DOCSLIB.ORG

After All, Whatdo,Ou Seek in a Suit Or Overeoat1 $

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
After All, Whatdo,Ou Seek in a Suit Or Overeoat1 $ ·September 14, ·1928 WILMBTT}t of singing a new role each y,ear, Miss been made in the efficient technical Garden will appear during the coming staff. Charles Moor continues as stage .season in "The Spanish Hour"' for the hlanager. The complete production~ first time in her career, and will pro­ have been fabricated in the unique You Can Buy Furs Here vide a v~ry interesting evening when plant of the company located at 26th she appears in t·wo contrasting operas and Dearborn streets, Chicago, under · With Confidence -"The Spanish Hour"-and in "Jud­ the supervision of Harry W. Beatty ith," Honegger's ultra modern work the technical director. ' This September sale is an event of real moment-a which was given its American premiere The Chicago company has consis­ time. when you can select a FUR COAT at summer in the 1926-27 sea·son. "Die Fleder­ tently raised its standards from year price. maus" (The Bat) will be given in Eng­ to year and this list of artists insures lish, as will "Hansel and Gretel" and an even higher standard for the 1928- Comparison of values will convince .you in German, "Lohengrin" and "Der Ros­ 29 season. The -company will take its of the substantial savings here. · enkavalier" (The Knight of the Silver usual post-season tour appearing in Rose) will be heard. various cities in the country from Bos­ BEAUTIFUL FURS. Varied and lntereatina ton on the east to Los Angeles and NEWEST IN STYLE AND PELTS This repertoire is believed to be the Oakland on the west, the tour continu­ most varied and interesting which ing for approximately nine weeks. We Manufacture to Order at Stock Pric:ee has yet been given, providing works of all classes in English, Frenc.h, Ger- RETURN TO COLLEGE A Reasoaable Labich Bros., Furriers man and Italian. The casts to interpret I Three of the Kenilworth students Dowa P&7• these operas will be selected with great who have. returned to college for the meat Will EVANSTON CHICAGO Bold Yo•r 8e· 1717 SlaennaaAW. 1.. lmq Park BmL care. fall term are Richard C. Johnston of leeUoa Many new aiftists of international 321 Melrose avenue, who attends Dart-1 Greealeaf 2IIZ Gracelaad IZ5I reputation will make their first Ameri- month, William Stedman of 330 Ab­ ean appearances during the season, botts(ord road, who has gone to Wit­ selected from the most famous houses Iiams, and Bruce Hulbert of 316 Cum­ of Europe; the list includes: Maria nor road! who has gone to the Univer­ Olszewska, great mezzo-soprano, who sity of Michigan. PATRONIZE OUR ADVERTISERS · ~ one of the outstanding personalities ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~- of the lyric stage and who has met The Ttpr Oft aM LIIMIJ with great success in all the numerous U Cl Otua"caate. of W..... opera houses in which she ha-s ap- peued; Eva Turner, English soprano, who, with Claudia Muzio and Rosa Raisa, will form the greatest trio of dramatic sopranos in any one com­ after all, pany; Marion Claire, the Chicago girl who has been appearing in Italian opera houses and also in Berlin; and Margherita Salvi, a young Spanish whatdo,ou I coloratura who has been singing in many of the large European opera houses. seek in a suit You busineu men who have Favor American Artiata been In the habit of payiq $75 The Chicago Civic Opera ~ompany has always made it a point to provide or overeoat1 and upwards for your clothee opportunities · wherever possible to are Invited to try ONB .Royal yf)Ung American artists either with or without European experience. Among Suit or Topcoat at the radically those who will make their first ap­ Aren't tbere Just tbree thla11! low prices shown here. You'D pearance with the company this sea­ : aet satisfaction ••• or we don't son are Hilda Burke, one of the prize ~. STYLE and FIT ... z. Q~ALITY winners of the contest before tbe want your money. American Federation of Music: Clubs, ... ·J· REASONABLE PRICE. lsn'~ MORRIS VEHON and also winner of the scholarship of the J uillard Foundation which pro­ this really all there is to it? Perbap; vides free tuition in one of the Ger­ man opera houses but which she de­ you feel that jn cidPd to forego in order to appear with · the Chicago company; Antonietta order to get the Consoli, American of Italian parents, first two you have to upset the third and raY .. " born near Boston, and with consider­ $ able experience in Italy: Alice Mock. outalotofmoney. You lyric, coloratura, from California but whose operatic experience has all been don't . if you buy obtained abroad; Patricia O'Connell FINE QUALITY of Ata.bama, with cons!derable experi­ a ROYAL T AILOitED ence in operetta but with no foreign $ training; Ada Paggi, mezzo-soprano, SUIT, made to your born in Italy, bring to the Chicago Go to the n.~.arest ROYAL company an enormous repertoire and measure ••• for you only. wide experience; Giuseppe Cavadore, Store today ••• pick out just .:omprimario tenor; Ulysses Lappas, what you want fr~m the ·' ExTRA FINE ouAun the Greek dramatic tenor who ap­ peared for a few performances with 3000 combinations in fash- the Chicago Opera Association a few ions and fabrics ... 3 prices only [$25,$30,$36.SO] ••. have vears ago; Barre Htll, young Ameri­ 50 can baritone who is quite well known your suit or topcoat made in just th~ particclar style that over the country for his concert · work and who has made some operatic ap­ pleases you. Get just the color ••• just the pattern ••• pearances in this country. Mr. Hill just the cloth you ~ish ... at a jwiu St• low it· a~u has had no foreign experience. IUPERPINB QUAUTY ... Re-enaace St•r• you. That's the modem way to huy your clnthes. 1 Of course, the .artists ' who have proved such favorites in former seas·· ons have been re-engaged. This list includes Mary Garden, Edith Mason, Claudia Muzio, Rosa Raisa, Maria Claessens, Irene Pavloska, Cyrena Van TAILORS INC. Gordon, Antonio Cortis, Charles Hack­ ett, Forrest Lamont, Rene Maison, Charles Marshall, Jose Mojica, Tito 1641 Orrington ~venue Schipa, Richard Bonelli, Desire De­ frere, Cesare Formithi, Lugi Monte­ Open Tuesday, Thursday and Saturday &entngs santo, Giacomo Rimini, Robert Ring­ ling, Vanni-Marcoux, Chase Baromeo, Edouard Cotreuil, Alexander Kipnis, Virgilio Lazzari and Vittorio Trevisan. Your Neighborhood stm-e Sells Royal Tailoring Giorgio Polacco, musical director, 'r •• will again have as associate conductor Roberto Moral!zoni.·· No changes have .
Load more

Recommended publications
  • Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN BENIAMINO GIGLI, Tenor ASSISTED by Edith Browning, Dramatic Soprano Vito Carnevali, Accompanist
    UNIVERSITY SCHOOL OF MUSIC CHARLES A. SINK. PRESIDENT EARL V. MOORE, MUSICAL DIRECTOR First Concert 1927-1928 Complete Series 1616 FORTY-NINTH ANNUAL Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN BENIAMINO GIGLI, Tenor ASSISTED BY Edith Browning, Dramatic Soprano Vito Carnevali, Accompanist Friday Evening, October 7, 1927, at 8:00 PROGRAMME ARIA ((0 PARADISO" from "L'AFRICAINE" Meyerbeer BENIAMINO GIGU O BEI NIDI D'AMOR Donaudy TRE GIORNI SON CHE NINA Pergolesi O DEL MIO DOLCE ARDOR— Ghtck BtfNIAMINO GlGU ARIA "PLEUREX, PLEUREX MES YEUX" from "LE CID" Massenet CHANSON TRISTE Duparc CHERE NUIT Bachclct EDYTHS BROWNING ARIA "M'APPARI" from "MARTHA" Flotow BKNIAMINO GIGLI INTBRMISSION COME LOVE WITH ME (English) Carhevali LIFE (English) Curran TES YEUX (French) Rabey UN REVE (French) Grieg BfiNIAMINO GlGLI A FEAST OF LANTERNS Granville Bantock MY LOVE 0"ER THE WATER BENDS DREAMING Vito Moscato ARIA, "PEACE, PEACE" from "LA FORZA DEL DESTINO" Verdi EDYTHE BROWNING ARIA "VESTI LA GIUBBA" from "I PAGLIACCI" Leoncavallo BENIAMINO GIGLI Mr. Gigli uses the Hardman Piano Exclusively. Furnished by courtesy of the University Music House. Management, R. B. Johnston, New York City. (Over) J ARS LONGA VITA BREVIS L NINTH ANNUAL EXTRA CONCERT SERIES HILL AUDITORIUM 5-All Star Concerts-5 OCT. 28, ROSA RAISA and GIACOMO RIMINI Leading Dramatic Soprano and Baritone of The Chicago Civic Opera Nov. 21, FLONZALEY STRING QUARTET Adolfo Betti, First Violin Alfred Pochon, Second Violin Nicholas Moldovan, Viola Iwan D'Archambeau, Violoncello Dec. 12, DETROIT SYMPHONY ORCHESTRA Ossip Gabrilowitsch, Conductor Jan. 26, ST. OLAF LUTHERAN CHOIR F. Melius Christiansen' Conductor Feb.
    [Show full text]
  • Gianni Schicchi Puccini Il Trittico 2000-2001
    3 COMUNE DI LUCCA TEATRO DEL GIGLIO CENTRO STUDI G. PUCCINI Teatro di Tradizione in coproduzione con FONDAZIONE ORCHESTRA REGIONALE TOSCANA PUCCINI IL TRITTICO 2000-2001 GIANNI SCHICCHI PUCCINI IL TRITTICO 2000-2001 direttore DONATO RENZETTI ORT - ORCHESTRA DELLA TOSCANA Progetto Puccini nel Novecento 1999-2002 Progetto Puccini nel Novecento 1999-2002 COMUNE DI LUCCA TEATRO DEL GIGLIO CENTRO STUDI G. PUCCINI in coproduzione con FONDAZIONE ORCHESTRA REGIONALE TOSCANA Teatro Verdi, Firenze - giovedì 3 maggio 2001 - ore 21.00 TEATRO DEL GIGLIO, LUCCA - venerdì 4 maggio 2001 - ore 21.00 GIANNI SCHICCHI in forma di concerto direttore DONATO RENZETTI ORT - ORCHESTRA DELLA TOSCANA IL TRITTICO 2000-2001 Teatro Verdi, Firenze - giovedì 3 maggio 2001 - ore 21.00 TEATRO DEL GIGLIO, LUCCA - venerdì 4 maggio 2001 - ore 21.00 GIANNI SCHICCHI in forma di concerto opera in un atto di Giovacchino Forzano musica di GIACOMO PUCCINI Edizioni Casa Ricordi, Milano personaggi e interpreti Gianni Schicchi Bruno De Simone Lauretta Anna Carnovali Zita Adele Cossi Rinuccio Roberto Iuliano Gherardo Carlo Bosi Nella Daniela Schillaci Gherardino Matteo Ciccone Betto di Signa Giovanni Mele Simone Marco Spotti Marco Arturo Cauli La Ciesca Dionisia Di Vico Maestro Spinelloccio Armando Gabba Ser Amantio di Nicolao Fabio Bonavita Pinellino Marco Pauluzzo Guccio Daniele Tonini Direttore DONATO RENZETTI ORT - ORCHESTRA DELLA TOSCANA Mise en space di GILBERTO TOFANO in collaborazione con ROSANNA MONTI - luci UGO BENEDETTI Fin dalla mia elezione a Sindaco della città di Lucca, ho manifestato il mio impegno personale e quello dell’Amministrazione a porre al centro del programma culturale la figura e l’opera di Giacomo Puccini.
    [Show full text]
  • El Camino De Verdi Al Verismo: La Gioconda De Ponchielli the Road of Verdi to Verism: La Gioconda De Ponchielli
    Revista AV Notas, Nº8 ISSN: 2529-8577 Diciembre, 2019 EL CAMINO DE VERDI AL VERISMO: LA GIOCONDA DE PONCHIELLI THE ROAD OF VERDI TO VERISM: LA GIOCONDA DE PONCHIELLI Joaquín Piñeiro Blanca Universidad de Cádiz RESUMEN Con Giuseppe Verdi se amplificaron y superaron los límites del Bel Canto representado, fundamentalmente, por Rossini, Bellini y Donizetti. Se abrieron nuevos caminos para la lírica italiana y en la evolución que terminaría derivando en la eclosión del Verismo que se articuló en torno a una nutrida generación de autores como Leoncavallo, Mascagni o Puccini. Entre Verdi y la Giovane Scuola se situaron algunos compositores que constituyeron un puente entre ambos momentos creativos. Entre ellos destacó Amilcare Ponchielli (1834-1886), profesor de algunos de los músicos más destacados del Verismo y autor de una de las óperas más influyentes del momento: La Gioconda (1876-1880), estudiada en este artículo en sus singularidades formales y de contenido que, en varios aspectos, hacen que se adelante al modelo teórico verista. Por otra parte, se estudian también cuáles son los elementos que conserva de los compositores italianos precedentes y las influencias del modelo estético francés, lo que determina que la obra y su compositor sean de complicada clasificación, aunque habitualmente se le identifique incorrectamente con el Verismo. Palabras clave: Ponchielli; Verismo; Giovane Scuola; ópera; La Gioconda; Italia ABSTRACT With Giuseppe Verdi, the boundaries of Bel Canto were amplified and exceeded, mainly represented by Rossini, Bellini and Donizetti. New paths were opened for the Italian lyric and in the evolution that would end up leading to the emergence of Verismo that was articulated around a large generation of authors such as Leoncavallo, Mascagni or Puccini.
    [Show full text]
  • Problems of Tempo in Puccini's Operas
    Problems of Tempo in Puccini's Arias Author(s): Mei Zhong Source: College Music Symposium, Vol. 40 (2000), pp. 140-150 Published by: College Music Society Stable URL: https://www.jstor.org/stable/40374404 Accessed: 22-08-2018 17:38 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms College Music Society is collaborating with JSTOR to digitize, preserve and extend access to College Music Symposium This content downloaded from 129.105.215.146 on Wed, 22 Aug 2018 17:38:20 UTC All use subject to https://about.jstor.org/terms Problems of Tempo in Puccini's Arias Mei Zhong problems of tempo in Puccini's soprano arias are surprisingly vexing for per- formers, given that the composer provided many indications in his scores, including many metronome markings, and supervised the preparation of several singers who went on to make early phonograph recordings of his arias. The difficulties arise from the lack of markings in some cases, ambiguous or impractical markings in others (with some evidence that at times Puccini himself was not reliable in this matter), doubts about the authorship of some markings, and wide variations in tempo among recorded perfor- mances.
    [Show full text]
  • The Hyechra Club
    THE HYECHRA CLUB The narrator has had a lively interest in The Hyechka Club since its beginning and believes that its history merits recording and dmu- menting in The Chronicles of OkZuhoma, Members of the Club in the past have been interested and its members today are interested in building and supporting a city and a state as cultural centers in which to rear patriotic and Clod-fearing children worthy of the loftiest ideals. Instead of a brief history, this band of music lovers is entitled to a fdsized, two volume publication to report ad* quately all that they have given to the education of young people along cdtural lines and to the wealth of Tulsa and the State of Oklahoma as expressed in the leadership and influence of the known and unknown contributors. Looking over the names of world famous artists that have appeared on its early programs and in its annual Spring Festivals, the words of Warner Van Valkenburg are a fitting tribute and introduction even to this brief history of Tulsa's pioneer organization of music lovers :l "I AM MUSIC. "I am the hymns of the Christian Martyrs in the catacombs; I am the songs of thanksgiving of the kneeling Pilgrime; I am the fugues of Bach, and the oratorios of Handel and Haydn; I am the magic flute of Momrt; I am the immortal symphonies of Beethoven; I am the throbbing mee- sages of Schubert and Schumann; I am the nocturnes of Chopin and the folk melodies of Dvorak; I am the rhapsodies of Linzt and the music- dramas of Wagner; I am the voice of Peter Tchaikowski, crying in the wilderness; I am Brahms and Richard Straues, and Verdi, fulfilling the command of destiny; yea I have breathed upon the harps of MacDowell and Cadman, and have sung of a new world in the west.
    [Show full text]
  • [ News and Comment of Concert and Opera I To-Night
    NEWS AND ___-;-,1- . COMMENT OF AND I [ .=============^_-_-___^^^-:-1^5^----= =____-_ CONCERT OPERA cnt-day desolation and destruction in . -'.-" a uatanic fury. The artist will lccturo \Chicago Opera Co, on the exhibition of thrilling scenes, all of which wcro made in their natural Mme. to Sing colors a new Hempel by process. Tho former ' Last Week Minister of War, M. Millcrand, is the I Begins executive president of the Committee in 'Le Nozze di for tho Relief of the Wounded and Sick Figaro Presentation Will Include Soldiers. President Poincaró is chair¬ Two Operas man of tho honorary committee. Will- Caruso To Be Heard as Radames in New to New York Audiences: (iLeSau- Jam Saneloz was sent to this country aa a special commissioner in charge of and teriot," by Lazzari, and <(Isabeau,T the exhibition. "Aida," Lázaro, Spanish Tenor, Tho American executive committee is Will headed by Mrs. Robert Appear 'Again in "Rigoletto" fourth and la^t week of the Chi- Bacon and Mrs. The which Rosa LeRoy Edgar. Th« list of season at the Raisa, Giuseppi Gandcnzi, patronesses rneo Opera Company's Giacomo Rimini, Louise at tho French Theatre exhibition in¬ i Mme. Frieda lícmpcl will make lier will dance. Mr. Bodanzky will conduct. Theatre will include two op¬ Swartz Berat, Jcska Lexington and others of its former cast cludes over fifty prominent last appearance this season with the "Mrfrouf" will be the'Saturday mat¬ eras new to New York, which had their will society appear, with M. Charlier at women. Among them are Mrs.
    [Show full text]
  • Views of Theaters, Autographs, Etc
    J & J LUBRANO MUSIC ANTIQUARIANS 2018 SPRING SALE LIST Musical Literature & Manuscript Facsimiles 20% Discount on all orders received by June 1, 2018 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. v Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Fine Items & Collections Purchased v Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c.
    [Show full text]
  • Turandot: Good to Know 5 Production Information 6 Synopsis 7 the Principal Characters 9 the Principal Artists 10 the Composer 11 Turandot the Librettists 12
    Study Guide Chorus Sponsor Season Sponsors Student Night at the Opera Sponsor Projected Translations Sponsor Making the Arts More Accessible® Education, Outreach and Audience Engagement Sponsors 1060 – 555 Main Street lower level, Centennial Concert Hall Winnipeg, MB, R3B 1C3 204-942-7479 www.manitobaopera.mb.ca For Student Night tickets or more information on student programs, contact Livia Dymond at 204-942-7470 or [email protected] Join our e-newsletter for exclusive behind-the-scenes content: Go to www.manitobaopera.mb.ca and click “Join Our Mailing List” welcome Contents Three Great Resources for Teaching Your Students About Opera 4 Turandot: Good to Know 5 Production Information 6 Synopsis 7 The Principal Characters 9 The Principal Artists 10 The Composer 11 Turandot The Librettists 12 About Musical Highlights 13 Nessun Dorma 14 The History of Turandot 15 Ancient China: Geography 16 People in Ancient China 17 A Short Overview of Opera 18 Bringing an Opera to the Stage 20 The Operatic Voice and Professional Singing 22 Glossary: Important Words in Opera 23 General Opera General Audience Etiquette 27 Manitoba Opera 28 Student Activities 29 Winnipeg Public Library Resources 36 TURANDOT 3 welcome Three Great Resources for Teaching Your Students About Opera 1. Student Night In order to expose student audiences to the glory of opera, Manitoba Opera created Student Night. It’s an affordable opportunity for students to watch the dress rehearsal, an exciting look at the art and magic of opera before the curtain goes up on Opening Night, when tension is high and anything can happen.
    [Show full text]
  • Arena Di Verona “Turandot” Con Il Sostegno Del Comune Di Padova
    Comune di Padova Centro Socio-Culturale Età D’Oro con il sostegno del Comune di Padova Via J. Da Ponte 7 35134 Padova Quartiere 2 Nord Tel. 0498649310 mail [email protected] aperto il pomeriggio dalle 15.00 alle 19.00 Giovedì 5 luglio 2018 Arena di Verona “Turandot” Con il sostegno del Comune di Padova La Turandot è un'opera in 3 atti e 5 quadri, su libretto di Giuseppe Adami e Renato Simoni, lasciata incompiuta da Giacomo Puccini e successivamente completata da Franco Alfano, uno dei suoi allievi. Fu rappresentata per la prima volta il 25 aprile 1926 al Teatro alla Scala di Milano, con Rosa Raisa, Francesco Dominici, Miguel Fleta, Maria Zamboni, Giacomo Rimini e Giuseppe Nessi sotto la direzione di Arturo Toscanini, il quale interruppe la rappresentazione a metà del terzo atto, due battute dopo il verso «Dormi, oblia, Liù, poesia!», ovvero dopo l'ultima pagina completata dall'autore, dichiarando al pubblico: «Qui termina la rappresentazione perché a questo punto il Maestro è morto.» La sera successiva, sempre sotto la direzione di Toscanini, l'opera fu rappresentata nella sua completezza, includendo anche il finale di Alfano. Nel dicembre del 1923 il Maestro completò tutta la partitura fino alla morte di Liù, cioè fino all'inizio del duetto cruciale. Di questo finale egli stese solo una versione in abbozzo discontinuo. Puccini morì a Bruxelles il 29 novembre 1924, lasciando le bozze del duetto finale così come le aveva scritte il dicembre precedente. L'incompiutezza dell'opera è oggetto di discussione tra gli studiosi. C'è chi sostiene che Turandot rimase incompiuta non a causa della morte dell'autore, bensì per l'incapacità, o piuttosto l’impossibilità da parte del Maestro di risolvere il nodo cruciale del dramma: la trasformazione della principessa Turandot gelida e sanguinaria, in una donna innamorata.
    [Show full text]
  • An Operatic Child .'Whose Dreams ·Came True
    February 23, 1918 MUSICAL AMERICA 3 AN OPERATIC CHILD .'WHOSE DREAMS ·CAME TRUE Claudia Muzio's Paper Dolls Were "Neddas" and "Toscas," and T o~day She Lives in the Air Castles She Built While Playing with Them Behind the Scenes-She Provides Her In­ terviewer with a Substantial Demonstration of Her Culi ~ nary Skill OME day some bright writer, having S exhausted all other subjects for dis­ rcourse, will publish an essay on the es­ sential role which spaghetti plays in the operatic world. How important-these succulent strands are to the welfare and happiness of the Italian singer is well known to those who have made periodic excursions into such Bohemian haunts as Del Pezza's, Gio­ lito's, Gonfarone's, Maria's, Romano's or Guffanti's. · Spaghetti offers unlimited possibilities for discussion, because no two persons agree on the proper method of preparing it. For instance, there is Spaghetti Ca­ ruso, Spaghetti Scotti and Spaghetti de Luca. They are all wonderful, and they are all different. But in New York last week there was discovered by a mere newspaperman a ·new variety known as Mw>:io Spaghetti, which is to be distingui;;;hed from all other brands by the fact that the raw Pll.otos b1f Presa Illustrating B67"VVce product, as well as the steaming, fra­ Results of a Photographer's Visit to the Home of Claudia grant outcome of culinary manipulation, Muzio. The Upper Right Hand Picture Shows ·the all results from the ingenuity and skill Prima Donna and Her Mother, Mrs. Carlo Muzio.
    [Show full text]
  • The H1eclakc Club 361
    The H1eclakc Club 361 Incidental Dances by Anna Ludmilla and Corps de Ballet Nineteenth Festival, 1926: Chicago Civic Opera presented ••La Gioconda" (Ponchielll) Conductor, Giorgio Polacco Artists: Rosa Raisa Gildo Morelato Augusta Lenska Desire Defrere Flora Perini Ludovico Oliviero Antonio Cortis Glocomo Rimini Alexander Kipnis Antonio Nlcollch Incidental Dances by Miles Shermont, Dagmara, Nemeroff, Romany and Corps de Ballet "'Boris Godunotf" (Modest Moussorgsky) Conductor, Giorgio Polacco Artists: Feodor Chaliapin Lodovico Oltvlero Gladys Swartout Augusta Lenska Elizabeth Kerr :f"J.ora Perini Jose Mojica Romeo Boscacci Forrest Lamont Gulseppe Minerva Virgilio Lazzari Alice D'Hermanoy Edouard Cotreuil Cilda Morelato Antonio Nicolich Twentieth Festival, 1926: Carolyn Powers Thomas, violinist Soloists: Kathryn Brown, contralto Rudolph Ganz, Conductor St. Louis Symphony Twenty-first Festival, 1927: Chicago Civic Opera presented Alda (Verdi) Conductor, Giorgio Polacco Artists : Rosa Raisa Edouard Cotreuil Augusta Lenska Virgilio Lazzari Florence Misgen Giacomo Rimtnl Charles Marshall Lodovico Oliviero Incidental Dances by Miles, Shermont, Samuels and Corps de Ballet La Traviata (Verdi) Conductor, Roberto Moranzoni Artists: Claudia Muzio Desire Defrere Charles Hackett Giovanni Polese Richard Bonelli Antonio Nicolich Alice d'Hermanoy Anna Correnti Jose Mojica Gildo Morelato Incidental Dances by Miles, Shermont, Samuels and Corps de Ballet Twenty-second Festival, 1928: 11 Trovatore (Verdi) Conductor, Henry G. Weber Artists: Rosa Raisa Eugenio Sandrini Alice d'Hermanoy Albert Rappaport Giacomo Rimtni Virgilllo Lazzari Antonio Cortis Cyrena Van Gordon Incidental Dances by Misses Chapman, Flnholt, Letteaux, N. Smith and Ballet Rigoletto (Verdi) Conductor, George Polacco .
    [Show full text]
  • Miguel Fleta (1897-1938) Y Turandot (1926). Una Puesta En Escena Oriental
    MIGUEL FLETA (1897-1938) Y TURANDOT (1926). UNA PUESTA EN ESCENA ORIENTAL Miguel Fleta (1897-1938) & Turandot (1926): An Oriental Mise-en-scène María Pilar Araguás Biescas* María Asunción Araguás Biescas** Universidad de Zaragoza Resumen La ópera inacabada Turandot del compositor italiano Giacomo Puccini (1858- 1924) fue una de las óperas japonistas cuyo argumento se desarrolla en China y cuya creación se enmarca en un período de moda e interés por el país del Sol Na- ciente. Estrenada en 1926 en La Scala de Milán narra la historia del príncipe Calaf que se enamora de la fría princesa Turandot. En su estreno participó el tenor ara- gonés Miguel Fleta (1897-1938) en el papel de Calaf. Palabras clave: Miguel Fleta, Turandot, Giacomo Puccini, ópera, japonismo Abstract Turandot is an opera by Giacomo Puccini (1858-1924) and it was an example of a Japonisme on music. The story, set in China, involves prince Calaf who falls in love with the cold princess Turandot. The opera was unfinished at the time of Puccini’s death in 1924. The first performance was held at the Teatro alla Scala in Milan. Miguel Fleta had the honour of creating the role of Calaf. Key words: Miguel Fleta, Turandot, Giacomo Puccini, opera, japonisme. * Doctora en Historia del Arte en la Universidad de Zaragoza. Investigadora del proyec- to I+D Coleccionismo y coleccionistas de arte japonés en España. Correo electrónico: [email protected]. Fecha de recepción del artículo: 1 de septiembre de 2011. Fecha de aceptación: 3 de octubre de 2011. ** Licenciada en Medicina y Cirugía por la Universidad de Zaragoza y estudios superiores de música en el Conservatorio de Sabiñánigo.
    [Show full text]