Studentportal.Gu.Se › Digitalassets › 1737

Total Page:16

File Type:pdf, Size:1020Kb

Studentportal.Gu.Se › Digitalassets › 1737 UNIVERSITY OF GOTHENBURG Department of Earth Sciences Geovetarcentrum/Earth Science Centre Geologen på den vita duken Referat av filmer med geologer Erik Sturkell, Axel Sjöqvist, Lennart Björklund och Andreas Johnsson ISSN 1400-383X C125 Rapport Gothenburg 2018 Mailing address Address Telephone Geovetarcentrum Geovetarcentrum Geovetarcentrum 031-786 19 56 Göteborg University S 405 30 Göteborg Guldhedsgatan 5A S-405 30 Göteborg SWEDEN Geologer i filmer Efter många och långa diskussioner mellan geologer om hur vanligt förekommande geologer är i film och hur de porträtteras så bestämde vi oss för att göra något – att gå till botten med detta. Vi hade några frågor som vi ville undersöka närmare. Fysiker porträtteras oftast som onda och destruktiva i filmer, men hur är det med geologen, är geologen en hjälte eller skurk? Vi ville också söka svar på frågan om hur många kvinnliga geologer det finns i filmens värld samt hur många geologer som dör och på vilket sätt. Först satte vi upp regler för undersökningen: 1) Det måste vara en film som har varit på vita duken, en geolog måste finnas i bild, död eller levande, helst det senare; 2) det skall vara en amerikansk eller brittisk film. Vi började med svenska geologfilmer men vi hittade tyvärr bara tre! Denna undersökn- ing resulterade i tre artiklar (se listan nedan) och flera föredrag. I den senaste artikeln från 2016 hade vi funnit 92 filmer med totalt 142 geologer. Det kommer hela tiden nya filmer men vi hittar också äldre filmer efter djupare dykningar i arkiven. Dessa finns redovisade i slutet av denna rapport. Un- der arbetet skrev vi en kort sammanfattning om filmerna där vi speciellt belyser vad geologen eller geologerna har för roll(er). Ett varnings ord, dessa referat avslöjar handlingen – en historiedödare! Sturkell, E., Sjöqvist, A., Björklund, L., & Johnsson, A., 2013: Geologen – en filmstjärna, Geolo- giskt forum 79, 16–21. Sturkell, E., Sjöqvist, A., Björklund, L., & Johnsson, A., 2015: Rock Stars Geologists on the silver screen, EARTH, May/June, 72–81. Sturkell, E., Sjöqvist, A., Björklund, L., & Johnsson, A., 2016: Hjältegeologen på vita duken, Ge- ologiskt forum 91, 20–22. Innehåll Sida Filmreferat Amerikanska och Brittiska 1 Filmreferat Sverige och övriga länder 104 Lista med övriga geologfilmer 110 Filmreferat video och DVD 111 Lista med DVD-, tv-filmer, dokumentärer etc 118 Extramaterial: Bonusfakta - diamanter i Arkansas 120 Kaliforniens oljeindustri Referat för nytillkommna filmer 121 Tabell med filmer och kategorier 138 Antal filmer och geologer och andelen goda, döda och kvinnor. Siffrorna inom parentes är i procent. År Antal filmer Antal geologer Antal goda Antal döda Antal kvinnor 2013 59 97 86 (88,7) 34 (35,1) 12 (12,4) 2015 83 129 108 (83,7) 46 (35,7) 13 (10,1) 2016 92 142 119 (83,8) 49 (34,5) 14 (9,9) 2018 104 154 129 (83,8) 54 (35,1) 15 (9,7) Fördelningen av de olika kategorierna för 103 geologfilmer som har registrerats till och med 2018. Antal Goda Onda Falska Döda Kvinnor Huvud- Biroll roll Total 154 129 25 13 54 15 63 91 % 83,8 16,2 8,4 35,1 9,7 40,9 59,1 110 100 100 90 Goda geologer 90 80 80 70 70 Antal filmer 60 60 50 50 antal 40 Döda geologer 40 procent [%] 30 30 20 Kvinnliga geologer 20 10 10 0 0 2013 2014 2015 2016 2017 2018 tid [år] Förändringen i antalet geologer (höger axel) och procent av goda, döda och kvinnliga geologer (vänster axel) vid fyra successiva publikationstillfällen: Geologiskt forum (2013), EARTH (2015), Geologiskt forum (2016) och denna rapport. Amerikanska och Brittiska filmer 1 Filmerna efter produktions år Film År Sida Transformers 4: Age of Extinction 2014 6 Prometheus 2012 7 The Thing 2011 8 Another Year 2010 9 2012 2009 10 Creation 2009 11 Nine Miles Down 2009 12 The Age of Stupid 2009 13 Whiteout 2009 14 Journey to the Center of the Earth 2008 15 Quantum of Solace 2008 16 The Day the Earth Stood Still 2008 17 Ocean’s Thirteen 2007 18 There Will Be Blood 2007 19 Eight Below 2006 20 The Last Winter 2006 21 The Dukes of Hazzard 2005 22 Blueberry (Renegade) 2004 23 Flight of the Phoenix 2004 24 Power Play 2003 25 Atlantis: The Lost Empire 2001 26 Evolution 2001 27 Deep Core 2000 28 Kin 2000 30 Pitch Black 2000 31 The Last Patrol 2000 32 South Park: Bigger, Longer & Uncut 1999 33 The Insider 1999 34 A Civil Action 1998 35 Armageddon 1998 36 Dante’s Peak 1997 37 RocketMan 1997 38 Volcano 1997 40 Bio-Dome 1996 41 How to Make an American Quilt 1995 42 Twelve Monkeys 1995 43 Merlin 1993 44 Landslide 1992 45 Seedpeople 1992 46 Gas, Food, Lodging 1991 47 DeepStar Six 1989 48 Leviathan 1989 49 A View to Kill 1985 50 Sherman’s March 1985 51 St. Helens 1981 52 Comes a Horseman 1978 54 2 Filmerna efter produktions år Film År Sida The Last Dinosaur 1977 56 The Shadow of Chikara 1977 57 King Kong 1976 58 Track of the Moon Beast 1976 59 Doc Savage: The Man of Bronze 1975 60 Earthquake 1974 61 Gold 1974 62 Street of a Thousand Pleasures 1972 63 Walkabout 1971 64 Equinox 1970 65 The Southern Star 1969 66 Finian’s Rainbow 1968 67 The Money Jungle 1967 68 Crack in the World 1965 69 The City under the Sea 1965 70 Dr. No 1962 71 Journey to the Center of the Earth 1959 72 Terror in the Midnight Sun 1959 73 The Trollenberg Terror 1958 74 The Astounding She-Monster 1957 76 The Black Scorpion 1957 77 The Monolith Monsters 1957 78 The Night the World Exploded 1957 79 Swamp Women 1956 80 Written on the Wind 1956 81 Day the World Ended 1955 82 African Treasure 1952 83 Leadville Gunslinger 1952 84 Unknown World 1951 85 Kim 1950 86 The White Tower 1950 87 Tulsa 1949 88 Jesse James Rides Again 1947 89 Conquest of Cheyenne 1946 90 Tarzan and the Amazons 1945 91 The Monster and the Ape 1945 92 Marked Trails 1944 93 The San Antonio Kid 1944 94 The Saint Meets the Tiger 1943 95 Boom Town 1940 96 Dr. Cyclops 1940 97 Valley of Terror 1937 98 The Law of the 45’s 1935 100 The Gay Divorcee 1934 101 Hot Saturday 1932 102 Roaring Ranch 1930 103 3 Filmerna i bokstavsordning Film År Sida 2012 2009 10 A Civil Action 1998 35 A View to Kill 1985 50 African Treasure 1952 83 Another Year 2010 9 Armageddon 1998 36 Atlantis: The Lost Empire 2001 26 Bio-Dome 1996 41 Blueberry (Renegade) 2004 23 Boom Town 1940 96 Comes a Horseman 1978 54 Conquest of Cheyenne 1946 90 Crack in the World 1965 69 Creation 2009 11 Dante’s Peak 1997 37 Day the World Ended 1955 82 Deep Core 2000 28 DeepStar Six 1989 48 Doc Savage: The Man of Bronze 1975 60 Dr. Cyclops 1940 97 Dr. No 1962 71 Earthquake 1974 61 Eight Below 2006 20 Equinox 1970 65 Evolution 2001 27 Finian’s Rainbow 1968 67 Flight of the Phoenix 2004 24 Gas, Food, Lodging 1991 47 Gold 1974 62 Hot Saturday 1932 102 How to Make an American Quilt 1995 42 Jesse James Rides Again 1947 89 Journey to the Center of the Earth 2008 15 Journey to the Center of the Earth 1959 72 Kim 1950 86 Kin 2000 30 King Kong 1976 58 Landslide 1992 45 Leadville Gunslinger 1952 84 Leviathan 1989 49 Marked Trails 1944 93 Merlin 1993 44 Nine Miles Down 2009 12 Ocean’s Thirteen 2007 18 Pitch Black 2000 31 Power Play 2003 25 4 Filmerna i bokstavsordning Film År Sida Prometheus 2012 7 Quantum of Solace 2008 16 Roaring Ranch 1930 103 RocketMan 1997 38 Seedpeople 1992 46 Sherman’s March 1985 51 South Park: Bigger, Longer & Uncut 1999 33 St. Helens 1981 52 Street of a Thousand Pleasures 1972 63 Swamp Women 1956 80 Tarzan and the Amazons 1945 91 Terror in the Midnight Sun 1959 73 The Age of Stupid 2009 13 The Astounding She-Monster 1957 76 The Black Scorpion 1957 77 The City under the Sea 1965 70 The Day the Earth Stood Still 2008 17 The Dukes of Hazzard 2005 22 The Gay Divorcee 1934 101 The Insider 1999 34 The Last Dinosaur 1977 56 The Last Patrol 2000 32 The Last Winter 2006 21 The Law of the 45’s 1935 100 The Money Jungle 1967 68 The Monolith Monsters 1957 78 The Monster and the Ape 1945 92 The Night the World Exploded 1957 79 The Saint Meets the Tiger 1943 95 The San Antonio Kid 1944 94 The Shadow of Chikara 1977 57 The Southern Star 1969 66 The Thing 2011 8 The Trollenberg Terror 1958 74 The White Tower 1950 87 There Will Be Blood 2007 19 Track of the Moon Beast 1976 59 Transformers 4: Age of Extinction 2014 6 Tulsa 1949 88 Twelve Monkeys 1995 43 Unknown World 1951 85 Walkabout 1971 64 Valley of Terror 1937 98 Whiteout 2009 14 Volcano 1997 40 Written on the Wind 1956 81 5 Transformers 4: Age of Extinction 2014 USA Svensktitel: Kina Hong Kong Filmen börjar för 65 miljoner år sedan, på en plats som är snarlik Island. Dinosaurierna springer för livet, för de håller på att utrotas av utomjordingar. Sextiofem miljoner år senare är geologen Darcy Tirrel (Sophia Myles) på väg till en gruva, som ligger i Arktis, för att undersöka märkliga observa- tioner gjorda av en geologkollega. Ett dinosaurieskellet har påträffats i gruvan, och det är gjort av en okänd metall.
Recommended publications
  • OSU-Tulsa Library Michael Wallis Papers the Real Wild West Writings
    OSU-Tulsa Library Michael Wallis papers The Real Wild West Rev. July 2013 Writings 1:1 Typed draft book proposals, overviews and chapter summaries, prologue, introduction, chronologies, all in several versions. Letter from Wallis to Robert Weil (St. Martin’s Press) in reference to Wallis’s reasons for writing the book. 24 Feb 1990. 1:2 Version 1A: “The Making of the West: From Sagebrush to Silverscreen.” 19p. 1:3 Version 1B, 28p. 1:4 Version 1C, 75p. 1:5 Version 2A, 37p. 1:6 Version 2B, 56p. 1:7 Version 2C, marked as final draft, circa 12 Dec 1990. 56p. 1:8 Version 3A: “The Making of the West: From Sagebrush to Silverscreen. The Story of the Miller Brothers’ 101 Ranch Empire…” 55p. 1:9 Version 3B, 46p. 1:10 Version 4: “The Read Wild West. Saturday’s Heroes: From Sagebrush to Silverscreen.” 37p. 1:11 Version 5: “The Real Wild West: The Story of the 101 Ranch.” 8p. 1:12 Version 6A: “The Real Wild West: The Story of the Miller Brothers and the 101 Ranch.” 25p. 1:13 Version 6B, 4p. 1:14 Version 6C, 26p. 1:15 Typed draft list of sidebars and songs, 2p. Another list of proposed titles of sidebars and songs, 6p. 1:16 Introduction, a different version from the one used in Version 1 draft of text, 5p. 1:17 Version 1: “The Hundred and 101. The True Story of the Men and Women Who Created ‘The Real Wild West.’” Early typed draft text with handwritten revisions and notations. Includes title page, Dedication, Epigraph, with text and accompanying portraits and references.
    [Show full text]
  • Thanksgiving-1947 9
    • 44". Won In M ,Mrs. Edw, who served .1 ter of the spoke at the ing of the A ANOTHER SUTHERLAND FIRST men Voters Phillips Aral "Women in Mrs. O'Kel dover at the Welfare con of which [Mr man. Mrs. O'Ke laws and cc A HEM are unjust to she cited the mandatory s, victed of col that for mer lieves that without a f facts and tin dealt with i And It's Ready ! manner. Women of prehended f, offenders, wl means receil too often co It's just one, two — up comes the hem and you're ready with the skirt hit of the season. Make it long, Marriage The follow make it short, make it any length you wish, for these riage have '13, the Town Cl tubular all wool jersey skirt lengths come 38" long. George J The elasticized, shirred waist fits it to any size from Haverhill an 382 Andover 24 to 36. In black, grey, red, natural and dubonnet. Henry V. and Priscille Ave., Lynn. Roland J. Jeannette L St., Lawrenc Engageme Ballerina Joseph B street, Meth gagement o Dolores, to Skirt erd, son of and the latE Both are Lengths ward F. Sea uen. Miss C clilfe collegE at the H. Her fiance $395 in the Ar: is now a si versity. Wedding each SI INA—DI Elizabeth ter of Mr. 56 Maple marriage • Silva of Te 16, at St. A ceremony N Rev. M. F. ANDOVER CUSTOMERS - - - Births A daugh Call Andover 300 14, at Law to Mr. and Essex stre€ No Toll Charge former Fra A son Fr Lawrence C and Mrs.
    [Show full text]
  • Television Sharknados and Twitter Storms
    Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy.
    [Show full text]
  • Artist Catalogue
    NOBODY, NOWHERE THE LAST MAN (1805) THE END OF THE WORLD (1916) END OF THE WORLD (1931) DELUGE (1933) THINGS TO COME (1936) PEACE ON EARTH (1939) FIVE (1951) WHEN WORLDS COLLIDE (1951) THE WAR OF THE WORLDS (1953) ROBOT MONSTER (1953) DAY THE WORLD ENDED (1955) KISS ME DEADLY (1955) FORBIDDEN PLANET (1956) INVASION OF THE BODY SNATCHERS (1956) WORLD WITHOUT END (1956) THE LOST MISSILE (1958) ON THE BEACH (1959) THE WORLD, THE FLESH AND THE DEVIL (1959) THE GIANT BEHEMOTH (1959) THE TIME MACHINE (1960) BEYOND THE TIME BAR- RIER (1960) LAST WOMAN ON EARTH (1960) BATTLE OF THE WORLDS (1961) THE LAST WAR (1961) THE DAY THE EARTH CAUGHT FIRE (1961) THE DAY OF THE TRIFFIDS (1962) LA JETÉE (1962) PAN- IC IN YEAR ZERO! (1962) THE CREATION OF THE HUMANOIDS (1962) THIS IS NOT A TEST (1962) LA JETÉE (1963) FAIL-SAFE (1964) WHAT IS LIFE? THE TIME TRAVELERS (1964) THE LAST MAN ON EARTH (1964) DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964) THE DAY THE EARTH CAUGHT FIRE (1964) CRACK IN THE WORLD (1965) DALEKS – INVASION EARTH: 2150 A.D. (1966) THE WAR GAME (1965) IN THE YEAR 2889 (1967) LATE AUGUST AT THE HOTEL OZONE (1967) NIGHT OF THE LIVING DEAD (1968) PLANET OF THE APES (1968) THE BED-SITTING ROOM (1969) THE SEED OF MAN (1969) COLOSSUS: THE FORBIN PROJECT (1970) BE- NEATH THE PLANET OF THE APES (1970) NO BLADE OF GRASS (1970) GAS-S-S-S (1970) THE ANDROM- EDA STRAIN (1971) THE OMEGA MAN (1971) GLEN AND RANDA (1971) ESCAPE FROM THE PLANET OF THE APES (1971) SILENT RUNNING (1972) DO WE HAVE FREE WILL? BEWARE! THE BLOB (1972)
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Nosferatu. Revista De Cine (Donostia Kultura)
    Nosferatu. Revista de cine (Donostia Kultura) Título: No diga bajo presupuesto, diga ... Roger Connan Autor/es: Valencia, Manuel Citar como: Valencia, M. (1994). No diga bajo presupuesto, diga ... Roger Connan. Nosferatu. Revista de cine. (14):79-89. Documento descargado de: http://hdl.handle.net/10251/40892 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Roger Corman :rj c--~- ~ c• 4 e :) ·~ No diga bajo presupuesto, diga ... Roger Corman Manuel Valencia í, bajo presupuesto, por­ céntimo, Ed. Laertes, Barcelona, los niveles de audiencia empeza­ que como bien explica el 1992), jamás realizó una pelícu­ ron a bajar, los estudios estimu­ Spropio Corman en su es­ la de serie B: "La serie B databa laban al público a ir al cine con pléndida y socarrona autobio­ de la Depresión, sólo fue un su­ el incentivo de los programas grafía (Cómo hice cien films en i·eso hasta principios de los años dobles, donde podían verse dos Hollywood y nunca perdí ni un cincuenta. En los treinta, cuando películas al precio de una.
    [Show full text]
  • 229 INDEX © in This Web Service Cambridge
    Cambridge University Press 978-1-107-05246-8 - The Cambridge Companion to: American Science Fiction Edited by Eric Carl Link and Gerry Canavan Index More information INDEX Aarseth, Espen, 139 agency panic, 49 Abbott and Costello Meet Frankenstein (fi lm, Agents of SHIELD (television, 2013–), 55 1948), 113 Alas, Babylon (Frank, 1959), 184 Abbott, Carl, 173 Aldiss, Brian, 32 Abrams, J.J., 48 , 119 Alexie, Sherman, 55 Abyss, The (fi lm, Cameron 1989), 113 Alias (television, 2001–06, 48 Acker, Kathy, 103 Alien (fi lm, Scott 1979), 116 , 175 , 198 Ackerman, Forrest J., 21 alien encounters Adam Strange (comic book), 131 abduction by aliens, 36 Adams, Neal, 132 , 133 Afrofuturism and, 60 Adventures of Superman, The (radio alien abduction narratives, 184 broadcast, 1946), 130 alien invasion narratives, 45–50 , 115 , 184 African American science fi ction. assimilation of human bodies, 115 , 184 See also Afrofuturism ; race assimilation/estrangement dialectic African American utopianism, 59 , 88–90 and, 176 black agency in Hollywood SF, 116 global consciousness and, 1 black genius fi gure in, 59 , 60 , 62 , 64 , indigenous futurism and, 177 65 , 67 internal “Aliens R US” motif, 119 blackness as allegorical SF subtext, 120 natural disasters and, 47 blaxploitation fi lms, 117 post-9/11 reformulation of, 45 1970s revolutionary themes, 118 reverse colonization narratives, 45 , 174 nineteenth century SF and, 60 in space operas, 23 sexuality and, 60 Superman as alien, 128 , 129 Afrofuturism. See also African American sympathetic treatment of aliens, 38 , 39 , science fi ction ; race 50 , 60 overview, 58 War of the Worlds and, 1 , 3 , 143 , 172 , 174 African American utopianism, 59 , 88–90 wars with alien races, 3 , 7 , 23 , 39 , 40 Afrodiasporic magic in, 65 Alien Nation (fi lm, Baker 1988), 119 black racial superiority in, 61 Alien Nation (television, 1989–1990), 120 future race war theme, 62 , 64 , 89 , 95n17 Alien Trespass (fi lm, 2009), 46 near-future focus in, 61 Alien vs.
    [Show full text]
  • Thesis-1974D-C324v.Pdf
    © 1975 @ 1975 @ 1975 i ';; L'' ,,- , - :.._; ; ·;' - "'.,..,.._ ~.,.' -- '.. ,-,, --. ~ ·-.;,; _,,,, ,,,,_,_. '-·Ll.i'-- ~ .i'-..\•~-';,; R.FS FR. VtD VOlCES FROM THE SHORT GRASS COUNTRY: A HISTORY OF LAWTON NEWSPAPERS, 1901-1970 By L. EDWARD CARTER 7 Bachelor of Arts University of Oklahoma Norman, Oklahoma 1952 Bachelor of Arts University of Oklahoma Norman, Oklahoma 1953 Master of Science Oklahoma. State University Stillwater, Oklahoma 1970 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 197/,i, VOICES FROM THE SHORT GRASS COUNTRY: A HISTORY OF LAWTON NEWSPAPERS, 1901-1970 Thesis Approved: Thesis Advis Dean of the Graduate College ii OKLA.HON-A STATE UNIVERSITY UBRARY MAY 6 1975 PREFACE When frontier towns were established in Oklahoma during the various land openings, newspapers invariably were on the scene recording the news. These newspapers were typical of the press in the American West. Their editors were tireless boosters for their communities. They were constantly involved in personal journalistic battles with fellow news- mena These pioneer newspapermen established their papers as political organs, with hopes of winning the city and county printing contracts from the politicians in power. And the editors reflected their parti- sanship in the news columns and editorial pages. Gradually this stage of newspaper boosterism and political partisanship evolved into a one- man monopoly newspaper situation of unbiased news coverage relying on advertising for revenue. This process is evident in microcosm in towns within the Territory, and later the State of Oklahoma. In particular, this case study will show how this pattern worked in the town of Lawton, Oklahomae No important investigation ever has been made of daily newspaper operatio~s in Oklahoma, and little has been done on small town journalism anywhere.
    [Show full text]
  • SERIALS - Available in DVD Format
    SERIALS - Available in DVD Format Listed in alphabetical order: ACE DRUMMOND 13-Universal John "Dusty" King ADVENTURES OF CAPTAIN AFRICA 15-Columbia John Hart ADVENTURES OF CAPTAIN MARVEL 12-Republic Tom Tyler ADVENTURES OF FRANK AND JESSE JAMES 13-Universal Clayton Moore THE ADVENTURES OF FRANK MERRIWELL 12-Universal Don Briggs ADVENTURES OF RED RYDER 12-Republic Don "Red" Barry ADVENTURES OF REX AND RINTY 12-Mascot Rin Tin Tin THE ADVENTURES OF SIR GALAHAD 15-Columbia George Reeves ADVENTURES OF SMILIN' JACK 13-Universal Tom Brown ADVENTURES OF THE FLYING CADETS 13-Universal Johnny Downs ATOM MAN v/s SUPERMAN 15-Columbia Kirk Alyn BATMAN 15-Columbia Lewis Wilson BATMAN AND ROBIN 15-Columbia Robert Lowery BLACK ARROW 15-Columbia Robert Scott THE BLACK COIN 15-Independent Ralph Graves BLACKHAWK 15-Columbia Kirk Alyn BLACK WIDOW 13-Republic Bruce Edwards BLAKE OF SCOTLAND YARD 15-Independent Ralph Byrd BLAZING THE OVERLAND TRAIL 15-Columbia Dennis Moore BRICK BRADFORD 15-Columbia Kane Richmond BRUCE GENTRY 15-Columbia Tom Neal BUCK ROGERS 12-Universal Buster Crabbe BURN'EM UP BARNES 12-Mascot Jack Mulhall CALL OF THE SAVAGE 13-Universal Noah Berry, Jr. CANADIAN MOUNTIES v/s ATOMIC INVADERS 12-Republic Bill Henry CAPTAIN AMERICA 15-Republic Dick Pucell CAPTAIN MIDNIGHT 15-Columbia Dave O'Brien CAPTAIN VIDEO 15-Columbia Judd Holdren CHICK CARTER, DETECTIVE 15-Columbia Lyle Talbot THE CLUTCHING HAND 15-Independent Jack Mulhall CODY OF THE PONY EXPRESS 15-Columbia Jock Mahoney CONGO BILL 15-Columbia Don McGuire THE CRIMSON GHOST 12-Republic
    [Show full text]
  • List of Shows Master Collection
    Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\
    [Show full text]
  • American International Pictures (AIP) Est Une Société De Production Et
    American International Pictures (AIP) est une société de production et distribution américaine, fondée en 1956 depuis "American Releasing Corporation" (en 1955) par James H. Nicholson et Samuel Z. Arkoff, dédiée à la production de films indépendants à petits budgets, principalement à destination des adolescents des années 50, 60 et 70. 1 Né à Fort Dodge, Iowa à une famille juive russe, Arkoff a d'abord étudié pour être avocat. Il va s’associer avec James H. Nicholson et le producteur-réalisateur Roger Corman, avec lesquels il produira dix-huit films. Dans les années 1950, lui et Nicholson fondent l'American Releasing Corporation, qui deviendra plus tard plus connue sous le nom American International Pictures et qui produira plus de 125 films avant la disparition de l'entreprise dans les années 1980. Ces films étaient pour la plupart à faible budget, avec une production achevée en quelques jours. Arkoff est également crédité du début de genres cinématographiques, comme le Parti Beach et les films de motards, enfin sa société jouera un rôle important pour amener le film d'horreur à un niveau important avec Blacula, I Was a Teenage Werewolf et Le Chose à deux têtes. American International Pictures films engage très souvent de grands acteurs dans les rôles principaux, tels que Boris Karloff, Elsa Lanchester et Vincent Price, ainsi que des étoiles montantes qui, plus tard deviendront très connus comme Don Johnson, Nick Nolte, Diane Ladd, et Jack Nicholson. Un certain nombre d'acteurs rejetées ou 2 négligées par Hollywood dans les années 1960 et 1970, comme Bruce Dern et Dennis Hopper, trouvent du travail dans une ou plusieurs productions d’Arkoff.
    [Show full text]
  • THE BEST of ANDY HARDY VOLUME 5 1'0~309 WM $14.88" William Frawley Be Bog, 'Light Owls, the Perfect Day
    IOYS TOWN THE UNSINKABLE MOLLY Now you can getthehottestnew releases andthe Spencer Tracy, Mickey Rooney BROWN Tracy won his second Best Actor Debbie Reynolds, Harve Presnell best ofthe classics for even less. We've lowered Oscar for his portrayal of Father Reynolds sparkles in this theprice on dozens ofyourfavori tefilms , so we Flanagan and Rooney is superb in exuberant musical comedy about this poignant classic that remains a down-home orphan who marries can offer you even greater savings than ever one of the best-loved movies of well and bursts into stuffy Denver all time. 93 mins. B&W (1938) society. 128 mins. Color ( 1964) before. So whetheryou 're looking/or a timeless MG20385l $19.95 MG600578 $19.95 collectibleoracontemporaryclassic, we'vegot ll'll.ill.11 KAJHli£'i GEENA Hlllr . TL'AA':R . DIVIS Greer Garson, \Valier Pidgeon hundreds ofHollywood's finest fi lms toc hoose The uplifting story of an English THE housewife·s experiences in World from. Andnow 's the pe1fect time to buy those ACCIDENTAL War II, winner of seven Academy TOURIST Awards including Best Picture movies you always wanted to own for a price and Best Actress. 134 mins. B&W (1942) you can't afford to miss.* MG300804 $ 19.95 HBOTI IND COSTELLO IN GAY DIVORCEE HOLLYWOOD Fred Allaire, Ginger Rogers COVER GIRL B11d Abbo11, lo11 Cosrello Sheer poetry in motion--"Night Rira Hayworth, Gene Kelly The hilarity never SIO~ when and Day .. an incomparable dance Lively Kem and Gershwin tunes, these twQ zany bumblers play of seduction, "The Continental" a fabulous dance numbers and Hollywood agent<, that wreak dJeam you wish would never end.
    [Show full text]