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University of California Santa Cruz Dissecting
UNIVERSITY OF CALIFORNIA SANTA CRUZ DISSECTING DRAMATURGICAL BODIES: Self, Sensibility, and Gaze in Contemporary Dramaturgy A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in THEATER ARTS by Patrick Denney This thesis of Patrick Denney is Approved by: _____________________________________ Professor Michael Chemers, PHD, Chair _____________________________________ Professor Gerald Casel, MFA _____________________________________ Professor Philippa Kelly, PHD _____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents Abstract………………………………………………………………………………………………………………………………………………….iv Dedication………………………………………………………………………………………………………………………………………………v “Killing” Theater: A Survey of Popular Depictions of Dramaturgy……………………………………………………………1 Brecht’s Electrons: Positioning the Dramaturg in The Messingkauf Dialogues and Beyond…………………….5 Doctor to Dramaturg, and Back Again: Defining the Dramaturgical Gaze………………………………………………10 Pharmaturg to Dramaturg: Pharmakos and Dionysian Dramaturgy………………………………………………………18 Works Cited………………………………………………………………………………………………………………………………………….33 iii ABSTRACT: DISSECTING DRAMATURGICAL BODIES: Self, Sensibility, and Gaze in Contemporary Dramaturgy By Patrick Denney Dramaturgy is an art form that is still, after decades of existence in the American theater, misunderstood, and often feared, by many theater artists. From quasi-realistic portrayals of TV Shows such as SMASH, to the pulpy B-movie depiction of Law and Order: Criminal -
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work
1 Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work Melissa Poll Abstract Heir to the écriture scénique introduced by theatre’s modern movement, director Robert Lepage’s scenography is his entry point when re-envisioning an extant text. Due to widespread interest in the Québécois auteur’s devised offerings, however, Lepage’s highly visual interpretations of canonical works remain largely neglected in current scholarship. My paper seeks to address this gap, theorizing Lepage’s approach as a three-pronged ‘scenographic dramaturgy’, composed of historical-spatial mapping, metamorphous space and kinetic bodies. By referencing a range of Lepage’s extant text productions and aligning elements of his work to historical and contemporary models of scenography-driven performance, this project will detail how the three components of Lepage’s scenographic dramaturgy ‘write’ meaning-making performance texts. Historical-Spatial Mapping as the foundation for Lepage’s Scenographic Dramaturgy In itself, Lepage’s reliance on evocative scenography is inline with the aesthetics of various theatre-makers. Examples range from Appia and Craig’s early experiments summoning atmosphere through lighting and minimalist sets to Penny Woolcock’s English National Opera production of John Adams’s Dr. Atomic1 which uses digital projections and film clips to revisit the circumstances leading up to Little Boy’s release on Hiroshima in 1945. Other artists known for a signature visual approach to locating narrative include Simon McBurney, who incorporates digital projections to present Moscow via a Google Maps perspective in Complicité’s The Master and Margarita and auteur Benedict Andrews, whose recent production of Three Sisters sees Chekhov’s heroines stranded on a mound of dirt at the play’s conclusion, an apt metaphor for their dreary futures in provincial Russia. -
Read Program
KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Opera and Music Theater Dance Readings and Workshops Lighting
J O S H U A B ENGHIAT 53 Lefferts Ave • Brooklyn, NY 11225-3901 (646) 249-2478 • [email protected] • www.BenghiatLighting.com L I G H T I N G D ESIGNER Opera and Music Chamber Music Society of Lincoln Center Lighting Designer (includes live concerts and digital broadcast) 2013 – Present Lincoln Center for the Performing Arts The White Light Festival (Assoc. Lighting Designer to Matt Frey 2011-2015) 2011 – Present Lincoln Center for the Performing Arts The Swedish Chamber Orchestra with Nina Stemme 2013 NY Opera Society & Newark Archdiocese Dialogues of the Carmelites Dir. Will Bryan 2007 The Lyric Opera of Chicago Resident Assistant 2000 – 2002 Theater The 14th Street Y Hanna and the Moonlit Dress Dir. Ronit Muszkatblit Long View Theater Company Office Politics(Premiere) Dir. Aimee Todoroff 2015 Theatre 167 Pirira (Premiere) Dir. Ari Laura Kreith 2013 Barnard College Marisol Dir. Saheem Ali 2011 New Worlds Theatre Project Under the Cross Dir. David Winitsky 2011 Midtown International Theatre Festival Until We Find Each Other Dir. David Winitsky 2010 Barter Theatre The Blue-Sky Boys (Premiere) Dir. Nicholas Piper 2010 Barter Theatre Annie Dir. Richard Rose 2010 Zoellner Arts Center, Lehigh University Our Dad is in Atlantis Dir. David Winitsky 2009 Barter Theatre Heaven Sent (Premiere) Dir. Mary Lucy Bivins 2009 Playwrights Theatre, NJ Our Dad is in Atlantis Dir. David Winitsky 2009 Luna Stage The Santaland Diaries Dir. David Winitsky 2008 What Exit? Theatre Company The Housekeeper Dir. Jim Peskin 2008 What Exit? Theatre Company The Santaland Diaries Dir. David Winitsky 2007 Columbia University The Wild Party Dir. -
To View Our Program
About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the Univer- sity’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff, and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly, Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 Peter J. Lavezzoli ’60 Mary Anne C. Morgan ̓70 and Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 For information about how you can support the Theatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. Villanova Theatre gratefully acknowledges the generous support of its many patrons & subscribers We wish to offer special thanks to our 14-15 Benefactors: This list is updated as of November 1, 2014 A Running Friend Delia Mullaney Bill & Mimi Nolan John L. Abruzzo, M.D. Peggy & Bill Hill Beverly Nolan Donna Adams-Tomlinson Nancy & Joseph Hopko Dr. & Mrs. Bruce Northrup Loretta Adler Kerri L. -
Eugenie Pastor-Phd Thesis Moving Intimacies
MOVING INTIMACIES: A COMPARATIVE STUDY OF “PHYSICAL THEATRES” IN FRANCE AND THE UNITED KINGDOM EUGÉNIE FLEUR PASTOR ROYAL HOLLOWAY, UNIVERSITY OF LONDON DEPARTMENT OF DRAMA AND THEATRE A Thesis submitted as a partial fulfilment of the requirements of the degree of Ph.D. August 2014 1 DECLARATION OF AUTHORSHIP I, Eugénie Fleur Pastor, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: 7 August 2014 2 ABSTRACT This thesis is an exploration of movement in contemporary “physical theatres”. I develop a renewed understanding of “physical theatres” as embodied framework to experience both spectatorship and theatre-making. I analyse how, in this type of performance, movement blurs distinctions between the intimate and the collective, the inside and the outside, thus challenging definitions of intimacy and tactility. The thesis consists of a comparative study of examples of “physical theatres”, in the 21st century, in France and in the UK. The comparison highlights that “physical theatres” practitioners are under-represented in France, a reason I attribute in part to a terminological absence in the French language. The four case studies range from itinerant company Escale and their athletic embodiment of a political ideal to Jean Lambert-wild’s theatre of “micro-movement”, from Told by an Idiot’s position in a traditional theatre context in the UK to my own work within Little Bulb Theatre, where physicality is virtuosic in its non- virtuosity. For each case study, I use a methodology that echoes this exploration of movement and reflects my position within each fieldwork. -
Programming and Award-Winning Work in the Community
We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today. -
The Enchantress of Florence
6620_enchantressofflorence_LIBV2_LayoutRBoverlay1_Layout 1 5/12/10 1:32 PM Page 1 4/2/101 2:28 PM Page 1 Salman Rushdie THE ENCHANTRESS OF FLORENCE Narrated by Firdous Bamji Few writers living or dead have received the monumental acclaim that has been accorded to Salman Rushdie for his richly textured, superbly crafted works. T The Enchantress of Florence once again demonstrates the author’s unparalleled mastery of H his craft. E In the imperial capital of the Mughal Empire, a traveler arrives at the court of E N Emperor Akbar. The traveler, Mogor dell’Amore, has a tale to tell, and as the words flow N a C out of him, the tale’s rich tapestry of power and desire begins to take on a life of its own. r S H r a Fueled by the urgency of his narrative and its growing effect on his audience, the traveler a A t l e paints a vivid portrait of faraway Florence, a beautiful enchantress, and the infamous m N d figure of Niccolò Machiavelli. T a b n y R Winner of the Booker Prize, Rushdie delights all those who revel in literature of F E R sublime achievement. Narrator Firdous Bamji matches the author’s exquisite prose with a i S r u d reading that conveys the full breadth of this lovingly detailed novel. S s o O h Narrator Firdous Bamji has appeared in numerous plays in New York and across the u s d F country and played the title role in William Shakespeare’s Othello . -
TONY KISER THEATER LETTERS of SURESH by RAJIV JOSEPH DIRECTED by MAY ADRALES Letters of Suresh Is the Recipient of an Edgerton Foundation New Play Award
JULY 2021 – TONY KISER THEATER KATE BALDWIN IN CONCERT THE SAME, BUT DIFFERENT KATE BALDWIN IN CONCERT THE SAME, BUT DIFFERENT July 22-25, 28-31 CAST KATE BALDWIN CREATIVE Music Director .............................................GEORGIA STITT Director ....................................................TRAVIS GREISLER Lighting Design ..................................HERRICK GOLDMAN Sound Design ............................................. JASON CRYSTAL Stage Manager ...............................................KYRIE BAYLES SONGS Where or When/I Didn’t Know What Time it Was (Rodgers/Hart) Look to the Rainbow/How are Things in Glocca Morra (Lane/Harburg) I’m the Bravest Individual (Coleman/Fields) Water is Wide (arr. Stitt) One Minute Song Cycle (Stitt, various poets) Breeze off the River/I Don’t Need a Roof (Yazbeck/Lippa) You Could Drive a Person Crazy (Sondheim, arr. Loud) Lorna’s Here (Strouse/Adams) Still Haven’t Found/Taking Chances (U2/Celine Dion) New York, New York (Kander & Ebb) Look for the Silver Lining (Kern) Special Thanks to the Creative Team of We’re Gonna Die by Young Jean Lee Directed & Choreographed by Raja Feather Kelly, Scenic Design by David Zinn, Costume Design by Naoko Nagata, Lighting Design by Tuce Yasak, Sound Design by Jason Crystal TONY KISER THEATER 2ST.COM FOLLOW US @2STNYC 2 SECOND STAGE BOARD OF TRUSTEES Terry Lindsay, Co-Chair of the Board Timothy J. McClimon, Co-Chair of the Board ROBERTO AGUIRRE-SACASA KHADY KAMARA GABRIELLE LONDON PALITZ ELIZABETH C. BERENS ANTHONY C. M. KISER BAMBI PUTNAM KEVIN BROCKMAN STEVEN B. KLINSKY CAROLE ROTHMAN LOUISE HENRY BRYSON JANET LYNNE KNOPF NATHAN E. SAINT-AMAND MIA CAMPBELL PATRICIA J. LANGER IRA SCHRECK DEBRA MARTIN CHASE GINA MARIA LEONETTI STEPHEN C. -
The Birthday Party at A.C.T. Encore Arts San Francisco
SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY THE BIRTHDAY PARTY JAN 2018 SEASON 51, ISSUE 4 BY QUI NGUYEN DIRECTED BY JAIME CASTAÑEDA Vietgone is not your typical how-Mom- met-Dad story. Not unless they hit it off at a refugee camp in Arkansas. But that’s the story of playwright Qui Nguyen’s parents, who fell in love against all odds. Fleeing war-torn Vietnam, Tong and Quang navigate the unfamiliar landscape of 1970s America. As they learn more about the culture of this new land, they ponder what “home” really means. Is home a place, a person, a feeling? Bending genres and breaking rules, Nguyen’s cheeky retelling of his own family story skips through time and “A raucous, immensely moving comedy.” Charles Isherwood, The New York Times BEGINS FEBRUARY 21 A.C.T.’S STRAND THEATER act-sf.org/vietgone | 415.749.2228 “Hip, high-wire theatricality . sultry sexiness . quirky playfulness.” The Seattle Times bounces between borders, cracking Winner of the 2016 Harold and Mimi jokes along the way. Director Jaime Steinberg/American Theatre Critics Castañeda, who’s known Nguyen for Association New Play Award, Vietgone years, calls this play “uniquely Qui— was an off-Broadway hit at Manhattan he takes what seems like a traditional Theatre Club and sold out shows at immigrant story and turns it into this 2016’s Oregon Shakespeare Festival. wild, epic road-trip fantasia with fights This all-new production—complete and music and dancing and sex.” with kick-ass ninja fights and an original rap-inspired score—will burst Set to an original soundtrack that mixes into The Strand this February.