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British canvas, stretcher and panel suppliers’ marks: Part 13, Scotland This guide surveys suppliers’ marks on the reverse of picture supports. This part is devoted to suppliers in Scotland, notably Edinburgh, Glasgow and Aberdeen. Marks relating to framing, restoration and picture dealing are not usually included here. Measurements of marks, given where known, are approximate and may vary according to the stretching or later conservation treatment of a canvas or the trimming of a label. Links are given to institutional websites where the dimensions of works can be found. For individual suppliers, see the database, British artists' suppliers, 1650-1950. Square brackets are used to indicate indistinct or missing lettering in transcripts. Compiled by Jacob Simon, February 2019, updated February 2020, and based on the pioneering work of Cathy Proudlove and the suppliers’ database created by Jacob Simon. With thanks to Dr Joyce Townsend for providing information on paintings in Tate, Nicola Costaras at the Victoria and Albert Museum and Keith Morrison at the National Galleries of Scotland. The following suppliers appear in this resource: Aberdeen: John Hay. Edinburgh: Aitken Dott & Son, Alexander Hill, Thomas Alexander Hill, William Macgill, John Mundell, Robert R. Nelson, Hugh Paton/& Sons, W.S. Ross, Alexander Scott, John Douglas Smith, John Taylor & Son and James Walker. Glasgow: Combe & Co, George Davidson, James Miller, Robert Miller. Supplier, work details Supplier dates, mark transcripts Product marks (not to uniform scale) Combe & Co, Glasgow In business 1904-28 or later See British artists' suppliers, 1650-1950 - C Illustrated: Stamp, 9.0 cm wide, on canvas: Unspecified work. Source: Cobbe coll., see COMBE & CO note 2. An example dated ARTISTS COLOURMEN 1905 is recorded. 160 BUCHANAN ST GLASGOW. Second stamp: ACADEMY George Davidson, At 123 Sauchiehall St 1879-1907 Subsequently George Davidson Ltd Glasgow See British artists' suppliers, 1650-1950 - D Illustrated: Stamp, 13.7 cm wide, on canvas: Unspecified work. Source: Cobbe coll., see G. DAVIDSON, note 2. ARTISTS’ COLOURMAN, 123, SAUCHIEHALL STREET, GLASGOW. Supplier, work details Supplier dates, mark transcripts Product marks (not to uniform scale) Illustrated: Stamp, palette shaped, on canvas; Unspecified work. From http://pictureframelabels.b G. DAVIDSON logspot.com/. Fine Art SALOON 123, SAUCHIEHALL ST GLASGOW Illustrated: Label, decorative surround, on frame: Unspecified work. From http://pictureframelabels.b FROM logspot.com/. GEORGE DAVIDSON FINE ART DEALER & PICTURE FRAME MAKER Probably a framing label, 123 SAUCHIEHALL ST. GLASGOW. included here for reference. Other labels are found. Aitken Dott & Son, Supplier so named 1880-1984 Edinburgh See British artists' suppliers, 1650-1950 - D Illustrated: Stamp, linear border, on canvas: Duncan Cameron, Fidra, 1907. Source: Cobbe A. DOTT & SON coll., see note 2. EDINBURGH –– –– ACADEMY CANVAS Illustrated: Stamp, palette-shaped, on panel or board: Unspecified work. Source: Cobbe coll., see AITKEN, DOTT & SON note 2. Carvers, Gilders, and Artist[s] COLOURMEN [2]6 SOUTH CASTLE ST EDINBUR[GH] Illustrated: Stamp, within rectangular framework, on Unspecified work stretcher: (information from Cyndie Lack) A. DOTT & SON[ A]RTISTS [C]OLOURMEN 26[?] SOUTH [C]ASTLE STRE[ET] EDINBURGH. Supplier, work details Supplier dates, mark transcripts Product marks (not to uniform scale) Illustrated: Label, 9.3 cm wide, linear border, on frame: William McTaggart, The Lobster Fishers, 1899 EXPERIENCED PICTURE LINERS (National Gallery of Victoria) AITKEN DOTT & SON May 1842 Presumably a framing label, CARVERS & GILDERS included here for reference. 26 SO. CASTLE ST. EDINBURGH diagonally in red across label: OWN MAKE John Hay, Aberdeen At 77 Union St c.1824-36 See British picture framemakers, 1600-1950 Illustrated: Label, 9.0 cm wide, decorative border, on Ascribed to John Phillip, millboard: Woman knittting at a IMPROVED cottage door (with Sulis Flemish Ground Pannel Boards, Fine Art, 2019) PREPARED BY JOHN HAY, Compare the wording of this Repository of Arts, label to those of Rowney & 77, Union Street, Aberdeen. Forster (Part 9 of this guide) PREPARED CANVAS, with or without Absorbent Groun[d] Extra-Fine BLADDER COLOUR. Superior MASTIC VARNISH, ASPHULTUM, and Fine Light Drying Oil. With every other Material for OIL PAINTING, of very superior quality. Alexander Hill, In business 1830-66 For Hill’s son, T. Alexander Hill, see below Edinburgh See British artists' suppliers, 1650-1950 - H Illustrated: Stencil, oval format, on canvas: John Ballantyne, Robert Michael Ballantyne, ALEXR. HILL c.1855 (National Portrait — Gallery) COLORMAN. TO THE ROYAL SCOTTISH ACADEMY EDINBURGH. Illustrated: Label, linear border, on board, not line-for-line: Francis Grant, Edwin Landseer, c.1852 ALEXANDER HILL, (National Portrait Gallery) PUBLISHER AND COLOURMAN TO THE SCOTTISH ACADEMY OF PAINTING, SCULPTURE, AND ARCHITECTURE. 67, PRINCE’S STREET, EDINBURGH. — ARTIST'S MATERIALS, OF THE BEST QUALITY, CONSTANTLY FRESH. — PICTURE FRAMES MADE TO ORDER. — DRAWINGS LENT TO COPY. Supplier, work details Supplier dates, mark transcripts Product marks (not to uniform scale) Illustrated: Label, double linear border with inward curving Unknown artist, An corners, over Winsor & Newton label of 1841 or Allegory of Arts (with later, on millboard: Leighton Fine Art, High Wycombe, 2018) ALEXANDER HILL -- Bookseller Stationer -- -- & Artists’ Colourman -- -- 67 PRINCE’S STREET -- EDINBURGH Thomas Alexander Hill, At 12 St Andrew Square 1866-73 For his father, Alexander Hill, see above Edinburgh See British artists' suppliers, 1650-1950 - H Illustrated: Stamp on canvas: James Cassie, Beach Fishing, 1872 (Christie’s T. ALEXR HILL South Kensington, 12 ARTISTS’ COLOURMAN March 2014, lot 20) 12 ST. ANDREW SQUARE EDINBURGH William Macgill, In Hanover St 1841-59 Edinburgh See British artists' suppliers, 1650-1950 - M Illustrated: Stencil, 9.6 cm wide, oval format, on canvas: J. Fenwick, unspecified work. Source: Cobbe W. MACGILL coll., see note 2. HANOVER ST EDINBURGH. [in Hanover St 1841-59] Illustrated: Stencil, about 6.9 cm wide, oval format, on Edward Thornton canvas: Crawford, unspecified work. Source: Cobbe coll., see note 2. W. MACGILL Hanover Str[eet] EDINBURGH Illustrated: Stencil, palette-shaped, on canvas: Unknown artist, Samuel Batchelder? (information WILLIAM MACGILL from Margaret Stocker, 2018) No 7 Hanover St Edinburgh Supplier, work details Supplier dates, mark transcripts Product marks (not to uniform scale) Illustrated (top): Label, 12.6 cm wide, elaborate border, on Samuel Edmonston, millboard: unspecified work, c.1860. Source: Cobbe coll., see WILLAM MACGILL note 2. In conjunction Artist-Colourman, Printseller & Stationer. with Winsor & Newton 7 Hanover Street, Edinburgh, label. –––– ALWAYS ON HAND A SUPPLY OF Illustrated (bottom): ARTISTS MATERIALS OF THE BEST QUALITY. Tavernor Knott, Rev. Picture Frames made to order Norman MacLeod, 1848 DRAWINGS LENT TO COPY. (Scottish National Portrait Faintly, printer’s name, seen on Knott label: ^ Edmonston Gallery). Over a Winsor & Newton ‘Prepared Mill- SUTCLIFFE[?] LITHO. EDIN. Board’ label. [Macgill in Hanover St 1841-59; the name of the Also found on: label’s printer is indistinct but may be Sutcliffe, John Absolon, Gleaners possibly John Sutcliffe, recorded 1846-48] (Sotheby’s Belgravia, 6 January 1976, lot 18) Horatio McCulloch, An ^ Edmonston detail Argyllshire Loch. Source: Cobbe coll., see note 2. ^ Knott (over a Winsor & Newton label) Illustrated: Label, elaborate border: William Stewart Watson, James Grant, 1846 [wording identical to above] (National Museums of Scotland, M.1930.19) Illustrated: Label, elaborate border in red, in drawer of Label in drawer of Winsor Winsor & Newton colour box: & Newton colour box, early 1860s (Westbank [wording identical to above, but:] Antiques, Wirral, Merseyside, 105 Princes Street, Edinburgh, www.antiques-atlas.com, online trading site) [in Princes St 1860-66] Supplier, work details Supplier dates, mark transcripts Product marks (not to uniform scale) James Miller, Glasgow At 71 Sauchiehall St, 1871-74 At other addresses for much longer See British artists' suppliers, 1650-1950 - M Illustrated: Stamp, oval format, on canvas: Joseph Henderson, On the Ayrshire Coast FROM (Sotheby’s Belgravia, MILLER Glasgow, 16 December 71, SAUCHIEHALL ST 1975, lot 191) GLASGOW Also found on: A. [Alexander?] Davidson, unspecified work, 1874, with label, see below. Source: Cobbe coll., see note 2. Illustrated: Label, 8.3 cm wide, decorative border, on A. [Alexander?] stretcher: Davidson, unspecified work, 1874, with canvas FROM stamp, see above. JAMES MILLER, Source: Cobbe coll., see CARVER, GILDER, note 2. AND ARTISTS’ COLOURMAN, 71 SAUCHIEHALL STREET, GLASGOW. Established 30 years. Illustrated: Stamp, 6.9 cm wide, palette shaped, on Unspecified work, 1877. canvas: Source: Cobbe coll., see note 2. MILLER [illegible] GLASGOW Robert Miller, Glasgow At 186 Trongate 1864-c.1933 See British artists' suppliers, 1650-1950 - M Illustrated: Stamp, 10.7 cm wide, on canvas: Mcintyre, unspecified work (ebay, January ROBERT MILLER, 2017) ARTISTS’ COLOURMAN 186, TRONGATE, GLASGOW Supplier, work details Supplier dates, mark transcripts Product marks (not to uniform scale) Illustrated: Stamp, 6.6 cm wide, on canvas: William Alfred Gibson, Lochan (Bonhams, ROBERT MILLER, Edinburgh, 26 June 2019, ARTISTS’ COLOURMAN, lot 244). In conjunction 186, TRONGATE, with Winsor & Newton GLASGOW. canvas stamp. Also found on:
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