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OSU-Tulsa Library Michael Wallis Papers the Real Wild West Writings
OSU-Tulsa Library Michael Wallis papers The Real Wild West Rev. July 2013 Writings 1:1 Typed draft book proposals, overviews and chapter summaries, prologue, introduction, chronologies, all in several versions. Letter from Wallis to Robert Weil (St. Martin’s Press) in reference to Wallis’s reasons for writing the book. 24 Feb 1990. 1:2 Version 1A: “The Making of the West: From Sagebrush to Silverscreen.” 19p. 1:3 Version 1B, 28p. 1:4 Version 1C, 75p. 1:5 Version 2A, 37p. 1:6 Version 2B, 56p. 1:7 Version 2C, marked as final draft, circa 12 Dec 1990. 56p. 1:8 Version 3A: “The Making of the West: From Sagebrush to Silverscreen. The Story of the Miller Brothers’ 101 Ranch Empire…” 55p. 1:9 Version 3B, 46p. 1:10 Version 4: “The Read Wild West. Saturday’s Heroes: From Sagebrush to Silverscreen.” 37p. 1:11 Version 5: “The Real Wild West: The Story of the 101 Ranch.” 8p. 1:12 Version 6A: “The Real Wild West: The Story of the Miller Brothers and the 101 Ranch.” 25p. 1:13 Version 6B, 4p. 1:14 Version 6C, 26p. 1:15 Typed draft list of sidebars and songs, 2p. Another list of proposed titles of sidebars and songs, 6p. 1:16 Introduction, a different version from the one used in Version 1 draft of text, 5p. 1:17 Version 1: “The Hundred and 101. The True Story of the Men and Women Who Created ‘The Real Wild West.’” Early typed draft text with handwritten revisions and notations. Includes title page, Dedication, Epigraph, with text and accompanying portraits and references. -
Thanksgiving-1947 9
• 44". Won In M ,Mrs. Edw, who served .1 ter of the spoke at the ing of the A ANOTHER SUTHERLAND FIRST men Voters Phillips Aral "Women in Mrs. O'Kel dover at the Welfare con of which [Mr man. Mrs. O'Ke laws and cc A HEM are unjust to she cited the mandatory s, victed of col that for mer lieves that without a f facts and tin dealt with i And It's Ready ! manner. Women of prehended f, offenders, wl means receil too often co It's just one, two — up comes the hem and you're ready with the skirt hit of the season. Make it long, Marriage The follow make it short, make it any length you wish, for these riage have '13, the Town Cl tubular all wool jersey skirt lengths come 38" long. George J The elasticized, shirred waist fits it to any size from Haverhill an 382 Andover 24 to 36. In black, grey, red, natural and dubonnet. Henry V. and Priscille Ave., Lynn. Roland J. Jeannette L St., Lawrenc Engageme Ballerina Joseph B street, Meth gagement o Dolores, to Skirt erd, son of and the latE Both are Lengths ward F. Sea uen. Miss C clilfe collegE at the H. Her fiance $395 in the Ar: is now a si versity. Wedding each SI INA—DI Elizabeth ter of Mr. 56 Maple marriage • Silva of Te 16, at St. A ceremony N Rev. M. F. ANDOVER CUSTOMERS - - - Births A daugh Call Andover 300 14, at Law to Mr. and Essex stre€ No Toll Charge former Fra A son Fr Lawrence C and Mrs. -
Television Sharknados and Twitter Storms
Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy. -
Artist Catalogue
NOBODY, NOWHERE THE LAST MAN (1805) THE END OF THE WORLD (1916) END OF THE WORLD (1931) DELUGE (1933) THINGS TO COME (1936) PEACE ON EARTH (1939) FIVE (1951) WHEN WORLDS COLLIDE (1951) THE WAR OF THE WORLDS (1953) ROBOT MONSTER (1953) DAY THE WORLD ENDED (1955) KISS ME DEADLY (1955) FORBIDDEN PLANET (1956) INVASION OF THE BODY SNATCHERS (1956) WORLD WITHOUT END (1956) THE LOST MISSILE (1958) ON THE BEACH (1959) THE WORLD, THE FLESH AND THE DEVIL (1959) THE GIANT BEHEMOTH (1959) THE TIME MACHINE (1960) BEYOND THE TIME BAR- RIER (1960) LAST WOMAN ON EARTH (1960) BATTLE OF THE WORLDS (1961) THE LAST WAR (1961) THE DAY THE EARTH CAUGHT FIRE (1961) THE DAY OF THE TRIFFIDS (1962) LA JETÉE (1962) PAN- IC IN YEAR ZERO! (1962) THE CREATION OF THE HUMANOIDS (1962) THIS IS NOT A TEST (1962) LA JETÉE (1963) FAIL-SAFE (1964) WHAT IS LIFE? THE TIME TRAVELERS (1964) THE LAST MAN ON EARTH (1964) DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964) THE DAY THE EARTH CAUGHT FIRE (1964) CRACK IN THE WORLD (1965) DALEKS – INVASION EARTH: 2150 A.D. (1966) THE WAR GAME (1965) IN THE YEAR 2889 (1967) LATE AUGUST AT THE HOTEL OZONE (1967) NIGHT OF THE LIVING DEAD (1968) PLANET OF THE APES (1968) THE BED-SITTING ROOM (1969) THE SEED OF MAN (1969) COLOSSUS: THE FORBIN PROJECT (1970) BE- NEATH THE PLANET OF THE APES (1970) NO BLADE OF GRASS (1970) GAS-S-S-S (1970) THE ANDROM- EDA STRAIN (1971) THE OMEGA MAN (1971) GLEN AND RANDA (1971) ESCAPE FROM THE PLANET OF THE APES (1971) SILENT RUNNING (1972) DO WE HAVE FREE WILL? BEWARE! THE BLOB (1972) -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Nosferatu. Revista De Cine (Donostia Kultura)
Nosferatu. Revista de cine (Donostia Kultura) Título: No diga bajo presupuesto, diga ... Roger Connan Autor/es: Valencia, Manuel Citar como: Valencia, M. (1994). No diga bajo presupuesto, diga ... Roger Connan. Nosferatu. Revista de cine. (14):79-89. Documento descargado de: http://hdl.handle.net/10251/40892 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Roger Corman :rj c--~- ~ c• 4 e :) ·~ No diga bajo presupuesto, diga ... Roger Corman Manuel Valencia í, bajo presupuesto, por céntimo, Ed. Laertes, Barcelona, los niveles de audiencia empeza que como bien explica el 1992), jamás realizó una pelícu ron a bajar, los estudios estimu Spropio Corman en su es la de serie B: "La serie B databa laban al público a ir al cine con pléndida y socarrona autobio de la Depresión, sólo fue un su el incentivo de los programas grafía (Cómo hice cien films en i·eso hasta principios de los años dobles, donde podían verse dos Hollywood y nunca perdí ni un cincuenta. En los treinta, cuando películas al precio de una. -
229 INDEX © in This Web Service Cambridge
Cambridge University Press 978-1-107-05246-8 - The Cambridge Companion to: American Science Fiction Edited by Eric Carl Link and Gerry Canavan Index More information INDEX Aarseth, Espen, 139 agency panic, 49 Abbott and Costello Meet Frankenstein (fi lm, Agents of SHIELD (television, 2013–), 55 1948), 113 Alas, Babylon (Frank, 1959), 184 Abbott, Carl, 173 Aldiss, Brian, 32 Abrams, J.J., 48 , 119 Alexie, Sherman, 55 Abyss, The (fi lm, Cameron 1989), 113 Alias (television, 2001–06, 48 Acker, Kathy, 103 Alien (fi lm, Scott 1979), 116 , 175 , 198 Ackerman, Forrest J., 21 alien encounters Adam Strange (comic book), 131 abduction by aliens, 36 Adams, Neal, 132 , 133 Afrofuturism and, 60 Adventures of Superman, The (radio alien abduction narratives, 184 broadcast, 1946), 130 alien invasion narratives, 45–50 , 115 , 184 African American science fi ction. assimilation of human bodies, 115 , 184 See also Afrofuturism ; race assimilation/estrangement dialectic African American utopianism, 59 , 88–90 and, 176 black agency in Hollywood SF, 116 global consciousness and, 1 black genius fi gure in, 59 , 60 , 62 , 64 , indigenous futurism and, 177 65 , 67 internal “Aliens R US” motif, 119 blackness as allegorical SF subtext, 120 natural disasters and, 47 blaxploitation fi lms, 117 post-9/11 reformulation of, 45 1970s revolutionary themes, 118 reverse colonization narratives, 45 , 174 nineteenth century SF and, 60 in space operas, 23 sexuality and, 60 Superman as alien, 128 , 129 Afrofuturism. See also African American sympathetic treatment of aliens, 38 , 39 , science fi ction ; race 50 , 60 overview, 58 War of the Worlds and, 1 , 3 , 143 , 172 , 174 African American utopianism, 59 , 88–90 wars with alien races, 3 , 7 , 23 , 39 , 40 Afrodiasporic magic in, 65 Alien Nation (fi lm, Baker 1988), 119 black racial superiority in, 61 Alien Nation (television, 1989–1990), 120 future race war theme, 62 , 64 , 89 , 95n17 Alien Trespass (fi lm, 2009), 46 near-future focus in, 61 Alien vs. -
Thesis-1974D-C324v.Pdf
© 1975 @ 1975 @ 1975 i ';; L'' ,,- , - :.._; ; ·;' - "'.,..,.._ ~.,.' -- '.. ,-,, --. ~ ·-.;,; _,,,, ,,,,_,_. '-·Ll.i'-- ~ .i'-..\•~-';,; R.FS FR. VtD VOlCES FROM THE SHORT GRASS COUNTRY: A HISTORY OF LAWTON NEWSPAPERS, 1901-1970 By L. EDWARD CARTER 7 Bachelor of Arts University of Oklahoma Norman, Oklahoma 1952 Bachelor of Arts University of Oklahoma Norman, Oklahoma 1953 Master of Science Oklahoma. State University Stillwater, Oklahoma 1970 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 197/,i, VOICES FROM THE SHORT GRASS COUNTRY: A HISTORY OF LAWTON NEWSPAPERS, 1901-1970 Thesis Approved: Thesis Advis Dean of the Graduate College ii OKLA.HON-A STATE UNIVERSITY UBRARY MAY 6 1975 PREFACE When frontier towns were established in Oklahoma during the various land openings, newspapers invariably were on the scene recording the news. These newspapers were typical of the press in the American West. Their editors were tireless boosters for their communities. They were constantly involved in personal journalistic battles with fellow news- mena These pioneer newspapermen established their papers as political organs, with hopes of winning the city and county printing contracts from the politicians in power. And the editors reflected their parti- sanship in the news columns and editorial pages. Gradually this stage of newspaper boosterism and political partisanship evolved into a one- man monopoly newspaper situation of unbiased news coverage relying on advertising for revenue. This process is evident in microcosm in towns within the Territory, and later the State of Oklahoma. In particular, this case study will show how this pattern worked in the town of Lawton, Oklahomae No important investigation ever has been made of daily newspaper operatio~s in Oklahoma, and little has been done on small town journalism anywhere. -
SERIALS - Available in DVD Format
SERIALS - Available in DVD Format Listed in alphabetical order: ACE DRUMMOND 13-Universal John "Dusty" King ADVENTURES OF CAPTAIN AFRICA 15-Columbia John Hart ADVENTURES OF CAPTAIN MARVEL 12-Republic Tom Tyler ADVENTURES OF FRANK AND JESSE JAMES 13-Universal Clayton Moore THE ADVENTURES OF FRANK MERRIWELL 12-Universal Don Briggs ADVENTURES OF RED RYDER 12-Republic Don "Red" Barry ADVENTURES OF REX AND RINTY 12-Mascot Rin Tin Tin THE ADVENTURES OF SIR GALAHAD 15-Columbia George Reeves ADVENTURES OF SMILIN' JACK 13-Universal Tom Brown ADVENTURES OF THE FLYING CADETS 13-Universal Johnny Downs ATOM MAN v/s SUPERMAN 15-Columbia Kirk Alyn BATMAN 15-Columbia Lewis Wilson BATMAN AND ROBIN 15-Columbia Robert Lowery BLACK ARROW 15-Columbia Robert Scott THE BLACK COIN 15-Independent Ralph Graves BLACKHAWK 15-Columbia Kirk Alyn BLACK WIDOW 13-Republic Bruce Edwards BLAKE OF SCOTLAND YARD 15-Independent Ralph Byrd BLAZING THE OVERLAND TRAIL 15-Columbia Dennis Moore BRICK BRADFORD 15-Columbia Kane Richmond BRUCE GENTRY 15-Columbia Tom Neal BUCK ROGERS 12-Universal Buster Crabbe BURN'EM UP BARNES 12-Mascot Jack Mulhall CALL OF THE SAVAGE 13-Universal Noah Berry, Jr. CANADIAN MOUNTIES v/s ATOMIC INVADERS 12-Republic Bill Henry CAPTAIN AMERICA 15-Republic Dick Pucell CAPTAIN MIDNIGHT 15-Columbia Dave O'Brien CAPTAIN VIDEO 15-Columbia Judd Holdren CHICK CARTER, DETECTIVE 15-Columbia Lyle Talbot THE CLUTCHING HAND 15-Independent Jack Mulhall CODY OF THE PONY EXPRESS 15-Columbia Jock Mahoney CONGO BILL 15-Columbia Don McGuire THE CRIMSON GHOST 12-Republic -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
American International Pictures (AIP) Est Une Société De Production Et
American International Pictures (AIP) est une société de production et distribution américaine, fondée en 1956 depuis "American Releasing Corporation" (en 1955) par James H. Nicholson et Samuel Z. Arkoff, dédiée à la production de films indépendants à petits budgets, principalement à destination des adolescents des années 50, 60 et 70. 1 Né à Fort Dodge, Iowa à une famille juive russe, Arkoff a d'abord étudié pour être avocat. Il va s’associer avec James H. Nicholson et le producteur-réalisateur Roger Corman, avec lesquels il produira dix-huit films. Dans les années 1950, lui et Nicholson fondent l'American Releasing Corporation, qui deviendra plus tard plus connue sous le nom American International Pictures et qui produira plus de 125 films avant la disparition de l'entreprise dans les années 1980. Ces films étaient pour la plupart à faible budget, avec une production achevée en quelques jours. Arkoff est également crédité du début de genres cinématographiques, comme le Parti Beach et les films de motards, enfin sa société jouera un rôle important pour amener le film d'horreur à un niveau important avec Blacula, I Was a Teenage Werewolf et Le Chose à deux têtes. American International Pictures films engage très souvent de grands acteurs dans les rôles principaux, tels que Boris Karloff, Elsa Lanchester et Vincent Price, ainsi que des étoiles montantes qui, plus tard deviendront très connus comme Don Johnson, Nick Nolte, Diane Ladd, et Jack Nicholson. Un certain nombre d'acteurs rejetées ou 2 négligées par Hollywood dans les années 1960 et 1970, comme Bruce Dern et Dennis Hopper, trouvent du travail dans une ou plusieurs productions d’Arkoff. -
THE BEST of ANDY HARDY VOLUME 5 1'0~309 WM $14.88" William Frawley Be Bog, 'Light Owls, the Perfect Day
IOYS TOWN THE UNSINKABLE MOLLY Now you can getthehottestnew releases andthe Spencer Tracy, Mickey Rooney BROWN Tracy won his second Best Actor Debbie Reynolds, Harve Presnell best ofthe classics for even less. We've lowered Oscar for his portrayal of Father Reynolds sparkles in this theprice on dozens ofyourfavori tefilms , so we Flanagan and Rooney is superb in exuberant musical comedy about this poignant classic that remains a down-home orphan who marries can offer you even greater savings than ever one of the best-loved movies of well and bursts into stuffy Denver all time. 93 mins. B&W (1938) society. 128 mins. Color ( 1964) before. So whetheryou 're looking/or a timeless MG20385l $19.95 MG600578 $19.95 collectibleoracontemporaryclassic, we'vegot ll'll.ill.11 KAJHli£'i GEENA Hlllr . TL'AA':R . DIVIS Greer Garson, \Valier Pidgeon hundreds ofHollywood's finest fi lms toc hoose The uplifting story of an English THE housewife·s experiences in World from. Andnow 's the pe1fect time to buy those ACCIDENTAL War II, winner of seven Academy TOURIST Awards including Best Picture movies you always wanted to own for a price and Best Actress. 134 mins. B&W (1942) you can't afford to miss.* MG300804 $ 19.95 HBOTI IND COSTELLO IN GAY DIVORCEE HOLLYWOOD Fred Allaire, Ginger Rogers COVER GIRL B11d Abbo11, lo11 Cosrello Sheer poetry in motion--"Night Rira Hayworth, Gene Kelly The hilarity never SIO~ when and Day .. an incomparable dance Lively Kem and Gershwin tunes, these twQ zany bumblers play of seduction, "The Continental" a fabulous dance numbers and Hollywood agent<, that wreak dJeam you wish would never end.