Siren Suicides, Second Edition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Organisms and Human Bodies As Contagions in the Post-Apocalyptic State
CHAPTER 1 Organisms and Human Bodies as Contagions in the Post-Apocalyptic State Robert A. Booth n this chapter, I show how discourses of contagion and pollution not only imbue many post-apocalyptic cinema and television narratives but also mirror public discourse about immigration. Further, I examine the often- I 1 racialized immigrant in post-apocalyptic film and television that is, in essence, a discourse on insider–outsider social divisions and relationships of power. Finally, I elucidate the argument that post-apocalyptic film and television rein- force the primacy of centralized political authority, namely the State, and post- 9/11 post-apocalyptic film in particular reinforces the hegemony of the State. The post-apocalyptic subgenre of science fiction and/or horror has become popular fodder for cinema and television. As Susan Sontag notes, “the science fiction film . is concerned with the aesthetics of destruction, with the pecu- liar beauties to be found in wreaking havoc, making a mess. And it is in the imagery of destruction that the core of a good science fiction film lies.”2 Portrayals of the post-apocalypse often index or echo visual memories of terrible societal traumatic events of the past.3 With the experience of the social, political, economic, and emotional trauma of the 9/11 attacks, one might reasonably assume that Americans would acquire a distaste for graphic destructive violence. Certainly, after the attacks, filmmakers occasionally felt pressured to remove images of the Twin Towers or to change content that might evoke the tragedy, such as planes crashing into skyscrapers. However, post-apocalyptic genres remain ever popular in American television and cinema. -
The Myth of Closure
PROCESS The Myth of Closure PAULINE BOSS* DONNA CARNES† To read this article in Spanish, please see the article’s Supporting Information on Wiley Online Library (wileyonlinelibrary.com/journal/famp). Therapies for grief and loss have traditionally focused on the work of grieving. The goal was to reach an endpoint, now popularly called closure. There are, however, many people who, through no fault of their own, find a loss so unclear that there can be no end to grief. They have not failed in the work of grieving, but rather have suffered ambiguous loss, a type of loss that is inherently open ended. Instead of closure, the therapeutic goal is to help people find meaning despite the lack of definitive information and finality. Hope lies in increasing a family’s tolerance for ambiguity, but first, professionals must increase their own comfort with unanswered questions. In this article, the authors, one a poet, the other a family therapist and theorist, offer a unique blending of theory, reflection, and poetry to experientially deepen the process of self-reflection about a kind of loss that defies closure. Keywords: Ambiguous Loss; No Closure; Unresolved Loss; Unresolved Grief; Meaning Making; Sadness Versus Depression; Self-Reflection; Complex Grief Fam Proc 51:456–469, 2012 n the world of grief and mourning, there is a type of loss that defies closure even with Ihealthy families. It is called ambiguous loss, a term coined in the 1970s to illustrate a unique kind of loss when a loved one disappears in body or mind.1 A family member van- ishes physically with no verification of whereabouts or fate as dead or alive or fades away psychologically from dementia and other cognitive or emotional impairments. -
The Barbara Johnson Reader a John Hope Franklin Center Book the Barbara Johnson Reader the Surprise of Otherness
The Barbara Johnson Reader A John Hope Franklin Center Book The Barbara Johnson Reader The Surprise of Otherness Barbara Johnson edited by melissa feuerstein bill johnson gonzález lili porten keja valens With an Introduction by judith butler and an Afterword by shoshana felman Duke University Press Durham and London 2014 © 2014 Duke University Press Afterword © 2014 Shoshana Felman All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by April Leidig Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data The Barbara Johnson reader : the surprise of otherness / edited by Melissa Feuerstein, Bill Johnson Gonzalez, Lili Porten, and Keja Valens, with an introduction by Judith Butler and an afterword by Shoshana Felman. pages cm “A John Hope Franklin Center Book.” Includes bibliographical references and index. isbn 978-0-8223-5419-2 (pbk : alk. paper) isbn 978-0-8223-5403-1 (cloth : alk. paper) 1. Johnson, Barbara, 1947–2009. 2. Feminist literary criticism. I. Feuerstein, Melissa. II. Johnson Gonzalez, Bill, 1970– iii. Porten, Lili. IV. Valens, Keja, 1972– pn98.w64b37 2014 801.'95092—dc23 2013045003 Contents Ac know ledg ments vii Editors’ Preface xi Personhood and Other Objects: The Figural Dispute with Philosophy by Judith Butler xvii Barbara Johnson by Barbara Johnson xxvii part i | Reading Theory as Literature, Literature as Theory 1 The Critical Diff erence: BartheS/BalZac 3 2 Translator’s Introduction to Dissemination (abridged) 14 3 Poetry and Syntax: -
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS XVI DANCE, MUSIC, ART, AND RELIGION Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th of August 1994 Edited by Tore Ahlbäck, Distributed by ALMQUIST & WIKSELL INTERNATIONAL STOCKHOLM, SWEDEN Dance, Music, Art, and Religion Dance, Music, Art, and Religion Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th August 1994 Edited by Tore Ahlbäck Published by The Donner Institute for Research in Religious and Cultural History Åbo Finland Distributed by Almqvist & Wiksell International Stockholm, Sweden ISSN 0582-3226 ISBN 951-650-834-0 Printed in Finland by Åbo Akademi University Printing Press Turku 1996 Contents Editorial Note 7 DESMOND AYIM-ABOAGYE Art, Music and Religious Experience in Libation Pouring of Akan Religion 9 UMAR HABILA DADEM DANFULANI Rituals as Dance and Dance as Rituals. The Drama of Kok Nji and Other Festivals in the Religious Experience of the Ngas, Mupun and Mwaghavul in Nigeria 27 VALERIE DEMARINIS With Dance and Drum. A Psychocultural Investigation of the Ritual Meaning-Making System of an Afro-Brazilian, Macumba Community in Salvador, Brazil 59 MONICA ENGELHART The Dancing Picture — The Ritual Dance of Native Australians 75 RAGNHILD BJERRE FINNESTAD Images as Messengers of Coptic Identity. An Example from Con- temporary Egypt 91 MARIANNE GÖRMAN The Necklace as a Divine Symbol and as a Sign of Dignity -
Comic Book Crime Truth, Justice, and the American Way
Comic Book Crime Truth, Justice, and the American Way INSTRUCTOR’S GUIDE Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that em- body values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, provid- ing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is deliv- ered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Sta- ci Strobl explore these representations and show that comic books, as a historically im- portant American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ cal- culations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engag- ing, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way. -
Download and Print It Yourself
TeRRoR #1 2010 Arma Bitter/Terg Bizarre Uproar Brethren Clew of Theseus Clo Goelach Coma Detox Gas Chamber Haare Hum of the Druid Knurl McKaras Molester Mourmansk 150 Wertham reviews and more REVIEWS EDITORIAL After huge delays and so on finally the first forces, but we'll see when the time comes. Of issue of terror is out. Since the first thought course if somebody is willing to contribute somewhere around 2007-2008 something some art, especially written stuff, I'll gladly has changed and will of course change in the consider that. There were plans for this issue future. At first there were plans to make online to have a separate corner for some writings + paper issue of the zine so though these remained that the information would plans. Perhaps for the fu- circulate online, but also ture. I'm also very happy sooner or later it would be that since these years of si- put into paper. Anyways, lence (or at least that since that's good for re- seemed to me) some views, interviews are not printed zines appeared. that cup of tea and so after Misanthropy, Special Inter- publishing bigger part of this ests and so on. It seems issue's interviews online, I fi- that we're not moving to 0 nally decided to make things and 1 yet with full bodies a little different. From now and that's great. Without on interviews will go online any more twaddling I'd like (with the agreement of the to say huge thanks to interviewees) just after the everyone who had shared next issue is published. -
The Life of Jacob Gruber
Iiiill,lt i'liiiiiH i,ii'>li|l|l,!ii f; iSilllllilillll II 11, ii "''*^*'''''^!,:!!iiiii!lillili!i Ij^i 'I ,. PW/'^f'l,i! '''^iiiiifrliiiiiiifeh^'''^imm\] ii auii±Lj i, fat.2>aA.a,^<f: l\^V\> 9724 Cornell University Library BX8495.G88 S91 Stricklan Life of Jacob Gruber / by, W-P. 3 1924 029 471 889 olin a Cornell University y Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 924029471 889 _^^^2l^ 4^^*^-fe' tf 'i.^jyO^'i^ THE LIFE JACOB GRTJBER. By W. p. STEICKLAND. THIRD THOUSAND. ^tvo Ij) r k : PUBLISHED BY OAKLTON & PORTER, 200 MULBEEEX-3TEEBT. 1860. 5 A5.eif.vAS. Entered according to Act of Congress, in the year 1S60, by CARLTON & PORTER, in the Clerk's Office of the District Court of the United States for the Southern District of New-York. PREFACE "Jacob Geuber was a character, and copied after no man," was a remark made by one of his cotemporaries, an aged minister of the Bal- timore Conference, and whoever reads the sketch of his life presented in the following pages will, we think, be fully convinced of the fact. He was himself always and everywhere, and he never lost his individuality as one of the most humorous, witty, and yet withal grave and earnest preachers of his day. We have aimed at giving a faithful portraiture of the man, pre- senting the salient points of his character as they were developed during a ministry of over •half a century ; and as our materials were ample, apart from the recollections of numerous inci- dents connected with his life, furnished by per- sonal friends, the reader need not fear that we 4 PBEFAOE, / have taxed our imagination to fill up the pic- ture. -
Blasphemy and Sacrilege in a Multicultural Society
Negotiating the Sacred Blasphemy and Sacrilege in a Multicultural Society Negotiating the Sacred Blasphemy and Sacrilege in a Multicultural Society ELIZABETH BURns COLEMAN AND KEVIN WHITE (EDITORS) Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Negotiating the sacred : blasphemy and sacrilege in a multicultural society. ISBN 1 920942 47 5. 1. Religion and sociology. 2. Offenses against religion. 3. Blasphemy. 4. Sacrilege. I. Coleman, Elizabeth Burns, 1961- . II. White, Kevin. 306.6 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Indexed by John Owen. Cover design by Teresa Prowse. Art work by Elizabeth Burns Coleman. This edition © 2006 ANU E Press Table of Contents Contributors vii Acknowledgements xi Chapter 1. Elizabeth Burns Coleman and Kevin White, Negotiating the sacred in multicultural societies 1 Section I. Religion, Sacrilege and Blasphemy in Australia Chapter 2. Suzanne Rutland, Negotiating religious dialogue: A response to the recent increase of anti-Semitism in Australia 17 Chapter 3. Helen Pringle, Are we capable of offending God? Taking blasphemy seriously 31 Chapter 4. Veronica Brady, A flaw in the nation-building process: Negotiating the sacred in our multicultural society 43 Chapter 5. Kuranda Seyit, The paradox of Islam and the challenges of modernity 51 Section II. Sacrilege and the Sacred Chapter 6. Elizabeth Burns Coleman and Kevin White, Stretching the sacred 65 Chapter 7. -
[ INSTANT PARTY MUSIC by ARTIST ] [ No of Tunes = 287 ] a TEENS
[ INSTANT PARTY MUSIC by ARTIST ] [ No of Tunes = 287 ] A TEENS >> MAMMA MIA {K} ABBA >> I DO I DO I DO I DO I DO {K} ABBA >> MAMMA MIA {K} ABBA >> RING RING {K} AC DC >> DIRTY DEEDS DONE DIRT CHEAP {K} AC DC >> HIGH VOLTAGE AC DC >> HIGHWAY TO HELL {K} AC DC >> IT'S A LONG WAY TO THE TOP {K} AC DC >> JAILBREAK {K} AC DC >> ROCK N ROLL AIN'T NOISE POLLUTION {K} AC DC >> T N T {K} AC DC >> THUNDERSTRUCK {K} AC DC >> YOU SHOOK ME ALL NIGHT LONG {K} ADAM ANT >> ANT MUSIC {K} ALAN O'DAY >> SKINNY GIRLS ALICE D J >> BACK IN MY LIFE {K} ALVIN STARDUST >> MY COO CA CHOO {K} AMERICAN AUTHORS >> BEST DAY OF MY LIFE {K} AMII STEWART >> KNOCK ON WOOD {K} ANGELS >> AM I EVER GOING TO SEE YOUR FACE AGAIN {K} ANGELS >> COMING DOWN AQUA >> BARBIE GIRL ARROW >> HOT HOT HOT AUSTRALIAN CRAWL >> BEAUTIFUL PEOPLE AUSTRALIAN CRAWL >> LOUIE LOUIE AXEL F >> CRAZY FROG B52'S >> LOVE SHACK {K} B52'S >> PLANET CLAIRE B52'S >> PRIVATE IDAHO {K} B52'S >> ROCK LOBSTER {K} BAHA MEN >> BEST YEARS OF OUR LIVES {K} BAHA MEN >> WHO LET THE DOGS OUT {K} BANGLES >> WALK LIKE AN EGYPTIAN BEACH BOYS >> BARBARA ANN {K} BEACH BOYS >> BEACH BOYS MEDLEY BEACH BOYS >> CALIFORNIA GIRLS {K} BEACH BOYS >> HELP ME RHONDA {K} BEACH BOYS >> SURFIN' U S A {K} BEATLES >> ALL MY LOVING {K} BEATLES >> BACK IN THE U S S R {K} BEATLES >> BIRTHDAY {K} BEATLES >> I SAW HER STANDING THERE {K} BEATLES >> I SHOULD HAVE KNOWN BETTER {K} BEATLES >> OB-LA-DI OB-LA-DA {K} BEATLES >> PLEASE PLEASE ME {K} BEATLES >> ROCK AND ROLL MUSIC BEATLES >> ROLL OVER BEETHOVEN BEATLES >> SHE LOVES YOU {K} BEATLES -
The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me. -
Liste Gebrauchtware Privatkunden Datum
TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN -
Shamanism and Alien Abductions : a Comparative Study
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2000 Shamanism and alien abductions : a comparative study Simon Brian Harvey-Wilson Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Social and Cultural Anthropology Commons Recommended Citation Harvey-Wilson, S. B. (2000). Shamanism and alien abductions : a comparative study. https://ro.ecu.edu.au/theses/1389 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1389 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.