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Le Journal De Référence De La Vie Culturelle Jazz / Musique Du Monde

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Le Journal De Référence De La Vie Culturelle Jazz / Musique Du Monde /////// “LA CULTURE EST UNE RÉSISTANCE À LA DISTRACTION” /////// PASOLINI e saison fête sa 17 et vous souhaite une bonne rentrée. Le journal de référence de la vie culturelle 2008 / N° 160 • Paru le 10 septembre 2008 / 17e année / Diffusion 80 000 exemplaires / www.journal-laterrasse.fr / Sommaire en page 2 / Abonnement en page 2. va Vermandel va E Photo © Le Retour en avant de Michel Hallet Eghayan ouvre la Biennale de la danse de Lyon. théâtre / SELEctION P. 3-39 / Simon McBurney et sa compagnie Complicite danse / SELECTION P. 39-45 / La Biennale de la danse de Lyon embarquent pour un fascinant voyage au cœur des hommes de sciences. Retour en avant est le leitmotiv de cette édition 2008. Charlotte Latigrat jazz / musique du monde / chanson classique / opéra / SELECTION P. 45-58 / Le Festival d’Ile-de-France SELEctION P. 58-62 / Le guitariste Christian Escoudé rend hommage aux différentes 2008 explore tous les « Finistères », un mois de musiques des bouts du monde. dimensions de la musique de Django Reinhardt. focus /////// 1. COllOQUE À CERGY-PONTOISE, ÉDUCATION ARTISTIQUE, DE QUOI PARLE- T-ON ?, CAHIER CENTRAL /////// 2. LA SAISON 08/09 DE L’ODÉON, P. 6-7 /////// 3. LA PÉPINIÈRE THÉÂTRE, UN NOUVEAU LIEU 1. Colloque à Cergy-Pontoise / 5. La Pépinière Théâtre / Joël Dragutin, Anita Weber et Dominique Gillot 2. L’Odéon / Le Soulier de satin POUR UN THÉÂTRE CONTEM- Antoine Coutrot, Emmanuel de Dietrich et Caroline Verdu PORAIN ET EXIGEANT, P. 14-15 /////// 4. LA CRIÉE HORS LES MURS À MARSEIllE, P. 22-23 /////// 5. ODYSSÉE SHAKES- PEARIENNE AU THÉÂTRE DES TREIZE VENTS À MONTPELLIER, P. 30-31 /////// 6. EN COMPAGNIE DU CHOEUR VITTORIA D’IlE- DE-FRANCE, P. 55. 3. La Criée à Marseille / Jean-Louis Benoit 4. Théâtre des Treize Vents / David Ayala et Jean-Claude Fall 6. Chœur Vittoria La Terrasse / 4 avenue de Corbéra 75012 Paris / Tél. 01 53 02 06 60 / Fax 01 43 44 07 08 / email : [email protected]. / N° 160 paru le 10 septembre 2008 / Prochaine parution le 1er octobre. 2 / N°160 / SEPTEMBRE 2008 / la terrasse la terrasse / SEPTEMBRE 2008 / N°160 / 3 théâtre N° 160 • SOMMAIRE théâtre théâtre entretien / BERNARD SOBEL TOUTES NOS CRITIQUES… P. 3-33 SAINTE JEANNE Bernard Sobel revient à Brecht P. 3 Bernard Bloch et Alain Foix s’associent DES ABATTOIRS : pour questionner les relations entre noirs et juifs, à travers Othello et Shylock P. 4 L’EXIGEncE CLAIRVOYanTE Jacques Attali retrace la réunion de 1938 où les dignitaires nazis décidèrent d’exterminer les juifs P. 4 d’uN THÉÂTRE CIVIQUE Simon McBurney et sa compagnie Complicite embarquent pour un fascinant voyage au cœur des hommes de sciences P. 10 Dans les abattoirs De ChiCago, breCht fait Danser pour une Dernière pavane, Mauler, le roi De la vianDe et Magnat De la Conserve, aveC Dominique Pitoiset s’intéresse à la fatale malédiction qui pèse sur Œdipe et ses enfants P. 11 Jeanne Dark, une figure De la bienfaisanCe volant au seCours De Michel Abécassis adapte et met en scène deux romans de l’écrivain irlandais Roddy Doyle P. 12 la Misère Des travailleurs. Ce MonDe est aussi le nôtre à l’heure Denis Podalydès met en scène à la Comédie-Française Fantasio de Musset P. 13 soMbre Du g8, raConte bernarD sobel, Metteur en sCène luMineux THÉÂTRE aux exigenCes à la fois esthétiques et Civiques. Jean-Baptiste Sastre met en scène un romantique anglais, Coleridge au Studio de Chaillot P. 18 NANTERRE-AMANDIERS A travers Dom Juan, Yann-Joël Collin Que représente Sainte Jeanne des abat- réponses. L’œuvre de Vinaver aussi se penche DU 13 AU 27 SEPTEMBRE 2008 poursuit son travail sur le rapport du public au théâtre P. 20 toirs dans l’œuvre de Brecht ? sur l’évolution de l’invention du capitalisme Jean-Pierre Vincent interroge Le Silence des communistes aux Amandiers de Nanterre P. 20 Bernard Sobel : Brecht dit dans le Treizième et du progrès. Les grands poètes, les frè- LE SILENCE Essai ce que représente la pièce, une réflexion res voyants que sont Eschyle, Shakespeare, Les Francophonies en Limousin : Célébrer la création de langue française P. 25 Brecht, Claudel et Vinaver, tentent de rappeler DES COMMUNISTES Declan Donnellan s’empare de la tragédie Andromaque au théâtre des Gémeaux P. 26 à l’homme qu’il est sur la terre le seul animal D’APRÈS VITTORIO FOA, MIRIAM MAFAI Ouverture du théâtre La Piscine, à Châtenay-Malabry, entretien avec Marc Jeancourt P. 27 qui invente des façons de vivre : c’est sa dam- ET ALFREDO REICHLIN TEXTE FRANÇAIS ET MISE EN SCÈNE JEAN-PIERRE VINCENT Julie Brochen monte L’Échange de Claudel au Théâtre de l’Aquarium P. 28 D’APRÈS LA VERSION SCÉNIQUE DE LUCA RANCONI, TURIN 2006 AVEC Dedans Dehors (David), David Bobée « Rappeler à l’homme CHARLIE NELSON CAROLINE CHANIOLLEAU porte à la scène cette parole qui murmure la violence du vide sociopolitique P. 29 qu’il est sur la terre JEAN-CLAUDE LEGUAY Au Château de la Roche-Guyon, 01 46 14 70 00 Stéphane Olry propose un spectacle inspiré d’un texte de Benjamin Franklin P. 32 WWW.NANTERRE-AMANDIERS.COM le seul animal qui PHOTOGRAPHIE ET DESIGN LABOMATIC, PARIS Jean-Luc Paliès monte Vienne 1913 : comprendre les mécanismes de l’extrémisme P. 33 invente des façons SÉLECTION, SUITe… P. 34-39 de vivre. » Bernard Sobel danse / cirque nation et sa gloire. Le spectateur fait partie de © D. © R. D. cette espèce créatrice. The Australian Ballet revient en France après plus de quarante ans d’absence P. 39 Je n’ai pas voulu mourir, solo revu et altéré par le chorégraphe Serge Ricci P. 40 sur l’une des étapes de l’évolution de l’homme Brecht enjoint l’homme à chercher une vie La Biennale de la danse de Lyon P. 43 faustien. C’est l’homme qui invente, à l’échelle meilleure. de l’humanité, des systèmes sociaux et qui met B. S. : Le rôle civique du théâtre est pertinent SÉLECTION, SUITe… P. 39-45 en perspective ce qu’il a inventé : la loi du mar- quand il rappelle que nous sommes nous- ché, la libre concurrence. Sainte Jeanne des mêmes, mais plus que nous-mêmes aussi. classique opéra / abattoirs est une expérience poétique compa- Monter Sainte Jeanne des abattoirs est de rable à celle du second Faust de Goethe, à La grande actualité. La pièce reprend la ques- Charlotte Latigrat, directrice du Festival d’Ile-de-France, propose des musiques des bouts du monde P. 49 Ville de Claudel, au Roi Lear de Shakespeare, à tion du Roi Lear : « Est-ce que les générations THÉÂTRE L’Orestie d’Eschyle. La pièce (1929-1931) cor- futures connaîtront les mêmes souffrances ? » Daniele Gatti débute son mandat avec Debussy, Messiaen et Stravinsky P. 51 respond à une certaine époque de l’évolution du La réunion de spectateurs et d’acteurs est un NANTERRE-AMANDIERS DU 27 SEPTEMBRE AU 3 OCTOBRE 2008 Gustav Leonhardt met à l’honneur les pièces « non mesurées » travail de Brecht, proche de Walter Benjamin, à phénomène civique. Le poème dramatique est .. écrites pour son instrument, de Frescobaldi à D’Anglebert P. 53 travers le questionnement possible ou non de la par essence politique, comme toute réflexion COMPLICITE SÉLECTION, SUITe… P. 45-58 représentation du monde. dont nous avons conscience portant sur la vie de la cité. Ce théâtre - la reconnaissance qu’il jazz / musiques Le « poème dramatique » advient à partir est possible de donner forme aux questions A DISAPPEARING du moment où le théâtre, la rencontre entre qui nous occupent - est fait d’expériences in NUMBER Jazz In Japan , nouvelle édition du festival de jazz à la Maison de la culture du Japon P. 59 spectateurs et acteurs, est appréhendé vivo. CONCEPTION ET MISE EN SCÈNE SIMON MCBURNEY comme un lieu d’expériences. Herbie Hancock en concert exceptionnel P. 60 AVEC DAVID ANNEN, FIRDOUS BAMJI, B. S. : Le théâtre est comparable à la paillasse Les jeunes acteurs issus du Conservatoire PAUL BHATTACHARJEE, HIREN CHATE, DIVYA KASTURI, Christian Escoudé s’installe au Duc concrète des réflexions abstraites de la philoso- participent-ils de ce questionnement à l’œu- CHETNA PANDYA, SASKIA REEVES, SHANE SHAMBHU pour un hommage à géométrie variable à Django Reinhardt P. 60 phie. Derrière ces interrogations, se profilent les vre dans Brecht ? 01 46 14 70 00 WWW.NANTERRE-AMANDIERS.COM Rencontre avec le contrebassiste et compositeur Jean-Philippe Viret P. 61 ombres de Hegel et de Marx, même si l’historien B. S. : Le premier travail d’ensemble de ces PHOTOGRAPHIE ET DESIGN LABOMATIC, PARIS IMPRIMERIE MOUTOT, MONTROUGE Rajeev Taranath, un artiste majeur de la scène musicale d'Inde du Nord P. 62 Paul Veyne affirme que le marxisme, « c’est de la comédiens a été de découvrir l’un des secrets connerie ». Je pense au G8, car notre réflexion de l’écriture dramatique. On peut jouer avec SÉLECTION, SUITe… P. 58-62 sur l’invention de la loi du marché ne se fait plus intensité chaque question posée sans avoir à à l’échelle de la ville – Chicago ou Paris – mais à incarner les apparentes contradictions psycholo- celle de notre planète. Sainte Jeanne des abat- giques. L’acteur donne chair sur le plateau à une Bulletin d’abonnement toirs fait écho au « theatrum mundi » des mora- multiplicité de problèmes qui sont les nôtres. " lités, ces pièces du Moyen Âge qui posent une Il incarne d’abord le problème de l’écriture du Ce coupon est destiné à l’abonnement au journal seul. question sans apporter de réponse. L’être en poème. Le poème est le concentré de toutes Il n y a plus d’adhésion au Club Bouche-à-Oreille.
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