Percussion Equipment Inventory

Total Page：16

File Type：pdf, Size：1020Kb

Tour Band Percussion Part Inventory Warmups Star Spangled Traditional Armed Forces Marching Song Nessun Dorma Mallets Drums Timpani Mallet P (Bells) Perc 1 (Snare/Bass) Mallet P (Vibes) Timpani Timpani Snare Timpani Perc 2 (Cr Cym/Triangle/Sus Cymb) Perc 1 (Snare/Bass) Bells Cymbals Perc 1 (Snare/Bass) Mallet P (Bells/Chimes) Perc 2 (Sus Cymb) Quads Perc 2 (Crash Cym, Sus Cymb, Triangle) Timpani Timpani Bass Drum Bells/Xylo Courtly Kirkpatrick Danza Timpani Timpani/Sizzle Cymbal Timpani Perc 1 (Marimba, Chimes, Tambourine) Frame Drum (Use Tenor Drum or no snares) Perc 1 (Snare, Tambourine, Castanets, Tam Tam) Perc 2 (Vibes, Castanets, Triangle, Sleighbells) Bass Drum/Vibes/TenorDrum/Small Sys Cymb Perc 2 (Bass Drum, Concert Tom, Cr Cymb) Perc 3 (Bells, Sus Cymb) Med Sus Cymb/Marimba/Xylo Perc 3 (Xylophone) Perc 4 (Snare, Tenor D, Triangle) Tambourine/Triangle/Crash Perc 5 (Bass D, Cymbal) Renting Bringing Stands Timpani Black Swamp Tambourine Marimba Black Swamp Castanets Castanet Marching Mount Stand Chimes Abel Triangle Triangle Clip/String Bass Drum Sleighbells Vibraphone Xylophone 18" Zildjian Constantinople Suspended Cymbal Goose Neck Suspended Cymbal Stand Glockenspiel/Bells 20" Zildjian Constantinople Suspended Cymbal Suspended Cymbal Stand Gong/Tam Tam 20" Zildjian Medium Ride Cymbal w/Sizzler (Sizzle Cymbal) Cymbal Stand Pearl 5" Orange Snare Drum Snare Drum Stand Pearl Black Field Drum Snare Drum Stand Yamaha Black Medium Tom-Tom Tom Stand Two Aux Percussion Tables w/ Legs Mallets Timpani Mallets Keyboard Mallets.

Copy Link

Recommended publications

Bass Clarinet and Untuned Percussion
funk for bass clarinet (or E♭contrabass/contra-alto clarinet) and untuned percussion Chris Dench funk for bass clarinet and untuned percussion (may also be played on E♭ contra-alto clarinet) duration: 9 minutes Chris Dench (1988-89) for Carl Rosman and Peter Neville Must have took me for a fool Not funk but funk conquered is what is When they chucked me out of school worthy of admiration and makes life ’Cos the teacher knew I had the funk… worth having been lived. Thomas Morgan Dolby Robertson Ludwig Wittgenstein Hyperactive Notebook entry 1940 Percussion Instruments 5 tomtoms Also coperto: 5 small squares of cloth with string tied to one corner. Other end of string tied to outside of tomtoms so that to begin the piece—tomtoms coperti—cloths are on the skins, and can be flicked off during I and K without problems. 5 cymbals Third cymbal a sizzle cymbal; splashy colours. 5 woodblocks 5 cowbells Straight, trumpet variety; not almglocken. logdrum Or wooden slit-drum; two pitches. 2 brake blocks Or other resonant metal blocks; no discernible pitch content. 2 small suspended bells Not pretty, hung pieces of resonant metal will do; higher pitched than brake blocks; no discernible pitch content. 2 bongos & 2 timbales Bongos and timbales function as treble and alto tomtoms. kick bass drum Deep toned. Chinese cymbal A large foot-choked hi-hat may be substituted. 2 tamtams Hung behind player so that they can be struck without looking. Player could use elbows or fists, gently. whip or slapstick Two wooden boards struck together.
[Show full text]
Drummer! ...But I Have Some in My Ensemble Percussion Quick-Reference Book for School Band and Orchestra Directors by Sean J
sample I’m NOT a Help! Drummer! ...but I have some in my ensemble Percussion Quick-reference Book for School Band and Orchestra Directors by Sean J. Kennedy Copy Editor Heather High-Kennedy Instrument Photographs by Ashley Kennedy Copyright © 2016 by Carl Fischer, LLC sampleInternational Copyright Secured. All rights reserved including performing rights. WARNING! This publication is protected by Copyright law. To photocopy or reproduce by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement. DRM143 Printed in the U.S. A. ISBN 978-0-8258-xxxx-x 2 Table of Contents Acknowledgements ..............................................................................................................3 Preface .................................................................................................................................4 Assigning Parts ......................................................................................................................5 Snare Drum ...........................................................................................................................6 Tenor Drum and Field Drum ..............................................................................6 Snare Drum Sticks ................................................................................................................7 Stick Pitch ..............................................................................................................7
[Show full text]
V-Pro™ Series TD-20S-BK
V-Pro™ Series TD-20S-BK With the V-Pro™ Series TD-20S-BK, Roland improves upon the industry-standard V-Drums by starting from A New Chapter In V-Drums History. the ground up. At the heart of this flagship set is the TD-20 module with new sounds and functions, superb expressiveness and in-depth V-Editing. The patented mesh pads now feature great dynamic range and natural rim shot triggering, along with a new look and stunning black finish. The V-Pro Series TD-20S-BK also features Roland’s amazing new V-Hi-Hat and a new drum stand designed to hide the cabling. With this powerful new combination of pads and hardware, the V-Pro Series TD-20S-BK lets drummers express themselves more naturally and with more realism than ever before! TD-20 Percussion Sound Module .......................................................................... An Entirely New V-Drums Experience .......................................................................... Without a doubt, the new TD-20 is Roland’s best percussion sound module ever, offering the ultimate sonic quality, over 500 new sounds, plus superb expressiveness and dynamic range when used with the new PD-125BK/105BK V-Pads and VH-12 V-Hi-Hat. With the superior sensitivity, drummers can play more naturally and without having to adjust their playing technique. The TD-20 includes the ability to vary the rim shot and bass drum sounds depending on how you play, plus new interval control for better snare drum rolls and more realistic cymbal swells. Close your eyes. Listen to every articulation and sound being faithfully re-created until the moment your cymbal fades away, and you’ll swear this is a real acoustic set.
[Show full text]
Rototom 1 Rototom
Rototom 1 Rototom The drum kit 1 Ride cymbal | 2 Floor tom | 3 Toms 4 Bass drum | 5 Snare drum | 6 Hi-hat Other components Crash cymbal | China cymbal | Splash cymbal | Sizzle cymbal Swish cymbal | Cowbell | Wood block | Tambourine Rototom | Octoban | Hardware Rototoms are drums which have no shell. They consist of a single head in a die-cast zinc or aluminum frame. Unlike most other drums, they have a variable definite pitch. Composers are known to write for them as tuned instruments, demanding specific pitches. Rototoms are often used to extend the tom range of a standard drum kit. They were invented by the drumhead company Remo. They can be tuned quickly by rotating the head, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drum head. Master James Holland, former percussionist of the London Philharmonic Orchestra, highly recommends them in his book "Percussion",[1] which is part of the Yehudi Menuhin Music Guides series. Rototoms are often used as a training substitute for timpani students, as they have a very similar sound, are not as loud and expensive as timpani, and do not require as much room space. A few drumming greats who used rototoms were Bill Bruford and Terry Bozzio. Roger Taylor of Duran Duran used rototoms extensively on their self titled debut album Duran Duran of 1981. Roger Taylor of Queen has used rototoms since the early 1970s most recently in the cover of "Let There Be Drums" on the Return of the Champions DVD and album.
[Show full text]
New Texas PML 2018
Row-Loff Productions New Titles on the Texas Preferred Music List for 2018 Percussion Ensemble - Category I Bound For Marakesh by Chris Brooks Players: 8 Length: 4:02 Item: 06CS9 TX ID: 571-1-33552 Price: 45.00 Instrumentation: Vibraphone, Suspended Cymbal, Marimba, Mark Tree, Snare Drum, Ride Cymbal, Small Mounted Tom, (2) Concert Toms, Concert Bass Drum, Hand Drum (Conga or Djembe), Tam Tam, Floor Tom, China Cymbal, (4) Timpani A Parting Shot by James Campbell Players: 8 - 11 Length: 4:16 Item: 16CS13 TX ID: 571-1-33554 Price: 45.00 Instrumentation: Wood or Bamboo Wind Chimes, Chimes, Bongos, Splash Cymbal, Glockenspiel, Sizzle Cymbal, Xylophone, Congas, Kokiriko, Floor Tom, Vibraphone, Small China Cymbal, Small Wood Block, Brake Drum, Pod Rattle, 4 Octave Marimba, Hi Hat, (4) Timpani, Large Tam Tam, (2) Medium Concert Toms, Opera Gong, China Cymbal, Impact Bass Drum, (5) Temple Blocks, Medium Suspended Cymbal, Concert Bass Drum, (2) Large Concert Toms Night Hunter by James Campbell Players: 12 Length: 4:37 Item: 13CS11 TX ID: 571-1-33556 Price: 45.00 Instrumentation: Bells, Chimes, Xylophone, (2) Vibes, (3) Marimbas (one 4 1/3 octave, one 4 1/2 octave shared with players 6 & 7), (4) Timpani, Spring Drum, Large/Low Metal Wind Chimes, Tam Tam, Ratchet, Vibra Slap, Castanets, Hi Hat, Large Wooden Plank, Ocean Drum or Rainstick, Cuica, Slapstick, Small Triangle, Djembe, Snare Drum, Concert Bass Drum, Seed Pod Rattle, Cajon, Wood Wind Chimes, Guiro, China Cymbal, Splash Cymbal, Medium Suspended Cymbal Inflections byRay Flores Players: 5 Length: 4:22 Item: 18CS16 TX ID: 571-1-33570 Price: 35.00 Instrumentation: Bells, Xylophone, Vibes, (2) Marimbas (4 octave & 4.3 octave) Root Beer Rag by Billy Joel/arr.
[Show full text]
Defining the Role of Drumset Performance in Contemporary Music
Defining the Role of Drumset Performance in Contemporary Music Benjamin N. Reimer Schulich School of Music McGill University Montreal, Quebec December, 2013 A doctoral paper submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Music in Performance Studies © Benjamin N. Reimer 2013 Abstract Traditionally considered an instrument used primarily for improvisation in popular music, the drumset has emerged in contemporary music as a solo instrument with prescribed notation. While there is a growing interest in this repertoire today, composers have drawn inspiration from the drumset since the early developmental stages of the instrument itself in the early twentieth century. In the context of popular music, generations of drummers have explored new musical and technical possibilities of drumset performance. It is this history that remains linked to the drumset even when crossing over into the context of contemporary composition. Drummers in popular music have influenced the musical content, the approach to performance, and even our preconceived ideas of the musical and technical potential of this instrument when it is used in contemporary art music. This thesis presents four unique approaches to composition identified and defined as the Tourist, the Snapshot, the Non-idiomatic and the Confluent. Although many works are discussed, the chapters focus on Darius Milhaud’s La Création du Monde, Christopher Rouse’s Bonham, James Dillon’s Ti.Re.Ti.Ke.Dha and Nicole Lizée’s The Man with the Golden Arms. The purpose is to highlight new performance techniques and musical possibilities for drumset performance used in contemporary art music, while identifying the composed repertoire’s links to traditional and fundamental drumset practices.
[Show full text]
Contemporary Music Score Collection
UCLA Contemporary Music Score Collection Title Form Permalink https://escholarship.org/uc/item/6rt9f2gh Author Nechushtan, Alon Publication Date 2020 eScholarship.org Powered by the California Digital Library University of California ALON NECHUSHTAN FORM<ATIONS FOR ORCHESTRA 2020 INSTRUMENTATION 3 Flutes (Fl.1 doubling Piccolo) 3 oboes (Fl.3 doubling English Horn) 3 clarinets in Bb (Cl.1 doubling Clarinet in Eb, Cl.3 doubling Bass Clarinet 3 Bassoons (Cl.3 doubling Contrabassoon) 4 Horns in F 3 Trumpets 3 Trombones 1 Tuba Timpani Percussion (3 players) 1. Tubular Bells , Bass Drum , Hi-Hat , 3 Toms, 3 Hand Bells, Crash Cymbals, Small Gong, Sandpaper Blocks, TamTam, Glockenspiel (shared), Cowbell, Snare, Vibraphone (shared), Egg Shaker 2. Sizzle Cymbal , 5 Wood Blocks, China Cymbal, Snare, Bass Drum, Vibraphone (shared), 3 triangles, Vibraslap, Splash Cymbal, Bass Drum - with pedal, Cabasa, Xylophone (shared), Congas, 2 Wood Blocks, Tambourine 3. Swish Cymbal, Crotales , Marimba , Tambourine, Jam Blocks / Wood Blocks , Xylophone (shared), Crash Cymbal , Chinese Nipple Gong, Harp Piano (With Keyboard) Strings Formations is an ecologically oriented musing deeply concerning with the future of our planet shown through three critically important chapters in its ‘formative’ history- While it stood several horriﬁc disasters in the past , molding its shape in an everlasting process of millions of years - several horriﬁc events in the last century propelled an accelerated arch of hyperbolic changes that may affect our life forever : from nuclear
[Show full text]
Octoban 1 Octoban
Octoban 1 Octoban The drum kit 1 Ride cymbal | 2 Floor tom | 3 Toms 4 Bass drum | 5 Snare drum | 6 Hi-hat Other components Crash cymbal | China cymbal | Splash cymbal | Sizzle cymbal Swish cymbal | Cowbell | Wood block | Tambourine Rototom | Octoban | Hardware Octoban drums, also known as tube toms and quarter toms, are tom-toms grouped in melodically-tuned sets of eight, hence the reference to octave, from octo meaning "eight". Octobans have 15 cm (6 inch) diameter drum shells, and range in length from 280 millimeters (11 inches) to 600 millimeters (23-1/2 inches). The different lengths of the cylinders are what give each drum its distinct tone.[1] History Homemade octobans Octobans are a brand of drums introduced by Tama drums in 1978 and have become a genericized trademark used to refer to such sets of smaller diameter tube drums.[2] Other companies like Pearl and ddrum manufacture similar drums today under brand names like "Quarter Toms" and "Deccabons." [3] Octoban drum shells from other manufacturers may be of varying lengths and diameters, and made from materials like fiberglass, acrylic, aluminum, and wood. Some people build their own octobans out of PVC.[4] The boobam is probably an ancestor of the modern Octobans. Octoban 2 Notable Octoban users • Roger Taylor (Duran Duran drummer) • Mark Brzezicki • Roy Mayorga • The Blue Man Group • Billy Cobham • Tim Alexander • Mike Portnoy • Simon Phillips • Bill Bruford • Danny Carey • Jose Pasillas • Rikki Rockett • Jimmy Chamberlain • Joey Jordison • Dave Lombardo • Thomas Thomson • Dave Mackintosh • Bill Ward • Stewart Copeland • Alex Van Halen • Nick Mason • Mickey Hart • Randy Castillo • Clive Burr • Mike Mangini References [1] Tama Original Percussion (http:/ / www.
[Show full text]
Percussion Ensem Hie GEORGE GABER, Director Seventh in a Special Series Presenting the Works of Indiana University Composers and Arrangers
INDIANA UNIVERSITY SCHOOL OF MUSIC Four Hundred Eighty-Seventh Program of the 1976-77 Season Percussion Ensem hIe GEORGE GABER, Director Seventh in a special series presenting the works of Indiana University composers and arrangers G.H.S. Special (1961) . Carole James (born 1938) Patrick Fiore, Snare Drum Mark Pulice, Cymbals Bernard Delisle, Snare Drum Eri Chomski, Bass Drum *Infervesco (1972) Glenn Smith (born 1946) David Balazs, Triangles, Gong, Daniel Getman, Cymbal, Snare Drum, Hand Cymbals Tenor Drum, Gong Tom Toyama, Timpano, Bass Drum, Gong Rondo Capriccioso (1962) Robert Russell Bennett (arranged by George Gaber) (born 1894) Fred Opie, Xylophone, Donna Hilton, Marimba, Triangle Vibraphone Judy Moonert, Xylophone, Bill Hill, Marimba, Chimes Bells Pykna (1969) . Edward Long (born 1947) Mathew Furfine, Wood Blocks, Mark Pulice, Field Drum, Snare Drum, Ratchet, Tom-tom, Castanets, Vibraslap, Tambourin Maracas, Tambourine Tom Toyama, Bongos, Gong, Rick Blackwell, Bass Drum, Sizzle Cymbal, Tam-tam, Thunder Drum, Castanets Cymbal Bravour Polka (1909) . Fritz Kruger (arranged by George Roach) Judy Moonert, Solo Xylophone Daniel Getman, Snare Drum Marina Roseman, Xylophone II Bernard Delisle, Cymbals Donna Hilton, Marimba I Patrick Fiore, Bass Drum Greg Priddy, Marimba II Bill Hill, Timpani David Balazs, Chimes *Prpm ier performances in this series. Recital Hall Monday Evening February Twenty-Eighth Eight-Thirty O'Clock *Changes (1969) - Gary Smart (born 1943) Bill Hill, Thunder Drum, Chimes, Judy Moonert, Gong, Triangle, Xylophone, Bell
[Show full text]
VDL 2.5 User Guide (Instrument Sounds) Part 2.Pdf
MìklXc;ildcè\)%,Lj\i>l`[\ B\pdXgj1DXcc\kB\pYfXi[j#K`dgXe`#Xe[Fk_\iG`kZ_\[@ejkild\ekj Bass Guitar D`[[c\: 8mX`cXYc\YXjj^l`kXi iXe^\èMìklXc;ildcè\ :( :) :* :+ Chimes :_`d\IXb\$[\jZ\e[è^]Xjk JèZ\Z_`d\jXi\f]k\egcXp\[n`k_X :_`d\IXb\$[\jZ\e[è^jcfn jljkXèg\[Xc#M;Cf]]\ij[`]]\i\eknXpj :_`d\IXb\$XjZ\e[è^]Xjk kfgcXpk_\j\èjkild\ekj[\g\e[è^fe :, :_`d\IXb\$XjZ\e[è^jcfn pflij`klXk`fe%PflZXe\`k_\icfX[k_\ :_`d\IXb\$Yfk_[ì\Zk`fej DN èjkild\ekj#n_`Z_Xccfnjpflkf <ok\e[\[iXe^\! [Xdg\ek_\Z_`d\jn`k_Xdf[$n_\\c <ok\e[\[iXe^\! Zfekifcc\iZ_Xe^\#fipflZXelj\k_\ G<; m\ij`fejkfX[[jljkXèm`Xk_\ jljkXèg\[Xc`kj\c]% :+ JkXe[Xi[iXe^\]fi Enhanced Controls: (%,$fZkXm\Z_`d\j! !K_\DN Z_`d\jlj\k_\df[$ n_\\ckfj\kk_\[Xdg\e\[jkXk\f]k_\ èjkild\ekXj]fccfnj1 :* D`[[c\: <okiXiXe^\]ifd Df[$n_\\cmXcl\ 8[XdjCfn<ok\ej`fe '$-+4:_`d\klY\jiè^ -,$().4:_`d\klY\jdlk\[ :_`d\j! !K_\G<; Z_`d\jlj\k_\jljkXè g\[XcD@;@Zfekifcc\i-+ kfj\kk_\ [Xdg\e\[jkXk\f]k_\èjkild\ek%K_`j ZXeY\Y\e\ÔZ`Xc]fic`m\gcXpè^n`k_X DXcc\kB8Kfin_\eljè^g`Xef$jkpc\ g\[XcdXibè^jk_Xkn`ccgcXpYXZbè jZfi\j% 0) B\pdXgj1DXcc\kB\pYfXi[j#K`dgXe`#Xe[Fk_\iG`kZ_\[@ejkild\ekj Crotales (MW) K_`jb\pdXg`jZfdgXk`Yc\n`k_Xcc :, ZifkXc\èjkild\ekjèM;C%:ifkXc\j _Xm\Y\\edXgg\[kfk_\g`kZ_\jk_\p JkXe[Xi[iXe^\]fi Xi\NI@KK<E]fi%K_`j`j`dgfikXekkf _`^_$fZkXm\ZifkXc\j! efk\jèZ\ZifkXc\jjfle[knffZkXm\j _`^_\ik_Xek_\pXi\ni`kk\e%Jfd\ efkXk`fegifîXdjn`ccXlkfdXk`$ :+ ZXccp_Xe[c\k_`jkiXejgfj`k`fe#Ylk`k `jlee\Z\jjXipn_\eljè^M;CjèZ\ JkXe[Xi[iXe^\]fi k_\kiXejgfj`k`fe`j_Xe[c\[èk_\c`m\ i\Zfi[è^f]k_\jXdgc\j% cfn$fZkXm\ZifkXc\j! !Enhanced Controls:
[Show full text]
Cineperc 1.1 Manual V3
Welcome to CinePerc v1.1! Cinesamples is proud to present CinePerc, our comprehensive percussion library. CinePerc comes in four parts; Core, Pro, Epic, and Aux. All of these instruments were recorded in excruciating detail at the SONY Scoring Stage in Los Angeles, and mixed by master engineer Dennis Sands. CORE The Core library brings you the bread and butter of the orchestral percussion section - generally instruments that were standard in pre-20th Century scores. This set of instruments will cover a large part of your day-to-day orchestral percussion needs. PRO CinePerc PRO includes many more percussion instruments for your orchestral template. In general these patches give you control over sounds that were more recently standardized in 20th Century music. EPIC CinePerc EPIC is the most beastly of the four CinePerc packages. This library includes enormous-sounding single and ensemble percussion patches to give your cues that punch they need. Trailer music composers will find themselves reaching for these patches first to get that larger-than-life sound. AUX CinePerc AUX is an expansion to the other CinePerc options that will expand your template along with your creativity. This expansion includes ethnic instruments, toys, and other knick-knacks to give your pieces an extra flavor. What’s New in v1.1 All Libraries: • Changed Patch List names to be better searchable by “importance” • Added 6db to all patches to make the full mix blend better with other libraries • ON MOST libraries (where we had keyboard real estate) Rolls were stretched to A# with no release, so you have an option to have a release trigger (playing “B”) or not have a release trigger.
[Show full text]
Zero-G BEATS WORKING CD Booklet
® TAS CD 111 BEATS WORKING ZERO-GLTD(UK) • [email protected] • www.zero-g.co.uk 5.1 DRUMS RECORDED AT THE LEGENDARY ABBEY ROAD STUDIO 2 16 BIT STEREO MIXES IN AUDIO AND .WAV (ACIDized™) FORMATS All Rights not expressly granted to the user are reserved. The sound samples on these compact discs are licensed, not sold, to you for use in your music productions only. All copying, lending, duplicating, reselling or trading of this product or its content is strictly prohibited. Only the original purchaser of this product has the right to use the enclosed sound samples within their music compositions. See full End-User License on rear of CD case for complete ® details of permitted usage. ©2002 Zero-G Limited 2 19 38 Multirods, 100 bpm 6 Tom 2 c > RECORDING INFORMATION 1 Phrase 1 2 bars (rhythmic toms) 100 4/4 7 Tom 2 d > INTRODUCTION 2 Phrase 2 2 bars (toms) 100 8 Tom 3 a ZERO-G®, in association with DAT Productions and Digidesign®, are The Drums were placed about 4 metres in front of the fire exit doors 3 Groove 1 1 bar (snare & toms) 100 9 Tom 3 b 4 Groove 2 1 bar 100 10 Tom 3 c proud to have created the world’s first professional drum sample facing the control room (see photo overleaf). 5 Groove 3 1 bar 100 11 Tom 3 d library recorded in 5.1 surround sound. These recordings were made at 6 Fill 1 1 bar & stop 100 12 Tom 3 e 7 Groove 4 1 bar 100 13 Tom 4 a the legendary Abbey Road Studio 2 in London.
[Show full text]