discretion and perseverance, an artistic route which is both convincing and makes a welcome change. His creed: create a musical project anchored in jazz and improvisation around the specific tones of the oboe, oboe d’amore and English horn. Oboman has certainly imposed instruments that are little used in jazz. He has, however, above all, created a new orchestral colour, that of sensuality and beat. We cannot help but be seduced by the rich sound, the authenticity and the lyricism of the oboe – an instrument which up until now has been confined to traditional written music - combined with the virtuosity of this exceptional improviser. Since 2001, he has been continuously working, making numerous sound recordings and giving live performances, illustrating the innovative and original character of his artistic initiative. Press Coverage COLLABORATIONS WITH… RECORDINGS Patrice Caratini, Antoine Hervé, Claude Barthélémy, Discography Georges Rabol, Bob Mintzer, Glenn Ferris, Michele 10 albums as leader (click on the pictures