DD391 Papers of Alexander Macdonald of Kepplestone and His Trustees

Total Page:16

File Type:pdf, Size:1020Kb

DD391 Papers of Alexander Macdonald of Kepplestone and His Trustees DD391 Papers of Alexander Macdonald of Kepplestone and his trustees c.1852 - 1903 The fonds consists of correspondence and other papers generated by Alexander Macdonald, including letters from the artists that Macdonald patronised. The trustees' papers include minutes, accounts, vouchers and correspondence detailing their administration of Macdonald's estate from 1884 until the division of the estate among the residuary legatees in 1902. The bundles listed by the National Register of Archives (Scotland) have not been altered since their deposit in the City Archives. During listing of the remaining papers, any other original bundles have been preserved intact. Bundles aggregated by the archivist during listing are indicated in the list with an asterisk. (15 boxes and one volume) DD391/1 Macdonald of Kepplestone: trust disposition, inventory, executry and subsidiary legal papers (1861, 1882-1885) 18611882 - 1885 DD391/1/1: Trust disposition and deed of settlement (1885); DD391/1/2: Copy trust disposition and settlement (1882) DD391/1/3: Draft abstract deed of settlement (1884); DD391/1/4: Inventories of estate (1885); DD391/1/5: Confirmation of executors (1885); DD391/1/6: Copy contract of marriage between Alexander Macdonald and Miss Hope Gordon (3 June 1861). (9 items) DD391/1/1 Alexander Macdonald of Kepplestone: Trust disposition and deed of settlement, 11 December 1882, 1885 1882 - 1885 *Trust disposition and deed of settlement of Alexander Macdonald dated 11 December 1882. Printed at the Aberdeen Journal Office, 1885 (1 bundle, 14 copies) DD391/1/2 Alexander Macdonald of Kepplestone: copy trust disposition and settlement, 11 December 1882 11 December 1882 *Copy trust disposition and settlement of Alexander Macdonald, and two draft trust dispositions and deed of settlements, 11 December 1882 (1 bundle, 3 items) DD391/1/3 Alexander Macdonald of Kepplestone: draft abstract deed of settlement, 11 December 1882 11 December 1882 *Draft abstract deed of settlement of Alexander Macdonald dated 11 December 1882. Extracted 29 December 1884 (1 item) DD391/1/4 Inventories of the personal estate of Alexander Macdonald of Kepplestone, 1885 1885 *Certified copy inventory of the personal estate of Alexander Macdonald, and draft additional and corrective inventory of the personal estate of Alexander Macdonald. Inventory and valuation by Alexander Brown of the furniture, pictures etc at Kepplestone. Inventory of oil and other paintings at Kepplestone that belonged to the late Mr Alexander Macdonald. Artists include: Edward Armitage, R.A.; Adolph Artz; Jean Aubert; Thomas Oldham Barlow, R.A.; Bonnat; Samuel Bough, A.R.S.A.; George H. Boughton, A.R.A.; G.R. Boulanger; Jules Breton; John Brett, A.R.A.; J.B. Burgess, A.R.A.; W.P. Burton; R. Caldecolt; P.H. Calderon, R.A.; Hugh Cameron, R.S.A.; Carrier- Belleuse; James Cassie, A.R.S.A.; George Paul Chalmers, R.S.A.; Paul Jean Clays; E.W. Cooke; Arthur S. Cope; F.G. Cotman; Eyre Crowe, A.R.A.; H.W.B. Davies, R.A.; Frank Dicksee, A.R.A.; W.C.F. Dobson, R.A.; William Fettes Douglas, R.S.A.; Dupont; William Etty, R.A.; Joseph Farquharson; Luke Fildes, A.R.A.; Mark Fisher; Birket Foster; W.P. Frith, A.R.A.; Andrew C. Gow, A.R.A.; Frederick Goodall, R.A.; Peter Graham, R.A.; Thomas Graham; Tom Gray; E.J. Gregory, A.R.A.; Robert Herdman, R.S.A.; J.E. Hodgson, R.A.; Allan J. Hook; Bryan Hook; James Clarke Hook, R.A.; J.C. Horsley, R.A.; Walter Horsley; Colin Hunter, A.R.A.; Joseph Israels; Charles S. Keene; B.W. Leader, R.A.; Sir Frederick Leighton; George D. Leslie, R.A.; W.E. Lockhart, R.S.A.; Edwin Long; Robert W. MacBeth, A.R.A.; William McTaggart, R.S.A.; John MacWhirter; Henry Stacy Marks, R.A.; George Du Maurier; J. Everett Millais, R.A.; A. Mollinger; Philip R. Morris, A.R.A.; Alfred P. Newton; W.W. Onless, R.A.; William Quiller Orchardson, A.R.A.; John Pettie, R.A.; John Philip, R.A.; Edward J. Poynter, Val. Prinsep, A.R.A.; R.A.; Paul Rajon; Archibald D. Reid; George Reid, A.R.S.A.; Samuel Reid; Briton Riviere, A.R.A.; Linley Sambourne; J. Sant, R.A.; A. Stocks; Marcus Stone, A.R.A.; L. Alma Tadema, R.A.; John Tenniel; Alexander Thiollet; E.A. Waterlow; George F. Watts, R.A.; Henry Tamworth Wells, R.A.; W.F. Yeames, R.A. First draft of additional and corrective inventory Note relating to item in additional and corrective inventory 1885 (1 bundle, 6 items) DD391/1/5 Alexander Macdonald of Kepplestone: confirmation of executors, 1885 1885 Confirmation of executors, listed as Mrs. Hope Gordon or Macdonald, widow; John Dove Wilson, Sheriff Substitute of Aberdeen, Kincardine and Banff; Peter Duguid of Auchlunies; Colonel James Allardyce; George Reid, R.S.A.; Professor William Stirling, M.D.; and Alexander Edmond, advocate, 1885 (1 item) DD391/1/8 State of funds relating to Mrs. Macdonald of Kepplestone's marriage contract, 15 May 1885 15 May 1885 Copy state of funds annexed to and referred to in Discharge by Mrs. Macdonald of Kepplestone to her Marriage Contract trustees, 15 May 1885 (1 item) DD391/1/9 Papers relating to disposition of art works belonging to Alexander Macdonald of Kepplestone, 1861 - 1900 1861 - 1900 Papers relating to disposition of art works belonging to Alexander Macdonald of Kepplestone, including inventories, designs for exhibition, and some discussions as to agreement with Aberdeen Town Council, 1861 - 1900 (1 bundle, 33 items) DD391/2 Alexander Macdonald of Kepplestone: Minutes and notes of trustees' meetings, 1884 - 1902 1884 - 1902 Minutes and notes of trustees' meetings in relation to Alexander Macdonald of Kepplestone's trust, 1884 - 1902 (3 items) DD391/2/1 Alexander Macdonald of Kepplestone: Signed minutes of meetings of trustees, 1884 - 1902 1884 - 1902 Signed minutes of meetings of trustees Loose inside: minute of meeting of trustees, 3 September 1902; specification and schedule of quantities for alterations to west room of Aberdeen Art Gallery, October 1900; statement of sums paid to residuary legatees, 25 February 1903; memorial for Aberdeen Town Council and opinion of counsel on terms of Macdonald bequest, 9 July 1903; letter from W Gordon, Town Clerk, listing members of Art Committee appointed by Aberdeen Town Council, 24 August 1903; and note of apportionment of residue duties, not dated [circa 1902]. 31 December 1884 - 15 September 1902 (1 volume) DD391/2/2 Alexander Macdonald of Kepplestone: draft minute of meetings of trustees, 1887 - 1902 1887 - 1902 Draft minute of meetings of trustees, 6 June 1887 - 3 September 1902 (1 bundle, 14 items) DD391/2/3 Alexander Macdonald of Kepplestone: notes for meetings of trustees, 1892 - 1901 1892 - 1901 Notes for meetings of trustees, August 1892 - 8 March 1901 (1 bundle, 8 items) DD391/3 Alexander Macdonald of Kepplestone: accounts and vouchers of trustees, 1884 - 1902 1884 - 1902 Accounts and vouchers of trustees, 1884 - 1902 (17 items) DD391/3/1 Alexander Macdonald of Kepplestone: accounts of intromissions of trustees and executors, 1884 - 1902 1884 - 1902 Accounts of intromissions of trustees and executors, 27 December 1884 - 31 August 1902 and accounts of intromissions of Alexander Edmond with trustees and executors, 3 February 1885 - 17 January 1887 (1 bundle, 18 items) DD391/3/2 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, February - March 1885 February - March 1885 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, February - March 1885 (1 bundle) DD391/3/3 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 April - 26 September 1885 27 April - 26 September 1885 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 April - 26 September 1885 (1 bundle) DD391/3/4 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1885 - 27 December 1886 27 December 1885 - 27 December 1886 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1885 - 27 December 1886 (1 bundle) DD391/3/5 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1886 - 27 December 1887 27 December 1886 - 27 December 1887 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1886 - 27 December 1887 (1 bundle) DD391/3/6 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1887 - 27 December 1888 27 December 1887 - 27 December 1888 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1887 - 27 December 1888 (1 bundle) DD391/3/7 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1888 - 27 December 1889 27 December 1888 - 27 December 1889 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1888 - 27 December 1889 (1 bundle) DD391/3/8 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1889 - 27 December 1890 27 December 1889 - 27 December 1890 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1889 - 27 December 1890 (1 bundle) DD391/3/9 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1890 - 27 December 1891 27 December 1890 - 27 December 1891 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1890 - 27 December 1891 (1 bundle) DD391/3/10 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1892 - 27 December 1893 27 December 1892 - 27 December 1893 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27 December 1892 - 27 December 1893 (1 bundle) DD391/3/11 Alexander Macdonald of Kepplestone's trust: receipts and vouchers, 27
Recommended publications
  • Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
    Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan)
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • Quaint Highlanders and the Mythic North: the Representation Of
    Quaint Highlanders Over the course of the nineteenth and early twentieth Scotland’s myths and the cultural formations which carried centuries, the period covered here, Scotland underwent them are complex. great social, economic and cultural change. It was a time and the Mythic North: when painting came to be accorded tremendous significance, THE MYTH OF SCOTLAND both as a record of humanity’s highest achievements and as The term myth, in this context, is taken to mean a widely The Representation of a vehicle for the expression of elemental truths. In Britain accepted interpretative traditional story embodying in the nineteenth century the middle classes assigned great fundamental beliefs. Every country has its myths. They arise Scotland in Nineteenth significance to the art they bought in increasing quantities; via judicious appropriations from the popular history of the indeed, painting became their preferred instrument for country and function as a contemporary force endorsing the promotion of their vision of a prosperous modern belief or conduct in the present. They explain and interpret Century Painting society. Art was valued insofar as it expressed their highest the world as it is found, and both assert values and extol aspirations and deepest convictions, and it was a crucial identity. Here, in addition, the concept embodies something instrument in the task of moulding a society of people of the overtones of the moral teaching of a parable. who shared these values regardless of their class, gender or John Morrison wealth. If nineteenth- and early twentieth-century painting A myth is a highly selective memory of the past used to functioned to corroborate the narratives people used to stimulate collective purpose in the present.
    [Show full text]
  • British Taste in the Nineteenth Century ••
    BRITISH TASTE IN THE NINETEENTH CENTURY •• WILLIAM MULREADY The Sailing Match (S l) BRITISH TASTE IN THE NINETEENTH CENTURY AUCKLAND CITY ART GALLERY • MAY 1962 Foreword This exhibition has been arranged for the 1962 Auckland Festival of Arts. We are particularlv grateful to all the owners of pictures who have been so generous with their loans. p. A. TOMORY Director Introduction This exhibition sets out to indicate the general taste of the nineteenth century in Britain. As only New Zealand collections have been used there are certain inevitable gaps, but the main aim, to choose paintings which would reflect both the public and private patronage of the time, has been reasonably accomplished. The period covered is from 1820 to 1880 and although each decade may not be represented it is possible to recognise the effect on the one hand of increasing middle class patronage and on the other the various attempts like the Pre-Raphaelite move­ ment to halt the decline to sentimental triviality. The period is virtually a history of the Royal Academy, which until 1824, when the National Gallery was opened, provided one of the few public exhibitions of paintings. Its influence, therefore, even late in the century, on the public taste was considerable, and artistic success could onlv be assured by the Academy. It was, however, the rise of the middle class which dictated, more and more as the century progressed, the type of art produced by the artists. Middle class connoisseur- ship was directed almost entirely towards contemporary painting from which it de­ manded no more than anecdote, moral, sentimental or humorous, and landscapes or seascapes which proclaimed ' forever England.' Ruskin, somewhat apologetically (On the Present State of Modern Art 1867), detected two major characteristics — Compassionateness — which he observed had the tendency of '.
    [Show full text]
  • Directory for the City of Aberdeen
    ABERDEEN CITY LIBRARIES Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/directoryforcity185556uns mxUij €i% of ^krtimt \ 1855-56. TO WHICH tS AI)DEI< [THE NAMES OF THE PRINCIPAL INHABITAxnTs OLD ABERDEEN AND WOODSIDE. %httim : WILLIAM BENNETT, PRINTER, 42, Castle Street. 185 : <t A 2 8S. CONTENTS. PAGE. Kalendar for 1855-56 . 5 Agents.for Insurance Companies . 6 Section I.-- Municipal Institutions 9 Establishments 12 ,, II. — Commercial ,, III. — Revenue Department 24 . 42 ,, IV.—Legal Department Department ,, V.—Ecclesiastical 47 „ VI. — Educational Department . 49 „ VII.— Miscellaneous Registration of Births, Death?, and Marri 51 Billeting of Soldiers .... 51: The Northern Club .... Aberdeenshire Horticultural Society . Police Officers, &c Conveyances from Aberdeen Stamp Duties Aberdeen Shipping General Directory of the Inhabitants of the City of Aberd 1 Streets, Squares, Lanes, Courts, &c 124 Trades, Professions, &c 1.97 Cottages, Mansions, and Places in the Suburbs Append ix i Old Aberdeen x Woodside BANK HOLIDAYS. Prince Albert's Birthday, . Aug. 26 New Year's Day, Jan 1 | Friday, Prince of Birthday, Nov. 9 Good April 6 | Wales' Queen's Birthday, . Christmas Day, . Dec. 25 May 24 | Queen's Coronation, June 28 And the Sacramental Fasts. When a Holiday falls on a Sunday, the Monday following is leapt, AGENTS FOR INSURANCE COMPANIES. OFFICES. AGENTS Aberd. Mutual Assurance & Fiieudly Society Alexander Yeats, 47 Schoolhill Do Marine Insurance Association R. Connon, 58 Marischal Street Accidental Death Insurance Co.~~.~~., , A Masson, 4 Queen Street Insurance Age Co,^.^,^.^.—.^,.M, . Alex. Hunter, 61 St. Nicholas Street Agriculturist Cattle Insurance Co.-~,.,„..,,„ . A.
    [Show full text]
  • Proceedings Society of Antiquaries of Scotland
    PROCEEDINGS SOCIET F ANTIQUARIEYO F SCOTLANDO S . HUNDEED AND FIFTH SESSION, 1884-5. ANNIYEBSAEY MEETING, 1st December 1884. AETHUE MITCHELL, M.D., LL.D., Vice-President, Chaire th n i . BalloA t having been taken e followinth , g Gentlemen were duly elected Fellows :— WALTER BIGQAB BLAIKIE, 22 Heriot Row. Rev. GEORGE BROWN, Minister of Bendochy. T. R. BUCHANAN, M.P., 10 Moray Place. The Lord COLIN CAMPBELL, M.P., Inveraray Castle. AViLLiAM CONNAL f Solsgirtho . yr , . PATRIC . CONNAL-ROWAF K f MeiklewoodNo . Rev. SHOLTO D. C. DOUGLAS of Douglas Support, Coatbridge. D. HAT FLEMING, St Andrews. ROBERT GLEN, 3 North Bank Street. EDMUND GOLDSMID, Lufra House, Granton. ANDREW JAMESON, Advocate t ColmS 3 , e Street. THOMAS GRAVES LAW, Signet Library. DAVID STEWART LITTLEJOHN, Solicitor, Dundee. JOHN MACDONALD, Solicitor, Buckie. WILLIAM M'DOWALL Creswel7 1 , l Terrace, Dumfries. VOL. XIX. A PROCEEDINGS OF THE SOCIETY, DECEMBER 1, 1884 ROBERT NAISMITH, Cross, Stonehouse. DAVID NICHOLSON, M.D., Broadmoor, Berks. STEW ART M'GLASHAN, Sculptor, 1 Brandon Street. EDWIN MILLIDGE, Jeweller Prince8 2 , s Street. Rev. JOHN MONTEITH, Ministe f Glencairnro . ROBERT PIRIE Buckingha9 , m Terrace, Glasgow. JAMES MELISS STUART of Erifka. ROBERT K. STEWART of Murdostoun Castle. ALEXANDER THOMSON Cheste5 3 , r Street. The Office-Bearers for the ensuing year were elected as follows :- Patron. MAJESTR HE QUEENE YTH . President. THE MOST HON. THE MARQUIS OF LOTHIAN, K.T., LL.D. Vice-Presidents. ARTHUR MITCHELL, M.D., LL.D. e RighTh t Hon e EAR ROSEBERYTh .F LO , LL.D. r WILLIASi M FETTES DOUGLAS, LL.D., P.R.S.A. Councillors.
    [Show full text]
  • Copyright Statement
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2017 Dogs and Domesticity Reading the Dog in Victorian British Visual Culture Robson, Amy http://hdl.handle.net/10026.1/10097 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii Dogs and Domesticity Reading the Dog in Victorian British Visual Culture by Amy Robson A thesis submitted to Plymouth University in partial fulfilment for the degree of PhD Art History, 2017 Humanities and Performing Arts 2017 iii Acknowledgements I would like to express my deepest gratitude to my supervisors, Dr James Gregory and Dr Jenny Graham, for their ongoing support throughout this project. I would also like to extend immeasurable thanks to Dr Gemma Blackshaw, who was involved in the early and later stages of my research project. Each of these individuals brought with them insights, character, and wit which helped make the PhD process all the more enjoyable.
    [Show full text]
  • Views with ʻabdu'l- Bahá During Her Visit to ʿakk Āʾ, Palestine, Between 1904 and 1906
    NEW ARRIVALS A Little of This and That Catalogue # 236 Second Life Books Inc ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] NEW ARRIVALS CATALOGUE # 236 Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com or www.ABAA.org . 1. ADAMS, Charlotte. THE FOUR SEASONS COOKBOOK ; special consultant James Beard. NY: Holt , Rinehart and Winston, (1971). First Edition. ISBN: 030802644. 4to, pp. 319. A very good copy in some worn dj. [59699] $30.00 Beautifully designed and printed on different colored papers, illustrated with full color photographs. 2. BARNEY, Laura Clifford. GOD'S HEROES ; A drama in five acts. London: Kegan Paul, Trench, Trubner and Philadelphia: Lippincott, (1910). First Edition. Tall 8vo, 106. Bound in tan cloth with elaborate blue stamping on the cover. With colored ornamental borders in the Arabesque style, lithography by A Hoen & Co, Baltimore, MD. Printed on heavy glossy paper. [59617] $85.00 from Wikipedia: "Laura Dreyfus-Barney (born Laura Clifford Barney; 30 November 1879, Cincinnati, Ohio – 18 August 1974, Paris, France) was a leading American Bahá ʼí teacher and philanthropist.
    [Show full text]
  • Pilkinton and Son Were in Dundas Street, Spelled As Pilkinson in the Street Director
    1856y Pilkinton and Son were in Dundas Street, spelled as Pilkinson in the street director. T Davies was at 14 South Saint Andrew Street. J A Bell 6 was at 9 York Place. Frederick Thomas Pilkinton came 12th in the Second Class Honours for Mathematics under Professor Philip Kelland, and shared First Honours for Logic and Metaphysics under W Hamilton, Bart. (Caledonian Mercury, Sat. 10th May 1856) Sam Bough, possibly Pilkington’s closest friend to be, moved to Edinburgh from Glasgow in this year, and stayed at 5 Malta Terrace in Stockbridge. He travelled to London that year, and “visited an old acquaintance, John Philip”, whom he had first met in the company of James Cassie, both very close friends of William Brodie. Bough exchanged some of his works, which Philip admired, for a portrait by Philip of Bough. Bough thought it “as large as life….”. “It’s very like me, and an awful bla’guard I look” (Hitchons) In fact, the portrait establishes Bough’s commanding height and broad frame, and his handsome authority. He looks rather distinguished in fact. Bough was a fascinatingly controversial figure, and continued to fascinate long after his death. As late as 1897, many years after hs death, The Evening Telegraph, in a piece taken from "Good Words" entitled "Sam Bough and His Friends", attempted to present the ambiguity of Bough's personality. "Sam Bough could be rude in both manner and speech, and his acquaintances were habituated to sarcasm and brusquerie. He had, in consequence, many friends but a multitude of enemies, who passed into currency many stories of his wild conduct.
    [Show full text]
  • The Transparent Influence of the Scottish School of Art on Erskine
    Études écossaises 16 | 2013 Ré-écrire l’Écosse : histoire A Scottish Art and Heart: The Transparent Influence of the Scottish School of Art on Erskine Nicol’s Depictions of Ireland Peinture et parenté écossaises : l’influence transparente de l’école écossaise sur les tableaux irlandais d’Erskine Nicol Amélie Dochy Electronic version URL: http://journals.openedition.org/etudesecossaises/837 DOI: 10.4000/etudesecossaises.837 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version Date of publication: 15 April 2013 Number of pages: 119-140 ISBN: 978-2-84310-246-2 ISSN: 1240-1439 Electronic reference Amélie Dochy, “A Scottish Art and Heart: The Transparent Influence of the Scottish School of Art on Erskine Nicol’s Depictions of Ireland”, Études écossaises [Online], 16 | 2013, Online since 15 April 2014, connection on 15 March 2021. URL: http://journals.openedition.org/etudesecossaises/837 ; DOI: https://doi.org/10.4000/etudesecossaises.837 © Études écossaises Amélie Dochy Université Toulouse 2 A Scottish Art and Heart: The Transparent Influence of the Scottish School of Art on Erskine Nicol’s Depictions of Ireland “The Arts, unlike the exact sciences, are coloured by the temperaments, beliefs, and outward environment of the peoples amongst whom they flourish.” William D. mCKay, The Scottish School of Painting, 1906, p. 3. Erskine Nicol (3 July 1825–8 March 1904) was a Scottish painter who lived in Dublin between 1845 and 1850. When he went back to Scotland, his paintings attracted the attention of the British public for their fine quality, lively colours and the scenes taken from everyday life, so that by the 1850s, Nicol was already famous and was celebrated by art critics as the painter of Ireland.
    [Show full text]
  • Peoceedings Society of Antiquaries of Scotland
    PEOCEEDINGS SOCIET F ANTIQUARIEO Y F SCOTLANDO S . HUNDRE SEVENTD DAN H SESSION, 1886-7. ANNIVERSARY MEETING, 30th November 1886. r ARTHUD R MITCHELL, C.B. "thn i , e Chair. A Ballot -having been taken, the following Gentlemen were July elected Fellows :— JAMES ANDERSON, Westside, Brechin. ALEXANDER J. S. BROOK, 5 Lanriston Park. Rev. THOMAS BURNS, Lady Glenorchy's Church. JAMES A CAMERON, M.D., Firhall, Nairn. JOHN COWAN, W.S. GreenhilV , l Gardens. WILLIAM DICKSON Yor8 3 , k Place. WILLIAM STEWART IRVINE, M.D., Pitlochry. W. IVISON MACADAM, Lecturer on Chemistry, Surgeon's Hall. JOHN JAMES MOWBRAT of Naemoor, Dollar. Rev. ANDREW MELDRUM, Minister of Logierait. JOHN MURRAY, Ph.D.e Challengeth f o , r Expedition. SMALLJ . W , M.A., Solicitor, Dundee. W. J. T0RNBDLL, 26 Grange Road. VOL. XXI. A 2 PROCEEDING SOCIETYE TH F O S , NOVEMBE , 188630 R . e Office-BearerTh e ensuinth r fo sg year were electe follows da s :— Patron. HER MAJESTY THE QUEEN. President. THE MOST HON. THE MARQUIS OF LOTHIAN. K.T., LL.D. Vice-Presidents. Sir WILLIAM FEMES DOUGLAS, LL.D., P.R.S.A. Professor NORMAN MACPHERSON, LL.D., Sheriff of Dumfries, &c. Right Hon EARe STAIRth . F LO , K.T., LL.D. Councillors. NOEL-PATONJ r Si , Kt., -\ Representing ARTHUR MITCHELL, C.B., M.D., LL.D. LL.D., R.S.A., L the Board DAVID CHRISTISON, M.D. FRANCIS ABBOTT, f Trustees.o ) Sir H. E. MAXWELL, Bart, M.P. ROBERT HERDMAN, R.S.A. Professo . MASSOND r , LL.D. Professor DDNS, D.D. THOMAS GRAVES LAW.
    [Show full text]
  • Edward Armitage RA, 19Th Fresco Paintings
    19th Century Fresco Paintings at St Marylebone Parish Church 1943 photographs showing war damage to windows and fabric and the frescoes painted by Edward Armitage, RA at first floor gallery level Looking to the North (Liturgical West) Looking to the South (Liturgical East) The fresco paintings (now painted over) on the first floor gallery level between the windows in St Marylebone Parish Church were carried out by the illustrious Victorian Royal Academician Sir Edward Armitage (20th May 1817 – 24th May 1896). Sir Edward Armitage, RA, Self-portrait (1882) Family background Armitage was born in London to a family of wealthy Yorkshire industrialists, the eldest of seven sons of James Armitage (1793–1872) and Anne Elizabeth Armitage née Rhodes (1788–1833), of Farnley Hall, just south of Leeds, Yorkshire. His great-grandfather James (1730–1803) bought Farnley Hall from Sir Thomas Danby in 1799 and in 1844 four Armitage brothers, including his father James, founded the Farnley Ironworks, utilising the coal, iron and fireclay on their estate. His brother Thomas Rhodes Armitage (1824– 1890) founded the Royal National Institute of the Blind. Armitage was the uncle of Robert Armitage (MP), the great-uncle of Robert Selby Armitage, and first cousin twice removed of Edward Leathley Armitage. Art Training Armitage's art training was undertaken in Paris, where he enrolled at the École des Beaux-Arts in October 1837. He studied under the history painter, Paul Delaroche, who at that time was at the height of his fame. Armitage was one of four students selected to assist Delaroche with the fresco Hemicycle in the amphitheatre of the Palais des Beaux-Arts, when he reputedly modelled for the head of Masaccio.
    [Show full text]