Graduate Percussion Recital Based Upon a Proposed Stage Band Drum Method
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Bass Clarinet and Untuned Percussion
funk for bass clarinet (or E♭contrabass/contra-alto clarinet) and untuned percussion Chris Dench funk for bass clarinet and untuned percussion (may also be played on E♭ contra-alto clarinet) duration: 9 minutes Chris Dench (1988-89) for Carl Rosman and Peter Neville Must have took me for a fool Not funk but funk conquered is what is When they chucked me out of school worthy of admiration and makes life ’Cos the teacher knew I had the funk… worth having been lived. Thomas Morgan Dolby Robertson Ludwig Wittgenstein Hyperactive Notebook entry 1940 Percussion Instruments 5 tomtoms Also coperto: 5 small squares of cloth with string tied to one corner. Other end of string tied to outside of tomtoms so that to begin the piece—tomtoms coperti—cloths are on the skins, and can be flicked off during I and K without problems. 5 cymbals Third cymbal a sizzle cymbal; splashy colours. 5 woodblocks 5 cowbells Straight, trumpet variety; not almglocken. logdrum Or wooden slit-drum; two pitches. 2 brake blocks Or other resonant metal blocks; no discernible pitch content. 2 small suspended bells Not pretty, hung pieces of resonant metal will do; higher pitched than brake blocks; no discernible pitch content. 2 bongos & 2 timbales Bongos and timbales function as treble and alto tomtoms. kick bass drum Deep toned. Chinese cymbal A large foot-choked hi-hat may be substituted. 2 tamtams Hung behind player so that they can be struck without looking. Player could use elbows or fists, gently. whip or slapstick Two wooden boards struck together. -
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!"#$%&"'($$ )$*+,$-./0.12$ ! "#$!%&'()#*+,!-.*/! ! 0#*!1$23*/! ! ! 42$35.6!(/"! !"#$%&"'($)$*+,$-./0.12$+5!(376+5)2/!7&!$ 8.3$2*!92+52$!:35+,!4376+5)+*;! ! Commisssioned for the celebration of Tennessee's "Homecoming '86," Jug Blues & Fat Pickin' was inspired by recordings of the Memphis Jug Band (Beale Street, late 1920's), and bluegrass banjo pickin', which becomes "fattened out" by the sound of winds. Notes to the Conductor: The "Blues" should howl, whine, and wail like a harmonica solo, with the same freedom and indulgence one might hear in an unaccompanied Blues improvisation. The tempo fluctuations indicated must be observed, but the rubato should not be confined to these. The entire Blues must have an unmetered, cadenza-like quality. The "Blues" should never drag: the slowed-down sections must have great color and intensity of expression, whether sighing or wailing. The "Pickin'" doesn't need to be too fast, but has to have the kind of easy-going, self-gratifying, clear-headed virtuosity that characterizes great pickers. The performers should develop confidence in handling the rhythmic exchanges, and then communicate a spirit of good, clean, exuberant fun. Percussion Instrumentation and Distribution Tambourine Cowbells Wood Blocks Triangle Timbales Temple Blocks Xylophone Small Tom-tom œ Percussion 1 œ œ œ œ œ ÷ œ œ œ œ œ & Bass Drum Bongos Pie Pan Middle Tom-tom Vibraphone Chimes Percussion 2 ÷ œ œ œ œ œ œ & Suspended Cymbal Slit Wood Drum Snare Drum Large Tom-tom Glockenspiel Clash Cymbals Tamtam Anvil œ Percussion 3 ÷ œ œ œ œ œ œ œ & Timpani ? œ œ bœ Jug Blues & Fat Pickin' Don Freund Wail, like a giant harmonica 1986, revised 1990 Transposed Score ∂ = ca. -
African Drumming in Drum Circles by Robert J
African Drumming in Drum Circles By Robert J. Damm Although there is a clear distinction between African drum ensembles that learn a repertoire of traditional dance rhythms of West Africa and a drum circle that plays primarily freestyle, in-the-moment music, there are times when it might be valuable to share African drumming concepts in a drum circle. In his 2011 Percussive Notes article “Interactive Drumming: Using the power of rhythm to unite and inspire,” Kalani defined drum circles, drum ensembles, and drum classes. Drum circles are “improvisational experiences, aimed at having fun in an inclusive setting. They don’t require of the participants any specific musical knowledge or skills, and the music is co-created in the moment. The main idea is that anyone is free to join and express himself or herself in any way that positively contributes to the music.” By contrast, drum classes are “a means to learn musical skills. The goal is to develop one’s drumming skills in order to enhance one’s enjoyment and appreciation of music. Students often start with classes and then move on to join ensembles, thereby further developing their skills.” Drum ensembles are “often organized around specific musical genres, such as contemporary or folkloric music of a specific culture” (Kalani, p. 72). Robert Damm: It may be beneficial for a drum circle facilitator to introduce elements of African music for the sake of enhancing the musical skills, cultural knowledge, and social experience of the participants. PERCUSSIVE NOTES 8 JULY 2017 PERCUSSIVE NOTES 9 JULY 2017 cknowledging these distinctions, it may be beneficial for a drum circle facilitator to introduce elements of African music (culturally specific rhythms, processes, and concepts) for the sake of enhancing the musi- cal skills, cultural knowledge, and social experience Aof the participants in a drum circle. -
Toto's Shannon Forrest
WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment. -
Drummer! ...But I Have Some in My Ensemble Percussion Quick-Reference Book for School Band and Orchestra Directors by Sean J
sample I’m NOT a Help! Drummer! ...but I have some in my ensemble Percussion Quick-reference Book for School Band and Orchestra Directors by Sean J. Kennedy Copy Editor Heather High-Kennedy Instrument Photographs by Ashley Kennedy Copyright © 2016 by Carl Fischer, LLC sampleInternational Copyright Secured. All rights reserved including performing rights. WARNING! This publication is protected by Copyright law. To photocopy or reproduce by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement. DRM143 Printed in the U.S. A. ISBN 978-0-8258-xxxx-x 2 Table of Contents Acknowledgements ..............................................................................................................3 Preface .................................................................................................................................4 Assigning Parts ......................................................................................................................5 Snare Drum ...........................................................................................................................6 Tenor Drum and Field Drum ..............................................................................6 Snare Drum Sticks ................................................................................................................7 Stick Pitch ..............................................................................................................7 -
V-Pro™ Series TD-20S-BK
V-Pro™ Series TD-20S-BK With the V-Pro™ Series TD-20S-BK, Roland improves upon the industry-standard V-Drums by starting from A New Chapter In V-Drums History. the ground up. At the heart of this flagship set is the TD-20 module with new sounds and functions, superb expressiveness and in-depth V-Editing. The patented mesh pads now feature great dynamic range and natural rim shot triggering, along with a new look and stunning black finish. The V-Pro Series TD-20S-BK also features Roland’s amazing new V-Hi-Hat and a new drum stand designed to hide the cabling. With this powerful new combination of pads and hardware, the V-Pro Series TD-20S-BK lets drummers express themselves more naturally and with more realism than ever before! TD-20 Percussion Sound Module .......................................................................... An Entirely New V-Drums Experience .......................................................................... Without a doubt, the new TD-20 is Roland’s best percussion sound module ever, offering the ultimate sonic quality, over 500 new sounds, plus superb expressiveness and dynamic range when used with the new PD-125BK/105BK V-Pads and VH-12 V-Hi-Hat. With the superior sensitivity, drummers can play more naturally and without having to adjust their playing technique. The TD-20 includes the ability to vary the rim shot and bass drum sounds depending on how you play, plus new interval control for better snare drum rolls and more realistic cymbal swells. Close your eyes. Listen to every articulation and sound being faithfully re-created until the moment your cymbal fades away, and you’ll swear this is a real acoustic set. -
PDF: 300 Pages, 5.2 MB
The Bay Area Council Economic Institute wishes to thank the sponsors of this report, whose support was critical to its production: The Economic Institute also wishes to acknowledge the valuable project support provided in India by: The Bay Area Council Economic Institute wishes to thank the sponsors of this report, whose support was critical to its production: The Economic Institute also wishes to acknowledge the valuable project support provided in India by: Global Reach Emerging Ties Between the San Francisco Bay Area and India A Bay Area Council Economic Institute Report by R. Sean Randolph President & CEO Bay Area Council Economic Institute and Niels Erich Global Business/Transportation Consulting November 2009 Bay Area Council Economic Institute 201 California Street, Suite 1450 San Francisco, CA 94111 (415) 981-7117 (415) 981-6408 Fax [email protected] www.bayareaeconomy.org Rangoli Designs Note The geometric drawings used in the pages of this report, as decorations at the beginnings of paragraphs and repeated in side panels, are grayscale examples of rangoli, an Indian folk art. Traditional rangoli designs are often created on the ground in front of the entrances to homes, using finely ground powders in vivid colors. This ancient art form is believed to have originated from the Indian state of Maharashtra, and it is known by different names, such as kolam or aripana, in other states. Rangoli de- signs are considered to be symbols of good luck and welcome, and are created, usually by women, for special occasions such as festivals (espe- cially Diwali), marriages, and birth ceremonies. Cover Note The cover photo collage depicts the view through a “doorway” defined by the section of a carved doorframe from a Hindu temple that appears on the left. -
Rototom 1 Rototom
Rototom 1 Rototom The drum kit 1 Ride cymbal | 2 Floor tom | 3 Toms 4 Bass drum | 5 Snare drum | 6 Hi-hat Other components Crash cymbal | China cymbal | Splash cymbal | Sizzle cymbal Swish cymbal | Cowbell | Wood block | Tambourine Rototom | Octoban | Hardware Rototoms are drums which have no shell. They consist of a single head in a die-cast zinc or aluminum frame. Unlike most other drums, they have a variable definite pitch. Composers are known to write for them as tuned instruments, demanding specific pitches. Rototoms are often used to extend the tom range of a standard drum kit. They were invented by the drumhead company Remo. They can be tuned quickly by rotating the head, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drum head. Master James Holland, former percussionist of the London Philharmonic Orchestra, highly recommends them in his book "Percussion",[1] which is part of the Yehudi Menuhin Music Guides series. Rototoms are often used as a training substitute for timpani students, as they have a very similar sound, are not as loud and expensive as timpani, and do not require as much room space. A few drumming greats who used rototoms were Bill Bruford and Terry Bozzio. Roger Taylor of Duran Duran used rototoms extensively on their self titled debut album Duran Duran of 1981. Roger Taylor of Queen has used rototoms since the early 1970s most recently in the cover of "Let There Be Drums" on the Return of the Champions DVD and album. -
Manufacturing Innovation in Atlantic Canada Executive Contents Summary
Manufacturing Innovation In Atlantic Canada Executive Contents Summary 3 Manufacturing in Atlantic Canada Manufacturing Innova- tion In Atlantic Canada 4 SYSPRO in Atlantic Canada investigates manufactur- ing trends, government 5 Local Insight, Flexible Software, incentives, academic Global Results and private alliances and growth with a collection of SYSPRO customer stories, 6 Incentives and Innovation local insights and future predictions. 7 Innovation in Action: Customers Stories With over 500 manufactur- 7 Innovation in Action: ing and wholesale custom- SYSPRO and Crosby Molasses ers in the region, SYSPRO, a leading provider of en- 8 Innovation in Action: terprise resource planning SYSPRO and BioVectra software and services, has been at the frontline of the 9 Innovation in Action: evolving manufacturing SYSPRO and SureShot Dispensing Systems sector in Atlantic Canada for more than 15 years. 10 Innovation in Action: John Fahey, SYSPRO and SABIAN Cymbals President SYSPRO CANADA 11 Future of Atlantic Canada Manufacturing 12 About the Author – John Fahey 12 About SYSPRO 2 Manufacturing Innovation In Atlantic Canada | www.syspro.com Manufacturing in Atlantic Canada Traditional industries continue to evolve and thrive. Oil, gas and hydroelectric resources remain evident in Newfoundland and Labrador. Agricultural success continues in Prince Edward Island (P.E.I.). Nova Scotia, often referred to as ‘the gateway to Canada,’ continues to produce and invest in world-class shipbuilding. New Brunswick, Canada’s only official bi-lingual province, remains an important area for forestry, food processing and fishing. Against a backdrop of traditional in- dustries – new, innovative manufac- Atlantic Canada’s coasts, turing companies have also emerged natural resources and to serve local, national and global culture have made it markets. -
Enrollment Goes Down by 1,000 High Percentage Ofgrads Obtain Jobs
WaamPatersonCotege Serving the college community since 1936 Vol. 51 No. 9 Wayne, New Jersey October 8,1984 Enrollment goes down by 1,000 Freshman enrollment down by 200 BY ANDREW OGILVIE^ . aduating. He said the administration NEWS EDITOR is studying the attrition rate to decideif it There are 891 less students, including is a problem or not. 200 less freshmen, than there were last In the meantime, the Admissions office year, according to Den nis Santillo, has released a new series of publications director of college relations. to "improve our pitch," Santillo said. Santillo said due to a population shift, Faculty has also been involved to a there are less people of the traditional greater extent to glow the attrition rate. college age available to enter college. Santillo said this is the first time Santillo said the rise in enrollment has declined in at least four tuition this semester has no years. However, he.said the population relation to the loss of the shift has been widely anticipated by students. colleges. ' Santilio said the rise in tuition this semester has no relation to the loss of the Santillo stressed that although there students, which represent something are less students available to enter college, admission standards have not near $600,000 in lost money for the state. ; He explained that WPG, like the other decreased. ' We won't lower standards to state colleges, is allotted a certain get more students," he said. "The amount of money from the state. 'admission standards have been increased for next year as they have been In addition to the loss of incoming in the past years." The acceptance rate is students, Santillo has expressed concern still near 59 percent and SAT scores of The loss of 1,000 students this s em ester? ho u Id create more room in the jiver students who leave the college before incoming freshmen have increased. -
Music Teacher(S): Mr
Hearts Irving Remote Learning Packet NB: Please keep all work produced this week. Details regarding how to turn in this work will be forthcoming. April 6-10, 2020 Course: Music Teacher(s): Mr. Zuno [email protected] Weekly Plan: Monday, April 6 ⬜ Read Ch 2 - Pitch, Dynamics, and Tone Color (pp. 12-18) for 12 minutes ⬜Summarize: Write a summary for 8 minutes (instructions below). ⬜Check your work: Also, please go through the Week 1 answers and check your work for accuracy. If you have any questions, please let me know so I can explain or clarify. Tuesday, April 7 ⬜ Read: Ch 2 - Pitch, Dynamics, and Tone Color (pp. 18-24) for 12 minutes ⬜Summarize: Write a summary for 8 minutes (instructions below) Wednesday, April 8 ⬜ Listen to WRR 101.1 for 15 minutes and follow the next step. ⬜ Write a short paragraph on the music you heard on the radio (instructions below). Thursday, April 9 ⬜ Please answer the questions about For the Beauty of the Earth. ⬜ Please answer the questions about Morning Has Broken. Friday, April 10 No school! Statement of Academic Honesty I affirm that the work completed from the packet I affirm that, to the best of my knowledge, my is mine and that I completed it independently. child completed this work independently _______________________________________ _______________________________________ Student Signature Parent Signature Details for each assignment: Monday, April 6 1) Read Ch 2 - Pitch, Dynamics, and Tone Color (pp. 12-18) for 12 minutes Look for terms like: frequency, pitch, and noise, as well as amplitude, forte, piano, mezzo, tone color, and timbre. -
New Texas PML 2018
Row-Loff Productions New Titles on the Texas Preferred Music List for 2018 Percussion Ensemble - Category I Bound For Marakesh by Chris Brooks Players: 8 Length: 4:02 Item: 06CS9 TX ID: 571-1-33552 Price: 45.00 Instrumentation: Vibraphone, Suspended Cymbal, Marimba, Mark Tree, Snare Drum, Ride Cymbal, Small Mounted Tom, (2) Concert Toms, Concert Bass Drum, Hand Drum (Conga or Djembe), Tam Tam, Floor Tom, China Cymbal, (4) Timpani A Parting Shot by James Campbell Players: 8 - 11 Length: 4:16 Item: 16CS13 TX ID: 571-1-33554 Price: 45.00 Instrumentation: Wood or Bamboo Wind Chimes, Chimes, Bongos, Splash Cymbal, Glockenspiel, Sizzle Cymbal, Xylophone, Congas, Kokiriko, Floor Tom, Vibraphone, Small China Cymbal, Small Wood Block, Brake Drum, Pod Rattle, 4 Octave Marimba, Hi Hat, (4) Timpani, Large Tam Tam, (2) Medium Concert Toms, Opera Gong, China Cymbal, Impact Bass Drum, (5) Temple Blocks, Medium Suspended Cymbal, Concert Bass Drum, (2) Large Concert Toms Night Hunter by James Campbell Players: 12 Length: 4:37 Item: 13CS11 TX ID: 571-1-33556 Price: 45.00 Instrumentation: Bells, Chimes, Xylophone, (2) Vibes, (3) Marimbas (one 4 1/3 octave, one 4 1/2 octave shared with players 6 & 7), (4) Timpani, Spring Drum, Large/Low Metal Wind Chimes, Tam Tam, Ratchet, Vibra Slap, Castanets, Hi Hat, Large Wooden Plank, Ocean Drum or Rainstick, Cuica, Slapstick, Small Triangle, Djembe, Snare Drum, Concert Bass Drum, Seed Pod Rattle, Cajon, Wood Wind Chimes, Guiro, China Cymbal, Splash Cymbal, Medium Suspended Cymbal Inflections byRay Flores Players: 5 Length: 4:22 Item: 18CS16 TX ID: 571-1-33570 Price: 35.00 Instrumentation: Bells, Xylophone, Vibes, (2) Marimbas (4 octave & 4.3 octave) Root Beer Rag by Billy Joel/arr.