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ANASTASIOS GEORGOTAS “Archaeological Tourism in Greece
UNIVERSITY OF THE PELOPONNESE ANASTASIOS GEORGOTAS (R.N. 1012201502004) DIPLOMA THESIS: “Archaeological tourism in Greece: an analysis of quantitative data, determining factors and prospects” SUPERVISING COMMITTEE: - Assoc. Prof. Nikos Zacharias - Dr. Aphrodite Kamara EXAMINATION COMMITTEE: - Assoc. Prof. Nikolaos Zacharias - Dr. Aphrodite Kamara - Dr. Nikolaos Platis ΚΑΛΑΜΑΤΑ, MARCH 2017 Abstract . For many decades now, Greece has invested a lot in tourism which can undoubtedly be considered the country’s most valuable asset and “heavy industry”. The country is gifted with a rich and diverse history, represented by a variety of cultural heritage sites which create an ideal setting for this particular type of tourism. Moreover, the variations in Greece’s landscape, cultural tradition and agricultural activity favor the development and promotion of most types of alternative types of tourism, such as agro-tourism, religious, sports and medicinal tourism. However, according to quantitative data from the Hellenic Statistical Authority, despite the large number of visitors recorded in state-run cultural heritage sites every year, the distribution pattern of visitors presents large variations per prefecture. A careful examination of this data shows that tourist flows tend to concentrate in certain prefectures, while others enjoy little to no visitor preference. The main factors behind this phenomenon include the number and importance of cultural heritage sites and the state of local and national infrastructure, which determines the accessibility of sites. An effective analysis of these deficiencies is vital in order to determine solutions in order to encourage the flow of visitors to the more “neglected” areas. The present thesis attempts an in-depth analysis of cultural tourism in Greece and the factors affecting it. -
2Nd Semester 2015 IONIA (Construction)
SEMI-ANNUAL PROGRESS REPORT FOR THE IMPLEMENTATION OF ENVIRONMENTAL TERMS DURING THE CONSTRUCTION PHASE Edition: 1.0 Page: 1 / 96 (Β΄ SEMESTER 2015) Date: 31.01.2016 SEMI-ANNUAL PROGRESS REPORT FOR THE IMPLEMENTATION OF ENVIRONMENTAL TERMS DURING THE CONSTRUCTION PHASE PROJECT: “DESIGN – CONSTRUCTION – FINANCING – OPERATION – MAINTENANCE AND EXPLOITATION OF THE PROJECT “IONIA ODOS MOTORWAY FROM ANTIRIO TO IOANINA, PATHE ATHENS (METAMORFOSSI I/C) – MALIAKOS (SKARFIA) AND PATHE CONNECTING BRANCH SCHIMATARI – CHALKIDA” SECTION: “Ionia Odos” Motorway of an approximate length of 196km., from Antirrio to Egnatia I/C. CONCESSIONAIRE: ΝΕΑ ΟDΟΣ S.A. INDEPENDENT ENGINEER: J/V “URS INFRASTRUCTURE & ENVIRONMENT UK LIMITED - OMEK S. A.” CONSTRUCTOR: J/V “EURO-IONIA” TERNA SA TERNA ENERGY PREVIOUS ISSUE No. 1.0 VERSIONS Date 31.01.2016 No. Date Prepared ENVIRONMENTAL STUDIES ASSOCIATES G. NIKOLAKOPOULOS - Ε. MICHAILIDOU & ASSOCIATED LTD. “EURO-IONIA” Joint Venture Health, Safety and Environment Department Reviewed Stavros Karapanos Director – General of EuroΙonia J/V Approved Kiriakos Vavarapis Β’ SEMESTER 2015 JANUARY 2016 SEMI-ANNUAL PROGRESS REPORT FOR THE IMPLEMENTATION OF ENVIRONMENTAL TERMS DURING THE CONSTRUCTION PHASE Edition: 1.0 Page: 2 / 96 (Β΄ SEMESTER 2015) Date: 31.01.2016 1. GENERAL INFORMATION This semiannual progress report on the implementation of the Environmental Terms during the construction phase includes briefly some general information about the project and a table showing the biannual progress report for the B’ Semester of 2015. The table has been supplemented by observations and inspections that took place during the construction works that have been implemented, and procedures as outlined in the Environmental Monitoring Control Program of the project. -
SUSTAINABILITY REPORT 1 1 2 at a Glance Message 06 07 from the CEO
The best travel companion 2018 ANNUAL www.neaodos.gr SUSTAINABILITY REPORT 1 1 2 Message from the CEO 06 07At a glance Nea Odos11 21Awards Road Safety 25 37 Corporate Responsibility 51 High Quality Service Provision 3 69Human Resources Caring for the Enviment81 Collaboration with Local Communities 93 and Social Contribution 4 Sustainable Development Goals in103 our operation 107Report Profile GRI Content Index109 5 Message from the CEO Dear stakeholders, The publication of the 5th annual Nea Odos Corporate Responsibility Report constitutes a substantial, fully documented proof that the goal we set several years ago as regards integrating the principles, values and commitments of Corporate Responsibility into every aspect of our daily operations has now become a reality. The 2018 Report is extremely important to us, as 2018 signals the operational completion of our project, and during this year: A) Both the construction and the full operation of the Ionia Odos motorway have been completed, a project linking 2 Regions, 4 prefectures and 10 Municipalities, giving a boost to development not only in Western Greece and Epirus, but in the whole country, B) Significant infrastructure upgrade projects have also been designed, implemented and completed at the A.TH.E Motorway section from Metamorphosis in Attica to Scarfia, a section we operate, maintain and manage. During the first year of the full operation of the motorways - with 500 employees in management and operation, with more than 350 kilometres of modern, safe motorways in 7 prefectures of our country with a multitude of local communities - we incorporated in our daily operations actions, activities and programs we had designed, aiming at supporting and implementing the key strategic and development pillars of our company for the upcoming years. -
Flowers in Greek Mythology
Flowers in Greek Mythology Everybody knows how rich and exciting Greek Mythology is. Everybody also knows how rich and exciting Greek Flora is. Find out some of the famous Greek myths flower inspired. Find out how feelings and passions were mixed together with flowers to make wonderful stories still famous in nowadays. Anemone:The name of the plant is directly linked to the well known ancient erotic myth of Adonis and Aphrodite (Venus). It has been inspired great poets like Ovidius or, much later, Shakespeare, to compose hymns dedicated to love. According to this myth, while Adonis was hunting in the forest, the ex- lover of Aphrodite, Ares, disguised himself as a wild boar and attacked Adonis causing him lethal injuries. Aphrodite heard the groans of Adonis and rushed to him, but it was too late. Aphrodite got in her arms the lifeless body of her beloved Adonis and it is said the she used nectar in order to spray the wood. The mixture of the nectar and blood sprang a beautiful flower. However, the life of this 1 beautiful flower doesn’t not last. When the wind blows, makes the buds of the plant to bloom and then drifted away. This flower is called Anemone because the wind helps the flowering and its decline. Adonis:It would be an omission if we do not mention that there is a flower named Adonis, which has medicinal properties. According to the myth, this flower is familiar to us as poppy meadows with the beautiful red colour. (Adonis blood). Iris: The flower got its name from the Greek goddess Iris, goddess of the rainbow. -
The Common Wine Cult of Christ and the Orphic Dionysos: the Wine and Vegetation Saviour Deity Dionysos As Model for the Dying and Rising Christ
REL 4990, MA thesis. Culture and Ideas, History of Religion. Autumn 2010. Maritha E. Gebhardt. Page: 1 The common wine cult of Christ and the Orphic Dionysos: the wine and vegetation saviour deity Dionysos as model for the dying and rising Christ. MA Thesis, Master's Programme in Culture and Ideas, History of Religion, Department of Culture and Oriental Languages, Autumn 2010, by Maritha Elin Gebhardt. Synopsis: In 2005 the Hebrew University Excavation Project unearthed a small incense burner from the fourth century C.E. in the Jewish capital of the Galilee, Sepphoris, depicting a crucified figure, Bacchic satyrs and maenads, and the Christian representation of the sacrifice of Isaac in symbolic form as a ram caught in the thicket of a bush. Five years later the book Orphism and Christianity in Late Antiquity, by Herrero de Jáuregui, refers to two large funerary cloths, one depicts a Dionysiac scene similar to the murals from the Villa dei Misteri and the other one show scenes from the life of Jesus and Mary, both found in the same tomb in Egypt. Both of these depictions testify to the continued syncretism of the Orphic and the Christian symbols and that people in the Hellenistic era found the figure of Christ similar to the Bacchic Orpheus. In my thesis I claim that the dying and rising saviour deity of Dionysos is the forerunner to the dying and rising saviour deity of Christ. I claim that I will prove this by showing that the cult of Christ is a wine cult. The epiphany of Jesus was as a human guest at a party, turning water into wine at the wedding-feast at Cana in John 2:1-11, likewise the epiphany of the wine-god Dionysos is in a similar scene as the Cana-miracle, where he turns water into wine (Achilleus Tatius' De Leucippes et Clitophontis amoribus 2.2:1-2.3:1). -
Deliverable No. 3.1 Census of Needs/Mapping of Existing Systems for Coastal Management
Project acronym: TRITON Project title: Development of management tools and directives for immediate protection of biodiversity in coastal areas affected by sea erosion and establishment of appropriate environmental control systems Deliverable No. 3.1 Census of needs/mapping of existing systems for coastal management Delivery date: 23/07/2019 1 PROGRAMME Interreg V-A Greece-ItalyProgramme2014-2020 AXIS Axis 2 (i.e. Integrated Environmental Management) THEMATIC OBJECTIVES 06 – Preserving and protecting the environment and promoting resource efficiency PROJECT ACRONYM TRITON PROJECT WEBSITE URL www.interregtriton.eu DELIVERABLE NUMBER No. 3.1 TITLE OF DELIVERABLE Census of needs/mapping of existing systems for coastal management WORK PACKAGE/TASK N° WP3 Mapping and Planning of tools and framework; Task 3.1 NAME OF ACTIVITY Census of needs/mapping of existing system for coastal management PARTNER IN CHARGE (AUTHOR) PB2 PARTNERS INVOLVED LB1, PB4 STATUS Final version DUE DATE Third semester ADDRESSEE OF THE DOCUMENT1 TRITON PROJECT PARTNERS; INTERREG V-A GREECE-ITALY PROGRAMME DISTRIBUTION2 PP Document Revision History Version Date Author/Reviewer Changes 1.0 – Final 24/06/2020 PB2- CMCC 0.6 - Draft 21/06/2020 PB5 - UoP Version revised by PB5 and sent to LB1 for afinal check 0.5 - Draft 19/07/2019 PB2- CMCC Version revised by PB2 and sent to LB1 and PB4 for their check 1WPL (Work Package Leaders); PB (Project Beneficiaries); AP (Associates); Stakeholders; Decision Makers; Other (Specify) 2PU (Public); PP (Restricted to other program participants); -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
The Enduring Myths of Ancient Greece
NATIONAL ENDOWMENT FOR THE HUMANITIES • VOLUME 5 NUMBER 1 • FEBRUARY 1984 Humanities The Enduring Myths of Ancient Greece The European Renaissance, through throughout because the purpose its rediscovery of the Greek (and was in the main preparation for many of the Latin) classics, estab modern literature; theories of myth, lished for the generations that fol its origins and functions were not lowed a common cultural back the prime concern. This is of course ground for secular literature and no longer the case; mythology as a art: the rich and varied mythology humanistic subject of study is now of ancient Greece. Its themes be concerned at least as much with came familiar not only to those theory as with content. The change who read the Greek classics in the has come about because of develop original but also to a larger audi ments in other fields. Previously ence who knew them through the unknown mythologies, those of medium of the Latin poets and to preliterate peoples, have been re still greater numbers who read corded and investigated by field an avidly the work of the great transla thropologists; archaeologists work tors of the period—Chapman, San- ing in the Middle East have dug up dys, Dryden, to mention only those and deciphered documents that writing in English. Until fairly late revealed forgotten mythologies— in the nineteenth century, a Euro Babylonian, Hittite, Ugaritic; folk pean writer or painter could count lorists have collected the oral nar on recognition of Greek mytholog rative traditions of shepherds and ical themes; Shakespeare, Milton, peasants. A wealth of comparative Pope, Keats, Browning and Tenny material, most of it not literary but son, like Tiepolo, Titian and Pous living and functioning in society, sin, could take for granted an audi has become available for compara ence familiar with the classical gods tive study. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
HARVARD CHS FELLOW 2014-2015 [email protected] HOUR 25: a COMPANION PROJECT to HEROES X 05/07/2015
MARIA G. XANTHOU HARVARD CHS FELLOW 2014-2015 [email protected] HOUR 25: A COMPANION PROJECT TO HEROES X 05/07/2015 MOTHERS OF HEROES AND MONSTERS: ALTHAEA AND CALLIRHOE I. ALTHAEA, MOTHER OF MELEAGROS 1. Il. 9.538-580 “Thereat the Archer-goddess, the child of Zeus, waxed “ἣ δὲ χολωσαµένη δῖον γένος ἰοχέαιρα wroth and sent against him a fierce wild boar, white of ὦρσεν ἔπι χλούνην σῦν ἄγριον ἀργιόδοντα, tusk, [540] that wrought much evil, wasting1 the orchard 540 ὃς κακὰ πόλλ᾽ ἕρδεσκεν ἔθων Οἰνῆος ἀλωήν: land of Oeneus; many a tall tree did he uproot and cast πολλὰ δ᾽ ὅ γε προθέλυµνα χαµαὶ βάλε δένδρεα µακρὰ upon the ground, aye, root and apple blossom therewith. αὐτῇσιν ῥίζῃσι καὶ αὐτοῖς ἄνθεσι µήλων. But the boar did Meleager, son of Oeneus, slay, when τὸν δ᾽ υἱὸς Οἰνῆος ἀπέκτεινεν Μελέαγρος he had gathered out of many cities huntsmen [545] πολλέων ἐκ πολίων θηρήτορας ἄνδρας ἀγείρας and hounds; for not of few men could the boar have 545 καὶ κύνας: οὐ µὲν γάρ κε δάµη παύροισι βροτοῖσι: been slain, so huge was he; and many a man set he τόσσος ἔην, πολλοὺς δὲ πυρῆς ἐπέβησ᾽ ἀλεγεινῆς. upon the grievous pyre. But about his body the ἣ δ᾽ ἀµφ᾽ αὐτῷ θῆκε πολὺν κέλαδον καὶ ἀϋτὴν goddess brought to pass much clamour and shouting ἀµφὶ συὸς κεφαλῇ καὶ δέρµατι λαχνήεντι, concerning his head and shaggy hide, between the Κουρήτων τε µεσηγὺ καὶ Αἰτωλῶν µεγαθύµων. Curetes and the great-souled Aetolians. [550] Now so 550 ὄφρα µὲν οὖν Μελέαγρος ἄρηι φίλος πολέµιζε, long as Meleager, dear to Ares, warred, so long went τόφρα δὲ Κουρήτεσσι κακῶς ἦν, οὐδὲ δύναντο it ill with the Curetes, nor might they abide without τείχεος ἔκτοσθεν µίµνειν πολέες περ ἐόντες: their wall, for all they were very many. -
Ecotouristic Guide of Lake Trichonida
OÈÎÔÙÔ˘ÚÈÛÙÈÎfi˜ O‰ËÁfi˜ §›ÌÓ˘ TÚȯˆÓ›‰·˜ ñ ¶ANE¶I™THMIO IøANNINøN T̷̋ ¢È·¯Â›ÚÈÛ˘ ¶ÂÚÈ‚¿ÏÏÔÓÙÔ˜ & º˘ÛÈÎÒÓ ¶fiÚˆÓ ñ ETAIPEIA ¶PO™TA™IA™ TPIXøNI¢A™ ñ Y¶EXø¢E YÔ˘ÚÁÂ›Ô ¶ÂÚÈ‚¿ÏÏÔÓÙÔ˜, XˆÚÔÙ·Í›·˜ & ¢ËÌÔÛ›ˆÓ ŒÚÁˆÓ ™˘ÓÂÚÁ·Û›·: ¢HMO™ £E™TIEøN A¶PI§IO™ 2004 Ecotouristic Guide of Lake Trichonida ñ UNIVERSITY OF IOANNINA Department of Environmental & Natural Resources Management ñ SOCIETY FOR THE PROTECTION OF TRICHONIDA ñ HELLENIC MINISTRY FOR THE ENVIRONMENT PHYSICAL PLANNING & PUBLIC WORKS With the support of the THESTIEON MUNICIPALITY APRIL 2004 Ecotouristic Guide OÈÎÔÙÔ˘ÚÈÛÙÈÎfi˜ O‰ËÁfi˜ of lake Trichonida §›ÌÓ˘ TÚȯˆÓ›‰·˜ Special publication of the Hellenic Ministry for the Environment EȉÈ΋ ¤Î‰ÔÛË ÛÙ· Ï·›ÛÈ· ÙÔ˘ ÚÔÁÚ¿ÌÌ·ÙÔ˜ ÙÔ˘ Y¶EXø¢E “¶ÚÔÛÙ·Û›· Physical Planning & Public Works for the Programme ¶ÂÚÈ‚¿ÏÏÔÓÙÔ˜ Î·È ‚ÈÒÛÈÌË ·Ó¿Ù˘ÍË” Ì ¯ÚËÌ·ÙÔ‰ÔÙÈÎfi ̤ÛÔ ÙÔ ETEP¶™. ”Environmental Protection and substantial development” T›ÙÏÔ˜ ÚÔÁÚ¿ÌÌ·ÙÔ˜ “¢Ú¿ÛÂȘ ·Ó¿‚·ıÌÈÛ˘ Î·È ‚ÈÒÛÈÌ˘ ·Ó¿Ù˘Í˘ ÛÙË Ï›ÌÓË TÚȯˆÓ›‰·” PROJECT SUPERVISOR Panayotis Dion. Dimopoulos, E¶O¶TEIA EK¢O™H™ Ass. Professor of Botany - University of Ioannina, Department of ¶·Ó·ÁÈÒÙ˘ ¢ÈÔÓ. ¢ËÌfiÔ˘ÏÔ˜ Environmental and Natural Resources Management E›ÎÔ˘ÚÔ˜ ηıËÁËÙ‹˜ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ Iˆ·ÓÓ›ÓˆÓ, Ù̷̋ ¢È·¯Â›ÚÈÛ˘ ¶ÂÚÈ‚¿ÏÏÔÓÙÔ˜ Î·È º˘ÛÈÎÒÓ ¶fiÚˆÓ TEXTS - MATERIAL SUPERVISION KEIMENA - E¶IME§EIA Y§H™ Constance Trabazali KˆÓÛÙ·ÓÙ›· TÚ·Ì¿˙·ÏË TRANSLATION KÔÈÓˆÓÈÔÏfiÁÔ˜ - EıÓÔÏfiÁÔ˜ Ector Papadakis METAºPA™H PHOTOGRAPHS ŒÎÙÔÚ·˜ ¶··‰¿Î˘ ñ Yannis Roussopoulos ºøTO°PAºIE™ (Photos from the programme “LIFE - NATURE `99”) ñ °È¿ÓÓ˘ PÔ˘ÛfiÔ˘ÏÔ˜ ñ Dimitris Spartinos (·Ô ÙÔ ÚfiÁÚ·ÌÌ· “LIFE - ºY™H `99” ) CREATIVE - ARTISTIC SUPERVISION ñ ¢ËÌ‹ÙÚ˘ ™·ÚÙÈÓfi˜ Theodore Kokkalis ¢HMIOYP°IKO - KA§§ITEXNIKH E¶IME§EIA £Âfi‰ˆÚÔ˜ KfiÎηÏ˘ DESIGN - EDITORIAL PRODUCTION PROVOLI PUBLICITY SA ™XE¢IA™MO™ - ¶APA°ø°H tel +30/210 2851432, fax +30/210 2825855 PROVOLI PUBLICITY AE e-mail : [email protected] ÙËÏ. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34