Carles Trepat

Total Page:16

File Type:pdf, Size:1020Kb

Carles Trepat CSMN. Paseo Antonio Pérez Goyena, 1. 31008 Pamplona PROGRAMA DE CURSOS Y MASTERCLASS DEL CONSERVATORIO SUPERIOR DE NAVARRA NAFARROAKO GOI MAILAKO KONTSERBATORIOKO IKASTAROAK Curso 2012-2013 ikasturtea GUITARRA Carles Trepat 21 al 23 de marzo de 2013 2013ko Martxoaren 21etik 23ra Carles TREPAT Condiciones generales del curso: Nacido en Lleida en 1960, Carles Trepat inició los estudios musicales en su ciudad natal Jueves día 21 de marzo de 2013: de 17:30 a 19:00 y de 19:30 a 21:00. con Jordi Montagut. En 1976 asistió al último curso de guitarra que dirigió Emilio Pujol en Cervera; seguidamente amplió sus estudios en Barcelona con Eduardo Sáinz de la Viernes día 22 de marzo de 2013: De 10:30 a 12:00 y de 12:30 a 14:00. Maza, en el Conservatorio Superior de Música "Oscar Esplà" de Alicante con José Tomás De 16:00 a 17:30 y de 17:45 a 19:15. y en la École Normale de Musique de Paris con Alberto Ponce. Sábado día 23 de marzo de 2013: de 10:00 a 13:45h. Este día se celebrarán clases Inició la actividad concertística a los diecisiete años, y un año después actuó en el únicamente desde las 10:00h a las 12:00h. A las 13 horas se celebrará el acto de Teatro Real de Madrid como ganador del Concurso Permanente de Juventudes clausura del curso. Musicales de España. Entre los numerosos premios que ha conseguido destacan el Premio Tárrega del Certamen Internacional Francisco Tárrega de Benicasim, el Premio La organización se reserva el derecho de modificar el horario anterior en función del Especial del Jurado del Concurso Internacional de La Habana, y el Primer Premio del V número de alumnos inscritos, y de asignar el horario particular a cada alumno Concurso Internacional de Toronto. inscrito. Dedicado desde muy joven a la enseñanza de la guitarra, Carles Trepat fue profesor del INSCRIPCIONES Conservatorio Profesional de Música de Vila-seca durante cinco cursos y es invitado Alumnos activos regularmente a impartir cursos de perfeccionamiento en conservatorios y escuelas de Alumnado del CSMN 50 € (clase de 50 minutos) música : Conservatorios de Zaragoza, A Coruña, Gijón, Badajoz, Ikasmúsica de Bilbao, Alumnado del C. P. “Pablo Sarasate” 40 € (clase de 40 minutos) Alkmaar (Holanda), Volos, Salónica (Grecia). Ha tenido el privilegio de colaborar con Otros 90 € (clase de 50 minutos) José Tomás, como profesor asistente, en los Cursos de Vila-seca y Dénia durante más de diez años. Tendrán preferencia los alumnos del Conservatorio Superior de Navarra y del C. P. “Pablo Sarasate”. Carles Trepat ha dado numerosos conciertos y recitales en Francia, Rusia, Austria, Alumnos oyentes Inglaterra, Chile, Australia, Canadá . siendo de especial relieve sus actuaciones en el Podrán asistir gratuitamente en calidad de oyentes los alumnos y profesores de Wigmore Hall y Queen Elisabeth Hall de Londres, Palau de la Música Catalana de cualquier conservatorio y/o escuela de música. Barcelona, Philarmonia de Varsovia, Teatro de la Maestranza de Sevilla, Sala Glinka de San Petersburg y en Conservatorio Tchaikovski de Moscú. Ha participado en los Matriculación festivales de Música y Danza de Granada, Shell Darwin Guitar Festival, Festival de Para el alumnado del C. P. “Pablo Sarasate”: contactar con el profesor Asier Peláez. Radio France-Montpellier, Temporada Ibercámera de Barcelona... Otras matrículas: ingresar, antes del 20 de marzo, el importe del curso en la cuenta del CSMN (CC nº 2100 3693 26 2200477112), indicando: APELLIDO - CURSO DE GUITARRA. Como solista ha colaborado con la London Festival Orchestra, Orquestra Simfònica de Barcelona i Nacional de Catalunya, English Chamber Orquestra, Orchestra of St. John's Enviar copia al profesor responsable del curso, EDUARDO BARANZANO, Smith Square, y la Orquesta Ciudad de Granada, con directores como Josep Pons, Leopold Hager, Enrique García Asensio y Friedemann Layer. Durante esta temporada [email protected] colabora con Tomatito en el "Homenaje a Piazzolla" que fue estrenado en la pasada Bienal de Flamenco de Sevilla. Datos personales (nombre, apellidos, teléfono, e-mail y nombre de la obra Ha publicado diversas obras originales y transcripciones para guitarra, y su obra a trabajar), Homenaje a Baden Powell fue premiada en el Carrefour Mondiale de la Guitare de . y copia escaneada del ingreso bancario. Martinique 1994. Recientemente ha grabado dos CD dedicados a la música de Manuel Quiroga y Federico Mompou, y en colaboración con el Coro de Cámara del Palau de la Diploma acreditativo: todos los alumnos activos recibirán el correspondiente Música ha grabado el Romancero Gitano de M. Castelnuovo-Tedesco sobre poemas de diploma acreditativo. F. García Lorca. .
Recommended publications
  • Biblioteca De Catalunya Secció De Música Inventari Del Fons Josep M
    Biblioteca de Catalunya Secció de Música Inventari del fons Josep M. Lamaña Barcelona 2004 Inventari del fons Josep M. Lamaña ÍNDEX PÀG. NOTA BIOGRÀFICA................................................................................................. 2 BIBLIOGRAFIA BÀSICA ............................................................................................ 3 CORRESPONDÈNCIA (M 4793)............................................................................... 4 DOCUMENTACIÓ (M 4784 – M 4791) .................................................................. 14 RETALLS DE PREMSA (M 4792).......................................................................... 125 FOTOGRAFIES (M 4794) ................................................................................... 127 BIBLIOTECA Organografia ................................................................................. 129 Monografies musicals.................................................................... 131 Partitures impreses........................................................................ 144 Llibrets........................................................................................... 151 Tractats musicals........................................................................... 159 Monografies no musicals............................................................... 161 Publicacions periòdiques musicals................................................ 163 1 Inventari del fons Josep M. Lamaña NOTA BIOGRÀFICA Lamaña i Coll, Josep M.1 (Barcelona, 1899-1990)
    [Show full text]
  • New on Naxos the World’S Leading Classical Music Label
    25years NEW ON NAXOS The World’s Leading Classical Music Label FEBRUARY 2012 Also Available on Blu-ray Audio This Month’s Other Highlights © Mark Dellas © 2012 Naxos Rights International Limited · Contact Us: [email protected] www.naxos.com · www.classicsonline.com · www.naxosmusiclibrary.com NEW ON NAXOS | FEBRUARY 2012 8.572441 Playing Time: 76:45 Edvard GRIEG (1843-1907) String Quartet in G minor Op 27 (arr Alf Årdal) String Quartet in F major (arr Alf Årdal) Arne NORDHEIM (1931-2010) • Rendezvous Oslo Camerata • Stephan Barratt-Due Grieg’s String Quartet in G minor has long established itself as one of the finest such works of the second half of the nineteenth century. The distinction of its thematic material, and its use in cyclical form, is reinforced by an ultimately victorious motto theme. The F major Quartet was written later, but remained unfinished, but it too is a fertile creation with a strong dance profile. Both works are heard in Alf Årdal’s imaginative arrangements for string orchestra. Arne Nordheim, Norway’s leading living composer, wrote Rendezvous as a quartet but expanded it in 1986. It is an intense, moving, and beautifully crafted work. Stephan Barratt-Due has been artistic director of the Barratt Due Institute of Music since 1985, a conservatory in Oslo founded in 1927 by his grandparents and now one of the main educational institutions of music in Norway. Barratt-Due is among the leading violin professors in Scandinavia, and under his leadership the Oslo Camerata has become increasingly in demand both nationally and internationally.
    [Show full text]
  • Of Guitarjsts
    No. 10. JANUARY-FEBRUARY, 1947. BULLETIN FOR PRIVATE CIRCULATION. PHI LHARMONIC OF GUITARJSTS President: BORIS A. PEROTT. M .D. Vlce-Presldt11ts: 1, St . Dunstan•s Road. L. J. KINGSTON. B.A. Bar; Baron 's Coun . London . W.6. MADAME ALICE DB BELLEROCHE. (Telephone: Riverside 38-31). Hon. Treasurer: Northern Reprcsenlallve: •EUGENE W. FULLER, TERRY USHER. 12, Culross Street, Park Lane, 23, St. Branno ck's Road, London. W.1. Manchester, 21. Hoo. Librarian: H . G. BREAM , Welsh RepresenlallYe: 25 Cleveland Ave .. Hampton, Mddx. 0. MORTON LAWRENCE. Asslstaol Hon. Librarian: 19, Coycburch Road, Brid gend, Glam organ. MRS. M. ED.WARDS. Hon. Secretary: Miss J. VOLLER$, FOUNDED Hon. "Bulletin" Editor: 16, Elwill Way, Park Langley. 1929 WlLFRID M. APPLEBY, Beck en ham. 47, Clarence Street, Cheltenh am. Glos . (Telephone: BECkenham 2742). by DR. B. A. PEROTI " AFF[LIATED S0CIETlES: Birmingham Branch of P.S.G. Hon. 51,c: Mrs. Rita Thomas, 44 Manor Road North, Edgbaston, Birmingham. Cheltenham Guitar Circle. Hon. Sec.: W. M. Appleby, 47 Clarence Street, Cheltenham , Glos. Manchester Guitar Circle. Hon. Sec.: J. W. Duane, 20 Lytharn Road, Levenshulme, Manchester 19. FRATERNAL SOCIETIES: Society of the Classic Guitar. President: V. Bobri , 409 East 50t h Street, New York~ U.S.A. Chicago Classic Guitar Society. Secretary: Edmond C. Burgess, 7215, North Damen Avenue, Chic ago , 45, Illinois, U.S'.A. Bond der Gitnrrlsten Osterrcichs . Chairman: Prof. Luise Walker. 3 Schwindaasse. Vienna 4. Austria. DI STlNGUISHE D ASSOCl!\TES (Past and Present): Argentine: Professor D. Prat. t Japan: Savagoushi. Austria: Professor J. Ortner, Professor Luise Walker. Roumanla: I. G .
    [Show full text]
  • Of Guitarists
    r No. 11. MARCH-APRIL, 1947. BULLETIN FOR PRIVATE CIRCUI.ATION. OF THE PHILHARMONIC OF GUITARISTS President: BORIS A. PEROTT. M.D. Vice-Presidents: I, St. Dunstan's Road, L. J. KINGSTON, B.A., Bar; Baro n's C ourt, London. W.6. MADAME ALICE DE BELLEROCHE . ITeleph one: Riverside 38-3 I). Northern Reprc1,cntative : Acting Hon. Treasurer: TERRY USHER, MR. MIDDLETON, 23, St. Brann ock's Road, (Communications Secretary.) Manchester, 21. Hon. Librarian: H. G . BREAM, Welsh Representative: 25 Cleveland Ave., Hampton. Mddx. 0. MORTON LAW RENCE, Assistant Hon, Librarian: 19, Coychurch Road, Brid gend, Glamorgan. MRs. M. EDWARDS . Hon. Secretary: Mrss J. VOLLERS . FOUNDED Hoo. "Bulletin" Editor: 16. Elwill Way, Park Langley . 1929 WILFRTD M. APPLEBY, Beckenham. 47, Clarence Street, Cheltenham, Glos. (Telephone: BECkenham 2742). by DR. B. A. PEROTT AFFILIATED SOCIBTIBS: Birmingham Branch of P.S.G. Hon. S'lec: Mrs. Rita Thomas, 44 Manor Road North, Edgbaston, Birming ham . Cheltenham Guitar Circle. Hon. Sec.: W. M. Appleby, 47 Clarence Street, Cheltenham, Glos. I\'lanchester Guitar Circle. Hon. Sec.: Joseph Ridinge, W int0n, Eccles, Nr . Manchester. FRATERNAL SOCIETIBS: Society of the Classic Guitar. President: V. Bobri, 409 East 50th Street, New York, U.S.A. Chicago Classic Guitar Society. Secretary: Edmo nd C . Burgess, 7215, North Damen Avenue, Chic ago. 45. Illin ois, U.S·.A. Bund der Gitarristen Osterrcichs. Chairman: Prof. Luise Walker. 3 Schwindgasse. Vienna 4. Austria. DISTINGUISHED ASSOCl!\TES (Past and Present): Argentine: Professor D. Prat. t Japan: Savagoushi. Austria; Professor J. Ortner, Professor Luise Walker. Roumania: I. G. Frenkei. France: .Professor Kerenint (from Russia) , Professor Sante Bargelinit, Spain: Francisco Alfonsot, Andres Segovia, Conchita Superviat, Mat­ Alice de Belferoche.
    [Show full text]
  • 1. Những Cây Đàn Guitar Của Các Danh Cầm Quốc Tế
    1. Những Cây Đàn Guitar của các Danh Cầm Quốc tế Danh mục những cây đàn guitar của các danh cầm quốc tế sau đây được thâu thập từ những tài liệu của Julian L. Chen và S. G. Hyz. Cập nhật ngày 22 / 6 / 2005 Những thông tin này được trình bày theo mẫu sau đây: Guitarist Nhà làm đàn / Quốc gia / Ghi chú (Năm sản xuất) Sergio Abreu - Sergio Abreu, Brazil Jose Romanillos, England Hermann Hauser I, Germany, 1935 (Duo Abreu) - Daniel Friederich, France, S/N: 371 (1974) and 372 (1974) Lily Afshar - Thomas Humphrey, U.S.A., Millennium model Laurindo Almeida - Jose Ramirez III, Spain, cedar/Braz Julius Gido, U.S.A. Felix Manzanero, Spain Vicente Solis Garcia, Mexico, 1953, spruce/Indian Vicente Amigo - Manuel Reyes, Spain Lester DeVoe, U.S.A. Maria L. Anido - Jose Yacopi, Argentina Armaldu Anarson - Ignacio Fleta, Spain Alice Artzt - Thomas Humphrey, U.S.A . Sergio Abreu, Brazil Odair Assad - Paul Fischer, England Thomas Humphrey, U.S.A., Millennium model Jose Romanillos, England David Rubio, England Sergio Assad - Paul Fischer, England Thomas Humphrey, U.S.A., Millennium model Jose Romanillos, England David Rubio, England Roberto Aussel - Maurice Dupont, France, spruce Daniel Friederich, France, cedar, S/N: 460 (1977), 615, 646, 694 Denis Azabagic - Otto Vowinkel, Holland, cedar Agustin Barrios Mangore - Jose Ramirez I , Spain Jose Ramirez II, Spain Enrique Sanfeliu, Spain Manuel Barrueco - Robert Ruck, U.S.A, 1972, cedar Matthias Dammann, Germany, 1995, cedar Siegfried Behrend - Richard Jakob Weissgerber, Germany Yamaha, Japan, GC 30-B, late
    [Show full text]
  • Revisió De La Biografia D'emili Pujol Vilarrubí
    Revista Catalana de Musicologia, núm. XIII (2020), p. 227­243 ISSN (ed. impresa): 1578­5297 / ISSN (ed. electrònica): 2013­3960 DOI: 10.2436/20.1003.01.102 / http://revistes.iec.cat/index.php/RCMus REVISIÓ DE LA BIOGRAFIA D’EMILI PUJOL VILARRUBÍ : ANYS DE FORMACIÓ (1886­1909) MARIA RIBERA I GIBAL Guitarrista i investigadora independent RESUM En el present article es revisen amb detall els anys de joventut d’Emili Pujol Vilarru­ bí, guitarrista nascut a la Granadella el 1886. Es posen en context fets i ensenyances que el jove Pujol adquireix de Francesc Tàrrega i dels diversos successos que l’encaminaren cap a una vida plenament dedicada a la música. Pujol va compondre centenars de peces i estudis sota la influència de la tradició gui­ tarrística en la qual es formà. El seu mètode ensenya amb detall el camí d’aprenentatge de la tècnica instrumental sota les bases de l’escola de Tàrrega. També va ser dels primers a estu­ diar l’origen dels instruments de corda i treballar per a la recuperació del passat històric de la guitarra, fet que el duria a interpretar el llaüt i la viola de mà. Amb l’anàlisi que contrasta publicacions i material inèdit es revisen els primers anys de formació d’aquest músic, des del 1886 fins al 1909, any de la mort del seu mestre. PARAULES CLAU: Emili Pujol, Francesc Tàrrega, guitarra, música, compositor. A REVIEW OF THE BIOGRAPHY OF EMILI PUJOL VILARRUBÍ: THE FORMATIVE YEARS (1886­1909) ABSTRACT This article reviews in detail the youthful years of Emili Pujol Vilarrubí, a guitarist born in La Granadella in 1886.
    [Show full text]
  • The Influence of Miguel Llobet on the Pedagogy Repertoire and Stature
    University of Miami THE INFLUENCE OF MIGUEL LLOBET ON THE PEDAGOGY, REPERTOIRE, AND STATURE OF THE GUITAR IN THE TWENTIETH CENTURY By Robert Phillips Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts Coral Gables, Florida May 2002 2 ©2002 Robert Phillips All Rights Reserved 3 UNIVERSITY OF MIAMI A doctoral essay submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts THE INFLUENCE OF MIGUEL LLOBET ON THE PEDAGOGY, REPERTOIRE, AND STATURE OF THE GUITAR IN THE TWENTIETH CENTURY Robert Phillips Approved: _________________________ _________________________ Dr. Rene Gonzalez Dr. Steven G. Ullmann Associate Professor of Instrumental Dean of the Graduate School Performance _________________________ _________________________ Dr. Paul Wilson Dr. Edward Asmus Professor of Music Theory Associate Dean of the and Composition Graduate School of Music _________________________ ________________________ Ross Harbaugh Dr. Raymond A. Barr Associate Professor of Instrumental Professor of Musicology Performance 4 ROBERT PHILLIPS D.M.A., Performance The Influence of Miguel Llobet On the Pedagogy, Repertoire, and Stature of the Guitar in the Twentieth Century May 2002 Abstract of a doctoral essay at the University of Miami. Doctoral essay supervised by Professor Rene Gonzalez. No. of pages in text. 123 The influence of the early twentieth-century classical guitarist, Miguel Llobet, was examined by evaluating existing evidence of his teaching and performing activities in light of how the classical guitar changed during his lifetime and since. The few articles that have been written about Llobet are discussed and assessed in an historical context, along with his relationship with other important figures in the guitar world.
    [Show full text]
  • Classical Guitar Magazine December 2013
    cgmagxmas_CGMagDec08InsideFC 2 08/11/2013 11:14 Page 1 51A St Mary's Road Bearwood West Midlands B67 5DH England Telephone 0121 429 7446 International +44 121 429 7446 email [email protected] We wish all readers and customers a very Happy Christmas and Prosperous New Year We will be open extended hours over the festive season and would be delighted to see you! www.classicalguitar.co.uk Features Editor: Guy Traviss C L A S S I C A L Reviews Editor: Tim Panting Music Editor: Neil Smith Managing Editor: Maurice J. Summerfield News Editor: DECEMBER 2013 Thérèse Wassily Saba VOLUME 32, No.4 4 GEditorialUITAR 5 Classical Guitar News – Compiled by Thérèse Wassily Saba 8 Events, Festivals and Competitions 10 Concert Diary 11 Manuel Barrueco – Interviewed by Thérèse Wassily Saba 20 Guitar Playing for Adult Learners – by Carlos Bonell Manuel Barrueco – 22 14th Hersbruck International Guitar Festival – by Paul Fowles page 11. 26 Music Matters, The Content and Context of Performance – by Guy Traviss 28 City of Derry Guitar Festival – by Paul Fowles 30 Views from Everywhere – Compiled by Thérèse Wassily Saba 33 22nd West Dean International Festival and Summer School – by Guy Traviss 36 Momentito – by Graham Wade 37 Music Reviews 43 CD Reviews 45 Personal Reviews 46 Book Reviews 47 DVD Reviews 48 Product Reviews 49 Concert Reviews 51 Rincon Flamenco No.70: DVD/Book Review – by Paul Magnussen 54 Obituary – Oscar Castro-Neves (1940–2013) 54 Letters to the Editor 56 Classical Guitar Teachers 57 Classical Guitar Societies Contributors: Lawrence Del Casale, Julia Crowe, Zbigniew Dubiella, Paul Fowles, Allan Clive Jones, Paul Magnussen, Oliver McGhie, Jorge Morel, 14th Hersbruck International Danielle Ribouillault, David Russell, Maria Isabel Siewers, Rico Stover, Maurice J.
    [Show full text]
  • New 6-Page Template a 29/6/11 1:00 PM Page 1
    572843bk Montesinos B:New 6-page template A 29/6/11 1:00 PM Page 1 Anabel Montesinos Anabel Montesinos is a winner of several major international guitar competitions, Laureate Series • Guitar including the Francisco Tárrega in Spain and the Michele Pittaluga in Alessandria, Italy. Also available ... She started her musical training at the age of five and the guitar at the age of six, and appeared, after a few months, as an infant prodigy. She performed a solo recital in Anabel Montesinos Mallorca when she was just twelve. She has recorded for radio and television in Spain, First Prize Poland, Italy, and Sweden, and her many triumphs in major international competitions 2010 Michele Pittaluga Guitar Competition, Alessandria led to her first recording with Naxos, a release acclaimed by the international press and chosen by British Airlines as a part of GRANADOS • FALLA • LLOBET • SOR the inflight musical programme on overseas flights. Anabel Montesinos has shared RODRIGO • LÓPEZ-QUIROGA • PUJOL concerts with Paco de Lucía, receiving a standing ovation in Uppsala, Sweden. She has appeared as a soloist with the Moscow Philarmonic, St Petersburg Philarmonic, and orchestras in Turin, Mexico, Madrid, Oulu in Finland, and elsewhere. Her 2011 tour started at the Carnegie Hall, where she received a standing ovation. She plays a Simon Marty guitar and lives in Austria. Naxos 8.557294 C Photo: Christian Kathrein M Y K 5 8.572843 6 8.572843 572843bk Montesinos B:New 6-page template A 29/6/11 1:00 PM Page 2 Anabel Montesinos: Guitar Recital Pedrell. In 1907 he went to France where he remained for composer wrote about this piece: the lines, ‘Look at my arm tattooed with a woman’s name Pujol spent a lifetime propagating the principles of his several years in the circle of Debussy, Dukas, Ravel, and The fandango was a very popular dance in the … she loved me … so I will for ever bear the mark of this teacher, giving recitals, writing a Guitar Method, editing Enrique GRANADOS (1867–1916) Manuel LÓPEZ-QUIROGA (1899–1988) Albéniz.
    [Show full text]
  • Modernist Representations of the Guitar and the Instrument’S Classical Revival in the 1920S
    MODERNIST REPRESENTATIONS OF THE GUITAR AND THE INSTRUMENT’S CLASSICAL REVIVAL IN THE 1920S Piquer Sanclemente, Ruth, Faculty of Geografía e Historia, Universidad Complutense de Madrid, [email protected] Christoforidis, Michael, School of Music, University of Melbourne, [email protected] ABSTRACT Background in History of Art (Art Theory, Iconography) Although numerous studies deal with cubism and some discuss the representation of instruments like the guitar in cubist still-life constructions by Picasso and Juan Gris, practically none have addressed the relation between this modern vision of the guitar and musical thought of the time. While this musical debate attempted to synthesise elements of tradition and the avant-garde, and paralleled the emergence of the concept of “modern classicism”, it was often underpinned by cubist ideas. Background in Musicology / Musical Practice There is a growing body of literature on the re-emergence of the classical guitar in the 20 th century and its international dissemination in the 1920s. However, little work has been undertaken on the impact of the visual arts in shaping critical constructions of the instrument, and the aesthetics and the repertory of its protagonists. Aims To explore the multifaceted impact of modernist representations of the guitar in the visual arts on the revival of the classical guitar in Spain and the projection of the instrument internationally in the 1920s. An interdisciplinary approach is proposed to examine how Neoclassicism was intimately linked to the rise of the modern classical guitar (and the creation and “rediscovery” of its repertory), and how these constructions of the instrument were drawn from and paralleled in the visual and literary arts.
    [Show full text]
  • University of Central Florida / Department of Music
    University of Central Florida / Department of Music Classical Guitar as a Major (Syllabus applies to the following course numbers: MVS 1416-Guitar I, MVS 2426- Guitar II, MVS 3436- Guitar III, MVS 4346-IV) Eladio Scharrón, DMA Office hours – TBA (will be posted on the door of M123) Office no. M- 123 Phone - 823-1051 Fax - 823-3378 E-mail – [email protected] Note: The contents of this Syllabus can be modified at any moment during the academic year or the semester. Index – page 10 Course Description The Guitar Program at UCF includes a four-year program divided in eight semesters. The first year program includes the study of freshman level technique tutors, classical and contemporary studies, and the establishment of the foundations of a repertoire of works created by the best artists that have written for the instrument. The student will have one meeting per week with the professor for a private lesson of fifty minutes of duration. Several aspects of the study of the instrument will be covered during each lesson: Technical studies such as arpeggio exercises and scales, sight-reading, classical and contemporary studies and general repertoire. Each week all the members of the guitar studio will meet for a complementary hour of training in the form of a master class. Commenting on readings from reference books or articles related to the guitar, on your fellow students and on your own performances on the instrument, on technique and on general repertoire matters, is an essential part of this course. Course Objectives The purpose of the classical guitar program at the University of Central Florida in Orlando is to prepare our students to achieve a professional level in the approximate space of four years.
    [Show full text]
  • Notes Íntimes Per Una Biografia
    EMILI PUJOL I VILARRUBÍ NOTES ÍNTIMES PER A UNA BIOGRAFIA Editor : Jordi Guimet i Perenya 1 2 NOTES ÍNTIMES PER A UNA BIOGRAFIA Editades per Jordi Guimet i Perenya 3 4 EMILI PUJOL I VILARRUBÍ: NOTES ÍNTIMES PER A UNA BIOGRAFIA 5 Jordi Guimet EMILI PUJOL: NOTES ÍNTIMES PER A UNA BIOGRAFIA ISBN: 978-84-616-8369-7 DRETS RESERVATS Copyright by Jordi Guimet i Perenya ([email protected]) S’autoritza la reproducció total o parcial d’aquesta obra sempre que se’n citi la font. 6 INDEX Introducció ............................................................................................................................................ 9 PrEÀMBUL ................................................................................................................................... 11 Estructura deLS CONTINGUTS ..................................................................................................... 13 Caracterització del personatge ............................................................................................................. 15 Prefaci (de Mª Adelaida robert de pujol) ............................................................................................. 21 1.- Al final de LA MEVA vida................................................................................................................ 25 2.- LES MEVES aportacions a la guitarra I la viOla ................................................................................ 32 3.- LES MEVES ARRELS: el Mas Janet ...................................................................................................
    [Show full text]